Documente Academic
Documente Profesional
Documente Cultură
NEW DELHI
In Addition to the Filled-up Application for Internship at Copyright office, New Delhi
DURATION OF INTERNSHIP
[01-06-2017 TO 30-06-2017]
SUBMITTED BY
[UTKARSH MISHRA]
[B.Com.LL.b/14-15/19]
[Dr. Shakuntala Misra National Rehabilitation University]
[E-mail – utkarshmishra710@gmail.com]
Academic Session: 2017-18
RESEARCH PROPOSAL
b) Hypothesis:
The evolution of international standards for the enforcement of copyright and related rights
has been dramatic in recent years, and this evolution has been driven principally by two
factors. The first is the advance of technological means for the creation and use (both
authorized and unauthorized) of protected material, including, most recently, the advent of
digital technology, which makes it possible to transmit and make perfect copies of any
information existing in digital form, including works and productions protected by copyright
and related rights. The second factor is the increasing economic importance of goods and
services protected by intellectual property rights in the realm of international trade; simply
put, trade in products embodying protected intellectual property rights is now a booming,
worldwide business
c) Research Problem:
Global intellectual property theft and commerce in counterfeit and pirated goods are growing
at an alarming pace. Counterfeiting is no longer limited to the knockoffs of high-end designer
handbags sold on city street corners but, instead, has evolved into a sophisticated black
market industry involving the manufacture and sale of counterfeit versions of an
unimaginable number of products. Due to the varying levels of wealth, economic structures,
technological capabilities, political systems and cultural traditions, different countries have
different copyright laws. What is protected under U.S. law may not be protected under
Brazilian law. What is legal within the United States may be illegal in China. The Berne
Convention and the TRIPs (Trade-Related Aspects of Intellectual Property Rights)
Agreement attempt to harmonize copyright laws around the world. However, these
multilateral conventions have yet to create a uniform intellectual property regime under
which all member countries have identical copyright laws. In fact, there remains wide
disagreement among countries regarding issues such as “moral rights,” “fair use,” duration of
copyright, protection in data, rights in sound recordings, exhaustion of rights, work-for-hire
arrangement and, most recently, circumvention of encryption technologies and Internet
service provider liability.
d.) Research Methodology:
the research methodology used in this report is emperical.. The study is based on available
literature extracted from different databases. This is a qualitative study intended to
understand the issues related to transnational protection of copyrights and measures for the
enforcement of such copyrights.
Intellectual property rights are national or territorial in nature. Their normal sphere of
operation is the state in which they are granted. Eighteenth-century laws therefore sought to
regulate copyright norms only within these geographical limits. But in the nineteenth century,
as markets for copyright works expanded beyond purely national limits, the permeability of
these boundaries began to threaten the interests of copyright holders. Various experiments
were tried at that time. Efforts to create and defend impregnable islands of copyright property
proved unsuccessful, largely because the physical borders were simply too difficult to patrol.
Attempts at draconian enforcement failed in practice, and were also liable to provoke public
disregard for copyright law.
Parallels may be drawn with the environment in which copyright law currently operates. The
contemporary public has displayed comparable reactions to similar tactics by the modern
copyright industries. The question throughout most of the nineteenth century was whether the
previously discrete national copyright regimes could be made to work together in an
environment of international trade. The question now is whether international copyright law
can function in cyberspace, where there is no overwhelming reason to acknowledge physical
boundaries.4 The very structure of the new environment challenges the established order of
copyright law. But the leap between national and international contexts was likewise a severe
test for copyright law; one which was eventually negotiated with considerable success. The
transition to a global environment need not be regarded as essentially different in nature.
Indeed, if the various debates are compared, some of the resemblances are striking. A
thumbnail sketch of international copyright’s origins and development gives preliminary
context to these issues.
DRAFT TABLE OF CONTENTS
1. Introduction
2. Extra territorial application of US copyright law.
3. Two interpretation of the national treatment principle.
4. International Cooperation.
4.1 Bilateral cooperation
4.2 Multilateral Cooperation
5. Provisions on Enforcement of Rights in International Copyright and Related Rights
Conventions.
6. Evolution of International Standards for the Enforcement of Rights.
7. Laws protecting your intellectual property.
8. Federal civil copyright laws.
9. Conclusion.
EXPLANATION TO TABLE OF CONTENTS
1. Introduction:-
This deals with the different policies of transnational protection of copyright and what
effective measures should be taken to enforce them.
2. Extra territorial application of US copyright law:-
This refers that courts are generally reluctant to apply copyright laws to infringing
activities abroad unless there is direct infringement within the United States
3. Two interpretation of the national treatment principle:-
This tells that a member state must protect the work of foreign authors the same way
as it protects the work of its own authors. Thus, whatever law applies to a domestic
work will also apply to a foreign work.
4. International cooperation:-
This deals to the international arena that intellectual property enforcement is generally
provided in bilateral or multilateral treaties.357 Bilateral cooperation is most often
found in joint activity and education of domestic enforcement agencies.
5. Provisions on Enforcement of Rights in International Copyright and Related Rights
Conventions:-
This refers that while the international copyright and related rights conventions
administered by WIPO do not contain extensive provisions dealing with enforcement
of rights, the obligation of States to provide adequate means for enforcement of rights
is clearly present in these conventions.
6. Evolution of International Standards for the Enforcement of Rights:-
This tells that evolution of new standards for enforcement of rights has taken place in
a number of contexts, including the activities of WIPO.
7. Laws protecting your intellectual property.
This deals with the information of different laws present at the international level
which protects our intellectual property.
8. Federal civil copyright laws:-
This refers to that A federal court action for copyright infringement under the U.S.
Copyright Act is the exclusive recourse for copyright owners seeking to enforce their
copyrights in a civil action.
9. Conclusion:- this refers to the conclusion and suggestions.
CASE- LAW STUDIES
1. Watal, Jayashree (2001): Intellectual Property Rights in the WTO and Developing
Countries. London: Kluwer International.
2. Wielsch, Dan (2010): Rules of Access in Copyright Law Beyond The Nation State.
3. Yu, Peter K. (2007): International Enclosure, the Regime Complex, and Intellectual
Property Schizophrenia. Michigan State Law Review, 1, 1--‐33.
4. Mustafa Faizan, Copyright Law : A Comparative Study, Institute Of Objective
Studies,1997
5. Griappa Somu, Copyright Law, Economy And development, Daya publications, 2002