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Storying Process
Planning for
Chronological Bible Storying
1. Consider the Foundational Truths for Salvation
The first step in planning is to consider the essential foundational truths leading to salvation that one
must understand and act upon. This will include some understanding about the sovereignty of God as
Creator and the relationship of man to Him. It must then include sole aspect of God’s holiness and
man’s sinfulness so that the seeker sees himself as a sinner needing God’s mercy. It should include
the penalty of sin -- spiritual death of the sinner -- and the need for blood to atone or cover that sin. It
should include God’s provision for a saviour as the perfect and acceptable sacrifice. It should also
point to the need for genuine sorrow for one’s sins, a turning from them, faith in God’s provision for
sin in the death of Jesus as the son of the living God, and obedience to God’s terms and conditions
for salvation. These should be expressed clearly, as they will be used to write objectives for your
telling the Bible story of redemption.
Now you must look at the worldview of your target people and examine it to determine the spiritual
and other barriers to the Gospel, as well as any bridges or links they may have in their religious,
cultural or historical heritage. (Ecc. 3:11 says, “...He has also set eternity in the hearts of men...”) This
worldview survey may be simple or very thorough. Much of it you likely already know, but may never
have set it down in a useable form. There are certain categories of barriers that are common in any
given culture and among those practicing a religion. There are other barriers both within the culture
and coming from the outside that may need to be dealt with. These should be listed in priority from a
spiritual viewpoint, since it is a spiritual problem you’ll be dealing with. The first priority will be to
evangelise, so the barriers should relate to what keeps that from happening. Later, as you move into
the discipling process, you will deal with barriers that may hinder fellowship, hinder Christian
testimony, or otherwise hinder growth in Christ. Satan is the author of barriers, and it is his work to
keep men’s hearts blinded to the reality of the Gospel and to cause them to dismiss the Gospel as
ineffective or irrelevant for them.
Now you are ready to write your objectives, which deal with the foundational truths, spiritual and other
barriers. These objectives will then be used to select a chronologically arranged Bible story list. (Or
theme list drawn from a Chronological framework) and to develop a list of truths or themes in the
stories and which address the objectives. To illustrate: If a people have a faulty concept of holiness as
that which man can attain by something he does, then it destroys the very fabric of holiness that sets
God apart from sinful man. Then man sees himself as able to achieve a god-like state and so the
need for salvation by a holy and righteous God as unnecessary. The same could be said for other
doctrinal concepts like sin (“I’m not sinful”, “I haven’t done anything bad”) or a faulty understanding of
worship, “making things right with God or making Him happy” so He won’t bother me. Remember, you
don’t need to address every objection or barrier that people have – only, those that are a priority
hindrance to first receiving God’s Word, then understanding what God says about man’s relationship
with Him, God’s finished work of redemption in the death of His son Jesus, and man’s faith and
obedience to what God requires. The objectives are a summary outline of what you need to cover.
Having selected a list of stories, you will now want to be sure that all your important themes and
objectives are covered. You may find that you have an impossibly long list in the light of the time you
have to work with a people. The next step is to refine your list so that all objectives are adequately
covered and to fit within a reasonable time frame that you can meet with your people. For rural people
of low literacy, you may have only the weather and agricultural seasons to contend with. For urban
people, you may have a seriously limited time frame and attention span. Adjust your chronological list
of stories or lessons centred on truths to fit reality. You may find need to adjust it later on -- shorter if
the people have some basic knowledge or early understanding; or longer if new barriers are
identified. Do not make the list necessarily longer if the people do not understand. You may always
repeat a story or expand the review time as needed.
Now you are ready to prepare the lessons you will teach or tell each time. You can make a form or
outline, which you will use to assemble each lesson. There are really only four parts to each session.
First is an introductory preview time in which you review previous stories and teachings foundational
to the current story. You will bridge into that story or teaching by asking questions which are
answered in the story.
Second is a reading of part of the story from the Bible. This is done while holding the Bible in the
hand. It is to anchor the story in the Bible. It is not your story; it is from God’s Word. We signal this by
holding the Bible in our hand.
Third is the telling of the story from the Bible in an accurate, interesting and understandable manner.
By doing this, you put the story into an oral form. Some of the stories may be greatly simplified in the
telling. You want a narrative that makes the story understandable and memorable. One of your
objectives is to have people remember the story. You want them to readily see the truths in the story.
The object is for them to identify these truths and internalise them. Remember that you will want to
know your story well enough so that you can tell it. I suggest writing it out to give it shape and clarity.
Also, you may want a record of your materials to share with another user.
Fourth is a time to discover the truths in a guided review and dialog time. This is a talk time in which
you will want to use some questions to draw out the proper responses. So you will want to use your
best judgment and knowledge of the people to frame questions which will lead them to discover and
verbalise the truths. Some story users like to end with another non-biblical story.
Interruptions will happen. Count on it. Think about how you will handle a break in your schedule of
sessions. If the break is short, then backing up a lesson or two with extra review may be all that is
needed. If the break is long, you may want to consider beginning again from the first.
Different tracks may have different barriers. First you are evangelising, then you are affirming new
believers, then planting a church, discipling and maturing, and finally, rejoicing in the ultimate and
anticipation of restored fellowship with God the Father in Christ. Deal with only the major barriers. You
will have opportunity as the group grows in knowledge to help them deal with other spiritual
shortcomings. The Holy Spirit does this through their knowledge of the taught Word.
J.O.Terry
What follows is not a formula that will transform you into an instant storyteller. If you will follow these
steps, you will become more relaxed about telling stories. When you become more relaxed and
comfortable with storytelling, then you will do it in your own unique way. The most important thing is to
enjoy the experience and the audience’s response as you tell the story in your own way.
1. You do not need to memorise the words exactly as they are written. For the story to have
power, it needs to be your story. Memorising can cause the story to become stilted and
unnatural. It can also turn storytelling into a performance. Memorising is difficult for many
people. Limit yourself to memorising key phrases or passages that are so beautifully worded you
do not want to change them.
2. Be yourself when telling the story. Relax and let your emotions, feelings and expressions
come through. Remember that you are not a performer. Do not add motions and gestures that
are unnatural for you. The more “real” you are, the more the audience will realise that the story is
important to you and has meaning for you. The story, then, is a gift from you, the teacher, to the
audience. You are giving something of yourself to the audience.
3. Become aware of how you are presenting yourself and what you are communicating to
your audience. Be aware of your voice, pauses, facial expressions, body language, diction,
knowledge of what comes next, and use of descriptive words. The following steps are meant to
help you become confident that you know the story well enough to tell it in front of a group.
Intense preparation is usually needed for the first couple of stories. After preparing to tell a story,
future stories will come easier. Try these following steps:
a. Read the story aloud several times. This will help you fix the story in you mind. Read to
get the flow of the story, to get the characters straight, and to learn the events in the correct
order.
b. Close your eyes and tell the story to yourself. This does two things for you:
1. It helps you to realise which parts of the story you know and which you are having
trouble remembering.
2. Visualise the action (eyes closed, watching the story in your mind’s eye) helps you
identify action words and descriptive words that you can use to paint word pictures.
c. Write an outline of the story. Write the opening and ending of your story in detail.
Compare the outline to the original story. Check to see that the events are in the proper
sequence. Have you missed any important parts of the story? Does your opening set the
stage for the story and capture the interest of the audience? Is your ending short and to
the point?
d. Tell the story aloud to yourself and tape record it to see how it sounds.
Listen for:
-- descriptive words
-- use of questions and pauses
-- tone of voice
-- opening and ending
-- vocabulary
-- hesitations where you are not sure what comes next
e. Identify what needs improving. What do you need to make your presentation better? Do
you need to work on your voice? Action words and adjectives for stronger word pictures?
Shortening the story? Adding some fact or information from research that do not appear in
the original story but would help make the story come alive and be more interesting and
informative? Don’t rush your story, let it flow!
f. Tell your story aloud as many times as it takes for you to feel comfortable with it.
After you have the story shaped the way you want it, tell it over again and again until it
is part of you. Telling the story aloud is very important. Find a private place and “let
yourself go!” It will take three to five more times for it to become yours.
g. Put away your notes. Try to reach a stage in your storytelling where you do not need
notes. One of the great advantages of telling a story is that you can have eye contact with
the audience. Eye contact is essential when telling a story.
h. Tell the story to someone before you tell it to the group. Telling the story to a live
person brings life to the story that you won’t get by recording it on tape.
Now you are ready to tell your story. And it really is your story!
5. To correct existing doctrinal error in understanding biblical truth that is inconsistent with all
biblical truth.
6. To give oral communicators a mental structure in which to place initial Bible stories and
teachings, also in which to place future stories.
Ask questions that lead the hearers to review the story. Dialog, not lecture.
Determine listener’s comprehension of the questions.
Dialog to see if the truths were discovered.
Dialog to see if worldview issues were covered.
Be biblically and culturally sensitive in handling incorrect answers.
Let someone retell the story in their own words.
Don’t deal with questions about chronologically future issues.
Be sensitive to the group’s time, but don’t be in a rush.
Allow relationships to develop.
6. Conduct first session as a dialog to raise questions about knowledge of the spirit and physical
world.
8. Teach what the Bible reveals about God and His nature.
10. Teach creation of physical world, first man and first woman.
Hostile visitors
Others
3. Breaks in schedule
Weather
2. Communication patterns
New Testament
Core Stories
Core Stories are those central Bible stories that teach the essential Bible truths about God, man, sin
and salvation through faith in Jesus. Most of these stories would be in all chronological presentations
of the story of salvation. When storying from the Gospels or New Testament alone, the Old
Testament core stories are assumed to be known already or will be referred to during the course of
storying the Gospels.
Core stories are those which would be used without any regard to worldview of the target people. The
stories are chosen only according to the storyer’s understanding of what essential truths must be
understood in order for a person to understand that he is lost before a righteous God:
The story series is closed with the understanding that man can appropriate this salvation by believing
on Jesus as the one sent from God, who died in man’s place, and that Jesus will raise him up again
to everlasting life.