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that dominated much of European philosophy, politics, and art from the mid-17th century until
the close of the 18th century. Whereas Enlightenment thinkers value logic, reason, and
rationality, Romantics value emotion, passion, and individuality.
These values manifested themselves in literature in several important ways, listed below. It is
important to keep in mind that nothing on this list describes all Romantic literature or all
Romantic writers. These general ideas, however, provide a reasonable description of tendencies
which would have been fairly commonplace amongst Romantics.
Art, as the product of individual creation, is highly prized. Many Romantics “found
admirers read to hero-worship the artist as a genius or prophet” (Baldick 223).
Nature, rural life, and pastoral imagery make common subjects for poetry.
Individual achievements are highly prized. This notion applies both to actual people
(artists, writers, military heroes, explorers, etc.) and also to fictional characters. This
tendency produces the notion of the “romantic hero” and the “Byronic hero”.
Many Romantic writers, especially the poets, believed all people, regardless of wealth or
social class, should be able to appreciate art and literature, and artists should create art or
literature accessible to everyone.
Definitions of the canon of any period are constantly in flux, but for the Romantic Era in
England, there are six writers who will doubtless find their way into any such definition.