Although Impressionistic music had already been set in place by
the preceding generation, it was firmly established by Claude Debussy (1862-1918) as a new trend in the various musical styles of twentieth century. Influenced by Symbolist poets and painters, Debussy applied these Symbolists’ aspects in his music, which focused on exploring writers’ psychological states rather than emphasizing objective description or reaching for technical perfection(Burge 1990: 4). While Debussy did not consider himself as an Impressionist, he is still widely known as the most representative composer of French Impressionism. This is because his music had the strong characteristic of evoking vivid images using musical devices that could sound both vague and alien to the ears of contemporary listeners of Debussy's time.
1) "This work was supported by Dong-eui University Foundation
Grant (2012)." "이 논문은 2012 학년도 동의대학교 연구년 지원에 의하 여 연구되었음." 210 음악과 문화 제30호
Debussy numerously referred to music of different styles and
evolved his own, but he was especially selectional when he tried on new ways of composing. Debussy's main concern was not about creating a style that deviated from the preexisting music. Rather, he constantly sought to find ways to effectively express images and emotions through different sounds, even if it had to be breaking traditional rules of music. It is interesting to find that Debussy was especially enthusiastic about Asian arts. His compositions changed greatly after he met Asian traditional music such as Javanese gamelan of Indonesia and the Indian music, rāga. It is also well known that Debussy was so deeply into the Japanese prints that a number of his compositions were inspired by them. Other than historical and cultural reasons that made Asian arts original and charming, Asian arts certainly appealed to Debussy since it well suited Debussy's core musical intentions. Asian music had the capability of making musical sound more animated and telling, while the preexisting functional and tonal systems of Western music were limited from expressing the innovative sound that Debussy wanted to create. By applying what he had learned from Asian arts to his compositions, Debussy was able to effectively carry out emotions and images by his music. Even though the influences of Asian arts and their association with Debussy's music is often discussed in scholarly writings, a comprehensive study of which aspects of Asian arts had a captivating effect on Debussy has not been fully discussed. This study will first discuss the influences of Symbolism on both fields of painting and music. It will then examine which particular aspects of Indonesian gamelan music and Indian rāga music