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DEBUSSY
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THE BOSTON MUSIC COMPANY


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NEW YORK i G. SCHIRMER, Isc.

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Claude Debussy

1. Mazurka pg. 2

2. Ballade 8
3. Danse 18
4. Reverie 28
5. Valse romantique 34

comp. n. .60

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B.M.Co. 2747
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THEORY, HARMONY, ETC. PIANO


ANGER, on Harmony. In 3 parts.
ARNOLD, M., Pianist's Manual 50
— J. H., Treatise
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BLANCHETT, H., Scale and Arpeggio Fingering Chart 25
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to the "Elements of Music")

— The Student's Handbook of Musical Knowledge. CI. .75
Cl. .75 FITZGERALD, JOHN, Modern Instrumentation for String Orchestra, Military
and Brass Bands 1.00
Catechism Music of 100
PROUT, EBENEZER, Counterpoint:
C/ HOFMANN, RICHARD, Practical Instrumentation. Seven Parts, complete 10.00
— and Free Strict Cl. 2.50 — Part I. The Strings 2.00
Additional Exercises to "Counterpoint: Strict and — Part II. The Wood-Wind _ 2.00
— Free." Cl. 1.25 — Part III. Strings and Wood-Wind Combined 1.25
— Harmony, Theory and Practice
its Cl. 2.00 — Part IV. The Horns 1.25
— Analytical Key the Exercises
Double Counterpoint and Canon
"Harmony."
to in Cl. 1.25
2.00
— Part V. The Combination of Strings, Wood- Wind and
— The Fugue
Cl.
2.00 — Horns 1.25

— Fugual Analysis: A Companion to "Fugue."
Cl.
Cl. 2 00
Part VI. The Trumpets. Cornets, Trombones, Tubas,
and Instruments of Percussion 2.25
Musical Form
— Applied Forms: A Sequel to "Musical Form."
Cl. 2.50 — PartVII. Harp, Mandolin, Zither, Guitar. Piano, (Cem-
PROUT, LOUIS B., Sidelights on Harmony.:
Cl. 2.00 — balo), Organ and Harmonium 2.00
— Harmonic Analysis
_ 1.00
1.00
PROUT, EBENEZER, The Orchestra:
— Time, Rythm and Expression .25 — Vol
I.
Vol.11.
The Technique of the Instruments
The Orchestral Combinations
Cl. 2.00
RIEMANN, H., Harmony Simplified CL 2.00
Cl. 2.00
(Also published German and French.)
in (Also published in German.)
— Dictionary Music of Cl. 4.50
RIEMANN, H., Catechism of Musical Instruments. (Guide to Instrumentation.)
— Catechism of Musical Aesthetics flex. Cl. 1.00 — Catechism of Orchestration
Flex.Cl. 1.00
ROCKSTRO, W. S., Practical Harmony Flex. Cl. 1.00 — flex. Cl. 1.00
— Key to "Practical Harmony." Introduction to Playing from Score flex. Cl. 1.00
— The Rules of Counterpoint
Flex.Cl. .75
Flex. Cl. 1.00
SCHROEDER, C, Handbook of Conducting
WIDOR, CH. M., The Technique of the Modern
Flex. Cl. 1.00
SCHUMANN, R., Advice to Young Musicians .25
Orchestra CI. 5.00
SLOPER, LINDSAY, Manual of Harmony 75
SUTTON. ROBERT, The Elements of Musical Theory flex. Cl. 1.00
TREW, CHARLES, Elements of Music, Simply Explained
WUERST, R., Elementary Theory of Music and Treatment of Chords
50 VOICE
Cl. .50
WYLDE, HENRY, Harmony and the Science of Music; Book I. (Parts 1 to 3.) 1.25 COLE, S. W., Exercises in Sight Singing. (Solfeggio) CI. .60
— Harmony and the Science of Music: Book
(Parts 4 to 8.) CROKER, NORRIS, Handbook for Singers Flex. Cl. 1.00
— Modern Counterpoint in Major and Minor Keys. (Parts
II. 1.25
DOUGLAS, E., Exercises for Training of the Boy's Voice Cl. .60
— 1 & 2-) — „ : 1.25 GIRAUDET, A. A., Vocal Gymnastics
KENNEDY, JOHN, Common Sense and Singing
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MYER, EDMUND J.. Position and Action in Singing



— The Renaissance of the Vocal Art
Cl. 1.25
CI. 1.25
MUSICAL HISTORY, BIOGRAPHIES, ETC. PALMER, E.
Vocal Reinforcement
DAVIDSON, The Tenor Voice and its Training 50
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ANTCLIFFE, HERBERT, Living Music



— The Rightly-produced Voice CI. 1.00
Cl 1.25 The Boy's Voice at the Breaking Period 50
BROWNE, A. M., Musical Biographies of Composers, Classified in Centennial
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DANNREUTHER, E., Wagner and the Reform of the Opera Cl 2 00 SIBLEY, CHURCHILL, The Voice and its Control 50
O'INDY VINCENT, Beethoven, A Critical Biography (ill.) "".Cl. 1.25 TREE, CHARLES, How to Acouire ease of Voice Production 75
RIEMANN, H., Catechism of Musical History. Part Instruments, Tone Sys-
I.
tems and Notations
— Pait
II. Musical Form and Biographical Notices
„ .FUx. Cl. 1.00
flex. Cl. 1.00 LITURGY
ROCKSTRO, W. S., A Short History of Music Flex. Cl. 1.00
STIELER, J., The Great German Composers. Biographical Notices . Cl. 3 50 DOUGLAS, E., The Plain-Song Service Cl. 1.00
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THE BOSTON MUSIC COMPANY


BOSTON, MASS. : : .• : : : : 26 & 28 WEST ST. A
THE When
B. M. Co. EDITION
ordering kindly mention B. M. Co. Ed. and number only
Descriptive Catalog of the B. M. Co. Ed., with comments on each volume, sent gratis upon request.
B. M. Co. Directories for Easy Music, Teaching Songs and various other branches of composition, are the best guides obtainable
and may be had gratis upon application to the publishers; or any music dealer.

No.
PIANO SOLO Net
No.
PIANO, FOUR HANDS
29 AD AMI, The Rainbow 60 55 d'ANTALFFY, Hungarian Suite
315 ALBENIZ, Album of eight pieces 60 51 CLOUGH-LEIGHTER, Four Novellettes
42 AMERICAN COMPOSERS, Album of ten pieces 60 58 FUCHS, For Little Folks (12 pieces)
40 BACH, J. S. ,The Clavecin Book of Anna Magdalena Bach .60 57a/b CANSCHALS, For the Home. 2 Bks each
21 BECKER, Carnival Sketches 60 52 MARSCHAL-LOEPKE, Little Wood Folks
23 B. M. CO. PIANO DIGEST, No. 1 Twenty easy and 56 SCHMITT, Easy Tunes for Two
melodious pieces 60 53 SEEBOECK, Six Piano Duets
309 B. M. CO. PIANO DIGEST No. 2, Twelve pieces in med- 54 WILLIS, Op. 13, Six Duets in Unfamiliar Keys
ium grades 60
312 CLASSICAL ALBUM FOR THE BEGINNER, Twenty VIOLIN SOLO
pieces 60 81 GAVRILOFF, Special Exercises for the Fourth Finger. . . .

1 CLOUGH-LEIGHTER, Five Studies in Expression 60 82 GRIBADE, Twelve Bow-studies


2 CRAMM, Ten Easy Studies in Embellishments 60
314 DEBUSSY, Album of five pieces 60 VIOLIN AND PIANO
30 DELBRUCK, Childhood Dreams 60 111 B. M. CO. VIOLIN DIGEST, Vol. I (Elementary grade)
3° FRENCH COMPOSERS, Album of eight pieces 60 104 ELGAR, Three Bavarian Dances
7 GE1BEL, Album of Selected Pieces 60 110 HELM, Summer Scenes
13 CRAZIANI-WALTER, Album Pittoresque 60 110a — Summer
Scenes, Violin part alone
12 — Six Morceaux Caracteristiques. . .60 105 HOLLAENDER, Op. 48, Six Easy Pieces
31 CREGH, Five Little Recreations 60 105a — Op. 48, Six Easy Pieces, Violin part alone
313 GRENZEBACH, Ten Etudes in progressive order 60 108 NOLCK, Op. 162, Six Character Pieces
317 HARKER, Six Woodland Sketches 60 108a —Op. 162, Six Character Pieces, Violin part alone
11 HARRIS, Six Romantic Pieces 60 106 PRACHT, Op. 12, Tweh'e Easy Pieces
48 HEELER, M.P.,Op. 31, Four Easy Pieces (both hands 106a — Op. 12, Twelve Easy Pieces, Violin part alone.
treble) 60 107 RUSSOW, First Steps (10 pieces in 1st poa.)
49 — Op. 31a, Four Easy Pieces (treble and 107a — First Steps, Violin part alone
bass) 60 102 RYDER, A June Idyl (Suite)
50 — Op. 32, Four Easy Episodes 60 109 SINGER, Seven Transcriptions for Classic Sources
25 HELM, Summer Scenes 60 103 SOMERVELL, Suite in Four Parts
301 HENRI QUES, Op. 30, Twenty Short Lyric Pieces. 2 Bks.each .90 114 STRUBE, Mirages (6 pieces in 1st pos.)
305 KARGANOFF, Op. 10, Seven Minatures 60 101 TOLHURST-LANGE, Album of Fourteen Pieces in the|
37a/d KOHLER, Practical Method. 4 Books each .50 First and Third Positions
3 KROGMANN, Op.
— 42, Seven Miniature Sketches 60 101a — The same, Violin part alone .

44 Op. 105, Ten Bagatelles for Beginners... .60


45 Op. 106, Moods and Melodies 60 VIOLONCELLO AND PIANO
28 LANG, A Morning in Munich 50 133 BUSSER, ( )p. 52, Three Pieces
17 MARSCHAL-LOEPKE, Autumn Fancies 60 131 HOLLAENDER, Op. 48, Six Easy Pieces
16 — Childhood toys 60 131a — Op. 48, Six Easy Pieces, 'Cello part alone
15 — In the Woodland 60 132 NOLCK, Op. 43, Six Character Pieces
I

18 To Nod-Land 60
10 MAXIM, Album of Selected Pieces 60 CHAMBER MUSIC
307 MESSAGER, )anee-Suite
1 60 151 B. M. CO. QUARTET ALBUM, Grieg: "Spring" and "At-
47 ME YER-HELMUND, Op. 135, Four Nocturnes 60 llome"; Jadassohn: "Scherzo, in F"
319a MODERN DANCE ALBUM, Vol 1 60 154c-e B. M. CO. TRIO ALBUM, Vols. III-IV-V. Vo., 'Cello & I

302a/b NEUPERT-FRIEDMAN, Thirty-three Studies. 2 Bks. Po each |

each .90 153 STRUBE, Op. 9, Elegie and Serenade. 2 Vo., Va.,& 'Cello
19 NEVIN, ETHELBERT, Op. 7, Four Pieces 1.00 152 WIDOR, Serenade. Vo., 'Cello and Piano
27 NOLCK, Suite Arabesque 60
43 NORTHERN COMPOSERS, Album of ten pieces 60 ORGAN
22 OSGOOD, Greetings from Munich 60 184 BOSSI, C. A., Op. 37, Six Pieces
24 PARLOW, From the Realms of Youth 60 188 BUSSER, Two Preludes and Fugues
20 REINHOLD, Suite Mignonne 60 183 B. M. CO. ORGAN
ALBUM, Eight Transcriptions . .

4 ROGERS, The Golden Age 60 181 DOUGLAS, Three Wedding Marches


38 RUSSIAN COMPOSERS, 1st Album of twelve pieces. .60 182 FAULKES.Op. 101, Five Pieces
318 — 2d Album of twelve pieces.
.

.
.

. .60 1S5 GRIEG, First Peer Gynt Suite


32 SAUERBREY, Tone Pictures 60 186 LISZT, Five Consolations
311a/c SCIIMALS 'ITCH, ( )p.41, Play and
Work. 3 Bks.. .each . .60 187 RUSSIAN COMPOSERS, Seven Transcriptions
34a/c SCHYTTE, Op. 94, Musical Pictures. 2 Bks each .75
35a/b Op. 96, Tales and Fables. 2 Bks each .75 MANDOLIN AND PIANO
36a/b Op. 97, Joys of Youth. 2 Bks each .75 281 B. M. CO. MANDOLIN ALBUM, Twelve Pieces, arr. by
46 — Op. 160, Twenty-five Easy Studies 60 Ch. Graziani-Walter
308a/d — Major and Minor (Studies). 4 Bks each .60 281a — The same, Mandolin part alone
310 — Forty Pedal Studies 60
316 — Ten Easy Transcriptions 60 SONG COLLECTIONS
303 SCHYTTfi, FRIEDMAN-Technical Piano Exercises 75 204a/b ALBUM OF TWELVE SACRED SOLOS. High, Low.
6 SEEBOECK, Album of Selected Pieces 60 206 AMERICAN COMPOSERS, Twelve Songs. Medium. .

26 SHACKLEY, Pasticcio 60 209a/b BULLARD, Cavalier Songs. High, Low


33 SJOGREN, Erotikon (5 pieces) 60 208a/b DUPARC, Six Songs (Eng. by Bliss Carman). High, Medium
5 SMITH, Op. 16, Miniatures 60 201 JOHNS, CLAYTON, Album of Songs
9 — Op. 19, Water Music 60 202 NEO-FRENCH COMPOSERS, Twelve Songs. (Eng. &
41 SWINSTEAD, Op. 22, Pleasant Pastime 60 Fr.) Medium
8 WHELPLEY, 11,Op. Five Characteristic Pieces .60 203 ROTOLI, Album of Songs (Eng. & Ital.)
306 WYATT, Six Pastels 60 207a/b RUSSIAN COMPOSERS, Ten Songs. High, Low. . . .

14 ZILCHER, Sketch-book for the Young 60 205a/b WHELPLEY, Album of Songs. High, Low

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