Can't take my eyes off of you

arranged by Achittapol Tinnarat

Moderato q = 100 A
     
1st Alto Saxophone  
      
2nd Alto Saxophone  
    
3rd Alto Saxophone    
    
1st Tenor Saxophone    
 
2nd Tenor Saxophone                   
      
         
Baritone Saxophone
     

                
4

Alto Sax.      

   
Alto Sax.     
   
Alto Sax.     
    
  
Ten. Sax. 

Ten. Sax.                                 
                     
Bari. Sax.     
        
Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
2

           
8 B
Alto Sax.     

    
Alto Sax.   

    
Alto Sax.   

     
Ten. Sax.  
3 3

3

                   
Ten. Sax. 

           

Bari. Sax.   
      

 
12

Alto Sax.     

     
Alto Sax. 
     
Alto Sax. 
     
Ten. Sax. 
    
3 3
        
Ten. Sax. 
                   
Bari. Sax.      
       
 3

 
16

Alto Sax.     

     
Alto Sax. 
     
Alto Sax. 
    

Ten. Sax. 
    
3 3 3 3
       
Ten. Sax. 
       
Bari. Sax. 
                               


 
20

Alto Sax.     

    
Alto Sax. 

   
Alto Sax. 
    
Ten. Sax. 
    
3 3

Ten. Sax.            

               

Bari. Sax.      
       
4
C
          
24

Alto Sax.         

     
Alto Sax. 
     
Alto Sax. 
     
Ten. Sax. 
3 3

3
3
               
Ten. Sax. 
           
Bari. Sax.   
      

 
28

Alto Sax.         

     
Alto Sax. 
     
Alto Sax. 
     
Ten. Sax. 
    
3 3
        
Ten. Sax. 
                   
Bari. Sax.      
       
 5

   
32

Alto Sax.      

     
Alto Sax. 
     
Alto Sax. 
    

Ten. Sax. 
    
3 3 3 3
       
Ten. Sax. 
       
Bari. Sax. 
                               


 
36

Alto Sax.       

    
Alto Sax. 

   
Alto Sax. 
    
Ten. Sax. 
    
3 3 3
       
3
Ten. Sax.   

             

Bari. Sax.     
        
 Allegro q = 120
D          
6
 
            
40

Alto Sax.      

  
             
Alto Sax.
  
       
        
Alto Sax.   
       
            

 
Ten. Sax.

   
Ten. Sax.                 
  
   
               
Bari. Sax.                 
      

 
                   

  
44

Alto Sax.         

            

       
     
Alto Sax.        
            
              
Alto Sax.        
     
Ten. Sax.           
   
       
         
     
Ten. Sax.                         
        
                    
Bari. Sax.        
  
     

7
 
   
E

48

Alto Sax.         

    
                      
Alto Sax.      

  
       

                 
Alto Sax.   
 
Ten. Sax.        
       
  

Ten. Sax.        
      

 
 
              
Bari. Sax. 
           

 
53
   
Alto Sax.       

                         
Alto Sax.    
            
               
Alto Sax. 
     
     

Ten. Sax.

          
        
Ten. Sax.

      
      
       
Bari. Sax.
 
         
8

  
57   
Alto Sax.        

                       
Alto Sax. 
     
                 
Alto Sax. 
          
Ten. Sax.           

   
Ten. Sax.        

          
Bari. Sax.      


             
61

Alto Sax.         

                              
Alto Sax.   
  
                            
Alto Sax.  
      
  
          
Ten. Sax.
   
              
Ten. Sax.         
              
Bari. Sax. 
      
 9

        3      
65

Alto Sax.     3 

         
  
Alto Sax.

 
      

    
Alto Sax.  
 
 
   
    
Ten. Sax.   
        
Ten. Sax.   

        
Bari. Sax.            
  
 
 

   3    3   3  
69

Alto Sax. 
   3 

   
Alto Sax.       
   
Alto Sax.        

     
 
Ten. Sax. 

Ten. Sax.     

           

Bari. Sax.    
  
    
    
   
10

   3  
73

Alto Sax. 
  3   3     

      
Alto Sax.      

     
Alto Sax.       
      
   
Ten. Sax. 

Ten. Sax.     
            
Bari. Sax. 
        

  3
77

            
3 3
Alto Sax. 

  
 
Alto Sax.  

 
 
 
Alto Sax. 
  
Ten. Sax.    
3

    
Ten. Sax.   
                    
Bari. Sax. 
  
    
    
             
 
                           
11
81

Alto Sax.     


           
Alto Sax.     
    
  
            


Alto Sax.     
  
    


   
       
   
Ten. Sax.
3
 

     
   
       
   
Ten. Sax.

           
Bari. Sax.
                 

                        

  
85

Alto Sax.         

          
                  
Alto Sax.
     
     
                
   
Alto Sax.        

        
Ten. Sax.  
              
  
 
         
               
Ten. Sax.               
         
               
Bari. Sax.                 
 
       
12

 
89
 
Alto Sax. 
    

    
   
  
Alto Sax.
  
   
        
Alto Sax.   

  
Ten. Sax.       

                

Ten. Sax.

                 
Bari. Sax. 
         

               
93

Alto Sax.     
      
Alto Sax. 
      
Alto Sax. 
      
Ten. Sax. 

 
Ten. Sax.                         
   
                    
Bari. Sax.
   
 13

  
96 rit.

Alto Sax.  

      
Alto Sax. 
      
Alto Sax. 
     
Ten. Sax. 

         
Ten. Sax.         
       
    
    
Bari. Sax.


           

98

Alto Sax.   
 

Alto Sax.  

 

Alto Sax.   

  

Ten. Sax. 


Ten. Sax.       
    

Bari. Sax.    
 
1st Alto Saxophone
Can't take my eyes off of you
Moderato q = 100 arranged by Achittapol Tinnarat

  A
              
           

10

B
         
C

              

   
31

              


Allegro q = 120
   
D  
               
40

  
    
                

          
           
   
45

            

 
E
      
      
50

         
 
               
        
58

     
          


   3         3   3   3   3 

66
   3 


 3
73

    3   3              3    
3 3

 
                                   

    
81
       
  

               
             
87 
 
    


                        
rit.

94

       
Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
2nd Alto Saxophone
Can't take my eyes off of you
arranged by Achittapol Tinnarat

  
Moderato q = 100
     
A

          

        
B
   
10

   

          
22 C

   

     
32

      

                            
42 D Allegro q = 120

                               

       
                         
48 E

    

               
                
54

    

                                    
60

       


          
66

 

        

      
 
        
75

        


                      
84

                                 

         

91 rit.

       
Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
3rd Alto Saxophone

Can't take my eyes off of you

arranged by Achittapol Tinnarat


Moderato q = 100
   
A

              

        
  
B
   
10

        
   
C

22



      
    
32


Allegro q = 120
D           
                                   
42

         

  
          
48 E

                                

54
              
                       

60
                          
                


            
66

        
 

  
75
                 
  
     

        
                                      
84 
         

           


91 rit.

    
Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
1st Tenor Saxophone
Can't take my eyes off of you
arranged by Achittapol Tinnarat

 
Moderato q = 100

A
    
    
     

    
        
B

10

21
   C
      
  

    
     
31

  

   
D Allegro q = 120
         
42

                                     

 
48 E

               
            

       
       
56
        
       

  
  
   
62

      
      
 

        
68           
    

     
           
77

      
    

    
 
   
85
   
                             

           
rit.
    

92


Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
2nd Tenor Saxophone

Can't take my eyes off of you

arranged by Achittapol Tinnarat

 
Moderato q = 100 A

                                  
   
3
   
6
  
                         
3
    
3 3 3
            
B 3
       
10



 
3 3 3 3
 
17 3
             

C
3 3

3 3 3
                    
24

  
3


 
3 3 3 3
              
31
    


   
36 3 3 3

        
3
         

 
D Allegro q = 120
                               
42

  
              
     


48 E

                        
    
56
       
                      

62
                  
      

68

           
V.S.
Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
2 2nd Tenor Saxophone
3 3
    
                       
80
  
         

                 
87


                   
 
93
 
                        


rit.

96
  
                      
Baritone Saxophone
Can't take my eyes off of you
arranged by Achittapol Tinnarat

 
Moderato q = 100 A

 
          
               
      

  
5


    
             
   

                                        
10 B

          

    
15


      
                   
  

                                         
20

          

  
26 C

               

         

         
31

                                  


  
36

               

         

                        
41 D Allegro q = 120
             
            

 
47 E
                             
    
      


54

         
     
                      


 
61       

    
              
 
V.S.
Copyright © Achittapol Tinnarat , Yong Siew Toh Conservatory of Music 2011
2 Baritone Saxophone

  
67

     
           
                


72
             
  
         

  
77
  
                    
          


82
                 
              
 
    
   


88
      
    
                      
    

       
94


               
     

        
97 rit.


       
  