SWAHC is g Mark your calendars: This is ou r oin Visit: la st mailed c g digital! w w w onfe SWAHC XXXI: 9–11 October 2019 .s o uthwest rence brochure. and s i g n u ar t p SWAHC XXXII: 7–9 October 2020 a n n o to receiv history.org ee u ncements -mail . Front Cover: Barbara Latham, Tourist Town, Taos, c. 1940s, egg tempera on masonite, 25 x 35 3/4,” Roswell Museum and Art Center, Gift of Barbara Latham. PO Box 1891 Santa Fe, NM 87504 SOUTHWEST ART HISTORY CONFERENCE XXX OCTOBER 10–12, 2018 • TAOS, NEW MEXICO Wednesday, October 10 Reception: 5:30 to 6:30 PM, Joseph Henry “Is Spanish Colonial Embroidery the Stepchild 6:00 PM • Annual Anti-Social Sharp Studio, 146 Kit Carson Road (located of Hispanic Arts Revivals?” Suzanne P. at the end of Morada Lane, just up from the MacAulay, University of Colorado, Colorado Mabel Dodge Luhan House Mabel Dodge Luhan House), at the Couse- Springs, CO Thursday, October 11 Sharp Historic Site. LUNCH ON YOUR OWN 9:15 AM • OPENING REMARKS Catherine Whitney, Philbrook Museum of Art, Friday, October 12 2:30 PM • SESSION IV Tulsa, OK, President, SWAHC 9:30 AM • SESSION III Civic Engagement 9:30 AM • SESSION I Ethnicity, Modernity, & Markets MODERATOR: Ellen Zieselman, Independent Art, Love, and Compromise MODERATOR: Catherine Whitney, Philbrook Scholar, Santa Fe, NM MODERATOR: Betsy Fahlman, Arizona State Museum of Art, Tulsa, OK “Unity, Harmony, Hegemony: The Colonial University, Tempe, AZ “The Romance & Realities of Navajo Weaving Vision of the Utah Capitol Rotunda Murals,” as Seen through Vintage Postcards,” Ann Nathan K. Rees, University of West Georgia, “Money Matters: The Business of Professional Carrollton, GA Pueblo Indian Artist, Pablita Velarde,” Lane Hedlund Retired, Arizona State Marilyn Norcini, University of Pennsylvania Museum, University of Arizona, Tucson, AZ; “Tradition and Modernity at Taos Pueblo: Three Museum of Archaeology and Anthropology, Ramona Sakiestewa (Artist, Santa Fe, NM; Generations of the Gomez/Mirabal Families,” Philadelphia, PA Peter Hiller, Jo Mora Trust Collection, Lois Rudnick, University of Massachusetts, Carmel, CA. Boston, MA, and Jonathan Warm Day Coming, “Understanding Barbara’s View: Latham in Artist, Taos Pueblo, Taos, NM Her Own Words,” Jennifer R. Henneman, “Lakotas Driving Cars: Transnational Time, Petrie Institute of Western American Art, Mobility, and Modernities,” Emily Burns, “‘Translate, Transform, Transfigure, Denver Art Museum, Denver, CO Auburn University, Auburn, AL Transcend’: City Planning, Composition, and the Form of Los Angeles in Julius Shulman’s “Esther Henderson Abbott: An Arizona “Medallic Circuitry: T.C. Cannon’s Photography, 1941-1960,” Isabel Frampton Highways Story,” Kelly Dennis, University of Washington Landscape with Peace Medal Wade, University of Southern California, Los Connecticut, Storrs, CT Indian,” Natalia Gabrielsen, Independent Angeles, CA LUNCH ON YOUR OWN Scholar, Tucson, AZ 2:30 PM • SESSION II Joint Session: “Counterculture Art” of the Nineteen-Sixties Sessions take place at The Mabel Dodge Luhan House MODERATOR: Amy Scott, Autry National 240 Morada Lane, Taos, NM • 1-800-846-2235 or 575-751-9686 Center, Los Angeles, CA 18 guest rooms available ($98-$245) Reserve a room by 1 October 2018. When reserving mention the SWAHC conference (there is no SWAHC now “The Joint Shows of 1967/1968 and the special conference rate, but they do block out rooms for us). Problem of Exhibiting ‘Counterculture Art’,” has a website Scott B. Montgomery, University of Denver, For further information (including other places to stay in Taos) or (conference registrations Denver, CO to receive the program in a PDF format, please contact Betsy may be made online by “Shade: Liquid Light Shows as Case Studies for Fahlman at Arizona State University via e-mail credit card): https://www. the Exclusion of Counter Cultural Art,” Lauren (fahlman@asu.edu) or phone (480-965-2610). southwestarthistory.org Hartog, University of Denver, Denver, CO “Mari Tepper: Situating the Psychedelic Socio- To register, make checks out to “SWAHC” and mail to: Political Poster in Art History,” Megan Farlow, Southwest Art History Conference, Box 1891, Santa Fe, NM 87504 University of Denver, Denver, CO Advance conference registration: $75 • At-the-door registration: $80 • One day rate: $40 Please include your mailing address and phone number or e-mail address.
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SWAHC is going digital! This is our last mailed conference brochure. Visit: www.southwestarthistory.org Address City/State Zip to get on our e-mail mailing list.