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may interest him. Although the tight of the arts and gives a competent account of
organization of the whole gives it the char- their history. Particularly notable is the
acter of a source-book, the text flows chapter on literature, dance, and music. The
smoothly and commands attention through- author recognizes the poetic character of
out, and this unusual combination of Maya texts and gives free-verse translations
erudition and literacy makes it stand out of a number of passages from native manu-
from other books of its kind, which in- scripts. Data on dances are taken mostly
variably predigest their material for the from historical sources. Little is said of
layman. dance forms, but the author gives many
In the first chapter, the author covers in Maya names of dances and discusses their
detail our sources of information about the function. Archeological specimens and re-
Maya and recounts the history of early presentations are cited in describing musical
explorations and of later archeological work. instruments. The seventh chapter deals
It is at this point that he momentarily principally with religious conceptions of
abandons his impartial stance to take a Postclassic times, since the author feels that
side-swipe at North Americans. The second there had been significant changes in
chapter deals with the material culture of religions in the course of Maya history and
the Maya, and is introduced by a brief thal these changes have not been sufficiently
review of the origins of agriculture and the clarified to determine the nature of more
formation of stratified society. In the discus- ancient beliefs. The book is concluded with
sion of subsistence activities, the author a brief summary of the contributions of
mentions cultigens by their common, their Mesoamerican culture to life in the present
scientific, and their Maya names. Further he and of survivals of ancient Maya custom.
covers industries utilizing stone, wood, shell, The scattered illustrations are not re-
pottery and other materials, the manufac- ferred to in the text and there is no map of
ture of textiles, the design of clothing, the the Maya area and only one site plan-that
culinary arts, and house and temple con- of Palenque. The bibliography, on the other
struction. The third chapter, entitled “Some hand, is copious and there are several refer-
Problems of Social Organization,” draws on ences to it virtually on every page. There is
linguistic data as well as on documents to an index of names and another of geo-
throw light on social classes, land ownership, graphical and ethnic terms. I do not know of
kinship and territorial groups, and types of any book published here that gives such easy
political organization. Conclusions are access to so much information on the
cautious, particularly with regard to the culture of the Precolumbian Maya. If only
Classic Period, leaving many problems open for this reason, and in spite of its short-
for future investigation. comings, it is well worthy of our attention,
The fourth chapter takes up the calendar, and with some revision could be recom-
the astronomical and geographical know- mended for translation.
ledge of the Maya, and medicine. An error in
Brainerd and Morley, which ignores
Thompson’s reading of late dates of Yucatan The Thrice Shy: Cultuml Accommodation
and equates the “Short Count’) with the U to Blindness and Other Disasters in a
Kahlay Katunob of colonial times, is Mexican C o m m u n i t y . JOHN L.
repeated here, and the author makes no GWALTNEY. New York & London:
mention of the fact that the theory of Columbia University Press, 1970 xii +
determinants and the knowledge of the 219 pp., illustrations, maps, tables, 4
Me t o n i c cycle by the Maya are seriously appendices, references, index. $6.95
questioned by some scholars. Occasional (cloth).
errors can also be found in the chapter on
architecture and representative arts, though Reviewed by GEORGE A. COLLIER
they are trivial and probably stem from Stanford University
unfamiliarity with primary material and The image of the thrice shy, those
from misconstructions of statements in negatively reinforced by unrelenting reality
foreign texts. By and large, the discussion into fatalism and apprehensive resignation, is
exhibits a keen and intelligent appreciation the theme by which Gwaltney, himself