Jenbe Realbook 2 (En)

Realbook_A4Titel_D_E 25.10.
2008 11:50 Uhr Seite 2

C M Y CM MY CY CMY K
The Jenbe Realbook Vol. 2
This booklet contains the complete transcription of the CD:

"The Art of Jenbe Drumming: The Mali Tradition – Vol. 2" The Mali Tradition Vol. 2
The Art of Jenbe Drumming

performed by the Jenbe drummers
Jeli Madi Kuyate (# 1 - 3)
Drissa Kone (# 4 - 15)
Jaraba Jakite (# 15 - 18)
accompanied by Madu Jakite on Dunun
Transcriptions by Rainer Polak
Probedruck
realbook_innen_vol2_E 29.10.2008 10:44 Uhr Seite 1
The Jenbe Realbook

Vol. 2
This book contains complete transcriptions of the music heard on
»The Art of Jenbe Drumming: The Mali Tradition Vol. 2«
( p + © bibiafrica records 2008)
www.bibiafrica-records.de • bibiafrica@online.de
bibiafrica records • Kölner Str. 26 • D-90425 Nürnberg • Tel. 0911-553510
Probedruck
The tracks
no. title playing time Page
1 sanja 02:37 1
2 sunun 03:10 5
3 suku (+farabaka) 04:17 10 (+15)
4 numun-dòn 02:47 20
5 fura 02:34 25
6 bòbò-fòli 01:03 28
7 dansa 03:44 30
8 bara 03:37 36
9 sogolo 02:57 41
10 kirin 03:15 45
11 jina-fòli 04:29 51
12 tansole 03:30 57
13 nyagwan 03:23 63
14 manjanin 04:22 67
15 garanke-dòn 04:09 77
16 sumalen 01:58 85
17 niare bòn ka lajè 01:51 88
18 degu-degu 01:59 92
The musicians
Jenbe: Jeli Madi Kuyate (tracks 1 – 3)
Drissa Kone (tracks 4 – 15)
Jaraba Jakite (tracks 15 – 18)
Dunun: Madu Jakite (all tracks)
Probedruck
The recordings
Performances in a duo ensemble – one jenbe, one dunun – were typical for
playing the celebration style music in Bamako in the 1960's and '70s, and on
into the '80's. The studio recordings presented in this CD were recorded between
1995 and 2006. Nowadays larger ensembles are normal. The Bamako style has
been influenced by the playing styles of Conakry and Abidjan, as well as by the
international jenbe scene in Western countries.
The recordings are an attempt to represent the aesthetic ideals of the classical
Bamako duo-style. The jenbe player in a duo ensemble carries the great
responsibility of continually bringing together groove and individual expression.
Drumming fireworks and heated ornamental expression are only half of what's
required. In playing the repertoire of drumming rhythms, each of which has a
character and design all of its own, attention is given to articulating the rhythm
being played so that its essence – the fundamental patterns, phrasing, and feels
that characterize it – can be identified. Playing this way, with the drummer
concentrating on realizing the essence of each rhythm, is described as "deliberate"
or "considered" (literally"composed" – in Bamana, "basigilen"). This insistence
on the fundamental issues distinguishes the Bamako style.
The transcriptions
In the international scene of West African drumming it has been standard for
some decades not to assign notes and rests, but rather to notate the beats in
a graphical form. This raster is supposed to denote the so-called elementary
pulsation, a background and fundamental pulsation of fast and equally-spaced
(isochronous) time intervals, which, as the smallest metrical units, define the
timing, and the ensembles’ synchronization of the polyrhythms. In concordance
with this idea, all the rhythms in this book are notated with reference to a
metrical system of 12 or 16 pulses.
The following sound symbols are used in the transcriptions:
Jenbe
S open Jenbe slap
S closed (or muffled) Jenbe slap
T open Jenbe tone
T closed (or muffled) Jenbe tone
B Jenbe bass
• Jenbe tip (or ghost note)
Dundun
X closed (or muffled) Dunun stroke
O open Dunun stroke
While the basic sounds of the jenbe are mostly clearly discernable, there are
sometimes differentiations and transitions. For example, the hand is often
relatively loose, and sometimes also rounded in the Bamako style of jenbe
playing. Sometimes, this makes it difficult to distinguish between open and
closed slaps, or between simply quieter strikes and tips.
Probedruck
Working with these notations

Working with the transcriptions in this book helps one become familiar with the
Bamako jenbe music only in conjunction with continual reference to the sound
recordings. Only by listening to the recordings one can gain a conception of
the sound that should be produced by playing the notations. It is advisable to
listen to the accompanying CD, "The Art of Jenbe Drumming - The Mali Tradition
Vol. 2" as often as possible.
Listen to the CD while practicing with the book. A good method for internalizing
the sounds, feels and phrasing is to listen to the CD and synchronously play
the dunun or a jenbe accompaniment pattern. In this way, you will be learning
the way jenbe players in Mali learn; rather than receive direct instruction, they
spend many years playing accompaniment patterns for their masters at
celebrations. This type of learning is not the fastest, but it certainly is the most
profound.
Practical tip: for listening to the CD I use closed studio/monitor headphones,
with additional professional ear protection under the headphones. The headphones
dampen the sound of my own instrument, and give a balanced soundscape. The
additional ear protection reduces the higher overall exposure, without overly
distorting the complete sound.
The more you have played accompaniment while listening to the CD through
headphones, the more it will be worthwhile to attentively listen to the solo
player while reading the notations. Eventually it will be possible to play the
tracks, or parts thereof, directly from the notations, either live (in a duo),
synchronously with the CD, or with the dunun pattern as a loop, played through
the headphones. The more the player immerses him/herself in the music by
following the recommended listening and playing methods, the more satisfactory
results will be realized.
It is hopefully self-evident that no notation book can replace working with a
good teacher. Nor is it possible to get around playing and practicing the material—
not by working solely with a book, nor by only receiving instruction from a good
teacher. When someone wants to master an instrument, or merely play with
basic technical solidity, whether it is the violin or jenbe, piano, trombone or
dunun, intensive practice over many years is required. The potential contribution
of a book of notations like the Jenbe Realbook is limited; it can merely help to
access the ideals.
Probedruck
Problems with the notation

A reflected approach to notations in the case of jenbe music is especially
important. After all, until only a few decades ago, the music was learned purely
by listening and repeating. While European notation and music theory developed
together with occidental music over circa a thousand years, ethnomusicologists
began only in the 1960's to write down and analyze West African percussion
music; i.e. notation of jenbe music began only about 30 years ago. It’s not
surprising, then, that the notation system of jenbe music has not yet been
perfected. I would now like to address two serious problems.
Ambiguities regarding the beat

Most jenbe rhythms reveal a clear sense of the main beat (the pulsation of
down-beats). Although this can be strongly offset by counterbalances produced
by certain accent structures, it will never be completely overridden. Some
rhythms however appear to allow two different interpretations. In this group
belongs Sanja (also called Jeli-foli or Jeli-dòn), a rhythm of the Jeli (griots)
from Western Mali. The interpretation which I now prefer identifies the down-
beats with those pulses on which most steps of the dancers and hand claps of
the singers and onlookers, as well as the starting point of the jenbe solo players’
patterns, fall. However, most Europeans hear the rhythm differently, as was
my own experience when I began my studies; this perception shifts the beat
two pulses back, so now this beat is positioned for me on the off-beat: its "1"
on my "1 and." Both perceptions suggest something out of the ordinary: my
current interpretation means that some very common accompaniment patterns
appear to be placed in unusual places regarding the beat. The alternative means
that the jenbe blocage would start on the "4 and" and not on the "1":
1 • • • 2 • • • 3 • • • 4 • • • sanja beat option 1

O O O O O O O O 2. Dunun (acc. in quartett ensemble)
T T S S S T T S S S 2. Jenbe (acc. in quartett ensemble)
O X O O X O lead Dunun (in duo ensemble)
B S S B T T S S lead Jenbe basic pattern
TT T T T T T T lead Jenbe blocage
• • 1 • • • 2 • • • 3 • • • 4 • sanja beat option 2

O O O O O O O O 2. Dunun (acc. in quartett ensemble)
T T S S S T T S S S 2. Jenbe (acc. in quartett ensemble)
O X O O X O lead Dunun (in duo ensemble)
B S S B T T S S lead Jenbe basic pattern
TT T T T T T T lead Jenbe blocage
So which of these two views is correct? If anything that is the wrong question.
In my opinion the better arguments – dance steps, hand clapping patterns,
breaks – speak in favor of the first perception. But the second perception also
has advantages. For example, some jenbe solo players play complex improvi-
sations with triplets, which according to my notation (beat reference 1) start
and end on the off-beat. According to the second interpretation, these improvised
and expressive rhythmical excursions go together with the beat and are therefore
easier to play.
Probedruck
Examples are to be found in the lines 19, 22, 29 and 30 of the Bara rhythm
which, just like Sanja, appears to allow two different beats:
1 • • • 2 • • • 3 • • • 4 • • • bara beat option 1

O O O O O O O O O Dunun (2 cycles / 32 pulses)
O O X X X X X O
T T S S S T T S S S 2. Jenbe acc.
SS T T T T T T S S lead Jenbe blocage
• • 1 • • • 2 • • • 3 • • • 4 • bara beat option 2

O O O O O O O O O Dunun (2 cycles / 32 pulses)
O O X X X X X O
T T S S S T T S S S 2. Jenbe acc.
SS T T T T T T S S lead Jenbe blocage
It appears to me that for the jenbe and dunun players in Mali the pattern
|TTS..SS.| in the rhythms Sanja and Bara are actually the same as |S..SS.TT|
in Dansa or Tansole. For these musicians one pattern does not change into
another because of a different beat reference. The relationship to the other
parts of the ensemble, particularly the main pattern of the dunun, is first and
foremost the determining factor. In contrast, the perception of most Europeans
is heavily driven by a linear measure, in which a changed beat reference can
cause a quasi turnaround of the pattern, which can in turn take on a completely
different Gestalt.
If we want to get closer to jenbe music and its corresponding musical concepts,
we have to try to disassociate ourselves from our excessive dependence on a
linear metric system. Alternative beat references for a rhythm should not be
understood as competitive; they can coexist.
A good exercise is to learn rhythms like Sanja and Bara from both of the
alternative metrical perspectives as discussed above, which will allow you to
hear and play the same patterns in two different beat relationships, then to
change the beat while playing, and then to switch back. This ability is not an
end in itself, but rather serves, by practice, to loosen oneself from the beat.
The goal is to play figures in relation to other figures. For instance, the above-
mentioned and widely popular jenbe accompaniment pattern doesn't really
meet either the notation |TTS..SS.| or |S..SS.TT| very well, and is better described
as |SS.TTS..| : the player starts as a rule with the two slaps. When verbalized,
the figure is also begun with the two slaps ("gapang kidipang" or similar). The
longer, two pulse rest establishes the pattern, after which the next unit begins.
The two tones are neither the start nor the anacrusis; they are in the middle
of the pattern.
A one dimensional beat-driven orientation is if anything an impediment to the
path towards a pattern-oriented conception. The deciding factor is the practice
of the perception of the pattern, and this is most successful when one plays
the solo jenbe solely with the dunun (in duo or through headphones). It is
advisable when practicing to dispense where possible with a metronome or
beat-oriented accompaniment parts, except when practicing new patterns that
are not yet stable.
Probedruck
Feels
The pulsation on the level of beat sub-division of most jenbe rhythms from Mali
does not consist, as often assumed, of a string of pulses which have a consistently
even spacing. Rather, the sub-division of the beats is regularly structured by
3 or 4 faster irregular pulses: the single pulses have different lengths. The long
and short pulses generate regular, stable patterns, and repeat themselves after
every beat. Each of these feels creates a certain swing. The feel pattern is not
a matter of personal playing style or spontaneous expressivity. They are firmly
inscribed into the composition of the drumming rhythms. We can thus describe
them as "metrical feels." The Bamako jenbe music knows at least four such
feel patterns. For example, there is the ternary feel of the type "short-medium-
long-short-medium-long-...,” to which many important rhythms from the region
Manden, such as Suku and Manjanin, belong. Numun-dòn is also among this
type. Then there is a second ternary feel with the model "long-short-short-long-
short-short-...". This pulsation pattern forms the basis of some known rhythms
from the Wasulun region, e.g. Kirin, as well as others such as Sumalen and
Bòbò-fòli.
A number of rhythms with the feeling "long-short-short-..." contain the option

of an additional pulse, which subdivides the first long pulse in two shorter ones.
This additional pulse appears not only selectively, for example as an ornament
(flam/roll), but also in basic patterns like echauffements and blocages. When
the motional pattern of the jenbe player is considered, it becomes obvious that
we're looking at a pulsation of four. Essentially, the lead-jenbe part of rhythms
such as Kirin and Sumalen with the feel of "long-short-short-..." have more
similarities with quarternary rhythms than they do with the ternary rhythms
of the "short-medium-long-..." feel.
The binary "long-short-long-short-..." feel is known through various styles of
jazz and other Afro-American dance styles. It appears in the Bamako jenbe
music in the rhythms Sanja, Fura und Dansa. It is possible, just as in the shuffle
feel, to perceive these rhythms as ternary, especially in a slower tempo, or at
least to intersperse some solo patterns as ternary, like in Bara. Finally, there
is the quarternary feel "short–medium–long–medium–short–medium–long–
medium–...,” marked by the rhythms Jina, Sunun and Sogolo, among others.
These feels appear to have been overlooked in the appropriation and teaching
of jenbe music in Europe and America, although in his accompanying text to
Famoudou Konates’ CD, "Rhythmen der Malinke" – a milestone of the global
jenbe movement – Johannes Beer clearly referred to them and presented the
first analysis and interpretations thereof. There exists now a backlog. In our
Probedruck
modern society the task of music theory, notation and pedagogy is to facilitate
the understanding, playing and passing on of the integral structures of music
forms. Metric feels are among these underlying structures of jenbe music and
other dance music forms. Theory, notation and instruction should adapt to the
music forms, not vice versa. According to this, music theory, notation and
instruction must be undertaken so as to promote an understanding and
conveyance of these feels. This has not been accomplished until now. These
shortcomings are also apparent in the notation at hand, in that the feels are
not taken into consideration. The same shortcoming, incidentally, applies to
the notation of the ornamental compaction – double hits (flams) and roll
combinations: they are set in a linear, even raster, although in reality they
constitute organically formed patterns.
The notation used here comes across as crude and rigid in contrast to the above-
all-else organic patterns and feels of jenbe rhythms.
Nevertheless, I hope that this publication represents a step forward at least
in some respects. A backlog exists ultimately not only in the metric fundamentals
of jenbe music, in its Gestalt-orientation and feels, but rather also in the area
of its musical form. The strength of this book of notations lies in the fact that
it makes complete tracks readable. By reading along it will be possible to develop
a sense for the changes and sequences of the fundamental patterns and
improvised insertions with which the jenbe players, without set arrangements,
design both cyclic and progressive form schemes and, ultimately, spontaneous
performance-compositions of musical pieces. I wish all readers much enjoyment
and success during this learning process.
I would like to thank Thomas Bauer-Haberbosch, who entered the notes into
the computer, the publisher Dieter Weberpals, and Sean Mahoney and Andrea
Wolper, who translated and edited these introductory remarks. And I raise my
hat once again to Jeli Madi Kuyate, Drissa Kone, Jaraba Jakite, Madu Jakite
und Yamadu Dunbia, these splendid musicians from Bamako, who play so well
that the arduous task of transcribing was not only instructional, but also fun.
Bayreuth, summer 2008 Rainer Polak
The author
Dr. Rainer Polak studied social anthropology, African linguistics (including the
Bambara language, the lingua franca of Mali), and history of Africa from 1989
until 1996 at Bayreuth University. Since 1991 he has learned, practiced and
researched the jenbe music of southern Mali. Polak worked as a professional
jenbe player at celebrations in Bamako in 1997/98, performing at over a hundred
weddings, spirit possession dances and other celebrations. He played mostly
for Jaraba Jakite, but also for Yamadu Dunbia, Jeli Madi Kuyate and Drissa
Kone. His ethnological dissertation, based on that experience, won the academic
prize of the German African Studies Association in 2003/04. In 2006/07 he
led a musicological research project on the timing of jenbe rhythms at Bayreuth
University. Polak ranks as one of the outstanding jenbe solo players in Germany.
As a teacher, he concentrates on the ongoing musical education of jenbe
teachers.
Probedruck
Sanja 1
Sanja
1
B . S S B .TT S B . S S B .TT S
O X O O X O
T T S B S S T T S B S S T T S B S S T T S B S S
O X O O X O O X O O X O
T T S B S S T T S B S S T T S B S S T T S B S S
B . BS S S S S T T S B S S B .TT S
B . S S B .TT S B . B S S S S S T T S
O X O O OO O O X O O OO O
B S S B T T S B S S S S S B B S S
O X O O X O O X O O OO O
B . BS S B .TT S B . S S B T T S
O X OO OO O X O O X O
B . BS S S S S T T S B . S S B . S S
B . BS S B .TT S B . S S B .TT S B
2 Sanja
10
S S S S S S S S T T S B S S B T T S B
11
S S S S S B S S T T S B S S S S S B S S T T S B
12
S S S S S B S S T T S B B S S B T T S
13
S S B T S S T S S T S B . S S S S S S S S S S
14
S S T T S S S S S S S S S S T T S S S S S S S S
O X O O OO O O X OO OO
15
S S T T S S S S S S S S S S T T S S S S T T S . B
O OO OO O OO OO
16
O OO OO O OO OO
17
S S S S S B S S T T S B S S S S S B S S T T S
O OO OO O OO OO
18
B S S B T T S B S S S S S S S S S
O O O OO O O OO OO
19
B B S S S S S T T S B B S S S S S T T S
O X OO OO O X OO OO
Sanja 3
20
B . BT S T S T S T S T S T S T S T S T S T S T S T S T S
O OO OO O X OO OO
21
B . S S B .TT S B S S S S S B S S S S S B
22
23
S S S S S B S S T T S B B S S B TT S
24
B B S S B TT S B S S S S S B S S T T S B
25
S S S S S B S S T T S B . B S S S S S S S S S S
O O OO O X OO OO
26
B . BT S S T S S T S B S S B B S S
O X O OO O X O O X O
27
B . S S B .TT S B . S S B .TT S
O X O O OO O O X O O X O
28
B . S S B T T S B . BT S S S S T T S B
29
4 Sanja
30
31
S S S S S B S S T T S B . S S S S S T T S
32
B . S S B . S S B . S S B .TT S
33
B . BS S S S S T T T S B . B S S S S T T T S
O X O OO O X O OO
34
B . . SS SS . B SS SS . . B SS SS . B SS
O X O OO X O X O O X O
35
SS . . B TT TT . . B SS SS . . B TT TT . . B SS
36
SS S S S S B . S S B . S S B TT S
37
B S S B T T S B . S S B T T S
38
B . S S B T T S TT T T T T T S
O X O O X O O X O O X
Sunun 5
Sunun
1
T T S S B S T T S S B B S T T S S B S T T S S B B S T
O O
T S S B S T T S S B B S T T S S B S T T S S B B S T
O OO X X X OO OO X X X O
T S S B S T T S S B B S T T S S B S T T S S B B S B
T T T T S B B B B B S S T T T T T S B B B B B S S T
T T T T S B B B B B S S T T T T T S B B B B B S S T
T T S T T S T T S T B S S B B B B S S B T T
T T . T . T . T . T . B S S B B B B S S B T T
B S TT T S B S T T S B S TT T S B S TT T
O OO X X X OO OO X O O O
S B S TT T S B S TT T S B S TT T S B S S S
6 Sunun
10
S S S S S S S S S T T SS T SS T SS T SS T
11
S S T T S B B .TT S B B B B S S B T T
12
T T T T T T B S S S S B S S S S T T T
13
T T T T T T T T T B S S B B B S S B T T
14
T S S S T T T . T S S B B B S S S S T T T
15
T T T S T T T S T B S S S S B S S S S T T T T
16
S S S S B S S S S T T T T S S S S B S S S S T T T T
17
S S S S B S S S S T T T T S S S S S S S B
18
S S B B B S S B T T T S S T T S T T T
19
O OO X X O OO O X O O O
Sunun 7
20
O O X O O OO O X X X O
21
T S S B S T T S S B B S T T S S B S T T S S B .B
O O X X X OO OO O O O O O
22
S S S S . . . . . S S S S S S S S S S S S T
O O X X X OO O OO O O O
23
T T T S T T S T T S T B S S S S . . . . . S S S
O O X X X OO O X X X O
24
S S S S S S S S S . BS S TT T T T T S T B
25
S S S S B B . .B S SS . . B S SS . . BS SS
O OO X X X OO OO X X O O
26
. . BS SS . .B S SS . . B S SS . . BS SS
O O X X X OO OO X X X O
27
T T T T T T T T B S S S S B S S S S T T T T
28
S S S S B S S S S T T T T S S S S B S S S S T T T T
29
S S S S B S S S S T T T T T T T T T T T B
8 Sunun
30
S S B B B B B B S S T T T T S T T . BS S BT
31
T T T . S S B B B B S S . B T T S . S S B B B B S S . T
32
T T T . S S B B B B S S . T T T S . S S B B B B S S
33
T S S S S S S S B SS S S S S S S S S T
O OO X X X OO O X X X O
34
T T T T T T T T T T B . S B B B S S T T T
35
B B B B B B B B B B B B B B B B B B B B B B
36
B B B B B B B B B S S S T T T T T T T T B
37
S S B B B S S S S S S S S S S S T B
38
B S B B B S S S S T T T T T T T T B
39
S S S S B S S S S T T S S S S S S S T B
Sunun 9
40
S S B . B S S S S S S T T T T T S S T B
41
S S S S S S S S S S S S S S S S
42
43
T T T T T T T T B S S B B B S S S S B
44
B T T T T T T T T B S S B B B S S S S .
O O O O O OO O X X X O
45
. T T T T T S S S B S S B B B S S S S .
46
T T T T T T S S B S S S S S S S S B
47
S S S S B B S S B T T T T T T T S S T B
48
49
S S S S S S S S S S S S S S S
10 Suku
TT T T T T T T TS
O O X X X OO
Suku
1
S T S B T S B T S B T S B . S
T T S . T S B T S B . S T T S . T S B B S B . .
. . B S S B S S S T S SSSS S S T T
B S T T S T T S S S B S T T S T T S S
. S S TTTT T T S S S S S S S S S S TTTT T T S S S S S S
S S S S TTTT T T S S SS T T S T T S S
T S T S B T S B . S T S T S B S B . S
O O X X O
T S T S . T S B . S T T T . S S . T T B . S
O X X O O X X O O
Suku 11
T T T . S S T T B . S T T T . S S . T T B . S
O O O X O O O O O X O O
10
T T T . S S . T T B . S T T T . S S . T T B . S
11
O O X O O O O O X O O
12
. . B S S S S S . S S T T S T T S S
O O X O O O O O X O O
13
S S . T . S T T S S T S S T . S . T S S . B
O O X O O O O O X O
14
T S T S B S B . S T S T S B S B . S
O X X O O X X O
15
O X X O O X X O
16
T T S . T S . T S B . S T T S . T S . T S B . S
O X X O O X X O
17
T T S . T S . T S B . S T T S . T S . T S B . S
O X X O O X X O
18
B . B S S S S S S
O X X O O X X O
12 Suku
19
T S T T S S T S S S . . T T S S S S
O X X O O X X O
20
S S . T T S S S S T S T S . T S B . S
O X X O O X X O
21
T T B T S T T B . S T T T S . T B S
O X X O O O O O X O O
22
T T T T S . T T B . S T S . T S . T S B . S
23
24
25
O O O O O O O
26
T T T . S S . T T B . S B . B S S S S . B
O X X O O O O O X O O
27
S S S T S S T S S B S S T S T T T S T S
28
. S S S S . B S S T S T T T S T S
Suku 13
29
. S S S S . B T S S T T S T S S S
30
. . B S S S S . B S S S T T S S . B
31
S S S T T S S . B S S S T T S S . B
32
O O O X O O O O X O O
33
O O X O O O O X O O
34
S S T S T T T S T S S T T S . T S B S B . S
O X X O O X X O
35
T T T . S T T T . S T S B . S B S B . S
O X X O O X X O
36
T T T . S T T T . S T S B . S . S B . S
O X X O O X X O
37
T S . T S . T S . T S T T S . T S . T S . . S
O X X O O X X O
38
T T . T S . T S . T S T T T . S S . T T B . S
O X X O O X X O
14 Suku
39
T T S . T S . T S B . S B . B S S S S . S
O X X O O X X O
40
S S T T T T B S S S S S S B S S . S S S B
O X X O O X X O
41
S S T T T T B S S S S S S . B S S . S S S B
O X X O O X X O
42
T S . S . S B S T S T S B S B S
O X X O O X X O
43
T S T S B S B S T S T S B S B . S
O X X O O X X O
44
T S T S B S B S B . B S S S S . B
O X X O O X X O
45
S S T S S T T S T S . . S S S S . B
O X X O O X X X
46
T S S T S S T S S S B . B S S S S . B
O O O O O O X X X
47
T S T S T T T T T S T S . S . S B S
O O O O O O X X X
48
T S . S . S B S T S T S . S B S
O O O O O O X X X
Suku 15
49
. . B S S S S S B S S S . T T S S . B
O O O O O X X O
50
S S S . T T S S . B S S S . T T S S . B
O O X X O O O X X O
51
S S S . T T S S . B S S S . T T S S . B
O O X X O O O X X O
52
S S S . T T S S TT T T T T T T
O O X X O O O X X O
53
T S T S B S B S T S T S B S B S
O X X O O O O O
54
T S T S B S B S T S T S B S B .
O O O O O O O O
55
. TS B B SS SS B B
O O O O O O O O
56
B SS B B SS SS B B
O O O O O O O O
57
B SS B B B S S S B S S
O O O O O O O O
58
S B S S S B S S S B S S
O O O O O O O O
16 Suku
59
S B S S S B S S T S T T S S T S
O O O O O O O O
60
. SS B B B B B B
O O O O O O O O
61
B B B B B B B B
O O O O O O O O
62
B SS B B B SS B B
O O O O O O O O
63
TS SS B B B SS B B
O O O O O O O O
64
SS SS B B B SS B B
O O O O O O O O
65
TS SS B B B SS B B B
O O O O O O O O
66
T T T B S S S B S S S B
O O O O O O O O
67
O O O O O O O O
68
T T T T T T T T T T T T
O O O O O O O O
Suku 17
69
S S S S S S T T S S S S
O O O O O O O O
70
T T S S S S SS B B
O O O O O O O O
71
SS SS B B B SS B B
O O O O O O O O
72
S S S S S S S S S S S S
O O O O O O O O
73
S S S S S S S S S S S S
O O O O O O O O
74
SS B B SS SS B B
O O O O O O O O
75
S S T T S S T S S S SS . B
O O O O O O O O
76
S S T T S S T S S S SS . . B
O O O O O O O O
77
T T S T S S T S S S TS B B
O O O O O O O O
78
S B S S S B S B S S S B
O O O O O O O O
18 Suku
79
T B S S S B S B S S S B
O O O O O O O O
80
T B S S S B S B S S S B
O O O O O O O O
81
T T S S S S S S T T T S S S S S
O O O O O O O O
82
T T T S S S S S T T T S S S S S
O O O O O O O O
83
T T T S S S S S S S S S B S B S
O O O O O O O O
84
T T S S B S B B T T S B T T S B
O O O O O O O O
85
T T S B T T S B T T S B T T S B
O O O O O O O O
86
T T S B T T S B T T S B T T S B
O O O O O O O O
87
T T T B S S S B T T T B S S S B
O O O O O O O O
88
T T T B S S S B T T T B S S S B
O O O O O O O O
Suku 19
89
T T T B S S S SS B B
O O O O O O O O
90
SS SS B B B SS B B
O O O O O O O O
91
S S S B S S S B S S S B
O O O O O O O O
92
O O O O O O O O
93
T T T B S S S B S S S
O O O O O O O O
94
SS SS B B B SS B B
O O O O O O O O
95
TS TS TS TS TS TS TS TS
O O O O O O O O
96
TS TS TS TS TS TS TS TS
O O O O O O O O
97
SS SS B B B SS B B
O O O O O O O O
98
O O O O O O O O
20 Numu
99
T T T B S S S B S S S
O O O O O O O O
100
T T S S S S S S S S S S S S S S S S S S S S S S
O O O O O O O O
101
T T S S S S S S S S S S T T S S S S S S S S S S
O O O O O O O O
102
T T S S S S S S S S S S T T S S S S S S S
O O O O O O O O
TT T T T T T T SS
O O O O O
Numu
1
S T S B S T S B S T S B S T S B
S T S B S T T T T S . . B B B B B
X O O O O X
SS . . S T T B T T SS . . B B B . B
X O O O O X
X O O O O X
Numu 21
X O O O O X
S S S S S S T S T S T T SS . . B B B . B
X O O O O X
SS . . S T T B T T SS . . SSS S S S S
X O O O O X
TTT S S S S S S S S S S SS . . B B B . B
X O O O O X
X O O O O X
10
X O O O O X
11
SS . . S T T B T T SS . . SST T SST T SS
X O O O O X
12
T T SST T SST T SST T SST T SST T SST T SST T SS

X O O O O X
13
S S SS S S SS S S SS S S SS S S SS S S SS S S S S S B
X O O O O X
14
SS . . S T T B T T SS . . B SSB S B . B SS
X O O O O X
22 Numu
15
T T T . B T T B T T T S . S B S S S S
X O O O O X
16
TTT S S S S S S S S S S S . . B B B . . B
X O O O O X
17
SS . . S T T B T T SS . . B B . B B
X O O O O X
18
S S S S S S S S S S S S SS . . B B B . B
X O O O O X
19
S S T S T S T S T S T T SS . . B B B .
X O O O O X
20
S TT S S S TTT S S S TTT S S S TTT S S S

X O O O O X
21
TTT S S S TTT S S S S TT S S S S TT S S S
X O O O O X
22
TS S S S S S S S S S S B S T S . B S T S . B
X O O O O X
23
S T S . B S T S . B S T S . B S T S . B
X O O O O X
24
S T S . B S T S . B S T S . B S T S .
X O O O O X
Numu 23
25
S S T S S T S S T S S B S . . B B B S S S
X O O O O X
26
TTT S S TT S S TT S S TT S S TT S S TT S S TT S S TT S
X O O O O X
27
S TT S S TT S S TT S S TT S S TT S S TT S S TT S S S
X O O O O X
28
TS S S S S S S S S S S S S T T . B B B T T . B
X O O O O X
29
S T T . B B B T T . B S T T . B B B T T T
X O O O O X
30
TS S S S S S S S S S S S S . . SSS S S S S
X O O O O X
31
S S T T S T T T T T T S . . B SSS S S S S
X O O O O X
32
TTT T S S TTT S S S TTT S S S S TT S S S

X O O O O X
33
TTT S S S S S S S S S S S . . B B B . B
X O O O O X
34
SS . . S T T B T T S T . B B B S S S
X O O O O X
24 Numu
35
S TT S S S S S S S S S S S . . B B S S B
X O O O O X
36
S S T S S T S S T S S T S S T S S T S S T S S T
X O O O O X
37
S S T S S T S S T S S T S S T S S T S S T S S T
X O O O O X
38
S S S S S S T S T S T T S S S S T T S S S S T T
X O O O O X
39
T S T S T S T S T T T S S S S S T T S S S S S S
X O O O O X
40
T S T S T S T S T S T T S S S S T T S S S S T S
X O O O O X
41
T S T S T S T S T S T S S S T S S T S S T S S T
X O O O O X
42
S S T S S T S S T S S T S S T S S T S S T S S
X O O O O X
SS T T T T T T SS
X O O O O X
Fura 25
Fura
1
O O O O X X O O O
B T T B S . B S B S . T T . S . B S B S
O X X O O O O X X O O O
T T T . S . B S B S . T T . S . B S B S
T T T . S . B S B S S S T T . S S S B S B S S
S T T . S S S B S B S S T T T . S S S B S B S S
S T T . S S S B S B S S T T T . S S S B S B S
. . . S . S S . S TS S S . S . S . S . S . S . S . . S . TT . S S S TT . S . T . S . T . T .
26 Fura
10
T . . S . TT . S S S S S . T . T . S . . S . . SSS S TTT T SSS S STT S S S S

11
S . . S . S S . S TS S S S S B S . T T . S . B S B S
12
13
T T T . S . B S B S S S T T . S S S B S B S S
14
S T T . S S S B S B S S T T T . S S S B S B S S
15
S T T . S S S B S B S S T T T . S S S B S B S
16
. . . S . TT . S S S TT . S . T . S . S . S . S . . . . TT . S S S TT . S . T . S S
17
S S T T S . S TS S S . S . S . S . S . S . S . . S . S TTTS S S S . S S . S TS S S . S
18
. S . S . S S . S TS S S . S . S . S . . . . . TSS S STT T SSS S S T T S S

19
B S S S T T S B S S S T T S S T T . . S . . . B S B S
Fura 27
20
. T T . . S . . . B S B . S . T T T . . S . . . B S B . S .
21
. T T . . S S S B S B S S . . S . S S . S TS S S . S . S . S . S . S .
OO O O OO O OO O O O O O O O
22
S . . S . TT . S S S TT . S . T . S . . T . . SSS S TTT T SSS S S T T S S

O O O O OO O O O O OO O O O
23
. T T . S . B S B S T T T S S .B S T S B
24
T T T S S . B S T S B T T T S S S S S S B
25
T T T S S . B S T S B T T T S S S S S S B
26
T T T S S . B S T S B T T T S S S S S S S
X X X O O X X O O O O
27
. T T . S . B S B S S S T T S S S B B B . S S
X X X O O X X X O O
28
S T T . . S S S B S B . S S S T T . . S S S B S B . S
X X X O O X X X O O
29
. . . S . S S . S TS S S . S . S . S . . . . . . . . S . TT . S S S TT . S . T . S . T . S .
X X X O O X X X O O
28 Bòbò
30
T . . S . TT . S S S TT . S . T . S . S . S . S . . . . TT . S S S TT . S . T . S . . . . .
X X X O O X X X O O O
31
SSS S TTT T SSS S B S S S S S T S T S T S B

32
T T T S S S S S S S S S S S S S T T T S S S S S S S S S S S S S
33
T T T S S S S T T S S T T S S T T S S T T S S T T S S T T S S T
T S S T T S S T T S T SS TT T T T T T T T S S
O X X O O O O X X O O O O
Bòbò
1
T T B T T B T T B T T B T T B T T
O O X X O X X O O X
B S T T B S S T T B S T T B S S T T
X O X X O O X X O X X O O X
B S T T B S S T T B S T T B S S T T
B S T T B S T B S S S S S S S S S S S T T
Bòbò 29
B S T T B S S S S S S S S S S S S T T T T
B S T T B S S T S S T T S S T TT T T T T
B S T T B S S S S S S S S S S S S S S T T
B S T T B S S T BS T T BS S S BS S S BS S S
BS S S BS S S BS S S BS T T BS S S BS T T BS S S BS T T
10
BS S S BS T T BS S S BS T T BS S S BS T T BS S S BS S S
11
BS S S BS S S BS S S SS S T T T S S S S S S S S T T
12
B S T T B S S T S S S S S S S S S S S T T
13
B S T T B S S T SS T T SS T T T T T T T
14
B S T T B T S B SS T T SS T T SS T T SS T T
30 Dansa
15
SS T T SS T T SS T T SS T T SS T T SS T T SS T T SS T T
SS T T SS T T SS T T S S S S S S S S S S SS
X O X X O O X X O X X O O X X
Dansa
1
S S T T S S S T T S S S T T S S S T T
O O O X O
S S S T T S .BTT T S T T S T S T S T T B
O O O X O O O O X O
S T T S T S T S T T S T T T T . .B S T S T T S
O O O X O O O O X O
B S S B S S B S S B S S B S S B S S B S S B S S
O O O X O O O O X O
B S S B S S B S S T T S S B S S B S S B S S B S S
O O O X O O O O X O
B S S . B S S B S S .B S S BS . B T T S T T S T T S T
O O O X O O O O X O
S S . BS S B S S B S S BS S T T . B S S B S S B S S B S
O O O X O O O O X O
Dansa 31
S T T . B S S B S S B S S B SSS S TTT T STT T S T T S S S

O O O X O O O O X O
S T T S T T SSSS S T T S T S T S . BTT T
O O O X O O O O X O
10
T T T S BS S S T T BS S S S S BS S S T T
O O O X O O O O X O
11
BS S S S S BS S S T T BS T T S T T SSSS S
O O O X O O O O X O
12
T T T S S S S S S S S S S S S T T S S T T S S T T S S T T S S T
O O O X O O X O O X O
13
T S S T T S S T T S S T T S S T T S S T T S S T T S S T T S S
14
SSS S TTT T STT T S T T S S S S T T S T T S B T T T

O X O O X O O O O X O
15
B S S B S B S S B S B S S B S B S S T T S
O O O X O O O O X O
16
B S S B S B S S T T S B S S B S B S S T T S
O O O X O O O O X O
17
B S S B S B S T S T T S B T TT S T T S T T T
O O O X O O O O X O
32 Dansa
18
S T T S S S T S T T B T T T S B S B S B
O O O X O O O O X O
19
T T T S B S B T T S T T T T S B S B S B
O O O X O O O O X O
20
O O O X O O O O X O
21
O O O X O O O O X O
22
O O O X O O O O X O
23
T T T S B S B T T S T T T T S B S B S S S
O O O X O O O O X O
24
S S S S S S S S S BS T T S B S T S T T B
O O O X O O O O X O
25
S S S S B S T S T T . T T T T S T T S T T S
O O O X O O O O X O
26
T S T S T S SSSS S SSS S TTT T TTT T T T S T S

O O O X O O O O X O
27
T S T S T S .B S S B S S B S B S S T T S
O O O X O O O O X O
Dansa 33
28
B S S B S B S S T T S B S S . B S B S T S T T S
O O O X O O O O X O
29
B S S . B S B S S T T S B S S . B S B S T S T T S
O O O X O O O O X O
30
B S SS S S S S B S S S S T T S SSSS S T S
O O O X O O O O X O
31
SSS S STT T S SSS S S S S S S S SS S S S TTTT T

O O O X O O O O X O
32
B S S S S SSSS S S B S S S S T T T S S S
O O O X O O O O X O
33
34
35
SSS S TTT T TTT T T T SS . B S S . B S B S S . B S

O X O O X O O O O X O
36
B S S . B S B S S T T S B S S . B S B S S T T S
O O O X O O O O X O
37
B S S . B S T S .B S S S . .B S T S . B S
O O O X O O O O X O
34 Dansa
38
S S . . BS T S T S T T S S . .B S T S . B S
O O O X O O O O X O
39
S S . . BS T S .B S S S . .B S T S T S T T
O O O X O O O O X O
40
S S T TTTS T S .B S S S . B S S B S S . B S S
O O O X O O O O X O
41
S S . B S S B S S B S S B S S T T B S S B S S B S S B S
O O O X O O O O X O
42
S T T B S S B S S B S S B S S T T S T T S B T T T
O O O X O O O O X O
43
T S T S T S T S T S . S SS S S S S T T S
O O O X O O O O X O
44
T S T S T S SSSS S TTTT T S T T S T T
O O O X O O O O X O
45
B S S S S B S S S S B S S S S B S S S S B
O O O X O O O O X O
46
S T T S . B S S S S . B S T T S . B S S S S B
O O O X O O O O X O
47
S T T S T T S T T S T S T S T S SSSS S
O O O X O O O O X O
Dansa 35
48
O O O X O O O O X O
49
T S S T T S S T T S S T T S S T T S S T T S S T T S S T T S S T
50
T S S T T S S T T S S T T S S SS T T S T T S T
51
S S T S B S T T S B S S S B S T T S B
O O O X O O O O X O
52
S S S B S T T S B S S S B S T T S B
O O O X O O O O X O
53
S S S B S T T S B T T T S S S S S S S S S S S S T
O O O X O O O O X O
54
T S S T T S S T T S S T T S S T T S S T T S S T T S S T T S S T
T S S T T S S T T S S T T S S SS T T T T T T T S S
36 Bara
Bara
1
T T T T S S B
S S T T S S B S S T T S S B S S T T S S B S S T T S S B
O O O O O OO O OO O X X X X X O
T S T T S T T S T T S T T S B S S T T S S B S S T T S S B
S S TTS S S TTS S S T T T TT T SS B T T T T S S S S B
T S T T S T B T T T S B T S T B T T T T S S S S B
S S S S S S S T T T TT T SS B T T T T S S S S B
T S S T T S S T T S S T T S S S T T S S B S S T T S S B
Bara 37
10
S S TTS S S S S S S S S S S B T T T T S S S S B
11
T S T T S T .BTTT S B T S T .BTTTT S S S S B
12
S S TTS S S TTS S S T T T TT T SS B SSSSSSS S S S B

13
TS S TS S TS S TS S TS . T T T TT T SS .BTTTT S S S S B
14
T S T T S T T S T T T S S S T T S S B S S T T S S B
15
16
S S S S S S S T T T TS S SS . B T T SSSS S SS B
17
TS S S S S T T S S T TT T SS . B T T S S T T T TT T
18
SS S . B T T SS T T T TT T SS S . B S S SS S S S SS S
19
TS S S S S S S S T T T TT T SS . .BTTTT S S S S B
38 Bara
20
T S T T S T B T T T S B T S T .BTTTT S S S S B
21
T S T S T S T S T S T T T S B T S T .B S S S S S SS S
22
SSSS S S S S S T T TT T SS .BTTTT S S S S B
23
B S B . BBS B T T T T B B S B .B S S S S S S B
OOO OO OO OO O OO O X X X X X O
24
B S B . BBS B T T T T B B S B .B S S S S S S B
25
B S B . BBS B T T T TT T SS . B T T SS S . TT T
26
SS S . B T T SS S . TT T SS S . B T T SS S . TT T
27
28
SS S . B T T SS S . TT T SS S . B T T SS S S SS S
29
SSSS S S S S S S S SS S SS S . B T T SS S . TT T
Bara 39
30
SS S S S S S S S S S SS S SS S . B T T SS S . TT T
31
32
SS S . B T T SS S S S SS S SS S .BTTTT S S S S B
33
T S T T S T B T T T S B T S T .BTT S TT S TT S T
34
T S T T S T T S T T S T T TT T SS .B S S S S S SS S
35
SSSS S S T T S S T TT T SS .BTTTT S S S S
36
T S S T T S S S S T T S T S S T T S S S S T T S
37
T S S T T S S T T S S T T S B SS B SSSSSSS S S S S S
38
SSSS S S S S S S S TT T SS S . B T T SS S . TT T
39
40 Bara
40
41
SS S S S S S S T TT TT T SS .BTTTT S S S S
42
T S T . BT T T T T S B T S T .BTTTT S S S S B
43
S S T . BT S T T T T B S S T .B S S S S S S B
O O O O OO O OO O X X X X X O
44
T S T T S T .BTTTT B T S S .B S S S S S S B
45
S S S S S S S T TT TT T SS . .BTT T T T T
46
S S T T S S S S T T S S B S S T T S S T T T T S S S S S S
47
S S S S S S S S S S S S S S S S T S S T T S S T T S S T T S S T
48
T S S T T S S T T S S T T S S T T S S T T S S T T S S T T S
SS T T T T T T T T SS
O O O O O OO O OO O
Sogolo 41
Sogolo
1
S T T B S T T B S T T B S T T B
O O O
S T T . B S T S B S .TT .B S T S B
X O O O O X O O O
S .TT . B S T S B S .TT .B S T S B
X O O O O X O O O
T T T S S S S S S S S B S .TT .B S T S B
X O O O O X O O O
S .TT . B S T S B S .TT .B S T S B
X O O O O O X O O O
S .TT S T S T S B S .TT .B S T S B
X O O O O X O O O
S S S S S S S S S S S B S . S S .B S T S B
X O O O O X O O O
S .TT . B S T S B T T T T S S S S S S S S
X O O O O X O O O
T T T T S S S S S S S S T T T T S S S S S S S S
X O O O O X O O O
42 Sogolo
10
T T T T S S S S S S S S S S B S S S S B S S
X O O O O X O O O
11
S S B S S S S B S S S S B S S S S B S S
X O O O O X O O O
12
T T T T S S T T S S S S S S B S S S S B S S
X O O O O X O O O
13
X O O O O X O O O
14
T T T T S T T T T T S B S . S S .B S T S B
X O O O O X O O O
15
S . S S . B S T S B S . S S .B S T S B
X O O O O X O O O
16
T T T T S S S S S S S B S . S S .B S T S B
X O O O O O X O O O
17
T S T S T S T S T S S B S . S S .B S T S B
X O O O O X O O O
18
T T T T S S S S S S S B S . S S .B S T S B
X O O O O X O O O
19
X O O O O O X O O O
Sogolo 43
20
T S T T S S S S S S S S T T T T S S S S S S S S
X O O O O X O O O
21
T S T T S S S S S S S S S S B S S S S B S S
X O O O O X O O O
22
X O O O O X O O O
23
T T T T S S T T S S S S S S B S S S S B S S
X O O O O X O O O
24
X O O O O X O O O
25
X O O O O X O O O
26
T S T S T S T S T S B B S .TT .B S T S B
X O O O O X O O O
27
X O O O X O O O
28
X O O O O X O O O
29
T S T T S S S S S S S B S .TT S T S T S B
X O O O O X O O O
44 Sogolo
30
S .TT S T S T S B S .TT S T S T S B
X O O O O O X O O O
31
S S S T T S S T S S S B S .TT S T S T S B
X O O O O X O O O
32
X O O O O X O O O
33
X O O O O X O O O
34
S S S S S S S S S S S S S S S S S S S S
X O O O O X O O O
35
X O O O O X O O O
36
X O O O O X O O O
37
T T T S S S S S S S S S S S B S S S S B S S
X O O O O X O O O
38
X O O O O X O O O
39
X O O O O X O O O
Kirin 45
40
X O O O O X O O O
41
T T T S S S S S S S S S S S S S S S S S S S S S S S S S
X O O O O X O O O
42
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
X O O O O X O O O
43
T T T S S S S S S S S S S S S S T T T S S S S S T T T S S S S S
X O O O O X O O O
44
T T T S S S S S T T S S T S S T T S S T T S S T T S S T T S
X O O O O X O O O
45
S S S S S S S S S S SS
X O O O O X O
Kirin
1
B TTS T T S T T S TT S TTS B B S S B S BT T S TTS B

O X O O X X O
B S S B S BT T S TTS B B S S B S BT T S TTS B
O X O O X X O O X O O X X O
B S S B S BT T S TTS B B S S B S BT T S B S
46 Kirin
BT T S B S BT T S B S BT T S B S BT T S B S
BT T S B S BT T S B S BT T S B S BT T S B S B
T T . T T . T TT T SSS B S S BS S B B S S BS S B
B S S BS S B TTT S TTS B B S S BS S B B S S BS S B
B S S BS S B TTT S TTS B B S S BS S B B S S BS S B
T T . T T . T T T T T SSS B S S BS S BT T S TTS B
10
T T S T T S T T S TT S TTS B B S S BS S B B S S BS S B
O X O O X O X O O X X O
11
TTS T T S T T S TT S TTS B B S S BS S B B S S BS S B
O X . OO . X X O O X O O X X O
12
TTT S T . B TTT S T S B B S S BS S B B S S BS S B
13
TTS T TS T T S TT S TT S B B . S B . B B S B . B
Kirin 47
14
B . S B . B B S B . B TTT T T B T T SS. B
15
B . S BS . B B S BS . B B . S BS . B B S BS . B
16
T T S T T S .B T T SSS B . S B . B B S B . B
17
T T T T T . .B T T SSS B . S B . B B S B . B
18
S S . S S S S S S SSS B . S BS . B B S BS . B
19
B . S BS . B B S B . B TTT T TTT T T T SS
20
B . S B . B B S B . B B . S B . B B S B . B
21
T T S T T S .B S S S SS S S SS BT T S TTS
22
S S SS BT T S TTS S S SS S TT T S TT S S
23
S S S SS S S S S S TT S S S S S SS S S TT T S TT S S
48 Kirin
24
25
26
TT T S TT S S TT T S TT S S TT T S TT S S TT T S TT
27
T S . T S T S T S SSS B S B . . B S B B B
28
T T T T T . .B T T SS B S B . . B S B B
29
S S S S S S S S SST T B S S B S S SS
30
. . T TT . T . T T . T . T T . T T . T TT . T . T T T SSS
31
B S B . . B S B . . B S B . . B S B B
32
T T T T T . .B T T SS B S BS B S BS
33
B S BS B S BS T T T T T T T T SS
Kirin 49
34
B S BS B S BS B S BS B S B B
35
T T T TT B T T SS B B B B
36
37
S S S S S S S B T B T B T B T B
38
T B T B T B T B T B T B T B SS
39
B S SS B B B B SS B B S SS B B B B SS B
40
B S SS B B B B SS B B S SS . B T T TT . B
41
B S SS . B T T TT . B B S SS . B T T TT . B
42
B S SS . B T T TT . B B S SS . B S S T S
43
T S T S T S T S T S T S T S T S
50 Kirin
44
T S T S T S T S T S T S T S T
45
T T T T T T T TT T SSS S S SS B B B
46
T T T T TT B B B SS B T TT . B B B SS . B
47
B T TT B B B SS B B T T B B . B SS . B
48
T T TT . B S S S B T B T B T B T B
49
T B T B T B T B T B T B T S T S
50
T S T S T S T S T S T S T S T
51
S T T S S S S T T S S S S T T S S S S T T S S S
52
S T T S S S S T T S S S S T T S S B S T T S S B
53
S T T S S B S T T S S B S T T S S B S T T S S B
Jina 51
54
S T T S S B S T T S S B S B S B B B B B B B B B
55
S B S B B B S B S B B B S B S B B B S B S B B B
56
S T T S S B S T T S S B S T T S S B S T T S S B
S T T S S B S T T S S S S S S S S S S SS
O X O O X X O O X O O X X O O
Jina
1
T S B . . .T S B . T S S T T . T S S T T .
O O O O
. .T S B . . .T S B . T S S T T S S T T S S T T S
X X X X X X O O O O O O O O
. . S S B . . . S S B TTTT SS SS SS SS SS S S .
. .T S B . . .T S B . S S T S S . . B S S S S .
. . TTSS B . . TTSS B . . T S S T T S . T S S T T S
52 Jina
. . S S B . S T T S B . S T T S B . S T T S B .
S T T S B . S T T S B . S T T S B . S T T S B .
S T T S B . S T T S B . . S S T S S S T S S S T S S
. .T S B . . .T S B . TTTT TT TT TT TT TT T S
10
. . S S B . . . S S B . . S S . S S . BS S S S
11
. .T S B . . .T S B . S T T S S T T S S T T S S T T S
12
. . S S B . . .T S B . S T T S B . S T T S B .
13
S T T S B . S T T S B . S T T S B . S T T S B .
14
S T T S B . S T T S B . . S S . S S S . S S S . S S .
15
. .T S B . . .T S B . TTTT TT TT TT TT TT T S
Jina 53
16
. . S S B . . .T S B . TTTT SS TT SS TT SS S S
17
. .T S B . . . S S B . S S . S S B S S . S S .
18
. .T S B . . .T S B . S T T S B . S T T S S S S
19
S S S S S S S S S S S S S S S T T S S S S S S S S S S S
OO O O OO O O OO O O OO O
20
S T T S S S S S S S S S S S S T T S S S S S S S S S S S
O OO O O OO O O OO O O OO O
21
S T S T T S T T S T T S S S S S S S S S S S S S S S S S S
22
S T T S S S S S S S S S S S S T T S S S S S S S S S S S
23
S T S T T S T T S T T S S S S S S S S S S S . B T T . T T B
24
T T B T T B T T B T T B T T B T T T T S S B S S S S S S B S
25
S S S S S B S S T T S S B S S S S S S B S S T T S S B S
54 Jina
26
S S S S S B S S B T T B T T B T T B T T B T T B T T B S B B T
27
T T T . S . S . S . S . S . S . S . S . S . S . S . S . S . S
28
. S . S . S . S .BTTBTTBTTBTTBTTBTTBTTBT
29
T T T S S S S S S S S S S S S S S S S S S S T T S S S S
30
S S S S S S S S T T S S S S S S S S S S S S T S T T S T
31
T S T T S S S S S S S S S S S S T T S S S S S S S S S S S
32
S T S T T S T T S T T S S S S S S S S S S S S T T S S S S
33
S S S T S . S B T T B S SS S S . S B T T B S
34
SS S S B S B S B S B S S S . S B T T B S
35
Jina 55
36
. S . S . S . S . S . S . S . S . S . S . S . S . BTTBTTB
37
T T B T T B T T B T T B T T B T T T T S S S T T S S S S S S
38
S S S S S S S S T T S S S S S S S S S S S S T T S S S S
39
S S S S S S S S S S T S . . BT S T S T S T S T S T S
40
T S T S T S T S T S T S S S S S S S S S S S S S S S T S T T S T
41
T S T T S S S S S S S S S S S S S S S S S S S S S S T S T T S T
42
T S T T S T T S T T S T T S T T S T T S T∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼T
43
T∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼∼T T S . S B T T B T T T T S S S S
44
S S S S S S S S S S S S S S S T T S S S S S S S S S S S
45
S S S S S S S S T T S S S S S S S S S S S S T T S S S S
56 Jina
46
S S S S S . S B T T B S SS S S . S B T T B S
47
48
SS S S . S B T T B S SS S S B T T
49
T T T S S S S S S S S S S S S S S S S S S S S S S S
50
S S S S S S S S T T S S S S S S S S S S S . B T T B T T B
51
T T B T T B T T B T T B T T B T T T T S S B S S S S S S B S
52
S S S S S B S S S S S S B S S S S S S B S . S . S . S . S
53
. S . S . S . S . S . S . S . S . BTTBTTBTTBTTBTT
54
B T T B T T B T T T T S S S S S S S S S S S S S S S S S S
55
S T T S S S S S S S S S S S S S S S S S S S S S T S
Tansole 57
56
. S B T T B S SS S S B S B S B S B S S S
57
. S B T T B S SS S S B T B S T B T S S
58
59
Tansole
1
B . B . B . B TT T
O OO X O OO X O OO X O OO X
B S B TT T B S S B S B B S S B . S B T T T B . S B
B S S B . S B T T T B S B B S S B . S B T T T B . S B
T T T B B S B T T T . B S B T T T B B S B T T T . B S B
T T T B S S . T T T . B S . T T T B S S T T T . B S
58 Tansole
T T T B S S B S S S S S S S S TTTT T S
T T S S . B S T T S S B B S T T S S . B S T T S S B B S
. . . S . S S . . TTTT T T SS B S S S TTTT T S S S
10
S . . S . S S . S S S S S S S SS B S S B S S B S S B S S
11
B S S T T S S B S S B S S B S S B S S B S S B S S
12
B S S T T S T T S T S T T S T S S T S S T S S T T S T T S
13
14
T T S S . B S T T S S B B S T T S S . B S B SSSS S S
15
S . . S . SS . SSSSS S S S B S S S TTTT T S S
Tansole 59
16
TTTT T S S TTTT T S S TTTT T S S TTTT T S S S

17
S . . S . SS . SSSSS S S T T S T S T T T T SSSS S S
18
B S S . B S T T T B B S T T T . B S T T T B B S
19
T T T . B S T T T B S S T T T . B S T T T B S S
20
B S S B S S B S S B S S SSSS S T T S S T S T T S
21
B T T S T T S T S T T S T S S T S S T S S T S S T S S
22
T . . S . S S . S TTTT S S T T S S . . S . SS . SSSSS S S S
23
B S S S TTTT T S . T T B T T B S B S B
24
T T B S T T B S B S B T T B S T T B S B S B
25
T T . S T T B S B S B T T S T T B S B S B
60 Tansole
26
T T S T T B T S S B T S S S B S S S S
27
T S S S B S S S S T S S T T S T T S S S S
28
29
30
31
B S S T T S T T S T S T T S T T S S . B S T T S S B B S
32
33
B . . S . S S . S TTTT S S S B S S S TTTT T S S
34
SSSS S S S TTTT T S S SSSS S S S TTTT T S S T

35
S . . S . S S . S TTTT S S T T S S . . T . TS . S TTTT T T SS
Tansole 61
36
B S S S S TTTT T S T T S T T B S B S B
37
T T S T T B S B S B T T S T T B S B S B
38
T T T T T B S B S B T T S S B S S S S
39
T S S S B S S S S T S S S B S S S S
40
T S S T T S T T S S S S T S S S S S S S S
41
42
43
T S S T T S T T S S S S T S S T T S T T S S S S
44
T S S T T S T T S S S S T S S T T S T T S S S S
45
SSSS S T T S S S S S T T S T T S T T S T T S S T T S
62 Tansole
46
T T S T T S T T T S T T S T T S T T S T T T S T T S
47
T T S T T S S S S B S T T T T T T T T T
48
B S S S B S S S S B S S S B S S S
49
T T T S S S S S S S S S S S S S T T T S S S S S S S S S S S S S
50
T S T T S S S S T S T T S S S S T S T T S S S S T S T T S S S S
51
T S T T S S S S T S T T S S S S T S S T S S T S S T S S T S S T
52
T S T T S S S S T S T T S S S S T S S T S S T S S T S S T S S T
S S T S S T S S T S S T S S TT T T T T T T T S S
O OO X O OO X O OO X O O O O
Nyagwan 63
Nyagwan
1
T T SS T T S T T T SS B T S S TS
OO O O X OO OOO O O X X
S S S S S S SS B . B T T S T T S S T T T SS B . B S S TS
OO O O X X OO O O X OO O
S S S S S S SS S . B T T SS T T S T T T SS T T SS T T SS
T T S T T T SS T T SS T T SS T T S T T T SS B . B S S TS
S S S S S S SS B . B T T TT T T S T T T SS B . B S S TS
OO O O X X OO O O X X
S S S S S S SS B S B T T SS T T S T T T SS B S B T T SS
T T S T T T SS B S B T T SS T T S T T T SS B S B S S BS
S S S S S S TS B S B S S BS S S S T T T SS S S TS S S TS
S S S T T S SS S S TS S S TS T T S T T T SS B S B T T S T
64 Nyagwan
10
T S T T T T SS B . B S S SS S . T T T SS S . B S S SS
OO O O X X OO O O X X
11
T T S T T T SS S . B S S SS T T S T T T SS S . B S S SS
12
S S S S S S TS S S TS S S SS T T S T T T S B S T T T S T
13
T S T T T T SS B . B S S BS S S S S S S SS B . B S S BS
14
S S S S S BS S S S S S S BS S S S T T T SS B S T T T S T
15
T S T T T T SS B S T T T SS T T S T T T SS B S T T T SS
16
T T S T T T SS T T S T T T SS T T S T T T SS T T S T T T SS
17
T T S T T T SS S . B S S BS S S S S S S B S S S S S T T SS
18
T T T TT T SS B S B T T SS S S TT T SS S S B T T SS
19
S S TT T SS S S B T T SS S S T T T SS S S B T T SS
Nyagwan 65
20
S S T T T SS S S B T T SS T T S T T T SS S S B T T SS
21
S S T T T SS S S B T T SS T T S T T T SS S S B S S BS
22
S S S S S S SS S S B T T S T T S T T S T T S T T S T T S T T
23
S T T S T T SS B S B S S B S S B S S B S S B S S B S S B S S
24
B S S B S S SS B S B T T S T T S T T T T SS B S B S S SS
25
S S S S S S SS B T SS B T SS B T S T B S SS T T SS T T SS
26
T T S T T T SS B S B S S S S S S S S SS B S B T T T
27
T T T T T S S TT T T T T T T T T T T SS S . B S S SS
28
S S T T T SS S . B S S SS S S T T T SS S S B S S SS
29
T T S T T T SS S S B S S SS S T T S S T SS S S B S S B S
66 Nyagwan
30
S S S S S TTTT S S T T S T T TT T SS B S B T T SS
31
S S T T T SS S S B T T SS S S T T T SS S S B T T SS
32
S T T T T SS B S B T T S T T S T T S T T S T T S T T S T T
33
S T T S T T S B S S S S B S S S S SSSS S S T T S
34
T T TT T SS B S TT T TT B S TT S SS B S TT S TT
35
B S TT T SS B S TT T TT B S SS S SS B S B S S S
36
S B S S B S S B S S B S S B S S B S S SS S SS B S T T S T T
37
S T T S T T S T T S T T S S S S S S S S S S S T T S S T T S S T
38
T S S S S S S T T S S T T S S T T S S T T S S T T S S T T S S T
39
T S S T T S S T T S S T T S S T T S S T T S T T S T T S T T S
Manjani 67
40
TT T T T T T S S S S S S SS T T S S B T T B B S
41
B T TT T SS B S B S S S S S TT T SS S S B S S S
42
S S TT T SS S T TT S S TT S T T S S S TT S S TT S S TT
43
S S T T S S TT S S TT S S S T T T S S S S S S S S S S S S S
44
SS T T T T T T T S S
OO O O X OO OO
Manjani
1
TT S S T S S T S S S T S S B B S S T T
S T S S B B T S T T S T S B B B S S T T
O O X O O O O X O O
S T S B B B S S T T S T S B B B S S T T
O O X O O O O X O O
68 Manjani
S T S B B B S S T T S T S B B B S S T T
O O X O O O O X O O
S T S B B B S S T T S T S B S B T S T T
O O X O O O O X O O
S T S B S B T S T T S T S B S B T S T T
O O X O O O O X O O
S T S . B S B T S T T S T S . B S B T S T T
O O X O O O O X O O
S T S S B S B T S T T S T S S B S B T S T T
O O X O O O O X O O
S T S S B S B T S T T S T S S B S B S S T T
O O X O O O O X O O
10
S T T S S B B B S S T S S T T S S B B B S S T T
O O X O O O O X O O
11
S T T S S B B B S S T S T T S S S B B B S S T S
O O X O O O O X O O
12
S S T S S B B B S S T T T T S S S B B B S S T S
O O X O O O O X O O
13
T T S S S B B B S S T T T T S S S B B B S S T T
O O X O O O O X O O
Manjani 69
14
S T T S S B S B S S T T S T T S S B S B S S T T
O O X O O O X O O
15
T T S S B S S B S S B S T T S S B S S B S S B S
O X O O O O X O O
16
O O X O O O O X O O
17
O O X O O O O X O O
18
T T S S B S S B S S S TT S S T S S T S S
O O X O O O O X O O
19
S T T B B . T T T T S T S B B B S S T T
O O X O O O O X O O
20
S T S B B B S S T T S T T S S T T S S
O O X O O O O X O O
21
S S . . S S S S . . T S S S S S T T
O O X O O O O X O O
22
S . B B T T T S B B T T
O O X O O O O X O O
23
S . . S S S S . . T T S B B T T
O O X O O O O X O O
70 Manjani
24
S B B T T S . . S S S S S S S
O O X O O O O X O O
25
TT S S T T T T T S T T S S S . B S S S
O O X O O O O X O O
26
. B S S S . B S S S T T S S S . B S S S
O O X O O O O X O O
27
O O X O O O O X O O
28
O O X O O O O X O O
29
. B S S S . B S S S T T S S S T T S S S
O O X O O O O X O O
30
T T S S S T T S S S T T S S S T T S S S
O O X O O O O X O O
31
T T S S S . B S S S T T S S S . B S S S
O O X O O O O X O O
32
T T S S S . B S S S TT T T S S T T S S
O O X O O O O X O O
33
S S . . S S S S S S S TT T T S S T T S S
O O X O O O O X O O
Manjani 71
34
B S . . S S S S S S S TT S S S T T S S S
O O X O O O O X O O
35
B S . . S S S S S S S T TT T T T S T T S S
O O X O O O O X O O
36
S T T B B T T BS T T S B T T
O O X O O O O X O O
37
BS T T S B T T BS T T S B T T
O O X O O O O X O O
38
BS T T S B T T BS T T S B T T
O O X O O O O X O O
39
BS T T S B T T BS S S S B S S B S
O O X O O O O X O O
40
BS T T S S T T S S BS S S S B S S B S
O O X O O O O X O O
41
O O X O O O O X O O
42
BS T T S S T T S S TT S S T S S T S S
O O X O O O O X O O
43
S T T T B T T B S T T T B T T T B
O O X O O O O X O O
72 Manjani
44
S T T S B . T T T BS T T S B T T .
O O X O O O O X O O
45
BS T T T B T T BS T T S B T T
O O X O O O O X O O
46
TT T T S S S S S S BS S S S B S S B S
O O X O O O X O O
47
TT T T S S T T S S BS S S S B S S B S
O X O O O X O O
48
O X O O O X O O
49
. S S S S BS T T S B . T T T
O X O O O X O O
50
BS T T S B . T T T BS T T . B . T T T
O O X O O O O X O O
51
BS T T . B . T T T BS T T . B . T T T
O O X O O O O X O O
52
BS T T . B . T T T BS T T S S T T S S
O O X O O O O X O O
53
S S S S S B S S B S BS T T S S T T S S
O O X O O O X O O
Manjani 73
54
BS S S S B S S B S BS T T S S T T S S
O O X O O O X O O
55
BS S S S B S S B S TT S S T S T T S S
O O X O O O X O O
56
S S S S S B S S B S T T T T T T T S S B
O O X O O O O X O O
57
O O X O O O X O O
58
O O X O O O O X O O
59
O O X O O O O X O O
60
O O X O O O O X O O
61
O O X O O O O X O O
62
S S S S S B S S B S T T T T T T T S S S
O O X O O O O X O O
63
TT S S T S S T S S B S S S T S
O O X O O O O X O O
74 Manjani
64
S B B T S S S S S T S
O O X O O O O X O O
65
S B B T S S S T S
O O X O O O O X O O
66
S B B T T S T T S T T T S
O O X O O O O X O O
67
S B B T S S S S T S
O O X O O O O X O O
68
S S S S T S S S S S T S
O O X O O O O X O O
69
S S S S T S S T T T T S S
O O X O O O O X O O
70
T T T T S S T S S T T T T S S
O O X O O O O X O O
71
T T T T S S T S B S S S S T S
O O X O O O O X O O
72
B S S S S T S S S B S TTT
O O X O O O O X O O
73
T T S S B S TTTT T S S B S TTT
O O X O O O O X O O
Manjani 75
74
O O X O O O O X O O
75
T T S TTTT T S TTTT T S S B S TTT

O O X O O O O X O O
76
O O X O O O O X O O
77
T T S S B S TTTT T S TTTT T S TTT

O O X O O O O X O O
78
T T S S B S S S S S S S S S T S
O O X O O O O X O O
79
S S S S S S S S S S T S
O O X O O O O X O O
80
S B B B SS B B T T
O O X O O O O X O O
81
S B B B SS B B T S
O O X O O O O X O O
82
S B B B SS B B T S
O O X O O O O X O O
83
S T S S T S S T S S T S S T S
O O X O O O O X O O
76 Manjani
84
S T S S T S S T S S T S S T T
O O X O O O O X O O
85
T T T T T T T T T T T T T T T S
O O X O O O O X O O
86
S S B S TTTT T T T T S T T S S
O O X O O O O X O O
87
B S S S S T S S B B B
O O X O O O O X O O
88
SS B B B SS B B B
O O X O O O O X O O
89
T T T S S S S S S S S S S S S S S S S S S S S S
O O X O O O O X O O
90
T S S T S S T S S S S S T S S T S S T S S T S S
O O X O O O O X O O
91
T S S T S S T S T S T S T S T S T S T S T S T S
O O X O O O O X O O
T S T S T S T S T S TT T T T T T SS
O O X O O O O X O O O
Garanke 77
Garanke
1
TT S S
O X O O O X O
B S . B B B S S . B B . T T S T T S S S .
O O X O O O X O
B S . B B B S S S . B . T T S T T S S S
O O X O O O X O
B S . B B B S S S . B . T T S T T S S S
O O X O O O X O
B S . B B B S S S . B . T T S T T S S S .
O O X O O O X O
O O X O O O X O
O O X O O O X O
B S . B B B S S S . T T S T T S T T S S S .
O O X O O O X O
B S . B B B S S S . B S T T S T T S S S .
O O X O O O X O
78 Garanke
10
O O X O O O X O
11
O O X O O O O X O
12
O O X O O O O X O
13
O O X O O O O X O
14
B S . S . S . S B S T T S T T S S S .
O O O X O O O O X O
15
B S . S . . S . S B S T T S T T S . S
O O O X O O O O X O
16
B S . S . . S . S B S T T S T T S . S
O O O X O O O O X O
17
B S . S . S . S B S T T S T T S . S
O O O X O O O O X O
18
B S . S . TT T T S S TT T T S S TT T T S
O O O X O O O O X O
19
S TT T T S S TT T T S S TT T T S S TT T T S
O O O X O O O O X O
Garanke 79
20
B S S B S S B S S B S S B S S B S S B S T T S S
O O X O O O X O
21
S S T T S S S S T T S B SS T T T T . S S S S . .
O O X O O O X O
22
O O X O O O X O
23
O O X O O O X O
24
B S . S . . S . S T S S . T T S S . T
O O X O O O X O
25
T S S . T T S S . T T S S . T T S S . T
O O O X O O O O X O
26
T S S . T T S S . T T S S T T S T T S T T S
O O O X O O O O X O
27
T T S T T S T T S T T S S S T T S T S S SSS
O O O X O O O O X O
28
S S S S S S TTT T S B S . S . S . S
O O O X O O O O X O
29
B S T T S T T S . S B S . . S . S . S
O O O X O O O O X O
80 Garanke
30
B S T T S T T S . S B S . S . S . S
O O O X O O O X O
31
B S T T S T T S . S B S . S S TTT T S
O O O O O O O O O O O O O O O O
32
S S T T T T . S S S S . . B S . S . S . S
O O O O O O O O O O O O O O O O
33
O O O O O O O X O
34
O O O X O O O O X O
35
O O O X O O O O X O
36
B S T T S T T S . B T S T T S S T S S T S S
O O O X O O O O X O
37
S S S T S S T S S T S S S S T T S S S S T T S S
O O O X O O O O X O
38
S S T T S S S S T T S S S S T T S S S S T T S S
O O O X O O O O X O
39
T S S T S S T S S T S B S S T T S S S S T T S B
O O O X O O O O X O
Garanke 81
40
B S T T S S S S T T S B S S T T S S S S TTT
O O O X O O O O O O
41
T T S S S S S S S S S S S S TTT T S
X O O O O X O O O O
42
S S T T S T S S T S S B S S T T S T S S T S S B
X O O O O X O O O O
43
S S T T S T S S TTT T T S S S S . S S . S
X O O O O X O O X O
44
S S S . S S S S . S S S S . S S TTT T S
O O X O O O X O
45
S S S . S S S S . S S S S . S S TTT T S
O O X O O O X O
46
O O X O O O X O
47
B S . S . . S . S B S T T S T T S . S
O O X O O O X O
48
B S . S . . S . S B S T T S T T S . T
O O X O O O X O
49
O O X O O O O O O
82 Garanke
50
X O O O O X O O O O
51
T S S . T T S S . T T S S . T T S S . B
X O O O O X O O O O
52
T S T T S S T S S T S S B S . S . . S . S
X O O O O X O O O O
53
B S T T S T T S . S B S . S . . S . S
X O O O O X O O O O
54
B S T T S T T S . S B S . S . . S . S
X O O X O O O O X O
55
O O O X O O O O X O
56
B S T T S T T S . S B S . S . . S . S
O O O X O O O O X O
57
B S T T S T T S . S B S . S . . S . S
O O X O O O X O
58
B S T T S T T S . S B S . S . . S . S
O O X O O O X O
59
B S T T S T T S . S B S . S B S . B
O O X O O O X O
Garanke 83
60
T S S T S S T S S T S S T S S T S S T S S T S S
O O X O O O X O
61
T S S T S S T S S T S S T T T T S S S S S S S S
O O X O O O O X O
62
S S S S T T T S S S T T S S S S T T S S S S T T
O O O X O O O O X O
63
S S T S S T S S T S S T S S T S S T S S T S S
O O O X O O O O X O
64
TS S S S S S S S B S . S . S . S
O O O X O O O O X O
65
B S . S . S . S B S . S . S . S
O O O X O O O O X O
66
O O O X O O O O X O
67
O O O X O O O O X O
68
O O O O O X O O O O
69
X O O O O X O O O O
84 Garanke
70
X O O O O X O O O O
71
B S . S . S T T T S S . T T S S T
X O O O O X O O O O
72
T S S . T T S S T T S S . T T S S . T
X O O O O X O O O O
73
T S S . T T S TTT T S S S S S S S S
X O O O O X O O O O
74
S S S S S TTT T S . S S S S S TTT T S
X O O O O O O X O
75
. S S S S S TTT T S B S S S S S TTT T S
O O X O O O X O
76
B S S S S S TTT T S B S S T S S S B
O O X O O O X O
77
B S . S . . S . S B S T T S T T S . S
O O X O O O X O
78
B S . S . T T T T T S S S S S S S S S
O O X O O O X O
79
S S S S S S S S S S S S T S S T S S T S S T S S
O O X O O O X O
Sumalen 85
80
T S S T S S T S S T S S T S S T S S T S S T S S
O O X O O O X O
81
T S S T S S T S S T S S T S S T S S T S S S
O O O X O O O O X O
TT T T T T T T SS
O O O X O O
Sumalen
1
B B B . T T S S S . B B B . T
T S S S . B B . B . T T S S S . B B S . T
O O X X X O O X O
T T SS S S S S B S S T T S S S B B B B B . T
O X X O O O X O O X X X O O X O
T S S S B B B B B . T T T SS S S B . T SS S S
B . B SS S S B . B SS S S T T SS S S B B B B . T
O X X X O O X O O X X X O O X O
T T S S B B B S S S T T . S S S B B B S S . T
86 Sumalen
T T SS S S S S T SS S S S T SS S S B B B B . T
T T S S B B B . S . T T . T S S B B B S S . T
T . T S S B B B S S . T T T SS S S S . B SS S S
10
S . T SS S S S . B SS S S S . B SS S S S . B SS S S
11
S . B SS S S S . B SS T T SS T T SS T T SS T T SS T T
O X X O O O X O O X X O O O X O
12
SS T T SS T T SS T T SS T T SS T T SS T T SS T T SS T T
13
SS T T SS T T SS T T SS S S S . B SS S S B . B S S T
O X X O O O X O O X X O O X O
14
T . T S S . B . B B S T T . S S S B B B B B . T
O X X O O X O O X X O O O X O
15
T T SS S S B B B B . T T T SS S S S . B B . T
16
T T SS S S B B B B . T T T SS S S S T SS S S
Sumalen 87
17
S T SS S S S B SS S S S S T T SS S . T
18
T S T T SS SS . T T S T T SS B . T
O X X X O O X O O X X O O O X O
19
20
T T SS S S S T SS S S S T SS S S S . T SS S S
21
S S SS T T S . T SS T T S . S SS T T S . S SS T T
22
S . T SS T T S . S SS T T S . T SS T T S . S SS T T
23
S . S SS T T S SS . B B B B SS . . T
O X X O O O X O O X X O O X O
24
T T SS S S S S TS B B T SS S S S . T S B
25
TT S S TT S S TT S S TT S S TT S S TT S S TT S S TT S S
26
TT S S SS S S TT S S SS S S TT S S SS S S TT S S SS S S
88 Niare
27
TT S S SS S S TT S S SS S S TT S S SS S S TT S S SS S S
28
TT S S BS S S TT S S BS S BS T T BS S BS S T BS S
O X X O O O X O O O O O X O
29
BS T T BS S BS S T BS S BS T T BS S BS S T BS S
30
BS T T BS S BS S T BS S TT S TT S TT S TT S
31
TT S TT S TT S TT S TT S TT S TT S T T
32
TS S S SS S S SS S S SS S S TS S T TS S T TS S T TS S T
TS S T TS S T TS S T TS T S . T S . T S . T T . SS BS
O X X O O O X O O O O O O O
Niare
1
B . T T T S S . B B . . T
X X O O O O O O X X O O
T T T SS S S S S T T SS B . T
O O O O X X O O O O O O X X O O
Niare 89
T S T T SS B . T T S S S . B B . S S T
T S S S S B S S . B . T T S S S B T T . B . T
T S T T SS B . T T S SS S S S S . B . T
T S SS S S S S . B . T T S SS S S S S . B . T
T S T T SS S S . B B T SS S S S S TS . B
B T SS S S S S TS . B B S T T SS B . B
10
S T∼∼∼∼∼∼∼∼∼∼ TTT SS . T T T T T SS SS T
11
T S T T SS B . T T S T T SSS S . B
12
B T SS S S S . T SS S S S B SS S S S . B SS S S
90 Niare
13
S . B SS S S S . B SS S S S B SS S S S . B SS S T
14
S S T T SS SS T T S T T SS SS T
15
T S T T SS B . T T S S S B S S S B S T
16
T S S S B S S S B S T T S S . B S S S B S T
17
T S S . B S S S S S T T T SS S S S T SS S S
18
S T SS S S S T SS S S S T SS S S S B SS S S
19
S T SS S S S B SS S S S S SS S S S . T SS B
20
SS T T S . B SS T T S . B SS T T S . B SS T T S . B
21
SS T T S . B SS T T S . B SS T T S . B SS T T S B
22
S S T T S S B T T T T SS SS T
Niare 91
23
T T T T S S B S S . B S S . B S . S B
24
S S T T SS SS T T S T T SSS S . B
25
B S SS S S S S . B . T T T SS S S S S . B . T
26
T T SS S S S S . B . T T S T T SSS S . B
27
B T SS S S S . B SS S S S B SS S S S . B SS S S
28
S B SS S S S B SS S S S B SS S S S B SS S S
29
S B SS S S S B SS B T T T T SS B . T
O O O O X X O O O O O O O
30
T T SS S S S S S S B TS S S TS S T TS S T TS S T
O O X O O O O O O X X O O
31
TS S T TS S T TS S T TS S T TS S T TS S T TS S T TS
S S . S S . S S . S S . SS BS
O O O O O O
92 Degu Degu
Degu Degu
1
BS B B B S T T SS . . .
O O O . X O O X X X X X X
T S S B S S S T T S B T S S B S T T S S B S T
O O O X O O X X X X X X .
T S S B S T T S SB S T T S S B S T T S S B S T
O O O .O O X X X X X X .
T S S B S T T S S B S T T S S B S T T S S B S T
T S S B S . T S SB S T T S S B S T T S S B S
O O O X .O O X X X X X X .
T S S T S S T S S T S S T S S S T S S B S T T S S B S T
O O O X .O O X X X X X .
T S S T S S T S S T S S T S S T T S S B S T T S S B S S
T S T S T T S S T S S S B B S B . BB .B
T S S T T S S T T S S S B B S B B S B B .B
Degu Degu 93
10
T S S S S S T S S T T S T S S S .B S B S B S
11
T S S T T S S T T S S S B T T S S B T T
12
T S S T T S S T T T S S .B S B S B S
13
T S S T T S S T T T T S S B S T S S B S
14
T S S B S T S SB S T S S B S T S S B S
15
16
T S S B S T S S B S T S S B S T S S B S
17
18
T T S T T S T T S T T S T T S S B B S T B B B B B
19
T T S T T S T T S T T S T S SS B B S B S B S
94 Degu Degu
20
21
22
23
24
25
T S S T S S T S S T S S S S SS B B S S S B S
26
T S S T T S S T T S T S B S . S . S S B
27
T .T .T .T SS SS SS SS SS
28
SS SS SS SS SS SS SS SS
29
SS SS SS SS SS SS SS SS
Degu Degu 95
30
B B B B SS T T T T SS
31
T T T T SS T T T T SS .
32
T S S T T S S T T T S S B B S B S B S
33
T S S T T S S T T S S S B S S S S B S S
34
35
T S S T T S S T T T S S B S S S S B S S
36
T S S T T S S T T T S S B S S S S B S S
37
T S S T T S S T T T S S B S S S S S S
O O X .O O X X X X X X .
38
T S S T T S T T T S S T T S S T T S S T T S S T T S S T T S
SS S S S S S S T T SS
O O O X .O X

Jenbe Realbook 2 (En)

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Realbook_A4Titel_D_E 25.10.

2008 11:50 Uhr Seite 2

The Jenbe Realbook Vol. 2

This booklet contains the complete transcription of the CD:

The Art of Jenbe Drumming

Transcriptions by Rainer Polak

The Jenbe Realbook

Dunun: Madu Jakite (all tracks)

The following sound symbols are used in the transcriptions:

Working with these notations

Problems with the notation

Ambiguities regarding the beat

1 • • • 2 • • • 3 • • • 4 • • • sanja beat option 1

• • 1 • • • 2 • • • 3 • • • 4 • sanja beat option 2

1 • • • 2 • • • 3 • • • 4 • • • bara beat option 1

• • 1 • • • 2 • • • 3 • • • 4 • bara beat option 2

A number of rhythms with the feeling "long-short-short-..." contain the option

Bayreuth, summer 2008 Rainer Polak

T T SST T SST T SST T SST T SST T SST T SST T SS

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SSS S TTT T SSS S B S S S S S T S T S T S B

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SSS S TTT T TTT T T T SS . B S S . B S B S S . B S

S S TTS S S TTS S S T T T TT T SS B SSSSSSS S S S B

B TTS T T S T T S TT S TTS B B S S B S BT T S TTS B

TTTT T S S TTTT T S S TTTT T S S TTTT T S S S

SSSS S S S TTTT T S S SSSS S S S TTTT T S S T

T T S TTTT T S TTTT T S S B S TTT

T T S S B S TTTT T S TTTT T S TTT

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