Gabrieli Ch171 2 Septimi Toni Recorders Ori Key Parts

Descant Recorder 1.
1
Canzon Septimi Toni a 8, (2nd of 1597)
Giovanni Gabrieli (c1554-1612)
                
     

    
 
4
                  


         
7
    

    
10

  

     
  
18
           

  

      
23
     

  
     
  
28


      
32
     
    

      
35

       
   

 
  
45

            

 

      
50
     

  
Descant Recorder 1.1 3
     
  
55


    
60
   

          
63
                  

    
     
66
         

   
  

69
        

 
  
72
           

  

      
77
     

  
     
          
82


 
 
            
86
   
  
     
89
  
      
91
           

   

 
Treble Recorder 1.2
             
     
 
            
5
      
         
        
8
  
    

11

   
        

20
 

24
          
    
        
   
28

 
32
                  
 
35
       
      
         

45
   
Treble Recorder 1.2 3
             
 
50
    
55          
   

        
60
 
     
64               
  

             
67
  
       

71
    
           
 
76
   
            

81

  
                 
85
 

       
89
   

    

  
91
  
Tenor Recorder 1.3

               
   
5
                 
      
    
8
       

    
11
     
 
21
     
  
      
        
27
   
  
            
    
31
  
          
34
          

    
37
      
49
        
    
Tenor Recorder 1.3 3
        
54
   
  

         
58
   
  
  
     
63
    
 
  
66
               

           
70
    
 

75
     
  
      
81
          
    
            
   
85
  
           
88
    
91
          

    
Bass Recorder 1.4
        
       
8
  

     
      
 
11 

     

 

20
 
               
  
24

       
      
28        
 
           

31
       
         
34
      
        
       
37 
       
    
49 
     
              
  
Bass Recorder 1.4 3
54  

        
      
57
        

 
   
61
   
  
63
 
           
      
66

              
  
70
 
          
 
75
 
         
     
  
80
     
       
     
    
84
                     

87
             

 
  
90
    

      

   

Descant Recorder 2.1
 
        


      
      
13
    

 
     
15
         

 
18
               
 
 
23
              
 
28
   

         
32
 
       

   
           
37
      

    
 
 
               
40
    

          
43
         
 
  
48
      
     

  
Descant Recorder 2.1 3
53
     

        
57
       

  
  
60

          

    
     
65
    

      
            
68
     

      
     
70

    

      
  
75
      
     

  
80
     

        
84
       

       
 
 
87
      

  
           
90
        

 
Treble Recorder 2.2
      
  
13
             
  
16
           
  
       
 
18
   
         
   
23
    
      
   
27
  

   
    
31
    

37
                    
  

40
          
      

42
        
           
      
 
45
   
Treble Recorder 2.2 3
              
50
   
      
   
54
  

       
     
58
 

         
63
      
          
 
67
  
      

72

   
         
   
77
   
      
   
81
  

85
               
     
89        
 
  
  
     
91
  
Treble or Tenor Recorder 2.3
 
            
                 
  
14
   
   
17
         
    
22
            
 
   
27
 
   
  
32 
           

                       
37
 
   
     
40
        
    
     
43
    
    
48
           

Treble or Tenor Recorder 2.3 3
    
53

       

      
     
57
     

61  
        
            
66
     
      

70
      
  
75
             

 
    
80
     
 
84
        
         
      
88
           
91
   
      
Bass Recorder 2.4
      
 
     
14          
            

  
17
      
       
22
 
            
      
 
26     
      
 
   
  

30 

   
        
36
     
             

39
 
           
        
41
    


       
45
 
          
 
Bass Recorder 2.4 3
50
     

               
 
54    
    
           
  
58 
    

  
  
63
              

  
 
67
       
     
   
72
 
       
    
77
     

               
 
81     
    
          
 

85
    

           
89
       
     

91
 
  
  

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