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Beating the Barrio:
Piri Thomas and Down These Mean Streets
James B. Lane
Department of History
Indiana University Northwest
Gary, Indiana
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PIRI THOMAS AND DOWN THESE MEAN STREETS 815
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816 ENGLISH JOURNAL
the numbness and made "clean the unmoved by his return and even unaware
dirty-
faced kids." The Barrio's climate, so that he had left. He "hadn't even worked
turbulent and visceral to the emotions,up a sweat," the boy lamented. But on
was fundamentally hostile to self-reflec-another occasion, when Piri was hos-
tion or contemplation. Suspicious of the pitalized from a fight, his father bought
outside world, Piri accepted the bravado him a pair of roller skates (pp. 14-18,
22-23, 31-33, 47).
life-style of the street, savoring its ex-
citment and accepting its dangers. The Mrs. Thomas saw it to be her tradi-
Barrio was both a secure haven and an tional duty to provide her children with
enchanting prison. Only after leaving ample
its amounts of affection and moral
boundaries did he discover himself. and ethical advice. Unlike her husband
she
Ironically, he identified and resolved hisdid not begrudge Piri his dark skin.
In subtle ways she encouraged him both
inner confusions first while living amid
condescending whites in the sterile to be deferent to his elders and manly
suburbs of Long Island, then on awith triphis peers, but she suffered in agony
into the South with a black friend when
and, he came home bloodied from a
finally, in the enforced isolation fight.
of a After an Italian youth blinded Piri
temporarily
prison cell. In each case Piri desired to with gravel, his father
return to his old neighborhood (pp. wanted
9-10, to know the details of the story
18, 294-310). in order to wreak revenge, whereas his
mother's reaction was to get him to a
P IRI'S father,
sullen a hardworking,
man who proud,
seemed distant and
hospital without delay. Piri's relationship
with his mother was open and even flirta-
unknowable to his son, bore the scars tious,
and in contrast to the invisible wall that
ravages of the Great Depression. During
separated him from his father. Once. after
Piri slammed the door, his mother told
the 1930s he drifted from job to dreary
job digging ditches, going on and offhim to reenter the house properly. Exag-
relief and finally finding temporary gerating
fi- his care the second time, his skit
nancial security in an airplane factory
caused his mother to explode with laugh-
when World War II began. Short- ter. Piri wrote: "I joined her and we just
tempered from overwork and on the
laughed and laughed. I kissed her and
went into the back room feeling her
verge at times of fleeing the family which
he loved but could not provide properlyfull-of-love words floating after me."
Then he called out: "Hey, Moms, how
for, he was like a caged bull, frightened,
come you're so pretty, eh? How come,
frightening, fierce, and vulnerable. Dur-
ing the infrequent moments wheneh?"
he (p. 28).
played games with his five children, he
P IRI'S mother instilled in him
was "the best Pops in the whole world, a ro-
even though [he] don't understand usmantic temperament and an idealized
vision of womanhood as a virginal and
too good." But he seemed to resent Piri,
whose dark skin resembled his own, and
sheltered state. She taught him that the
physical and psychological frigidity of
treated him less warmly than the other,
New York, the "snow in the hearts of
light-skinned children. In vain Piri
sought his father's attention and respect,
people," was an unnatural state of affairs,
by a cute joke that went unappreciatedforeign to their homeland of Puerto Rico.
or by holding his breath under waterAnd ineven though Piri could identify less
with his mother's "isla verde" than with
the bathtub as "Pops" walked out of the
"Jack Armstrong, the All-American
room. Once, after being thrashed un-
Boy," his favorite radio program, still he
fairly, Piri ran away from home, hoping
shared her dreams vicariously and eagerly
to worry his father. But the parent was
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PIRI THOMAS AND DOWN THESE MEAN STREETS 817
through their
returned her outward expressions open windows or make
of love.
Later he became infatuated with a love under half-drawn shades." The
beautiful, willowy, recently arrived im- of parks and playgrounds in East
paucity
migrant named Trina. He called her his demonstrated that the city plan-
Harlem
Marine Tiger after the ship ners whichprovided more room for automobiles
brought her to Ellis Island. Even than
though
for children. Filling the streets, back
Piri could not resist taking dope and and vacant lots were rebellious,
alleys,
dancing close with other girls ungovernable
in her boys and young men who,
in girl
presence and impregnating another the words of Patricia Cayo Sexton,
were "too old to be told what to do and
in her absence, still he resented anything
that stained her moral purity. It exas-
who, in their tragic idleness, have a way
of teaching 'bad things' to the young or
perated him when she became intoxicated
getting
at a party. "I really dig her. She ain't hip in trouble with other ethnic
and that's what I like," he declared. In
groups." Fear permeated the lives of the
his imagination she was his perfect foil,
more cautious Barrio residents, impairing
religious, white, patient, and old-fash-
their health and ability to work, coloring
ioned. Declining to touch her sexually
their trust of other people and tempering
before marriage, he explained, "I their
hadn'tspontaneity (Spanish Harlem, pp.
18-19, 116).
copped her. I wanted her, but I wanted
her right-church, white dress, the whole
bit. She was the one thing the T HIS subculture
streets of the slum was can-
weren't gonna make the mean way" (p. cerous on the primary institutional
19-22, 113-114, 162-63, 212). bonds of society such as the family, the
Child-rearing was fraught with church,ir-
the school, the community, and
reconcilable difficulties, Mrs. Thomas the government. The social disorganiza-
realized to her chagrin. The traits neces- tion of the ghetto bred cynicism, hatred
sary for survival in the Barrio, indepen- of authority, confused identity, inability
dence and a strong sense of ego, were the to defer pleasure, and violent impulsive-
most vulnerable in that impoverished ness. Piri suffered further from confused
setting. In Puerto Rico, community and senses of racial and national identity. Yet
work-group ties eased the parental bur- in A Study of Slum Culture, anthropolo-
den of control, and the values of familial gist Oscar Lewis concluded that the
respect and propriety seemed compatible Puerto Rican family had surprising "for-
with the peer-group values of masculinity titude, vitality, resilience and ability to
and manliness. But the culture of the cope with problems which would para-
street taught disobedience and disregard lyze many middle-class individuals. It
for customs and sensitivities. A Barrio takes a great deal of staying power to
maxim claimed that New York turned live in their harsh and brutalizing envi-
youngsters into savages, women into
ronment. They are a tough people, but
shameless and arrogant bitches, and menthey have their own sense of dignity and
morality and they are capable of kind-
into irresponsible rascals. By some stan-
dards, Piri's actions on the street seemed
ness, generosity, and compassion . . .
savage or barbaric, even though heTheir re-deepest need is for love, and their
life is a relentless search for it" (p. 49).
tained an enduring respect for his mother.
He was happiest and felt most free whenThis is an apt description of the Thomas
household.
he was fighting or acting cool or "spitting
Religion seemed irrelevant to Piri ex-
out of tenement windows at unsuspecting
people below, popping off with slingcept at junctures when he needed luck
shots, or even better, with Red Ryder
or supernatural support in order to escape
a predicament. In the Puerto Rican com-
BB rifles, watching the neighbors fight
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818 ENGLISH JOURNAL
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PIRI THOMAS AND DOWN THESE MEAN STREETS 819
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820 ENGLISH JOURNAL
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PIRI THOMAS AND DOWN THESE MEAN STREETS 821
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822 ENGLISH JOURNAL
in its midst.
want to emulate (pp. 298, The book's subtlety tran-
307-14). The
scended the dichotomy
resultant autobiography was testimonyof viewing the
that Piri Thomas' aspiration to
Barrio in moralistic terms be orsome-
of good evil,
body triumphed overwomb or hisinferno. Even so, and
racial the backemo-
tional problems andcoverhisblurbneed
on the paperback
for quick, edition
egregiously advertised Yet
self-destructive gratification. the book as the
Melvin
Maddock commented story of a junkie,the
that thief, and attempted
mystery
killer trapped
of his change-of-heart was in hell.
"as dark and
provocative as one ofOther writers
his have noted the
Barrio allure
summer
nights.''4 of the Barrio. Patricia Cayo Sexton,
author of Spanish Harlem, described the
cacaphony of feeling which she dis-
R EVIEWERS hailed Down These
Mean Streets as a candid, penetrat- covered in East Harlem. "Given the pre-
ing, camera-eye portrait of Spanish Har- vailing folklore about crime in the slums,
lem that was neither glamorizing nor the stranger approaches with caution.
confessional. Katherine Gauss Jackson Once inside, he finds it difficult to break
noted that the dialog "is brutally of the loose. The population is diverse and en-
streets and spares the reader nothing in gaging. The street life is more vivid than
two languages." But she added that "its improvised theater. There is passion and
honesty is purging rather than offensive conflict," she wrote. Intending to visit
and the passion of life that comes through the district for two weeks, she remained
is inescapable and good." Melvin Mad- for two years. The most visible image
dock, writing in Life, called the book of the Barrio, she wrote, was the squalor
"a time-defying act of total return" and of the slum housing, the overcrowdedness
compared Thomas favorably with James and illiteracy and rootlessness of marginal
Baldwin and Claude Brown, whose books people caught in a hostile and individ-
about black Harlem were more didactic ualistic city. But underneath there were
and proselytizing than Down These "good omens and rays of light," she con-
Mean Streets. One reviewer wrote: "Sen- cluded (pp. ix-x). Journalist Dan Wake-
timental, rough-hewn, and unliterary asfield, author of Island in the City, echoed
his tale may be, behind it stands a sub-her sentiments. Entering Spanish Harlem
merged population group that has hadon assignment, he quickly encountered
few voices." Recreating the past andshouts from a Pentacostal revival, teen-
making understandable Puerto Rican-agers singing rock music, older men
American culture, the book was an his-gossiping, and a policeman twirling his
torical contribution that demonstrated nightstick. "No one who ever sat down
the continuity of New York's uniqueat a typewriter could walk through that
heritage of the omnipresence of strangers block without wanting to write about
it," said Wakefield, who moved into the
4The following reviews contain valuable in-
sights into Down These Mean Streets. Melvin neighborhood for six months (pp. 5-6).
Maddock, "The Knuckle-Hard Code of the Reviewers pointed out a number of
Barrio," Life, 62 (June 9, 1967); Oscar Handlin allegorical symbols contained in Down
"Reader's Choice,"Atlantic, 219 (June 1967)
These Mean Streets which synthesized
130; Elmer Bendiner, "Machismo," Nation, 205
(September 25, 1967) 283-84; Warren Sloat, the psychic effects of the ghetto. Some
viewed the central theme as one of con-
"Exploration of Color," Saturday Review, 50
(August 5, 1967) 33; Katherine Gauss Jackson, flict between man and an inimical en-
"Down These Mean Streets," Harper's, 234 vironment, as Piri sought to escape from
(June 1967) 109; Daniel Stern, "Down These
Mean Streets," New York Times Book Review
the dehumanizing feelings of inferiority,
(May 21, 1967) 1; "In the Arms of Lady hatred, and rage. In fact, he was able to
Snow," Newsweek, 69 (May 29, 1967) 96. survive the brutalities of six years in
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PIRI THOMAS AND DOWN THESE MEAN STREETS 823
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