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 Ubm^i

The Practical Exemplar of Architecture

From "THE ARCHITECTURAL REVIEW."

Being measured drawings and photographs of fine examples and details lor the use of those who desire

to study the work of the masters in .Architectural design and construction ; together with other

examjiles not previously published ; the whole selected and edited by

Mervyn E. Macartney, B.A., F.R.I.B.A.

II'" iiilcnliiiii (if the best lorm (il instruction; accompanied by

PuAi I K \l r-lxiJ.Ml'I.Al^ |ili(itoi^r;iphs their \alue ami hiciditv are

(M- .\K( HITIXTLRE i.S bv consitlerably increased. The ex|5erimeiu,

mean.s of phcitna^raphs jud^jini; fruin the main- letters of en-

and measured drawings courai.;ement received, has ix-en widely

to place before .\rcbitects an absolutely appreciated. ()riyinall\\ il was intended

reliable and correct reproduction of all that to reprini uKJst of the illustralKJiis in bo(jk

pertains to the practice of Architecture, so toriu, but by priniinj; them as separate

plates it is thotii^ht that ihey will be in a

tliat an .Architect, or for that matter auN'one,

reproduce from
moi'e handy form for reference.
could a gi\-en sul\ject a

chimnev-stack to a door-kimli. I( is iioi .\s tar as jiossible the constructioi^ of the

intended that the host of adaptors should details is clearly indicated; btit it must be

iDe increased so much as to ensure that the borne in mind lli.ii the examples are maiidy

adaptations should be correct. The dull old, and thai paint cannot be remoxed from

idp\ist will exist under an\' circumstances; Wdotlwork, or ])laster stri|)])ed from a

he caniKjt lie eliminated, but he can be staircase sollil lu di.scUise the actual

proxided with " ])ot-hooks " that are worth construcliiiii.

imitatinij. Though not the aim of the 'l"he I'lditor wiiuld be t:l;id to hear of

Pra( TK \i. |-'xi-:jipi.ai^ it is still a conso- I'.xampk-s l(ir fmiiie issue; it is his desire

lation to know that under the worst aspect to publish standard exam]iles of- prin-

llie slantlard will not be hiwcrecl. It is cipally — British Architecture, and t(j make
recoi;nisrd lli.il measured drawings are the them as re]3re,sentati\e as possible.
 The Practical Exemplar of Architecture.

less pleasant design the balustrading

Balustrading (Stone and Iron).
it in is

to the Rialto, X'cnice (i)lates 45-47, 2iul

Gowane's llospital, or iIk; (iuilclliall at .series). fhe string on which it stands is
Stirliiii;' (l)uilt in 1639), possesses a fine stone- strong, and, with the console blocks, ex-
paved terrace (plates 1-2, ist reprint) raised tremely effective.
a few feet abov'c a bowling' urecn. In llic
I'"nglish ironwork is much less fanciful
centre a landing on the level of the tcriMrc lliar '*.:;lian. Ilie wrought iron iialcony
projects into the i;reen, allowing the lli^jlits
fi'om ' *'ta is .dmost lidious in design, yet
of steps to descend to the ri^lu and left.
withal exlrcmel)' |)Ieasing. It is curved on
At the near end another llii^ht of steps (not ])lan a happ\ ilexice, although it ailds to
shown in the photograph) goes down to the the difficulty of workmanship. \\ here the
road. This latter has a raking balustrading. scrolls cross one another thev art; halved,
The curious detail of the newels should be and lh(\ are bountl with metal straps where
noted ; and it will be seen that purely ilie\ touch. Only the uprights are mortised
utilitarian considerations have imparteil a into the stone, the scroll-work being based
character of tlirectness and siinplicily. I he on a flat band of iron some inches above the
balusters are admiral)l\- adapted to their stone. .\ sim])le design of balu.strading is
purpose. Their massive j)ro|)ortions allow ol used on the small britlge (plates <S 1 -82, 2nd
the wide spacing so suitable in garden tlesign. series) near San Lio, X'enice. Ihe scroll is

Comparison with the stone staircase Irom one piece of iron lient in the simplest
Glasgow (see below), where balusters ol manni'r, and is finished with a Ijorder of
almost uncouth robustness and somewhat rings on the lop. Cast iron pedestals give
similar design are used is interesting. the necess.u'x stability to the tlesign.
Gla.sgow College1659; was built in

antl the e.xterior stone staircase (plates 40-

44, 2nd series) was erected some time before Chimncy-pieccs.
1690, for it is recorded that the balustrading riu- ci)ini)lele accomplishment of the
and heraklic animals were added in that
Renai.s.sance tradition is shown in the chim-
year. ney-piece from the Metropolitan Water
" In 1690 a rail ol stone bakistrad- Hoard's Offices (plates 3-6, ist re])rint).
" ing was put on the great stair leailing 01 Wren's period, it has a great wealth of
"to the I'^ore Hall, with a lion anil a car\ ing, probabl) In (irinling Gibbons,
"unicorn upon the first turn, at a cost for its ornament, bruit, flowers anil grapes
"of Twelve Pounds .Sterling."
in festoons crown the centre panel ;
birds
The Annals uj Old Glasgow Cullcgc.
poise daintily and flower, or
on tendril

The Collecre and staircase were de- hang limp in the pendants, which fall in
molished towards the end of the last century. a fret of implements of fi.shing, fish, shells,

Parts of the former were re-erected in the in a j)erfect marvel ot carving. Fhe coal
shape of a Gate Lodge to the new LIni\ ersii\ ,
of arms is not the least of the ornaments;

and the .staircase also was rebuilt. It is its projection, tlesign, antl the vigour of the

worth noting that the door lintel is a nmnolith carving of the mantling antl accessories,

extending from side to side, including the make it a fine example of the work of this

upper parts of pilasters. Tlie original posi- period. All the details of the mouldings are

tion of the doorway was immediately facing well designed. The Corinthian capitals are

the head of the stairs. beautifully carved. The plaster u[)per mem-
I'he stone balustrade from Orta, Italy bers of the cornice are a curious leature. A
(plates 48-50, 2nd series), is extremely in- plea.sant effect is obtained by the inlay of oak
teresting. A curious feature of the balusters forming the frame to the marble jamb.s, which
is the raised diamond in the middle, and the are moulded to the l\ pical wave .section.

pedestal bearing a shield set in the midst In quite a dilTerent manner is the chim-

of the balustrade is unusual. More vigorous niy-i>iece at the .St)ane Museum (plates 7-S,
 The Practical Exemplar of Architecture.

Chimney-pieces (coutinued). shape is to be found in endless variety of

1st reprint). Of white marble, its ilelicate detail atMoyns Park, Blickling Hall, North
flutinos and quiet desitrn oive it an cftect of Mymms, and generally all over the country.
the utmost reticence, not without a severe The skill of the bricklayer was never
beautv. Sir John Soane, the architect greater than at this time. The example
of the Ikuik of England, was the desiL;ner, from .Silchester (plates 11-12, ist reprint)

and it is a characteristic and fine example .\.i). 1634, belongs to the new type which
of his manner for internal work. has lasted, with \ariations, to the present

The stone chimney-piece in the old day. rhe slight recesses, only ijin. deep,

Dinino- room of Argyll's Lodging, StirliuL;, the arched tops to the panels, the projecting

built in 1632 (plates 9-1 i, ist reprint), is a bricks make it a fine example. Goddard's
good example of the form the early Renais- Green, near Cranbrook (plates 23-25,

sance took in Scotland. Less refined than 1st reprint) shows an interesting stack.
contemporary work in the south of England, Proljably a development of the Tudor
it is still effective ; and if the profiles of the chimney, it leads way to
the the ijuite

mouldings are coarse, they are vigorous and common type in Kent-chimneys set angle-

in scale with the whole. A Renaissance nioiit wise. Close at hand, Dog Kennel Cottage
has given the idea for the carving of the gives a dift'erent but scarcely less interesting
frieze, which is beautifully executed and fills type (plates 20-22, ist reprint). Very
the space in a satisfactory way. One fe^Uure imposing are the chimneys (plates 13-15,

of the new movement, the terminal figure 1st reprint)Royal College Hospital,
for

(received through Dutch agency), was, per- Chelsea, designee! by Wren between 1682-

haps from its novelty, was much affected 1692. The stone cornice makes a good
by the designers and carvers of the time, finish. Marlborough College, Wilts, (plates
to their undoing. In the present instance 26-27, 1st reprint) has chimneys somewhat

it cannot be said to have succeetled. similar in design.

The Adam mantel (plate t,[, 2nd series) A bold and well-designed stack belongs

is typical of that desit^ner. Curious pillars to the Choir-house, .Salisbury (plates i and
form the jambs, and delicate enrichments 4, 2ntl series). Another fine e.xample Is

are used throughout. taken from a small cottage near Westerham

Several elaborate chimney-pieces are (plates 105-106, 2nd series). The double
Included In the account of Hatton Garden chimneys, set angle-wise, are extremely
(under " Panelling "), and one of the early simple,and make a good finish to the fine
Renaissance In the room attributed to base with its numerous oftsets and diverse
Inlgo Jones. A simple specimen in wood materials.

is shown (plate 90, 2nd series) from the

workhouse, Meopham, Kent.
Colonnades.
The stone screen to the Admiralty
Buildings (plates 98-104, ist reprint) Is one
Chimney Stacks. of Robert Adam's earliest works. It Is

There Is, in our architecture, no feature shown in his book on Architecture, but
more English than the chimneys. A natural without the square openings at each side.

growth of the re(|uirements of our climate, Fhese openings were cut after Its erection,
they are extremely logical and straightfor- and two pillars were taken out of the
ward, and always look what they are. One colonnade to Its detriment.
has but to recall Chambers's vases doing Perhaps the finest stone screen In

duty as chimneys to realize the value of P2ngland (plates 61-69, 2nd series) Is that
traditional methods. The chimneys from from Hampton Court Palace. Wren was
Eton College (plates 16-19, 1st reprint) are fond of coupleci pillars, and here, as in the
typical of the end of the i6th century. This great porticoes to St. Paul's Cathedral and
 The Practical Exemplar of Architecture,

Colonnades (continued).
Cupolas.
the colonnade at (incnw ii li I lospilal, he
Being usually raise<l a considerable
has employed thciii. A line halustradinLf
height abov(; the eye, a cupola re(|uires
forms part of the desij^n. It is raised well
to be carefully designed. The contour of
above the cornice, as it oiit^lu in 1><\ and
the domeil part especially needs the most
the centre is marked 1>\ hold rar\ cd jxde-
carelul consideration,
perspective plays for
stals carrying vases. 1 hr pedestals l>eai-

trophies war which are

of linel\ car\ cd.
strange Ireaks with sjiherical bodies. The
cupola, Clare College, Cambridge (plates
The capitals and details are all extrenielv
31-35, 1st re|)rint), is a charming example
beautiful.
ol a feature that can lend a great deal
Another screen, Queen ;\nne's Walk,
of interest to a roof In this example,
Barnstaple (plates 57-60, 2nd series) l)elonL;s
th<! shape of the lead work is successful,
to a later period. It was huilt in 1713,
and the design of the pine-apple finial is
and is not a \'ery Fhe successful desiL;n.
well pro|)orti<)ned, giving a good finish to
pillars are much too short, and the whole
screen has the appearance of being sunk in
the dome. The wooden pilasters, the arch-
headed windows, the cornice with its
the ground. Fhis is further increa.sed by
numerous breaks, are all pleasant features.
the heavy balustrading. The details are
coarse and not very interesting, but the
All Mallows' Church, London Wall,
was built by (ieorge Davis the yoiniger,
desiofns for the cartouches and the carxinLi'
inunediately on his return from Italy in
are fairly good.
1765. Its stone cupola (plates 36-39, isl
reprint) in this example takes the place of
a spire. It looks ver\- well, and, w^ith the
Cornices. aid of the \ases filling the angles, joins

A nice judgment is recjuired to pro- on remarkal)ly well to the scjuare tower.

portion a cornice to its position. It "reads" Again, the cornice is broken round the
quite tlifferently in actualitw when its full
attached pillars. The shape of its small
girth is e.xposed, from what it does on ])aper,
lead dome and cross is also oood.

and great care has to l)e exercised in its

desitrn. In "the orders" a

the use of
definite proportion ol)tains and lessens the
chances of making mistakes. But there Doors and Doorways.
are few rules to guide one to the size of Monlen College, Blackheath (Doors
the ordinary crowning cornice to a building. ant! Doorways) (plates 40-47, ist reprint),
The wooden example fi'oni the .Sti'and was built by lulward Strong as master
(plates 27-2S, 1st rejirint) is of an ordinar\ mason in 1695. It is built round a (|uad-
type, but is boldly designed and well fitted rangle, and Wren usually allowed
is to
to its height from the ground. riit- two be responsible; lor the general scheme.*
from Chelsea Hospital (Sir Christopher W'e always feel that in s])ite of the most
Wren, architect) (plates 29-30, isl re])rlnt)
excellent workmanshi|) and exquisite car-
are less usual, Init ver\ interesting. llie \ing, the main doorway fails as a piece of
great projection ot the coronas is note- proportion, that the arrangement of the two
worthy, as b)' this device added imjjortancc! figures in the pediment is rather unhappy,
is given to the cornices. and that the doorwa\' to the south wing
A charming little stone (ornice is that is too loft\ . .\ll the details are, however,
from the Choir-house, .Salislmrv (plate o, good, and show the force of the tradition
2nd series), antl various wooil ami ])laster of the late ijtli tcnlur).
cornices of yood design are shown aiiioii'' I he ])roportion of the doorway to the
the drawinofs of Hatton (iarden and the Chapel is much more satisfactory. Again,
room attributed to Inigo Jones • See A. R. Vol. 22, p. 274^ vol. 23, pp. 49, 1 21, for full description and plans.
 The Practical Rxcniplar of Architecture.

Doors and Doorways {tonunncd). The doorways illustrated from Salisbury

the carving and the fretted panels
is _t;ootl, ([)lates 2 and 5 and 86-93, -''"^^ series)

of the doors are a charming arrangement. exemplify the variety to be found within a
A door somewhat similar in design to small area. With the exception of the bold

the main door of Morden Coll(>ge is that example from the Choir House (late 17th
from Bromley College (plates S3-S5, 2nd century), these doorways all belong to the

series). In l)oth cases an arched opening iSth century, and display much excellent

is contained \^\ Doric pillars and a seg- detail and carving. A pleasant example
mental pediment, Init the latter is heauti- (plate 63-64, 2nd series) from the Loggia at

fully proportioned, way superior

in every Hampton Court is also shown. The door
to the first. Of somewhat the same period from Stresa, Italy (plates 92 and 94, 2nd
is the wooden doorway from Carey Street series), shows a curious arrangement of
(plates 4S-51, 1st reprint). Too much jiraise panels. Numerous examples of interior
cannot be given to this : its general pro- doors will be found among the Hatton
portions are excellent, and all the details Garden drawings.
are of extreme beauty, many of them being
enriched in \arious ways. The console
blocks, the capitals, and the carving of the
The raising
Exteriors.
festoons, are in the finest style.
of the architrave to make a base for the The Choir-house, Salisbury (plates 1-8,

vase is good. A comparison between the jnd series) is situated to the north-west of
doorways from a house in Botolph Lane the cathedral, and was built at the end of the
(plates 54-56, 1st reprint) and from Marl- 17th century. Tradition ascribes it to Sir
borough College (plates 52-53, ist reprint) Christopher Wren, who in 1668 was called in

gives a good idea of the differences in design to make a report on the condition of the
between the 17th and iSth centuries. In cathedral and he may have been invited
;

the first, \irility is the marked characteristic ; from this connection to make a draught for
the simple door panels, the strong break of the building. W^hoever the architect was, he
the architrave, the vigorous mouldings, all has displayed a playful fancy in the design,
mark it as belonging to the earlier period ;
and a fine feeling for detail. While the com-
while in the latter the character is less position of the front is unusual, it is singu-
robust. larly well proportioned. The elliptical headed
The door from the Close, Canterbury windows, with their delicate coigns and simple
(plates 97, 99-100, 2nd scries), shows the architraves round the heads, are delightful.
Renaissance influence strongly in the design The feature of the front is of course the
of its enrichments. If the carving is a trifle doorwa)', which and masculine in
is bold
crude it is and the arrangement of
effective, design ; the brackets and hood are good,
the panels, and the use of nail-heads as a and the elliptical window over gives point to
decoration, are very good. Fhe winged it. Fhe iron railing to the steps is extremely
cupids fill in the pointed top panels remark- simple and effective, and the whole com-
ably well, ami all the details are well antl position marks the entrance in a most
carefully executed. A very original piece decisive way. The main cornice of stone
of work is the doorway from Clare College, is designed with a small cove, a favourite
Cambridge (plates 95-96, 2nd series). The profile in Salisbury, and looks very well.

working out of the stone details is extremely Although comparatively small, it is of a

interesting. Another clever design is the piece with the rest of the front, and is an
doorway from St. John's College, Cambridge adequate finish to the brick wall. Fhe tiled

(plates 97-98, 2nd series). It is placed so roof is hipped, and ornamented with dormers
close to the corner that there is little room for which have cornices similar in design to the
the jamb, bur it has been so arranged as to one at the eaves. It should be noticed that

look well without being in the least cramped. the three sets of coigns, to the corners of the
 The Practical Exemplar of Architecture,

Exteriors {continued') 73, 1st re])rint) is a Inie example of i8th

building', to the windows, lo the door, arc all cenlur) ironwork, and doubtless inlluenced

of different sizes. The Imck clcxation has a by the brench smith. The gate it.self is com-
l)oldand simple chlinncx in the middle, with paratively simple, and is in strong contrast
to the elaborate overthrow ornamented witii
a window on each side similar to those ol
the front. If the outside with its fancy and
leaf and repousse work. A |ileasant feature
playfulness, is like Wren, the .same is no less is the binl jierched on the top torming a

true of the interior. The moulded stone fmial. The construction of the side panels
jambs and lintel forming the lii-e-place, the tor strength is extremely good, and their

simple oak panellini.;, the raised desks at the design is interesting. Prom the same
ends, are all reminiscent ot his work. The county (Berkshire) another tine exam|)le is

curved ramjis to the panellinL; ha\-e a line taken. A curious feature- ot the WoK'cilon

effect, and i^ive imj)ortance to the daVsed gate (plates 73-75, 1st re|)rint) is the curvetl

ends. .\ plaster cornice with a coved bed- construction carrying the overthrow and

mouUlinu finishes the room aj^ainst a ilat

the fine scrolls joining it to the gate. I'here

ceiling and the space over, in the roof, is

are few points of similarity between these
— the
;

utilized as a dormitorv. pfates ironwork of the latter is con-

siderably stouter, and the details are (|uite
ditlerent.

.Salisbury is extremel) rich in Georgian

Garden Gates. ironwork of a simple character. With their

The ironwork ot this S4ate (plates "j"]- piers these three gates from the Close (plates

2nd series) is extremely delicate in 70-76, 2nd series) form the most charming
78,
design, and is a sufficient bar without examples, and show how it is possible to

being so heavy as to interfere with the gain a good effect from the- simjilest elements.

view of the garden. On the other hand, Those marked Nos. i and 2 are very

the details of the woodwork are not similar, although the latter more simple is

particularly good ; the brackets are poor. in design, and is without the lit>ht and

Probably it belongs to the 19th century, delicate lamp-carrier that is .so pleasant a

and is interesting on that it on no other feature of the tormer. Scroll panels on

each side of the gate, a trilling ornamental
account.
cresting, and, for the rest, straight bans,
make the design, and fine smithwork gives
an added charm. Somewhat similar, though
Gates and Gate-piers. on a larger scale, is the gate No. 3. A
To Tijou we owe the impetus which fine rail extending for some distance on
has given us most of the ironwork left to each side, compo.scd of plain bars, with
us. A
Frenchman, it is not known when scroll panels at intervals, gives the gate
he came to this country. When Wren im|)ortance. It is witler than the others,

commenced work at iampton Court he I and the tanciful cresting is not attached
already found Tijou working there, and it to it. Phis ironwork is extremely simple.
is him we owe the magnificent series of
to There is no elaborate beaten leafwork, and
gates and grilles to be found there. After- all the effect is got by nice distribution ot

wards he worked at .St. Paul's, ilesigning straight bars and simple .scrollwork. In

the splendid screens antl other ironwork their finish there is some; tliversity. .Some-
about the church, lie executed, besides, times the scrolls finish in a little ring,

several gates for the hou.ses of noblemen. sometimes in a solid round, which occa-
His book on designs for hammered iron- sionally is beaten llai like a coin, or, more
work was published in 1693, when he had rarely, is worked out like a ram's horn.

finished his work at Ham])loii CoLirt. Phe piers to these gates show some
The gate at Aldermaslon (plates 68- variety of design and detail. In Salisbury,
 The Practical Exemplar of Architecture.

Gates and Gatc-picrs {cotiUnned). The Roper gateway, Canterbury (plates

of
101-102, 2nd series), is an extremely in-
a common feature is the ornamentation
sunk panels, and, for a heel
teresting bit of brickwork. The various
their faces Ijy
{larts are carefully adjusted, the wide door-
mouKl to the cornice, a coved mouldino-.
way for base, then a three-light window,
Coigns in l)rick and stone are another form
then the circle under the apex, all help to
of decoration, and the fniial may take the
These make good composition. Crow-steps are
a
shape of l>a]l or pineapple or lamp.
not as a rule easy to manage, but these
various forms are all exemplified in the
are successfully designed. The original door
gates here shown. The steps to the gate
has perished, but probably one similar to
with the long- wings are an extremely plea.sant
that from .Staple Inn (plates 103-104, 2nd
piece of design, as is also the fine walling of
reprint) was used. It should be noticed
brick and Hint with stone copings.
that the lower part of the brick jambs
has been worn away.

Gate-piers.
The gate-piers from Hampstead Mar- Market Crosses.
shall (plates 57-65, ist reprint) were built
The Town Council of Aberdeen entered
between 1662-1665 (see note below plate 62, into a contract with John Montgomery,
1st reprint). They are in brick and stone, mason, in 16S6 to l)uild a new cross, as
and ornamented with a profusion of carving near as possible to the site of the old one.
and capped with such varied forms of vases, The market cross (plates 51-56, 2nd series)
balls, etc., as to make them extremely
differs somewhat from its original plan. In
interesting. None of them pos.sess the the cross was taken down and altered
1 83 1

quiet dignity, however, of the piers in

into a
so as to convert the interior shop.
Lincoln's Inn Fields (plates 66-67, ist re-
Again in 1842 it was removed and rebuilt,
print),which were ciesigned by Inigo Jones. and the arches which had been closed were
These are noble in scale, and are the most opened up, and the Royal and the City
beautiful in England. The vase and cor- arms were placed in compartments side by
nice is well proportioned, and is extremely side, and the portraits of the Scottish Kings
interesting in design.
were arranged consecuti\'ely.
As it stands, it is unique among market
crosses. The carving of the effigies, the
Gateways. coats of arms, and the ornaments are
treated broadly and simply, and are very
The garden gateway from Woolhamp-
effective, and the details of the mouldings
ton House (plates 77-7<S, ist reprint) shows
are extremely vigorous. In the lower part,
a type in general use in the i8th century
hexagonal on [)lan, it becomes a figure
for external doors. The order and the
with twelve sides at the entablature level,
pediment are varied in a great many ways,
with the angles jutting out over the key
but the chief variation is in the proportion,
blocks of the arches. In effect this is
which is altered to suit its varying posi-
most charming.
tions. These doorways are found in all

parts of the country.

Argyll's Lodging was built in 1632, and Panelling.
the gateway (plates 76-77, ist reprint) is
a most unusual one, and might almost have The general disposition of the rooms
been inspired by Sanmichele's Palazzo dei from No. 26, Ilatton Garden, may be seen

Diamante. It is vigorous in its conception, from the plans of the staircase and hall
and suo-o-ests unsettled times and the stress (plate no, 1st reprint). On the ground
of war. floor are the Dining and Breakfast rooms
 The Practical Exemplar of Architecttdre.

Panelling (continued) house is the oak staircase (plates 109- 113,

(marked Conunittee and Museum) and on I St reprint). It is quite different from the
the first are two Drawing' rooms (marked usual stair of this period, with the exception

Cambridge antl Skimicrs' Wards). of the carved spandrils of tlie ste])s, and the
The panellinj^', in deal, was ot ihe effect is one of extreme grace and delicacy.
ordinary type; a plain ovolo moulding with With its low handrail and long curved ramps

raised panel, with a chain rail dividinj^ it. joining it to the newels, and ihe playful

In the lower Hoors an architrave, frieze, antl design of the balusters and newels, it is an
cornice were desis^jned to finish the panelling, excellent specimen of 1 Sth century work.
but on the second tloor a bold plaster cornice The design ol this room (plates 32-39,

only was used. 2nd series) is attributetl to Inigo Jones,

Ihe mantel-pieces were extremely varied anil it obviously belongs to the early 17th
and interesting;, but in spite ot a s^reat deal century. Ihe ])anelling was found in a
of first-rate carving' were not particularly farmhouse in Hedtordshire, so built in that

well designed. The proportions of the it was with great difficulty removed all the ;

upper parts were often clumsy, especiall) l)lnning was ilone from the back, and suggests

those in the Dining (plate 22, 2nd series) that the casing which containetl it was built

and Breakfast rooms (plate 17, 2ntl series). round it. The extraortlinary length of the
The one in the Drawing room (plate 1^, |)ilasters (thirteen diameters) should be noted,
2nd series) contained a picture, and was a and the great projeition of all the cornices in

much, better piece of design. In the .Skinners' proportion to their depth. With the excep-
ward, 1st floor (plate Si, isl rei)rint), the tion of the dentil blocks, which are rudely cut
fine marble jambs are surrounded with a out of the solid, there are no enrichments on
vigorously carved architrave, to which an the mouldings. At the end of the century
architra\'e shelf in the Atlam st)"le had and throughoLit the iSth, the members of
been added. In two adjacent rooms on the cornices were invariably carved with egg-
second floors marble jambs of similar section and-tongue antl other enrichments, but
(plates 84, 1st reprint) contained the fire- here, instead of these, incised arabesijues
places. Several of these mantels still of \aried design are carved on the trie/es
preserved the fine stoves of the period. and soffits. The carving of the capitals

The doorways good. I he

are \ery is, in spite of crudeness, \'ery vigorous
fanciful cartouche Dining room
over the and effective, while the ct)nstruction of pilas-

doors (plate 24,- 2nd series) reminded one ters, columns, entablatures, etc., is excellent,

of those shown in dibbs's book, which was and the joinings are as close as the da\ they
published in 1731. In this room a very were put together. hir is the chief wood
suggestive piece of design was the arrange- used in the construction, anil although never
ment of the fire-place and cupboards (plate painted it is in excellent preservation. Ihe
23, 2nd series) on either side. The fronts stone fire-place with its tlat car\ eil frieze is

of the cupboards were made of mahogany also interesting.

to a fine iletail. Nearly every moulding Aw unusual feature was the ])ainting of
in the Dining room, door architraves, the ceiling black, whereon the l)irds were
skirting, dado, anil the architraves under picked out in light blue with red i)ills and
the main cornice, was most vigorously carved. feet. 1 he original position of the entrance
On the second floor landing was an archway door was to the right of the tue- place, and
cleverly designed (plate 8^, ist reprint). was secret on the room side on the outside ;

In one of Hatty l.angley's books, "The it was framed by the Doric door-piece. In
City and County Muiltler's and Workman's iIk; view at the eiul of llu- room a iloor is

Treasury of Design," is given a drawing of shown; this is a recent alteration. Originally

the pattern of the marble floor used in the pillars, cornices, and |)ediment formeil a
the staircase hall (plates 109- 1 10, ist reprint). kind of niche, and were raised up from the
The most charming piece of work in the floor. This is reconstructed in the drawintr.
 The Practical Exemplar of Architecture.

Pine End (Gabic). Tombstones.

The oablc from Pine End (plates 87- These tombstones (plates i 10- 1 13, 2nd
88, 1st reprint) is an interesting- example series) both date from the i8th century. The
of brick and flint work. Its oeneral design first example is a type in common use in
is not particularly successful, the curves at that century for -Sarcophagus tombs. Its
the sides beino- too Hat, but the arrange- details are vigorous, the profile of the
ment of the Hat brick pilasters and the corners is wonderfully clear, while the
pediment under the chimney is very good. carving of the egg and dart is .sharp and
good. The tomb from Tisl)ur\ Churchyard
Screens (Wood). is of a much less common kind. An excellent
design, the daintily panelled pilasters give
A Gothic screen is the one
fine late
it at once a character of andlightness
from Church (plates S9-92, ist
.Silchester
grace. An architrave is returned round
reprint). Great fancy is shown in the
the pilasters, capped by a cornice whose
elaborate design of the fretted cornice and
lower members are also returned. These
the frieze with its curious winged figures.
mouldings have all very fine profiles. It
The cusped -leaded jxmels are also very
dates from 1740, while the first belongs to
interesting.
the latter half of the centur)'.
Lincoln College, Oxford (plates 93-97,
1st reprint), has a fine early renascence
screen made in 1631.
Reading Desks.
Michael Angelo was the architect of
the Laurention Library and he- may have
Staircases. Reading Desks
made a sketch for the
.Seventeenth century staircases were, (plates 116-117, 1st reprint). They are
as a rule, built of heavier scantlings than well designetl and the mouldings are very
tho.se in the succeeding century. The good. An interesting detail is the moulded
earlier, too, preferred a solid to a cut string. base. Fanciful carving ornaments the
The example from Clare College, Cambridge panels.
(plates 105- loS, 1st reprint) was constructed
in 1 688, and while the balusters are of a Windows (Stone).
type of common application at a later date, The window from Ainesbury (plates
the heavy strings and newels are typical i18-120, 1st reprint) is slightly flamboyant
of the earlier century. Very clever and in character. It is an effective and at the
beautiful is the way the newels are designed same time a simple design.
to take the raking handrails at different
levels and interesting is the formation of Well-houses.
the string with a deeply recessed panel.
This type of buikling, Well-house,
The panel on the soffit is a good method
Orta, Italy (plates 107-109,2nd series) is
of joining on to the plaster soffit.

The a common one in gardens and is adapt-

staircase from Hatton Garden
able to many kinds of uses. As a summer-
(plates 1 09- 1 13, 1st reprint) is briefly
house it is This example
most common.
considered in the note on Hatton Garden.
differs from the generality by the depth of
An external stone stair from Glasgow
its frieze and the shortness oi the pillars,
University is noticed under " Balustrading."
further abridged by the addition of pedestals.
The high frieze admits of a domed ceiling
Stalls. of considerable rise. .Stone is used for the
A spirit of delight seems to have pillars, etc., architrave and cornice, and stone
worked the canopies over the stalls in the slates on the roof The introduction of
Chapel of King's College (plates 11 4- 115, white plaster for the frieze and between the
i.st reprint). They are wonderful examples brackets of the cornice has a pleasant effect.

of the medieval workman's unrestrained Flints are u.sed for the floor, laid in a simple
fancy. and effective pattern.
 The Practical Exemplar
Plate 1. Balustrading (stone). of Architecture.

Stone Balustrading, the Guildhall, Stirling, Scotland.

 The Practical Exemplar
Plate 2. Balustrading (stone). of Architecture.

f FNXRE OF jaRL.U-SJTE'.K.

10 II INCHES
? i t t t f f I t ?

SEieriON
OF COPINC.

"f

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-BRUlSTtRS
SQUftRt THROOOUT-

Try T

enA
i=:
circr
I
t- ^-'2 i555

m m II i

llllllllllll
H
f f
EttvaTioN.

t f t
FEET.

PLftN.

Stone Balustrading, the Guildhall, Stirling, Scotland.

Mciisitrcil
IfIII/ Dnmii hv Frmicis liiicoii
 The Practical Exemplar
Plate 3. Chimney-pieces (wood). of Architecture.
 The Practical Exemplar
Plate 4. Chimney-pieces (wood). of Architecture.

A««HX.HMCm

h H H H H H —
I I :

SOliXyrEET

hH i
I I I I t I
I
r I a
The Metropolitan Water Board's " New River" Offices, Rosebery Avenue, Clerkenwell,
London, England. Chimney-piece in the Withdrawing Room.
Mcasun-il ttiul Draun bv T. Fi;inl; Gr
 1 he Practical Exemplar
Plate 5. Chimney-pieces ( wood of ArcKitecture.

^^^
 The Practical Exemplar
Plate 6. Chimney-pieces (wood). of Architecture.

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 The Practical Exemplar
Plate 7. Chimney-pieces (marble). of Architecture.

Chimney-piece at the Soane Museum, 13, Lmcoln's Inn Fields,

London, England.
 The Practical Exemplar
Plate 8. Chimney-pieces (marble). of Architecture.

^ J-

!
mf SHUFIS
SULID AND IN
...DEPTH tOUAL
TO TH[ WIDTH
OF THt PIlAi-
TCR.IHE TRCAT
MCNTATTHC
BEmC IX-
5IDC
ACFLY SIMILAH
TO THE FRONT
THE PILAS-
TER 15 BUILT
UP. SEE DE-
TAIL

SFFET
I I I M M M I I

DETAIL AT A. A.

DETAIL
AT B

'/ IliCHES
I I
1-1 T I I I I

Chimney-piece at the Soane Museum, 13, Lincoln's Inn Fields, London, England.

Mciisurci/ inul /)/•<(;(•» 'i.v f"cinR;,s- lUicoii.

 The Practical Exemplar
Plate 9. Chimney-pieces (stonej. of Architecture.

Enlarged detail of carving on Lintel.

General View of Clumney-piece.

Stone Chimney-piece in Old Dining-room, Argyle's Lodging, Stirling, Scotland. 1632.

 The Practical Exemplar
Plate 10. Chimney-pieces (stone). of Architecture.

(5^ -^
 The
Plate 11.
r^\_- •

L.nimney-pieces (stone)
/ , \
— Chimney
r^\ •
c ^
otacks. of
Practical
Architecture.
Exemplar

Chimney Stacks.

Chimney at Manor Farm, Silchester, Berkshire, England.

 The Practical Exemplar
Plate 12. Chimney Stacks. of Architecture.

yy ^-'r'^ > * i ;
 The Practical Exemplar
Plate 13. Chimney Stacks. of Architecture.

Chimney, Royal Hospital, Chelsea, County of London, England.

 The Practical Exemplar
Plate 14. Chimney Stacks. of Architecture.

Chimneys, Royal Hospital, Chelsea, County of London, England.

 The Practical Exemplar
Plate 15. Chimney Stacks. of Architecture.

Chimney, Royal Hospital, Chelsea, County of London, England.

Mctisiircil unci Didztii hv Fnnici'i liiicaii.
 The Practical Exemplar
Plate 16. Chimney Stacks. of Architecture.

Chimney, Eton College, Berkshire, England.

(
 The Practical Exemplar
Plate 17.
Chimney Stacks. of Architecture.

Roll r/4 WIDE

Q <

O uj

This Course dies out here

Flaunched
^ but has ^4-' projection at angle .

UP V/ITH
I
Cementat
TXE Angles
Note. For joinhng of
Brickwork see
Photograph
-2 7-

Detai l
OF
Cap
Lead
l^UTTER

Plan of Cap

Joint

This Course is coved out

(LOOKING down) (looking UP)
To 'i MORE PROJECTION AT
THE Angle than here

Plan of Base

Chimney, Eton College, Berkshire, England.

Measured ciiul Drawn by Francis Bacon.
 The Practical Exemplar
Plate 18. Chimney Stacks. of Architecture.

Chimney, Eton College, Berkshire, England.

 The Practical Exemplar
Plate 19. Chimney Stacks. of Architecture.

Note. For jointing of

Brickwork see
Photograph

IZ 12 24 36
I .iihiml I . I I

Detai l
OF Cap
AT A
Detai L
OF
o
Base

FlashikIg-,
Gutte r-, ^

JOINT

(looking upj

Plan of Cap

Plan of Base
 The Practical Exemplar
Plate 20. Ch imney Stacks of Architecture.

General View, Dog Kennel Cottage, Cranbrook, Kent, England,

showing Chimney-stack.
 The Practical Exemplar
Plate 21. Chimney Stacks. of Architecture.

Detail View, Chimney Stack, Dog Kennel Cottage,

Cranbrook, Kent, England.
 The Practical Exemplar
Plate 22. Chimney Stacks. of Architecture.

HALr
PLAN
L90KING IIP note:
FOK JOINTING
or BRICKWORK
j-EE PHOTO

Chimney Stack, Dog Kennel Cottage, Cranbrook, Kent, England.

Mcasurcil and Drau-ii by HA McOiiecii.
 The Practical Exemplar
Plate 23. Chimney Stacks. of Architecture.

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 The Practical Exemplar
Plate 24. Chimney Stacks. of Architecture.

Detail View, Chimney Stack, Goddard's Green, near Cranbrook, Kent, England.
 The Practical Exemplar
Plate 25. Chimney Stacks. of Architecture.

J'CALr FOR CAN AND CLCYATlONr rrrr

l""T"" l r-^ r 1 M , 1 , 1
•4 r 4 2 £_

./CALC n=R DHTAIuy rcHT

RAir FLAN AA WMT TLAN D-t)

Chimney Stack, Goddard's Green, near Cranbrook, Kent, England.

Mciisuix-il and Drawn by H. A. McQueen.
 The Practical Exemplar
Plate 26. Chimney Stacks. of Architecture.

Chimney at Marlborough College, Wiltshire, England.

Mcasiirciland Drawn by Francis Bacon.
 The Practical Exemplar
Plate 27. Chimney Stacks — Cornices. of Architecture.

Chimney Stacks, Marlborough College, Wiltshire, England.

i^OW GKOtfMD 35' o*

Wooden Cornice, No. 164a, Strand, City of Westminster, England.

McasKrcJ ami driiwii bv H . A Ml On fen.
.
 The Practical Exemplar
Plate 28. Cornices (wood). of Architecture.

-a
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 The Practical Exemplar
Plate 29. Cornices (wood). of Architecture.

Two Wooden Cornices, Royal Hospital, Chelsea, London, England.

 The Practical Exemplar
Plate 30. Cornices (wood). of Architecture.

lO rvftUNCKiMC TQ UTTtK

Two Wooden Cornices, Royal Hospital, Chelsea, London, England.

Measured mul Drau-ii by Francis liiicon.
 The Practical Exemplar
Plate 31, Cupolas (wood). of Architecture.

Cupola, Clare College, Cambridge, England.

 The Practical Exemplar
Plate 32. Cupolas (wood). of Architecture.

Joile ^^ ^' i-^ '^-^ -^-h' ^' f^^ f ^^/

Cupola, Clare College, Cambridge, England. Elevation and Plan.

Measured iiiui Dniicii by G. Herbert Parry.
Plate 33. The Practical Exemplar
Cupolas (wood). of Architecture.

BA5ETD
PIIASTIKS

SCALE H-LH ^i -j
rl .1 .1
T-
7 I '«' I Z^ WCHU

Cupola, Clare College, Cambridge,

England. Details
-Uc.rwnv,/ ,,,„/ Dn,ic„ by Herbert Perry.
 The Practical Exemplar
Plate 34. Cupolas (wood). of Architecture.

INCHES

ODRNICE H "

LEADM^RK
ATBA5E
OFDOME

LEAD
DRESSED a/£l^
ciLL :/\:

Cupola, Clare College, Cambridge, England. Details.

Mccisnrcil und Druu-n by U Herbert Parry.
 The Practical Exemplar
Plate 35. Cupolas (wood). of Aicliitecture.

XAi-E- H !H I
l\ «| j| 4\ ,tl 1^1 /I f' )\/.VCHES

Cupola, Clare College, Cambridge, England.

Pilaster Capital. . View and Detail.
Measured and Drawn by O. Herbert Parry.
 1 he Practical Exemplar
Plate 36. Cupolas (stone). of Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

 The Practical Exemplar
Plate 37. Cupolas (stone). of Architecture.
 The Practical Exemplar
Plate 38. Cupolas (stone). of Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

Detail View of Upper and Lower Part.
 The Practical Exemplar
Plate 39. Cupolas ( stone \ of Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

 The Practical Exemplar
Plate 40. Doors and Doorways (wood). of Architecture.

Morden College, Blackheath, Kent, England. Doorway to South Wing.

 The Practical Exemplar
Plate 41 Doors and Doorways (wood). of Architecture.

SCALE OF FEET FOR GENERAL DRAWINGS.

WS. TTTTl X X J I
FEET.

^t113 DOOE BVILT VP

-IMD'BJinT PREVEMTS
jOinT5 BEIMG SHEWM.

jTHI5 RETVCMS VMDEB

TOP or TR/lhSOME
' TR>lM50Mt:
13 5QB«3t
DOOR TO
WING DEPTH or-
MODinc/lTION
" rc/iMc roc
5T0N E STCiNG
Of
MLICriT AT FIRST rL0C2
LEVEL,
I Ui u-i U u-i U u-i ^ I u-i U t-j U u-i L-i -t=t-\ a fNCflCS

SKETCH or BRACKET
OF HOOD OVER
WING DOORS. SECTION
OVER
THIS BR/ICKETS
RilRT
CVRVED SECTION
BETWEEM OVEIE
BMCKrfS KEYSTONE

MOVLDS
OF
MOOD.

5 6 7
I I I I I I I I I I I I
I I
' I I ' '
i I |~r- zflNCr;:3
SC4LE FOR DET/1IL5 tf^oRlZONTAL LINE
KT/STONE

Morden Blackheath, Kent, England.

College, Details of Doorway to South Wing.

Measured and Drann hy T. Frank Green. Details of Door Measured by A.J. Ilcaley. and Drawn by A Bough. .
 The Practical Exemplar

Plate 42. Doors and Doorways (stone). of Architecture.

Blackheath, Kent, England. Main Doorway.

Morden College,
 The Practical Exemplar
Plate 43. Doors and Doorways (stone). of Architecture.

Tl«IP0lilMPWl)-iJilO-WE-

tudmot
It REM

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 The Practical Exemplar
Plate 44. Doors and Doorways (stone). of Architecture.

Morden College, Blackheath, Kent, England. Details of Main Doorway.

McLisitrccl Hint circiifii by T. Frank Green.
 The Practical Exemplar
Plate 45. Doors and Doorways (wood). of Architecture.

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 The Practical Exemplar
Plate 46. Doors and Doorways (wood). of Architecture.

CVP? CHAPEL DGDE

DGDCWATTOChl^PfL
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10 11 12 13 t± 15
I I
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5c>^LC or rzzT
Details of Doorway to Chapel.

Measured and drawn hv T. Frank Green.

Detail \'ie\v of Panels to Cliapel Dorir-

Morden College, Blackheath, Kent, England.

 The Practical Exemplar
Plate 47. Doors and Doorways (wood). of Architecture.

J PERSPECTIVE
OKETCHCS or
FLOWERS 43 AT O
TME 4 V4PIETin:5 -

MERE SMEWN BEINC.'./

V5ED INDISCEIMIMTEUy.

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Mord en College, Blackheath. Details of Doorway to Chapel.

Measured itinl ili\i^i-ii hy T Frank Orceii
 The Practical Exemplar
Plate 48. Doors and Doorways (wood). of Architecture.

Doorway removed from a House in Carey Street, City of Westminster, England.

A'ou' til the \'ictoriii ami Albert Mtisctiin, South Kcitsiiigtuii .
Loiiilnn.
 The Practical Exemplar
Plate 49. Doors and Doorways (wood). of Architecture.

DOORW4Y
FROM A H0V5E
N C>^REY STwc.

i PL/IN .^T B I
2 PLAH Ai C
PLAINS LOOKING VP. TOPCOVteiNG PBOBABUE
FACE or
WALl.

wrTH HOOD

(Tizcv/Nn

ELEVATION .
SECTION OM
CENTRE LINE
 The Practical Exemplar
Plate 50. Doors and Doorways. of Architecture.

uo

6 7 8 9 10 II 12 13 14 ,15
3 4 5

Doorway in the Victoria and Albert Museum, removed from a House m

Carey Street, City of Westminster, England. Details.

Maistin-il mill ilnm'ii by T. Frank (hccii.

 The Practical Exemplar
Plate 51. Doors and Doorways. of Architecture.

PROBABLE FACt OF BRICKWORK

ESIDE
FINISH /IT

OF ~\ '
D SEt ELEVATION .

PIL/ISTEf
J

Hi

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PIL/3STER

B>^SE or
PIL>:1STEP.

STEP.

10 ,11 12 ,13 ,14 ,15 16 17 15 ItiCflES

Doorway in the Victoria and Albert Museum, removed from a House in Carey Street,
City of Westminster, England. Details.
Mciisiircil and ilyauii h\ T. Finiik Green.
 The Practical Exemplar
Plate 52. Doors and Doorways (wood). of Architecture.

-———
 The Practical Exemplar
Plate 53. Doors and Doorways (wood). of Architecture.

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Door to Common Room, Marlborough College, Wiltshire, England.

Mc(isiii\-il and ilnrxtii bv Fnnicis liacun.
 The Practical Exemplar
Plate 54. Doors and Doorways (wood). of Architecture.
 The Practical Exemplar
Plate 55. Doors and Doorways (wood). of Architecture.

PLflSrCRPflNEL
iiNciER-LflNbrNGwirn
UflTE OFCOMPLETION

I I

Door, 1st floor landing, of House (now demolished) Botolph Lane, City of London, England.
Measured niul drawn by Norman Jexcson
 The Practical Exemplar
Plate 56. Doors and Doorways (wood). of Architecture.
 The Practical Exemplar
Plate 57. Gate and Wall Piers. of Architecture.

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 The Practical Exemplar
Plate 58. Gate and Wall Piers. of Architecture.

1260 I 25456789 FEET

Gate Piers, No. 1 , Hampstead Marshal

Berkshire, England.
For general view, see plate 57.

Measuini uiiJ drawn hx Fnnicis Bacon.

 The Practical Exemplar
Plate 59. Gate and Wall Piers. of Architecture.

7 6 9 10 II 12

I I I I I r

Details of Wall Pier, No. 3, and tinial on Gate Pier, No. 2, Hampstead Marshall, Berkshire, England.
Fur general \ iew. see plate 57. Mcitsurctl tiiiii (Irti-ii'ii hy I'l-tiitcis liitcuii.
 The Practical Exemplar
Plate 60. Gate and Wall Piers. of Architecture.

Gate Pier No. 4, Hampstead Marshall,

Berkshire, England.
 The Practical Exemplar
Plate 61. Gate and Wall Piers. of Architecture.

Gate Pier No. 4, Hampstead Marshall, Berkshire, England.

Mci'siiikI mid draxcii h\ Frtiiicis Hiicoii.
 The Practical Exemplar
Plate 62. Gate and Wall Piers. of Architecture.

this building his last work. He is reported to have stayed at

the house after it was built and to have died there. In the
church close by is his tomb on w hich is inscribed " Here lyeth
the body of Sir Balthazar Gerbier, Kt., Arch., who built a
stately pile of buildings in the year 1602—1665 for the
Kt. Hon. William, Earl of Craven, the greater part of which
was destroyed by fire in the year 1718, and never afterwards
re-built." The attribution of these gate piers to Gerbier is

disputed by Mr. Reginald Blomfield, who assigns them to

Captain Wynne, Gerbiers pupil, as more in consonance
with Wynnes than CSerbier's other work.

Besides inferences based on the quality of the work,

Mr. Hlomfield supports his conclusion on certain statements
in Walpiile's ,\necdotes, and by animadverting on Gerbier's

admittedly wild roving disposition, and his frequent straits

for money. He further contends that Gerbier was disgraced
and di.scredited at the time of the Restoration and that he
died in 1662, before the work in question was commenced.
Mr. Blomfield puts forward the view that there was a prior
house at Hampstead Marshall built in 1620, of which Clerbier
may have been architect. Upon the site of this the more
famous house was built.

V"

Gate Pier No. 5, Hampstead Marshall,

Berkshire, England.

Gate Piers, Hampstead Marshall. — Hampstead

Marshall was a mansion built between the years 1662 and
1665 for the then Earl of Craven. The house was destroyed
by fire in 1718, and never afterwards rebuilt. The gate and
wall piers shown on these pages are all that remain of what
must have been originally one of the most magnificent
palaces in England. Sir Balthazar Gerbier, a contemporary
and rival of Inigo Jones, is said to have been the architect, and
 The Practical Exemplar
Plate 63. Gate and Wall Piers. of Architecture.

Hampstead Marshall, Berkshire, England.

Gate Pier No. 5,

Mciisiirccl inul ilraziii by I'nnicis Hucuii.

 The Practical Exemplar

Plate 64.
Gate and Wall Piers. of Architecture.

Wall Pier No. 6, Hampstead Marshall.

Berkshire, England.
 The Practical Exemplar
Plate 65. Gate and Wall Piers. of Architecture.

Gate Pier No. 6, Hampstead Marshall, Berkshire, England.

Mcirsin-L-ti tuul draw): by Frtiiuis lui,
 The Practical Exemplar
Plate 66. Gate and Wall Piers. of Architecture.

At No. 60, Lincoln's Inn Fields, City of Westminster, England.

 The Practical Exemplar
Plate 67. Gate and Wall Piers. of Architecture.

DETAIL
AT D

England.
At No. 60, Lincoln's Inn Fields, City of Westminster,
MciisniiJ •iii.i Jr.ian by I-niiicis Hacoii
 The Practical Exemplar
Plate 68. Gates, Lodges, &c. of Architecture.

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 The Practical Exemplar
Plate 69. Gates, Lodges, &c. of Architecture.

D^TAIL5 E
^-
GATE nCR
f INCHCJ"

Gate and Lodges at Aldermaston, Berkshire, England. Details.

McLt.'itiifil am!iliuixc-ii by Hugh A. McOkccii.

 The Practical Elxemplar
Plate 70. Gates, Lodges, &c. of Architecture.

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 The Practical Exemplar
Plate 75. Gates (iron). o( Architecture.
 The Practical Exemplar
Plate 76. Gateways (stone). of Architecture.

a u a li i* |£ I* IT IB [9 Ll£_
"^CME^ ^D^ Dt^fl'L^

Gateway to Argyle House, Stirling, Scotland.

Measured ami druwn bx Francis Bacon.

 The Practical Exemplar
Plate 77. Gateways (stone). of Architecture.

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 The Practical Exemplar

Plate 78. Gateways (stone). of Architecture.

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 The Practical Exemplar
Plate 79. Panelling, Woodwork, etc. of Architecture.

Woodwork formerly at No. 26, Hatton Garden. City of London, England.

Doorway m " Skmner s Ward.

 The Practical Exemplar
Plate 80. Panelling, Woodwork, etc. of Architecture.

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Plate 81
The Practical Exemplar
Panelling, Woodwork, etc. of Architecture.

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 The Practical Exemplar
Plate 82. Panelling, Woodwork, etc. of Architecture.

J--
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DETW. o/-- ) YY Y Y

3CAfJS.

Panelling, Woodwork, etc.. formerly at No. 26, Hatton Garden,

City of London, England. Details of "Skinner's Ward."

Measured and dniii'u by J M. U'. Ihillcy.

 The Practical Exemplar
Plate 83. Panelling, Woodwork, etc. of Architecture.

Panelling, Woodwork, etc., formerly at No. 26, Hatton Garden,

City of London, England. Archway on Second-floor Landing.

 The Practical Exemplar
Plate 84. Panelling, Woodwork, etc. of Architecture.

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 1 he Practical Exemplar
Plate 85. Panelling, Woodwork, etc. of Architecture.

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Panelling, Woodwork, etc., formerly at No, 26, Hatton Garden, City of London, England.
Details of Archway and Room on Second Floor.
},\casurcil and tlrtru-u hy J. M \V IhilUy
 The Practical Exemplar
Plate 86. Panelling, Woodwork, etc. of Architecture.

^rj-yrj\i; /./n/-.

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Panelling. Woodwork, etc., formerly at No. 26, Hatton Garden, City of London, England.
Details of Archway on Second Floor.
Mcasurcil <!iul ihirvii hy J M. W'.Hcillcy.
 The Practical Exemplar
Plate 87. Pine Ends (gables). of Architecture.

Pine End, near Kingsgate Castle, North Foreland, Kent, England.

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 The Practical Exemplar
Plate 89. Screens (wood). of Architecture.

*v *% . . -]

(jeneral \'iew Irom the Nave.

Detail of Front of Screen.

View of Hack from tile Choir.

Screen, Silchester Church, Berkshire, England.

 The Practical Exemplar

Plate 90. Screens (wood). of Architecture.

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 The Practical Exemplar
Plate 91. Screens (wood). of Architecture.

'
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Screen, Silchester Church, Berkshire, England.

Measured aiul dnmii by C Ihihcrt Puny.
 The Practical Exemplar
Plate 92. Screens (wood). of Architecture.

4:
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Screen, Silchester Church, Berkshire, England. Details.

A/i'<J.vi(m/ and Jniii-i: hy (} .

Herbert Parry
 The Practical Exemplar
Plate 93. Screens (wood). of Architecture.

Screen, Lincoln College Chapel, Oxford, England.

 The Practical Exemplar
Plate 94. Screens (wood). of Architecture.
 The Practical Exemplar
Plate 95. Screens (wood). of Architecture.

Mcasurcil and ilrnnii by L. K . Atlcinis.

 The Practical Exemplar
Plate 96. Screens (wood). of Architecture.

iMDiN^roLLiy.i: oxnmn
- ni.\iT.i.-.^(ni;i;N~

Mciisiireil mid dniu-ii by L. K. Ailmiis.

 The Practical Exemplar
Plate 97. Screens (wood). of Architecture.

Detail of Screen in Lincoln College Chapel, Oxford, England.

Plate 98. 1 he Practical Exemplar
Screens (stone). ol Architecture.

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 The Practical Exemplar
Plate 99. Screens (stone). of Architecture.

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 The Practical Exemplar
Plate 100. Screens (stone). of Architecture

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 The Practical Exemplar
Plate 101 Screens (stone). of Architecture.

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 The Practical Exemplar
of Architecture.
Plate 102 Screens (stone).

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 The Practical Exemplar
Plate 103. Screens (stone). of Architecture.

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 The Practical Exemplar
Plate 104. Screens (stone). of Architecture.

The Admiralty Screen, Whitehall, City of Westminster, England. Details.

Mc(i>^iin;l iuul .Inixcii hy Alhcrt I'. Bullock.

 The Practical Exemplar
Plate 105. Staircases (wood). of Architecture.
 The Practical Exemplar
Plate 106. Staircases (wood). of Architecture.

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 The Practical Exemplar
Plate 107. Staircases (wood). of Architecture.

CLARE COLLEGE
CA?fBmCfE

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mti f I I
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Sia^onJfni J'h&b

Measured ami ilniiiii hy C. Herheif Parry.

The staircase at Clare College was probably designed as the staircase to the library. It now leads to the combination

room, which opens into the library. It has similar details to the screen in the dining-hall. from the gallery of which it

is cut oft by a modern panelled screen. The newel between the first and second floors is the finest example, but, unlike

the one illustrated, is built up of two pieces : it was, however, impossible to obtain a good photograph of it.
 The Practical Exemplar
Plate 108. Staircases (wood). of Architecture.

^m
DET?JL5 0F51A]RCA5E at ClARE COLLEGE
'
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f //va/£s

Ahtisiircil tiiul di-iiMH by C. lUrlicrt l\irry.

 The Practical Exemplar
Plate 109. Staircases (wood). of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England.

 The Practical Exemplar
Plate 110. Staircases (wood). of Architecture.

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 The Practical Exemplar
Plate 111. Staircases (wood). of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England.

Detail of Bracket, Ground Floor.
 The Practical Exemplar
Plate 112. Staircases (wood). of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England. Details
Measured and draicii hy J. M. W llalU-\
:f,.
 The Practical Exemplar
Plate 113. Staircases (wood). of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England. Details.
.l/.-,r.v;oV(/ and dran-n by J . .17. \V ll,illc_\\
 The Practical Exemplar
Plate 114. Stalls, Choir (Canopy). of Architecture.
 The Practical Exemplar
Plate 115. Stalls, Choir (Canopy). of Architecture

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 The Practical Exemplar
Plate 116. Reading Desks. of Architecture.

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 The Practical Exemplar
Plate 117. Reading Desks. of Architecture.

Measured itiul ilmu'ii hv Sviliwv Senile

 The Practical Exemplar
Plate 118. Windows (stone). of Architecture.

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 The Practical Exemplar
Plate 119. Windows (stone). of Architecture.

Window on North side of Chancel, Amesbury Church, Wiltshire, England.

MLdsiiiLil iiiui tlniifii hy Frmuis Biicoii.
 The Practical Exemplar
Plate 120. Windows (stone). of Architecture.

DETRIL OF CORBEL TO
RRCH OF INTERIOR HOOI

I I I I I
M I f
—

Window on North side of Chancel, Amesbury Church, Wiltshire, England. Details.

MciisitiyJ iUul ilrtinn hv I^nnicis Jiucon

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