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DIGITAL ORIGINAL SERIES

Global Demand Report


3rd Quarter, 2017

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Executive Summary

}} New Netflix titles Ozark, Marvel’s The Defenders, and Stranger Things. In its one year anniversary since its
Castlevania drove high demand across most markets. Netflix release, the sci-fi thriller appears within the top 5
Ozark made the top 25 in all but one market, and topped across every market.
the chart in the US and UK. Castlevania appeared
throughout all reported countries, and Marvel’s The }} Season 1 of Hulu’s The Handmaid’s Tale wrapped up in
Defenders ranked in 8/10. Q2, but lingering buzz along with big Emmy win’s drove
continued demand for the dystopian drama on every
}} Season 3 of Narcos was an international hit, making the top 25 chart—and it landed in the #1 spot in Canada
top 10 in each market. It was the top Q3 series for France, and Australia.
Germany and Singapore.
}} Star Trek: Discovery was released towards the tail end
}} Marketing efforts combined with the anticipation of Q3, but it’s already rivalling other huge digital original
surrounding October’s sophomore season has hits and penetrating 7/10 of the top 25 charts. It is
drummed up demand in all reported countries for slated to be a top contender across markets for Q4.

Top Digital Original Series in Q3 2017

Stranger Things Narcos

Argentina Germany
Brazil France
Sweden Singapore

Ozark The Handmaid's Tale

United States Australia


United Kingdom Canada

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Contents

Introduction 4

Quarterly Events 5

Demand for Digital Original Series by Market 7

Methodology 28

About Parrot Analytics 29

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Introduction

Demand as the new paradigm


In this eighth edition of Parrot Analytics’ Digital platforms, blogging and micro-blogging platforms,
Original Series Global Demand Report, the demand fan and critic rating platforms, peer-to-peer protocols
for 30 recent, popular or otherwise interesting and file sharing platforms. Parrot Analytics captures
digital original series in ten global markets is the expressions of demand from these sources
analysed. These digital original series are original and combines them, using the power of advanced
content produced by SVOD platforms around the artificial intelligence, into a single weighted measure
world, including the major services Netflix, Hulu, of demand called Demand Expressions. This
and Amazon, as well as smaller players such as standard demand metric enables Parrot Analytics
Crackle, YouTube Red and CBS All Access. As these to wield the industry’s most powerful metric linking
titles can play a key role in the success of these consumers and content across the globe.
platforms, but their viewership numbers are kept a
closely-guarded secret, the purpose of this report Using Demand Expressions, a vast array of analyses
is to provide the industry with global insights into become possible. Demand is country-specific,
the demand for these shows, backed by empirical meaning that the differences in demand for content
data for the first time. between markets can be empirically measured even
if that content has not yet been officially released
With the rapid proliferation of content distribution in that market. Demand is also platform-agnostic:
platforms and the unprecedented levels of consumer while performance metrics may be available for
fragmentation, existing measurement services in the certain titles on linear TV, Parrot Analytics’ Demand
industry are falling increasingly short around the Expressions metric reaches all content, from the
globe. popular broadcast programs to obscure cable titles,
to SVOD digital original series, on which very little
The solution to the industry’s difficulty in navigating data has been released. Knowing the demand for all
the cross-platform fragmentation is through this content allows for empirical content acquisition,
measuring global content demand. Demand for licensing and advertising decisions to be made, with
content is what drives consumption on all platforms a full picture of the state of content demand in any
– linear and OTT alike. Consumers express their given market. In an industry traditionally guided by
demand for content through multiple “demand intuition and gut feelings, gaining insights into the
expression platforms” including video streaming actual demand for content, no matter the platform
platforms, social media platforms, photo sharing or market, is a definite competitive advantage.

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Quarterly Events

OTT news
The 69th Primetime Emmy Awards aired September 17th proved to be a historic night for digital originals.
Hulu’s The Handmaid’s Tale won big taking home the awards for best series (drama) and lead actress (drama)—
both first time wins for streaming services in these categories. Other wins included Netflix’s Master of None
and The Crown. Overall, Netflix and Hulu scored 32 Emmy’s upending the big three major networks (NBC,
ABC, CBS) which pulled in a total of 26. While Amazon was shut out for the 2017 awards, all three top streaming
providers received over 125 nominations.

In terms of Q3 new releases, Netflix premiered Ozark, opening to significant buzz and becoming a summer
streaming hit. Marvel’s The Defenders was Q3’s comic book premiere, providing a superhero team-up for
excited fans. Castlevania, an adult animated series based on a 1989 video game, also received favorable
reviews after its July release. Finally, the highly anticipated Season 3 of crime drama Narcos received critical
acclaim as well as global attention.

Amazon Video released period drama The Last Tycoon in July after the pilot aired in 2016. In September
however, Amazon cancelled the show reportedly due to the high production cost. The Tick was released in
August receiving favorable reviews—the remainder of the season is set to air in February 2018.

Star Trek: Discovery premiered on CBS All Access—the first series developed specifically for the service. The
series generated record subscriptions for All Access, driving its biggest month of signups.

Existing digital original series aired new episodes


during the quarter:
Home: Adventures with Tip & Oh Netflix Children August 11
Narcos Netflix Drama September 1
Last Chance U Netflix Documentary September 1
Bojack Horseman Netflix Animation September 8
One Mississippi Amazon Video Comedy-drama September 8
The Thick of It Hulu Comedy September 9
The Mindy Project Hulu Comedy September 12
Project Mc2 Netflix Children September 15
Transparent Amazon Video Comedy-drama September 21
Fuller House Netflix Comedy September 22
Real Rob Netflix Comedy September 29
Club de Cuervos Netflix Comedy-drama September 29

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Quarterly Events

New digital original series released during the quarter:


The Standups Netflix Stand-up comedy July 04
Castlevania Netflix Animation July 07
Kantaro: The Sweet Tooth Salaryman Netflix Comedy July 08
Inside Edge Amazon Video Drama July 10
Buddy Thunderstruck: The Maybe Pile Netflix Children July 14
Friends From College Netflix Comedy July 14
Ozark Netflix Drama July 21
Niko and the Sword of Light Amazon Video Children July 21
The Worst Witch Netflix Children July 22
Daughters of Destiny Netflix Documentary July 28
The Last Tycoon Amazon Video Drama July 28
Wet Hot American Summer: 10 Years Later Netflix Comedy August 04
Comrade Detective Amazon Video Comedy August 04
Lost in Oz Amazon Video Children August 04
Fire Chasers Netflix Documentary August 08
Atypical Netflix Drama August 11
True and the Rainbow Kingdom Netflix Children August 11
Million Yen Women Netflix Drama August 15
Marvel's The Defenders Netflix Drama August 18
The Tick Amazon Video Comedy August 25
Disjointed Netflix Comedy August 26
Good Game YouTube Red Comedy August 30
Lego Elves: Secret of Elvendale  Netflix Children September 01
FINAL FANTASY XIV Dad of Light  Netflix Drama September 01
The Confession Tapes Netflix Documentary September 08
Hassel Viaplay Drama September 08
Greenhouse Academy Netflix Children September 08
American Vandal Netflix Mockumentary September 15
Strong Island Netflix Documentary September 15
Jack Whitehall: Travels with My Father Netflix Documentary September 22
Neo Yokio Netflix Animation September 22
Star Trek: Discovery CBS All Access Drama September 24
Big Mouth Netflix Comedy September 29
The Magic School Bus Rides Again Netflix Children September 29

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand for Digital Original Series by Market

For each of the ten markets, selected digital original series are ranked by their average
Demand Expressions® from July through September, 2017. A time series plot illustrating
interesting demand trends over the last three months accompanies an analysis of these
trends in each market.

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in the United States


July 1st – September 30th, 2017

New Netflix crime drama series Ozark drove the highest demand among US shows during Q3 at an average
of 15.6MM Demand Expressions, sustaining within the top 2 for most of Q3. Animated series based on the
80’s action adventure videogame of the same name, Castlevania, pulled in an average of 9.9MM Demand
Expressions for the quarter, securing it’s spot at #5. New Netflix comedy series, Friends From College, spiked
in the days post release though demand failed to uphold and the title ranked at #25 for the quarter.

Megahit Stranger Things, reached its one year anniversary in July and still generated enough demand to land at
#3 on the Q3 chart. On July 11th, the Netflix sci-fi series peaked at 45MM demand, driven by the announcement
of Season 2’s release date. A second peak occurred on July 22nd, aligning with the trailer release at Comic-Con.

Hulu’s breakout hit The Handmaid’s Tale moved up one spot to #2 in the US, for Q3 vs. Q2. Demand for the
dystopian drama decreased through the first half of September, until the day following the 69th Primetime
Emmy Awards. Demand for the show doubled the week post the Emmy’s vs. the week prior.

Appearing within the Top 100 titles in the US for Q3 was Harmonquest aligning with Season 2’s premiere on
September 15th. The part adult-animation part live-action show was previously released on the soon-to-be
defunct streaming service Seeso and is now available on VRV, the a la carte media service from Ellation, the
parent company of Crunchyroll.

Ozark The Handmaid’s Stranger Things Castlevania Friends From College


Tale
Jul 21 Jul 7 Jul 14
Released Released Released
50 M
DEMAND EXPRESSIONS®

25 M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in the United States


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in the United States:

1 Ozark Netflix Drama  15,629,504


2 The Handmaid's Tale Hulu Drama  12,436,467
3 Stranger Things Netflix Science Fiction  11,182,834
4 Orange Is The New Black Netflix Comedy-drama  10,093,861
5 Castlevania Netflix Animation  9,920,664
6 Narcos Netflix Drama  9,390,695
7 13 Reasons Why Netflix Drama  8,348,619
8 Marvel's The Defenders Netflix Action and Adventure  8,196,976
9 House Of Cards Netflix Drama  6,264,045
10 Star Trek: Discovery CBS All Access Action and Adventure  6,104,888
11 Marvel's Iron Fist Netflix Action and Adventure  5,104,140
12 GLOW Netflix Comedy  5,093,120
13 Daredevil Netflix Action and Adventure  4,708,096
14 The Man In The High Castle Amazon Video Drama  4,597,742
15 Fuller House Netflix Comedy  4,359,815
16 Escape The Night YouTube Red Drama  4,318,304
17 Sense8 Netflix Science Fiction  4,259,350
18 Marvel's Luke Cage Netflix Action and Adventure  4,104,244
19 Gypsy Netflix Drama  4,051,543
20 Bojack Horseman Netflix Animation  3,989,469
21 The Last Kingdom Netflix Drama  3,868,191
22 The Ranch Netflix Comedy  3,738,985
23 Community Yahoo! Comedy  3,683,553
24 Marvel's Jessica Jones Netflix Action and Adventure  3,470,609
25 Friends From College Netflix Comedy  3,452,329

A selection of 5 additional Digital Original Series of interest in the United States:

37 The Good Fight CBS All Access Drama  2,535,149


40 Rhett & Link's Buddy System YouTube Red Comedy  2,380,653
57 Big Brother: Over The Top CBS All Access Reality  1,731,464
59 Annoying Orange YouTube Red Comedy  1,675,070
76 Harmonquest VRV Comedy  1,192,956

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Argentina


July 1st – September 30th, 2017

Argentina’s Q3 top 5 ranking was dominated by Netflix titles, although no newly released digital originals were
included. Instead, the top title by over a third of Demand Expressions was Stranger Things, one year post its
premiere. Argentina was also the only market that featured sci-fi anthology Black Mirror within its top 5. Season
3 was released in October 2016.

Spanish language series Las Chicas del Cable and Club de Cuervos ranked at #11 and #19 respectively. While
Spanish period drama Las Chicas del Cable—released in April 2017—lost steam over the course of the quarter,
the opposite was true for Club de Cuervos. The Mexican comedy drama’s Season 3 was released September
29th, and anticipation was building in the weeks prior. The highest peak for the show occurred on 9/7, aligning
with a marketing effort involving a former Mexican president playing a fictional version of himself supporting
the governmental candidacy of one of the show’s characters.

Rounding out the top 25 titles at #23 is Viaplay’s Veni Vidi Vici—a Swedish comedy series that premiered in
April 2017. It is the only series to make Argentina’s top 25 from an SVOD outside of Netflix, Hulu or Amazon.

Narcos Las Chicas Stranger Things Black Mirror Club de Cuervos


Sep 1
del Cable Sep 29
Released Released
50 M
DEMAND EXPRESSIONS®

25 M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

10

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Argentina


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Argentina:

1 Stranger Things Netflix Science Fiction  2,575,231


2 13 Reasons Why Netflix Drama  1,899,061
3 Black Mirror Netflix Drama  1,744,527
4 Sense8 Netflix Science Fiction  1,171,219
5 House Of Cards Netflix Drama  1,011,029
6 Orange Is The New Black Netflix Comedy-drama  963,817
7 Narcos Netflix Drama  925,791
8 The Last Kingdom Netflix Drama  707,682
9 Marvel's Iron Fist Netflix Action and Adventure  682,966
10 Castlevania Netflix Animation  583,569
11 Las Chicas Del Cable Netflix Drama  527,742
12 The OA Netflix Drama  509,216
13 The Killing Netflix Drama  500,668
14 Ozark Netflix Drama  478,749
15 The Handmaid's Tale Hulu Drama  471,035
16 The Crown Netflix Drama  411,173
17 GLOW Netflix Comedy  393,017
18 Daredevil Netflix Action and Adventure  389,516
19 Club De Cuervos Netflix Comedy  372,021
20 Marvel's Jessica Jones Netflix Action and Adventure  355,567
21 Transparent Amazon Video Comedy  351,553
22 Veni Vidi Vici Viaplay Comedy  343,300
23 Gilmore Girls Netflix Comedy  322,120
24 Chance Hulu Drama  314,033
25 Gypsy Netflix Drama  278,893

A selection of 5 additional Digital Original Series of interest in Argentina:

34 Community Yahoo! Comedy  202,499


45 Star Trek: Discovery CBS All Access Drama  115,664
50 The Good Fight CBS All Access Drama  108,461
67 Snatch Crackle Drama  63,198
75 StartUp Crackle Drama  49,657

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

11

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Australia


July 1st – September 30th, 2017

The Handmaid’s Tale maintained strong demand expression levels consistently throughout Q3, making it the
country’s #1 digital original for the quarter. Coming out of the season finale’s release in June, the series started
with high demand in July that weaned mid to late August. Following three major Emmy wins, the Hulu series
spiked the day post the award’s show in September.

The six next-most popular series in Australia are all Netflix titles, including newly released series Ozark (released
July 21) and Marvel’s The Defenders (released August 18th). While demand endured for the former driving it
to be the top title from late July through mid-August, the latter didn’t sustain demand beyond the week of
its release. Fellow Netflix series Narcos showed building anticipation ahead of the September 1st release for
Season 3, priming it to be the top digital original for the first half of September.

Amazon Video’s The Grand Tour dropped three spots to #8 this quarter. With the final episode of the series
released in February 2017, the motoring hit’s popularity continued to decline in Q3.

Ozark The Handmaid’s Narcos Marvel’s The Grand Tour


Tale The Defenders
Jul 21 Sep 1
Aug 18
Released Released
Released
4M
DEMAND EXPRESSIONS®

2M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

12

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in Australia


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Australia:

1 The Handmaid's Tale Hulu Drama  1,159,854


2 Ozark Netflix Drama  1,038,961
3 Orange Is The New Black Netflix Comedy-drama  876,793
4 Stranger Things Netflix Science Fiction  866,570
5 Narcos Netflix Drama  715,123
6 13 Reasons Why Netflix Drama  691,181
7 Marvel's The Defenders Netflix Action and Adventure  594,871
8 The Grand Tour Amazon Video Reality  491,585
9 House Of Cards Netflix Drama  488,105
10 Castlevania Netflix Animation  456,526
11 Gypsy Netflix Drama  402,631
12 Star Trek: Discovery CBS All Access Action and Adventure  348,109
13 Escape The Night YouTube Red Drama  347,976
14 Marvel's Iron Fist Netflix Action and Adventure  343,103
15 The Last Kingdom Netflix Drama  341,383
16 GLOW Netflix Comedy  338,900
17 The Man In The High Castle Amazon Video Drama  325,873
18 Bojack Horseman Netflix Animation  321,778
19 The Good Fight CBS All Access Drama  299,081
20 The Crown Netflix Drama  294,268
21 Daredevil Netflix Action and Adventure  277,567
22 Sense8 Netflix Science Fiction  273,856
23 Bloodline Netflix Drama  266,811
24 Gilmore Girls Netflix Comedy  257,510
25 Atypical Netflix Comedy  254,243

A selection of 5 additional Digital Original Series of interest in Australia:

29 Community Yahoo! Comedy  241,066


74 Rhett & Link's Buddy System YouTube Red Comedy  83,091
75 Snatch Crackle Drama  81,659
78 Wolf Creek Stan Horror  73,805
89 Big Brother: Over The Top CBS All Access Reality  58,208

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

13

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Brazil


July 1st – September 30th, 2017

Among Brazil’s top five ranked shows, Narcos—rounding out the ranking at #5—was the only title with a newly
released season (Season 3, September 1st). All other series had been released months prior. That includes sci-fi
anthology Sense8 which had been released in May and its cancellation announced soon after, the first week
of June. The remnants of fans’ outcry from Netflix’s cancellation plans carried on from Q2 to Q3, sustaining the
title’s top ranking for another quarter. Netflix has since announced a series finale will air In 2018.

Season 4 of adult animated comedy Bojack Horseman was released September 8th, driving the title up to #10
in Brazil after ranking at #24 last quarter. Brazilian dystopian thriller 3% dipped a couple of spots from #11
in Q2 to #13 in Q3 , but it still drove one of the highest peaks in demand for the quarter (11.5MM Demand
Expressions on 7/17). The sharp increase aligns with the announcement of new actors joining the cast of the
local hit. The series is slated to launch globally in 2018.

New to Brazil’s top 25 is Ever After High, the companion series to the Mattel franchise of fashion dolls, ranking
at #19.

Narcos Sense8 3% Ever After High Bojack Horseman


Sep 1 Sep 8
Released Released
14 M
DEMAND EXPRESSIONS®

7M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

14

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in Brazil


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Brazil:

1 Stranger Things Netflix Science Fiction  8,964,219


2 13 Reasons Why Netflix Drama  7,234,214
3 Orange Is The New Black Netflix Comedy-drama  5,144,449
4 Sense8 Netflix Science Fiction  4,313,236
5 Narcos Netflix Drama  4,239,589
6 The Last Kingdom Netflix Drama  3,217,751
7 Castlevania Netflix Animation  2,219,630
8 The Handmaid's Tale Hulu Drama  1,929,688
9 Gilmore Girls Netflix Comedy  1,798,639
10 Bojack Horseman Netflix Animation  1,448,878
11 The Crown Netflix Drama  1,444,822
12 Marvel's Iron Fist Netflix Action and Adventure  1,381,120
13 3% Netflix Drama  1,360,375
14 Black Mirror Netflix Drama  1,325,121
15 The OA Netflix Drama  1,110,973
16 Marvel's Luke Cage Netflix Action and Adventure  1,096,509
17 The Ranch Netflix Comedy  1,040,474
18 House Of Cards Netflix Drama  1,001,287
19 Ever After High Netflix Children  922,424
20 The Killing Netflix Drama  873,748
21 The Man In The High Castle Amazon Video Drama  843,205
22 Fuller House Netflix Comedy  816,137
23 Daredevil Netflix Action and Adventure  791,831
24 Marvel's Jessica Jones Netflix Action and Adventure  776,442
25 Dear White People Netflix Comedy  653,850

A selection of 5 additional Digital Original Series of interest in Brazil:

59 Snatch Crackle Drama  234,835


63 Annoying Orange YouTube Red Comedy  188,074
88 Bad Internet YouTube Red Comedy  105,616
90 StartUp Crackle Drama  99,184
114 Mind Field YouTube Red Reality  44,934

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

15

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Canada


July 1st – September 30th, 2017

Canada’s most popular title in Q3 was The Handmaid’s Tale, generating an average of 1.52MM Demand
Expressions. The Hulu dystopian drama was closely followed by Netflix’s Orange is the New Black, (1.51MM
Demand Expressions) which was released in June and sustained enough demand to earn the #2 spot in Q3.
Newly released crime drama Ozark peaked a few days after its release on July 21st and was the most in-demand
series through mid-August—third in Canada overall.

Anticipation for Narcos’ Season 3 September 1st release was building since July. The most notable peaks
occurred on 7/14 and 8/3 aligning with first the release of the premiere date plus a teaser trailer, and then the
full trailer respectively.

Canada’s top 100 titles featured two shows released via the soon to be defunct platform Seeso—now available
on VRV: Harmonquest, Season 2 released September 15th and My Brother, My Brother and Me, released in
February.

Ozark The Handmaid’s Narcos Sense8 Orange is


Tale the New Black
Jul 21 Sep 1
Released Released
5M
DEMAND EXPRESSIONS®

2.5 M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

16

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in Canada


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Canada:

1 The Handmaid's Tale Hulu Drama  1,523,566


2 Orange Is The New Black Netflix Comedy-drama  1,510,011
3 Ozark Netflix Drama  1,418,560
4 Stranger Things Netflix Science Fiction  1,398,083
5 Narcos Netflix Drama  1,337,985
6 13 Reasons Why Netflix Drama  1,333,323
7 Castlevania Netflix Animation  1,063,750
8 Marvel's The Defenders Netflix Action and Adventure  716,475
9 House Of Cards Netflix Drama  706,018
10 Sense8 Netflix Science Fiction  608,099
11 Star Trek: Discovery CBS All Access Action and Adventure  549,212
12 Marvel's Iron Fist Netflix Action and Adventure  541,726
13 Daredevil Netflix Action and Adventure  512,790
14 The Man In The High Castle Amazon Video Drama  501,516
15 The Grand Tour Amazon Video Reality  458,454
16 Trailer Park Boys Netflix Comedy  439,173
17 Fuller House Netflix Comedy  419,132
18 Marvel's Jessica Jones Netflix Action and Adventure  417,758
19 The Last Kingdom Netflix Drama  404,965
20 Marvel's Luke Cage Netflix Action and Adventure  394,794
21 The Ranch Netflix Comedy  364,077
22 Bloodline Netflix Drama  360,266
23 The Crown Netflix Drama  350,003
24 GLOW Netflix Comedy  341,214
25 Community Yahoo! Comedy  331,972

A selection of 5 additional Digital Original Series of interest in Canada:

39 Escape The Night YouTube Red Horror  240,705


41 The Good Fight CBS All Access Drama  233,056
74 Snatch Crackle Drama  116,310
87 Harmonquest Seeso Comedy  89,798
89 My Brother, My Brother And Me Seeso Comedy  84,085

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

17

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Germany


July 1st – September 30th, 2017

Narcos had by far the highest demand in Germany in Q3—35% higher than the second top series Stranger
Things. Fellow Netflix hit, House of Cards, ranked highest in Germany among all markets reviewed in this report,
nabbing the #3 top spot. The political thriller managed to sustain demand even though the most recent release
wasn’t since Season 5 on May 30th.

Making a strong debut into the top 25 in Germany was Star Trek: Discovery, accessible via the CBS All Access
platform beginning September 24th. The prequel to the original Star Trek drove the highest peak at 19.7MM
Demand Expressions two days post release, only to surpass that number three days later reaching 20.1MM
Demand Expressions. Based on this glimpse of demand, the series, which will be released weekly, is set to be
one of the most in-demand in Germany for Q4.

The Good Fight, the sequel to CBS hit The Good Wife and also available via CBS All Access, was previously #28
in Q2 but dropped to #49 in Q3. The dip in demand was likely since the finale was released in April and fans are
already caught up on the series. Continued heightened interest in the Star Trek: Discovery series may spark
renewed interest in The Good Fight along with demand of other titles available in the CBS All Access catalogue
for the upcoming quarter. Finally, with just over half a million Demand Expressions, Amazon’s German original
series You are Wanted missed out on being featured in the top 25 in Q3.

Narcos Stranger Things House of Cards Orange is Star Trek: Discovery


the New Black
Sep 1 Sep 24
Released Released
20 M
DEMAND EXPRESSIONS®

10 M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

18

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in Germany


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Germany:

1 Narcos Netflix Drama  4,938,980


2 Stranger Things Netflix Science Fiction  3,197,847
3 House Of Cards Netflix Drama  2,715,226
4 Orange Is The New Black Netflix Comedy-drama  2,602,147
5 13 Reasons Why Netflix Drama  2,520,157
6 Star Trek: Discovery CBS All Access Action and Adventure  1,709,665
7 Annoying Orange YouTube Animation  1,646,664
8 Ozark Netflix Drama  1,465,184
9 Gilmore Girls Netflix Comedy  1,370,482
10 The Grand Tour Amazon Video Reality  1,302,208
11 Black Mirror Netflix Drama  1,238,993
12 The Last Kingdom Netflix Drama  1,222,295
13 GLOW Netflix Comedy  1,190,671
14 The Man In The High Castle Amazon Video Drama  1,161,250
15 Marvel's Iron Fist Netflix Action and Adventure  1,073,853
16 Sense8 Netflix Science Fiction  1,067,571
17 Marvel's The Defenders Netflix Action and Adventure  1,053,066
18 Castlevania Netflix Animation  989,084
19 Daredevil Netflix Action and Adventure  885,279
20 Fuller House Netflix Comedy  852,236
21 Marvel's Jessica Jones Netflix Action and Adventure  807,972
22 Marvel's Luke Cage Netflix Action and Adventure  778,851
23 The Handmaid's Tale Hulu Drama  769,279
24 The Crown Netflix Drama  739,719
25 The Killing Netflix Drama  671,344

A selection of 5 additional Digital Original Series of interest in Germany:

49 The Good Fight CBS All Access Drama  301,975


58 StartUp Crackle Drama  247,522
68 My Brother, My Brother And Me Seeso Comedy  207,536
84 Snatch Crackle Drama  148,736
88 Rhett & Link's Buddy System YouTube Red Comedy  138,138

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

19

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in France


July 1st – September 30th, 2017

Season 3’s September 1st release of highly anticipated crime drama series, Narcos, drove it to be the most in-
demand title in France for Q3. In the week post release, on average it generated 66% more demand than the
average of the remaining top 4 shows. Orange is the New Black, still maintaining its popularity after its June
release of the show’s 4th season, began to decline for the second half of the quarter—a 19% dip from the first
half of Q3. Similarly Sense8, dipped at nearly the same rate (20%) over the same time period.

In contrast, Stranger Things and 13 Reasons Why show no signs of letting up demand in France. The latter’s
demand has remained relatively flat even though the drama mystery was released in Q1. The former’s demand
has increased by 24% in the second half of the quarter, assisted by fan anticipation and marketing drumming
up the October release of season 2.

Crackle series Snatch jumped from the #41 spot in Q2 to #26. The British/American film turned show released
in March more than doubled it’s demand quarter over quarter.

Narcos Stranger Things Sense8 Orange is 13 Reasons Why


the New Black
Sep 1
Released
12 M
DEMAND EXPRESSIONS®

6M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

20

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in France


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in France:

1 Narcos Netflix Drama  5,119,530


2 Orange Is The New Black Netflix Comedy-drama  4,850,560
3 Stranger Things Netflix Science Fiction  3,255,339
4 13 Reasons Why Netflix Drama  2,990,315
5 Sense8 Netflix Science Fiction  2,392,286
6 Black Mirror Netflix Drama  2,142,166
7 House Of Cards Netflix Drama  1,568,185
8 Castlevania Netflix Animation  1,298,128
9 Daredevil Netflix Action and Adventure  1,245,978
10 Marvel's Iron Fist Netflix Action and Adventure  1,148,542
11 The Handmaid's Tale Hulu Drama  990,308
12 Marvel's The Defenders Netflix Action and Adventure  922,931
13 Marvel's Jessica Jones Netflix Action and Adventure  812,210
14 Marvel's Luke Cage Netflix Action and Adventure  773,176
15 The Man In The High Castle Amazon Video Drama  681,397
16 The Last Kingdom Netflix Drama  529,657
17 The Crown Netflix Drama  495,933
18 Ozark Netflix Drama  483,242
19 The OA Netflix Drama  423,645
20 Marco Polo Netflix Drama  353,016
21 Bojack Horseman Netflix Animation  350,473
22 Star Trek: Discovery CBS All Access Action and Adventure  335,972
23 Annoying Orange YouTube Red Animation  330,361
24 Gilmore Girls Netflix Comedy  318,923
25 Bloodline Netflix Drama  311,710

A selection of 5 additional Digital Original Series of interest in France:

26 Snatch Crackle Drama 296,722


29 Community Yahoo! Comedy  263,729
41 Bad Internet YouTube Red Comedy  182,400
70 The Good Fight CBS All Access Drama  69,755
77 Rhett & Link's Buddy System YouTube Red Comedy  55,674

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

21

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in the United Kingdom


July 1st – September 30th, 2017

In the United Kingdom for Q3, Netflix newcomer Ozark generated the highest demand. In the week post its
release, the crime drama drove 68% more demand than runner-up title The Handmaid’s Tale, dominating the
#1 spot through mid-August.

Narcos, was the top title for the first half of September after the third season was released at the beginning of
the month. The peak of anticipation was on 8/3 aligning with the release of the full trailer. At 49.4MM Demand
Expressions, demand on that day reached over half of the demand of the post release peak (83.8MM Demand
Expressions on 9/3) illustrating impactful marketing efforts.

The Grand Tour ranked #5 in the UK in Q3, dropping from the #2 spot in Q2. The dip is expected as Season 1’s
finale, the show’s most recent episode, was released back in February. Popularity continued to decrease over
the course of the quarter—demand weaned by 25% in the second half vs. the first half of Q3.

Community, accessible via Yahoo! Screen, was the #28th most in-demand digital original even though the
show hasn’t had new episodes since June 2015, for the show’s sixth and final season. The series has had time
to build a fan base, since the first five seasons aired on NBC.

Ozark The Handmaid’s Stranger Things Narcos The Grand Tour


Tale
Jul 21 Sep 1
Released Released
12 M
DEMAND EXPRESSIONS®

6M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

22

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in the United Kingdom


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in the United Kingdom:

1 Ozark Netflix Drama  3,551,127


2 The Handmaid's Tale Hulu Drama  3,107,364
3 Stranger Things Netflix Drama  2,611,751
4 Narcos Netflix Drama  2,351,680
5 The Grand Tour Amazon Video Reality  2,236,435
6 Orange Is The New Black Netflix Comedy  1,921,820
7 Marvel's The Defenders Netflix Action and Adventure  1,785,081
8 Castlevania Netflix Animation  1,565,641
9 13 Reasons Why Netflix Drama  1,530,423
10 House Of Cards Netflix Drama  1,394,426
11 Marvel's Iron Fist Netflix Action and Adventure  1,295,040
12 The Man In The High Castle Amazon Video Drama  1,238,052
13 The Last Kingdom Netflix Drama  1,170,702
14 The Crown Netflix Drama  1,160,866
15 GLOW Netflix Comedy  1,052,820
16 Star Trek: Discovery CBS All Access Action and Adventure  1,025,278
17 Gypsy Netflix Drama  928,292
18 Daredevil Netflix Action and Adventure  923,409
19 Sense8 Netflix Drama  916,736
20 Marvel's Luke Cage Netflix Action and Adventure  824,529
21 Marvel's Jessica Jones Netflix Action and Adventure  813,007
22 Bojack Horseman Netflix Animation  797,615
23 Escape The Night YouTube Red Drama  790,092
24 Friends From College Netflix Comedy  714,904
25 Atypical Netflix Comedy  610,417

A selection of 5 additional Digital Original Series of interest in the United Kingdom:

28 Community Yahoo! Comedy  588,317


29 The Good Fight CBS All Access Drama  587,359
39 Rhett & Link's Buddy System YouTube Red Comedy  427,798
66 Snatch Crackle Drama  290,263
76 Bad Internet YouTube Red Comedy  210,057

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

23

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Sweden


July 1st – September 30th, 2017

Overall, crime drama Narcos drove the second highest demand in Sweden for Q3. Anticipation for the title,
released September 1st, were seen via peaks in July and August. The highest point of demand in August was
on 8/3 where demand for the new Season reached 81% of the post release peak.

Brand new Netflix series based on the 80’s video game Castlevania peaked quickly 5 days post release. Within
30 days, demand plummeted by 55% illustrating a rapid dip in popularity. Decreasing at a significantly slower
rate was fellow Netflix title Gilmore Girls, which was most recently released in November 2016. Comparatively,
the cult classic has only decreased 18% from the first half of Q3 vs. the second half, remaining above Castlevania
for most of September.

Amazon Video’s The Grand Tour, #4 overall, declined by 31% in the second half of Q3 vs. the first. The last
episode aired February 2017, so demand is weaning as more viewers are catching up.

In contrast to the dips in demand, The Last Kingdom increased by 28% even though the last episode was
released in May 2017. The increased interest in September aligns with articles surrounding rumours of an
upcoming third season in 2018. Another series that holds strong is ViaPlay’s Swedish Dicks: Released a year
ago in September 2016, the comedy ranked #21 for Q3.

Narcos Gilmore Girls The Last Castlevania The Grand Tour


Kingdom
Sep 1 Jul 7
Released Released
1.4 M
DEMAND EXPRESSIONS®

0.7 M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

24

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in Sweden


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Sweden:

1 Stranger Things Netflix Science Fiction  450,602


2 Narcos Netflix Drama  342,213
3 Orange Is The New Black Netflix Comedy  330,235
4 The Grand Tour Amazon Video Reality  253,095
5 13 Reasons Why Netflix Drama  180,087
6 The Last Kingdom Netflix Drama  179,073
7 Castlevania Netflix Animation  126,479
8 Black Mirror Netflix Drama  121,733
9 House Of Cards Netflix Drama  118,320
10 Gilmore Girls Netflix Comedy  117,923
11 Marvel's Iron Fist Netflix Action and Adventure  101,549
12 The Handmaid's Tale Hulu Drama  94,975
13 Making A Murderer Netflix Documentary  92,976
14 Ozark Netflix Drama  89,789
15 Annoying Orange YouTube Animation  80,855
16 Marvel's Jessica Jones Netflix Action and Adventure  79,680
17 GLOW Netflix Comedy  77,836
18 Trailer Park Boys Netflix Comedy  77,481
19 The Killing Netflix Drama  75,669
20 The Crown Netflix Drama  73,725
21 Swedish Dicks Viaplay Comedy  73,680
22 Daredevil Netflix Action and Adventure  72,434
23 Bloodline Netflix Drama  71,389
24 Marvel's The Defenders Netflix Action and Adventure  69,207
25 Marvel's Luke Cage Netflix Action and Adventure  60,123

A selection of 5 additional Digital Original Series of interest in Sweden:

34 Bad Internet YouTube Red Comedy  35,601


35 The Good Fight CBS All Access Drama  31,758
40 Star Trek: Discovery CBS All Access Drama  28,683
43 Veni Vidi Vici Viaplay Comedy  25,562
47 Mind Field YouTube Red Reality  22,324

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

25

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Demand Over Time in Singapore


July 1st – September 30th, 2017

Among all markets included in this report, GLOW ranked highest in Singapore at #5. The Netflix comedy series,
released June 23rd, decreased in demand 39% from the first half of the Q3 vs. the second half. Similarly, Amazon
Video’s The Grand Tour decreased by 19% over the same time period, since the last episode aired in February.

New series Marvel’s The Defenders was released August 16th and drove an immediate peak in interest—even
slightly higher than Narcos’ post release peak (+8%). Demand weaned quicker for the comic book title, dropping
66% after the first week. By comparison, Narcos dipped 40%.

Another comic book turned TV series Marvel’s Iron Fist remained stable in Q3. The series was released all at
once on Netflix in March 2017 and was renewed for a second series in July. A combination of anticipation for
Defenders plus the renewal announcement in July could have worked to maintain popularity for the title half
a year after its release.

Narcos GLOW Marvel’s Iron Fist Marvel’s The Grand Tour


The Defenders
Sep 1
Aug 18
Released
Released
4M
DEMAND EXPRESSIONS®

2M

0
July 2017 August September

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

26

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Top Digital Original Series in Singapore


July 1st – September 30th, 2017 | Average Demand Expressions®

The top 25 most in-demand Digital Original Series in Singapore:

1 Narcos Netflix Drama  189,916


2 13 Reasons Why Netflix Drama  187,599
3 Stranger Things Netflix Drama  182,369
4 The Grand Tour Amazon Video Reality  173,908
5 GLOW Netflix Comedy  139,171
6 Ozark Netflix Drama  136,852
7 Marvel's Iron Fist Netflix Action and Adventure  134,085
8 Marvel's The Defenders Netflix Action and Adventure  127,491
9 Orange Is The New Black Netflix Comedy  110,762
10 House Of Cards Netflix Drama  110,369
11 Castlevania Netflix Animation  80,306
12 The Handmaid's Tale Hulu Drama  80,042
13 Daredevil Netflix Action and Adventure  77,803
14 Black Mirror Netflix Drama  67,907
15 Marvel's Jessica Jones Netflix Action and Adventure  65,234
16 Marvel's Luke Cage Netflix Action and Adventure  60,409
17 Bojack Horseman Netflix Animation  54,595
18 Sense8 Netflix Drama  51,381
19 The Man In The High Castle Amazon Video Drama  45,201
20 The Crown Netflix Drama  44,597
21 Unbreakable Kimmy Schmidt Netflix Comedy  42,883
22 The Good Fight CBS All Access Drama  41,209
23 Wet Hot American Summer: First Day Of Camp Netflix Comedy  39,351
24 Gypsy Netflix Drama  36,314
25 Lemony Snicket's A Series Of Unfortunate Events Netflix Drama  34,930

A selection of 5 additional Digital Original Series of interest in Singapore:

26 Star Trek: Discovery CBS All Access Drama 34,913


31 Annoying Orange YouTube Comedy  29,096
33 Community Yahoo! Comedy  27,681
57 Bad Internet YouTube Red Comedy  13,174
61 Snatch Crackle Drama  11,475

Demand Expressions®: the total audience demand being expressed for a title, within a country, on any platform.

27

Copyright © 2017 Parrot Analytics. All rights reserved.


Digital Original Series — Global Demand Report | Q3, 2017

Methodology

File Sharing /
P2P Platforms

Global Content Demand Blogging Photo Sharing


Sites Sites

Parrot Analytics is a technology and data science


company that measures global demand for television
content. Social
Video
Streaming
Media Sites

Consumers express their demand for content through


various “demand expression platforms” including:
Fan & Critic Microblogging
}} Video Streaming Platforms Rating Sites Sites

}} Social Media Platforms


}} Photo Sharing Platforms Wikis &
Informational
}} Blogging & Microblogging Platforms Sites

}} Fan & Critic Rating Platforms


}} Wikis & Informational Sites
}} Peer-to-Peer Protocols Global Demand Measurement
}} File-Sharing Platforms
To solve the industry’s measurement challenge with
the rapid proliferation of content distribution platforms
and unprecedented levels of consumer fragmentation,
Industry-first: DemandRank TM Parrot Analytics has developed the world’s first and
only cross-platform, country-specific and real-time
Parrot Analytics captures cross-platform audience content Demand Measurement System, powered by
demand for content around the world. Audience Demand Expressions®.
demand reflects the desire, engagement and
viewership, weighted by importance: a stream or a
download is a higher expression of demand than a Demand Expressions®
passive impression or a comment.
The industry’s de facto measure of global content
demand. This metric measures the total audience
demand being expressed for a title, within a market.

Characteristics of Demand Expressions®:

}} They measure actual, expressed demand. Parrot


Analytics does not use panel data.

}} They encompass demand expressed by audiences from


a multitude of sources, weighted by importance.

}} There is no ceiling to how many Demand Expressions®


a title can generate in a market.

28

Copyright © 2017 Parrot Analytics. All rights reserved.


About Parrot Analytics
Parrot Analytics is a data science company that empowers media & entertainment companies,
brands and agencies to understand global audience demand for television content. Wielding the
world’s largest audience behavior data sets, the company has developed the world’s only global
cross-platform, country- specific audience demand measurement system.

Parrot Analytics captures an unprecedented spectrum of actual fan and audience behavior
including video streaming consumption, social media, blogging platforms, file-sharing and peer-to-
peer consumption spanning 249 countries. This enables media companies, for the very first time,
to understand audience demand for content across all content distribution platforms in all markets
around the world.

Parrot Analytics’ leadership includes a group of media industry executives, creatives and scientists
who believe in the magic of content and the impact it has on people’s lives. The company is on a
mission to connect content creators and consumers by enabling data-driven decisions across the
industry.

For more information, visit parrotanalytics.com

Daily Audience
Demand Measurement
In any Market, on any Platform

REQUEST DEMO

contact@parrotanalytics.com
1 877 624 7109

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