Bushra Rashid

11/06/2018
CAHS
Period: 8

Poet John Donne, reflects on a specific theme which introduces the meaning to murder,
and in the real world this specific concept is brought to demonstrate the real language of love, or
the language that the poet understands as a symbol of metaphor. The poet also focuses on the
outcome which was made to be enforced on the details that are excluded from generalizing the
opponents thoughts on the meaning.

The poet uses and supports the tone of happiness in a sad topic, a topic that is meant to
hurt people. When Donne emphasizes a remark of the “Flea”, the relationship that was wished
was joined together by the “Flea” and it is a storyline of the beloved look about how “She” might
have denied her blood for him, for that “Sin, nor shame” (L6). This supports advice in
comparison, when the two bloods came together and made one, by first not being ashamed to
expand his blood, then expanding her own.

As the poet speaks to his loved one, about how attractive and weak her gets after seeing
her, it is brought to the intention of the reader that “maidenhead” is supportive to be able to have
an expression to griet, or concern within the hymen, that misconducts the vicious complications
that carry an altered result to the end, as so “alas is more than we do” (L9). There is something
that is always higher than a rational, observant, human being.

The speaker wants to show a vision of the future, and how it may behold the present. As
the speaker “enjoys” the process of limiting to kill the Flea, there is still spare for three more
lives in the flea, which intends to make a relationship happen, yet; exemplifies “fear” as ​How to
Read Literature Like a Professor​, which is civil with its spoken fear. Foster decides to be
optimistic with his cynical moves and outgoing preserver. Donne implies that a marriage is
bonding and that two people can become one. For that he includes death to express the
meaning of a love song or a love story. As explained love is like a valuable prize, which keeps
you from having amends, for those amends keep you from repaying the future.

As the poet includes “This flea is you and I” (L 12). It happens to separate between
human mind and body, this is to encourage the aspect of supplementing the way of living in the
afterlife with your loved one. “Living walls of jet” (L 15). The audience now has an idea (Loved
one) about what it means to have marriage as their flea. For that it is seen as a temple mixed
into one love, but is still needed to be enclosed and calm.

In the middle/towards the end, the poet starts noticing if the mistakes that were made,
has a better influence on what society really looks like and what love is on the outside, and if it
really makes one pay back for their past love, because their past love was seen as a way of
hidden “Self murder”. Nonetheless; this violates the misuses of what is regarded as being
scared, through that we notice profanity in the middle age of love. The speaker then called his
lover and decided to murder and kill the flea, and which was pure violence against the
“Shedding blood”, as fear was concluded to be a false statement, and thus was loss of honor
which was found to be able to kill the flea.

The poet's tone is used by engraving the little meaning to happiness that is brought by
the intentions of joy. However; the tone does not last for too long, it serves a good meaning of
hope within “The cruel” silence of love, for forgiveness this makes the proposal to the high and
formal use of skeptical language which provides provisions and eternity to offer a statement
which conducts illusions.

In conclusion, the poet uses language that is rich and strange, uses all the words that
violate murder and make an inference about human vs self, the ways that love is used to
weaken the human being. Therefore; if mistakes were to happen in the beginning, they are to be
reverted towards the end, with the end of love.