C. P. Cavafy: Collected Poems, Revised Edition
By C.P. Cavafy, Edmund Keeley and Philip Sherrard
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C.P. Cavafy
C.P. Cavafy was born in Alexandria, Egypt, where his Constantinopolitan Greek parents had settled in the mid-1850s. Cavafy spent his adolescence in England and Istanbul, but returned to Alexandria in 1885 where he worked as a journalist initially, and, from 1892 until his retirement in 1922, as a clerk in the Irrigation Office. Cavafy was not well-known in his lifetime, but found international recognition posthumously, and his admirers include Marguerite Yourcenar, Czeslaw Milosz, Leonard Cohen, Orhan Pamuk and Seamus Heaney.
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C. P. Cavafy - C.P. Cavafy
C.P. CAVAFY
COLLECTED POEMS
Revised Edition
PRINCETON MODERN GREEK STUDIES
This series is sponsored by the Princeton University Program
in Hellenic Studies under the auspices of the
Stanley J. Seeger Hellenic Fund
Firewalking and Religious Healing: The Anastenaria of Greece and the American Firewalking Movement by Loring M. Danforth
Kazantzakis: Politics of the Spirit by Peter Bien
Dance and the Body Politic in Northern Greece by Jane K. Cowan
Contested Identities: Gender and Kinship in Modern Greece edited by Peter Loizos and Evthymios Papataxiarchis
Yannis Ritsos: Repetitions, Testimonies, Parentheses translated and edited by Edmund Keeley
Demons and the Devil: Moral Imagination in Modern Greek Culture by Charles Stewart
A Place in History: Social and Monumental Time in a Cretan Town by Michael Herzfeld
The Enlightenment as Social Criticism: losipos Moisiodax and Greek Culture in the Eighteenth Century by Paschalis M. Kitromilides
C. P. Cavafy: Collected Poems translated by Edmund Keeley & Philip Sherrard; edited by George Savidis
The Fourth Dimension by Yannis Ritsos.
Peter Green and Beverly Bardsley, translators
George Seferis: Collected Poems, Revised Edition translated, edited, and introduced by Edmund Keeley and Philip Sherrard
In a Different Place: Pilgrimage, Gender, and Politics at a Greek Island Shrine by Jill Dubisch
Cavafy’s Alexandria, Revised Edition by Edmund Keeley
The Films of Theo Angelopoulos: A Cinema of Contemplation by Andrew Horton
C.P. CAVAFY
COLLECTED POEMS
translated by
Edmund Keeley and Philip Sherrard
edited by
George Savidis
REVISED EDITION
PRINCETON UNIVERSITY PRESS
PRINCETON, NEW JERSEY
Translation copyright © 1975, 1992 by Edmund Keeley and Philip Sherrard
Published by Princeton University Press, 41 William Street,
Princeton, New Jersey 08540
All Rights Reserved
Library of Congress Cataloging-in-Publication Data
Cavafy, Constantine, 1863-1933.
[Poems. English]
Collected poems / C. P. Cavafy; translated by Edmund Keeley and Philip
Sherrard; edited by George Savidis.—Rev. ed.
p. cm.—(Princeton modern Greek studies)
(Lockert library of poetry in translation)
Includes index.
ISBN 0-691-06984-0 (Cl)—ISBN 0-691-01537-6 (Pb)
eISBN 978-0-691-21313-2
1. Cavafy, Constantine, 1863-1933—Translations into English. I. Keeley,
Edmund. II. Sherrard, Philip. III. Savvidēs, Geōrgios P. IV.
Title. V. Series. VI. Series: Lockert library of poetry in translation
PA5610.K2A24 1992 889’.132—dc20 92-1198
The Lockert Library of Poetry in Translation is supported by a bequest
from Charles Lacy Lockert (1888-1974)
Translations included in this volume have appeared, either in earlier or
current versions, in The New Yorker, The New York Review of Books,
Quarterly Review of Literature, The Nation, Evergreen Review, Antaeus,
The Dutton Review, University, New Letters, Shenandoah, Boundary 2,
The Malahat Review, The Nassau Lit, Arion’s Dolphin, Granite and
Poetry (The Footsteps,
The Ides of March,
Theodotos
),
copyright © Modern Poetry Association, 1972
Edmund Keeley is indebted to the John Simon Guggenheim
Memorial Foundation for a fellowship that assisted
his work on this volume
ISBN-13: 978-0-691-01537-8
ISBN-10: 0-691-01537-6
R0
In memory of our friend
George Seferis
who also loved Cavafy’s poems
CONTENTS
Translators’ Foreword to the Revised Edition xv
PUBLISHED POEMS
Before 1911
WALLS (1896) 3
AN OLD MAN (1897) 4
THE HORSES OF ACHILLES (1897) 5
PRAYER (1898) 6
THE FUNERAL OF SARPEDON (1898) 7
CANDLES (1899) 9
THE FIRST STEP (1899) 10
THE SOULS OF OLD MEN (1901) 11
CHE FECE . . . IL GRAN RIFIUTO (1901) 12
INTERRUPTION (1901) 13
THE WINDOWS (1903) 14
THERMOPYLAE (1903) 15
UNFAITHFULNESS (1904) 16
WAITING FOR THE BARBARIANS (1904) 18
VOICES (1904) 20
LONGINGS (1904) 21
TROJANS (1905) 22
KING DIMITRIOS (1906) 23
THE RETINUE OF DIONYSOS (1907) 24
MONOTONY (1908) 25
THE FOOTSTEPS (1909) 26
THAT’S THE MAN (1909) 27
THE CITY (1910) 28
THE SATRAPY (1910) 29
1911
THE IDES OF MARCH 30
THINGS ENDED 31
SCULPTOR OF TYANA 32
THE GOD ABANDONS ANTONY 33
IONIC 34
THE GLORY OF THE PTOLEMIES 35
ITHAKA 36
DANGEROUS THOUGHTS 38
1912
PHILHELLENE 39
HERODIS ATTIKOS 40
ALEXANDRIAN KINGS 41
COME BACK 43
IN CHURCH 44
1913
VERY SELDOM 45
AS MUCH AS YOU CAN 46
FOR THE SHOP 47
I WENT 48
1914
TOMB OF THE GRAMMARIAN LYSIAS 49
TOMB OF EVRION 50
CHANDELIER 51
LONG AGO 52
1915
BUT THE WISE PERCEIVE THINGS ABOUT TO HAPPEN 53
THEODOTOS 54
AT THE CAFÉ DOOR 55
HE SWEARS 56
ONE NIGHT 57
MORNING SEA 58
PICTURED 59
OROPHERNIS 60
THE BATTLE OF MAGNESIA 62
MANUEL KOMNINOS 63
THE DISPLEASURE OF SELEFKIDIS 64
1916
WHEN THEY COME ALIVE 66
IN THE STREET 67
BEFORE THE STATUE OF ENDYMION 68
1917
IN A TOWN OF OSROINI 69
PASSING THROUGH 70
FOR AMMONIS, WHO DIED AT 29, IN 610 71
ONE OF THEIR GODS 72
IN THE EVENING 73
TO SENSUAL PLEASURE 74
GRAY 75
TOMB OF IASIS 76
IN THE MONTH OF ATHYR 77
I’VE LOOKED SO MUCH. 78
TOMB OF IGNATIOS 79
DAYS OF 1903 80
THE WINDOW OF THE TOBACCO SHOP 81
1918
KAISARION 82
BODY, REMEMBER. . . . 84
TOMB OF LANIS 85
UNDERSTANDING 86
NERO’S DEADLINE 87
ENVOYS FROM ALEXANDRIA 88
ARISTOVOULOS 89
IN THE HARBOR-TOWN 91
AIMILIANOS MONAL ALEXANDRIAN, A.D. 628-655 92
SINCE NINE O’CLOCK 93
OUTSIDE THE HOUSE 94
THE NEXT TABLE 95
1919
THE AFTERNOON SUN 96
COMES TO REST 97
OF THE JEWS (A.D. 50) 98
IMENOS 99
ON BOARD SHIP 100
OF DIMITRIOS SOTIR (162-150 B.C.) 101
1920
IF ACTUALLY DEAD 103
YOUNG MEN OF SIDON (A.D. 400) 105
TO CALL UP THE SHADES 106
DAREIOS 107
ANNA KOMNINA 109
1927
A BYZANTINE NOBLEMAN IN EXILE COMPOSING VERSES 110
THEIR BEGINNING 111
THE FAVOR OF ALEXANDER VALAS 112
MELANCHOLY OF JASON KLEANDER, POET IN KOMMAGINI,A.D. 595 113
DIMARATOS 114
I’VE BROUGHT TO ART 116
FROM THE SCHOOL OF THE RENOWNED PHILOSOPHER 117
CRAFTSMAN OF WINE BOWLS 119
1922
THOSE WHO FOUGHT FOR THE ACHAIAN LEAGUE 120
TO ANTIOCHOS EPIPHANIS 121
IN AN OLD BOOK 122
1923
IN DESPAIR 123
JULIAN SEEING CONTEMPT 124
EPITAPH OF ANTIOCHOS, KING OF KOMMAGINI 125
THEATRE OF SIDON (A.D. 400) 126
1924
JULIAN IN NICOMEDIA 127
BEFORE TIME ALTERED THEM 128
HE HAD COME THERE TO READ 129
IN ALEXANDRIA, 31 B.C. 130
JOHN KANTAKUZINOS TRIUMPHS 131
1925
TEMETHOS, ANTIOCHIAN, A.D. 400 132
OF COLORED GLASS 133
THE TWENTY-FIFTH YEAR OF HIS LIFE 134
ON AN ITALIAN SHORE 135
IN THE BORING VILLAGE 136
APOLLONIOS OF TYANA IN RHODES 137
1926
KLEITOS’ ILLNESS 138
IN A TOWNSHIP OF ASIA MINOR 139
PRIEST AT THE SERAPEION 140
IN THE TAVERNAS 141
A GREAT PROCESSION OF PRIESTS AND LAYMEN 142
SOPHIST LEAVING SYRIA 143
JULIAN AND THE ANTIOCHIANS 144
1927
ANNA DALASSINI 145
DAYS OF 1896 146
TWO YOUNG MEN, 23 TO 24 YEARS OLD 147
GREEK FROM ANCIENT TIMES 149
DAYS OF 1901 150
1928
YOU DIDN’T UNDERSTAND 151
A YOUNG POET IN HIS TWENTY-FOURTH YEAR 152
IN SPARTA 153
PICTURE OF A 23-YEAR-OLD PAINTED BY HIS FRIEND OF THE SAME AGE, AN AMATEUR 154
IN A LARGE GREEK COLONY, 200 B.C. 155
A PRINCE FROM WESTERN LIBYA 157
KIMON, SON OF LEARCHOS, 22, STUDENT OF GREEK LITERATURE (IN KYRINI) 158
ON THE MARCH TO SINOPI 160
DAYS OF 1909, ‘10, AND ’11 161
1929
MYRIS: ALEXANDRIA, A.D. 340 162
ALEXANDER JANNAIOS AND ALEXANDRA 165
LOVELY WHITE FLOWERS 166
COME, O KING OF THE LACEDAIMONIANS 167
IN THE SAME SPACE 168
1930
THE MIRROR IN THE FRONT HALL 169
HE ASKED ABOUT THE QUALITY 170
TO HAVE TAKEN THE TROUBLE 172
1931
FOLLOWING THE RECIPE OF ANCIENT GRECO-SYRIAN MAGICIANS 174
IN THE YEAR 200 B.C. 175
1932
DAYS OF 1908 177
UNPUBLISHED POEMS
179
JULIAN AT THE MYSTERIES (1896) 181
KING CLAUDIUS (1899) 183
WHEN THE WATCHMAN SAW THE LIGHT (1900) 187
GROWING IN SPIRIT (1903) 188
SEPTEMBER, 1903 (1904) 189
DECEMBER, 1903 (1904) 190
ON THE STAIRS (1904) 191
AT THE THEATRE (1904) 192
POSEIDONIANS (1906) 193
ANTONY’S ENDING (1907) 194
HIDDEN THINGS (1908) 195
ON HEARING OF LOVE (1911) 196
THE REST I WILL TELL TO THOSE DOWN IN HADES
(1913) 197
THE PHOTOGRAPH (1913) 198
GOING BACK HOME FROM GREECE (1914) 199
EXILES (1914) 200
THEOPHILOS PALAIOLOGOS (1914) 201
AND I LOUNGED AND LAY ON THEIR BEDS (1915) 202
HALF AN HOUR (1917) 203
SIMEON (1917) 203
THE BANDAGED SHOULDER (1919) 205
ON THE OUTSKIRTS OF ANTIOCH (1932-33) 206
Editor’s Introduction to the Notes 209
Appendix 215
Notes to the Poems 217
Biographical Note 275
Alphabetical Index of Titles 281
TRANSLATORS’ FOREWORD TO THE REVISED EDITION
THE COLLECTION of poems translated in this volume is the same as that of the first edition: it consists of all those poems published in the Greek edition of Cavafy’s poems edited by George Savidis (Athens: Ikaros, 1963), together with a selection from the volume of "Unpublished Poems,’’ also edited by George Savidis (Athens: Ikaros, 1968) and first published in an earlier English version in the volume C. P. Cavafy: Passions and Ancient Days (New York: Dial Press, 1971). Our collection has continued to be determined by these sources because we feel that they still represent the best of Cavafy’s work now in print. English translations of the so-called Early Poems’’ and
Repudiated Poems’’ are currently available in other collections or in periodicals.
Our mode of rendering Cavafy has remained more or less consistent since we offered our first broad selections of his poems in 1972 and 1975, though we have tried to freshen our renderings thereafter with each new opportunity to do so (e.g., the sixth printing of the collected edition and the selection in Voices of Modern Greece, Princeton, 1981). This is especially true of the present revised edition, where the resetting of the entire collection permitted us to review each poem and to make whatever alterations seemed appropriate. As in the past we have continued to strive for an equivalent discipline rather than strain to rhyme those poems—mostly early—that are strictly rhymed in the Greek; but in this latest revision we have been especially sensitive to Cavafy’s other formal concerns, for example his subtle use of enjambment and his mode of establishing rhythm and emphasis through repetition. We have also chosen to render with repetitive consistency those words that Cavafy repeated often in establishing his particular personal landscape (for example, the word idoni,
which we have usually translated as "sensual pleasure’’). Along with a renewed sense of responsibility toward the finer nuances and occasional eccentricities of the Greek original, we have made every effort to exercise our responsibility toward the language of poetry in English, with the hope that our renderings will live comfortably and naturally in the Anglo-American tradition.
So much critical and scholarly exploration of Cavafy’s work has taken place since the first edition of this collection in 1975 that it no longer strikes us as practicable or apt to include a Bibliographical Note’’ in this revised edition. We have retained, however, the
Biographical Note’’ essentially as it appeared originally. For this edition our editor, George Savidis, has generously revised and amplified his notes to the poems in keeping with his latest edition of the Greek text of Cavafy.
E.K.
P.S.
Katounia, Limni, Evia, 1991
PUBLISHED POEMS
1896-1932
WALLS
With no consideration, no pity, no shame,
they have built walls around me, thick and high.
And now I sit here feeling hopeless.
I can’t think of anything else: this fate gnaws my mind—
because I had so much to do outside.
When they were building the walls, how could I not have noticed!
But I never heard the builders, not a sound.
Imperceptibly they have closed me off from the outside world.
AN OLD MAN
At the noisy end of the café, head bent
over the table, an old man sits alone,
a newspaper in front of him.
And in the miserable banality of old age
he thinks how little he enjoyed the years
when he had strength, eloquence, and looks.
He knows he’s aged a lot: he sees it, feels it.
Yet it seems he was young just yesterday.
So brief an interval, so very brief.
And he thinks of Prudence, how it fooled him,
how he always believed—what madness—
that cheat who said: "Tomorrow. You have plenty of time.’’
He remembers impulses bridled, the joy
he sacrificed. Every chance he lost
now mocks his senseless caution.
But so much thinking, so much remembering
makes the old man dizzy. He falls asleep,
his head resting on the café table.
THE HORSES OF ACHILLES
When they saw Patroklos dead
—so brave and strong, so young—
the horses of Achilles began to weep;
their immortal nature was upset deeply
by this work of death they had to look at.
They reared their heads, tossed their long manes,
beat the ground with their hooves, and mourned
Patroklos, seeing him lifeless, destroyed,
now mere flesh only, his spirit gone,
defenseless, without breath,
turned back from life to the great Nothingness.
Zeus saw the tears of those immortal horses and felt sorry.
At the wedding of Peleus,
he said,
"I should not have acted so thoughtlessly.
Better if we hadn’t given you as a gift,
my unhappy horses. What business did you have down there,
among pathetic human beings, the toys of fate.
You are free of death, you will not get old,
yet ephemeral disasters torment you.
Men have caught you up in their misery."
But it was for the eternal disaster of death
that those two gallant horses shed their tears.
PRAYER
The sea engulfed a sailor in its depths.
Unaware, his mother goes and lights
a tall candle before the ikon of our Lady,
praying for him to come back quickly, for the weather to be good—
her ear cocked