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Rationale
The goal of this unit “A Whole New World” is to explore the different ways students can
interpret new destinations and how someone can change from experiencing a new world. The
unit is spread over three subcategories that explore the different types of travel a student can look
at through literature, such as a different place or time as a temporary trip (1), a fantasy or science
fiction created world (2), or a different place or time as a permanent move (3). Section 1 opens
the gates for students to think of going to new places and seeing big differences from where they
live without the consequences of staying there for a long period of time. This section also fosters
the potential to invoke a wide variety of emotions and opinions depending on the literature
covered in the class. The Absolute True Diary of a Part-Time Indian can bring optimistic
emotions, while Hatchet might bring emotions of fear or determination. Section 2 will be briefer
than the other sections, only because the students are likely to have a lucrative anticipatory set
for fantasy/sci-fi literature or media. The students will explore the process of world building, and
reinforcing their studies of governments and economics with In Real Life (a graphic novel). The
last section, Section 3, is about culminating the practice the students have had about questioning
setting to explore the heavy implications with entering a new world with the likelihood of
permanency. This can be explored in a more contemporary sense with young adult literature
highlighting, where a character is moving from one country to another and now must deal with
getting use to a new environment, such as Funny in Farsi, The Sun Is Also a Star, or Monster.
The other way this section can be executed is to look at the concept of the world literately
changing around a character, a prominent theme of Holocaust texts, such as Diary of a Young
The purpose of this unit is to support young adolescent students, who are expected to
expand their horizons of the world beyond where they live. Students might not have the ambition
or the belief that they can go beyond a certain path in life that will contain them in their
birthplace or neighborhood. This is fine for students who truly value their home place, but this
unit is designed to spark the possibilities that can be reached in new places. The other goal of this
unit is for students to also consider what it could mean for either a real person or a fictional
character to have to immigrate to an entirely new environment. This will establish real world
context that comes with moving to far away places, and maybe what it means/meant to people in
their own lives (relatives, peers, themselves). Section 2 is a primer to the permanence and real
world implications that are at play in any portrayed world, but also supports creative writing by
including the objective of being able to dissect a world and understand what is needed to make
one.
Standards:
Reading
Cite strong and thorough textual evidence to support analysis of what the text says
explicitly as well as inferences drawn from the text. (9-10.RL.1)
Analyze how complex characters (e.g., those with multiple or conflicting motivations)
develop over the course of a text, interact with other characters, and advance the plot or
develop the theme. (9-10.RL.3)
Analyze how points of view and/or cultural experiences are reflected in works of
literature, drawing from a variety of literary texts. (9-10.RL.6)
Writing
Write arguments to support claims in an analysis of substantive topics or texts, using
valid reasoning and relevant and sufficient evidence.
a. Introduce precise claim(s),
distinguish the claim(s) from alternate or opposing claims, and create an organization that
establishes clear relationships among claim(s), counterclaims, reasons, and evidence.
b.
Develop claim(s) and counterclaims fairly, supplying evidence for each while pointing
out the strengths and limitations of both in a manner that anticipates the audience’s
knowledge level and concerns.
c. Use words, phrases, and clauses to link the major sections of the text, create cohesion,
and clarify the relationships between claim(s) and reasons, between reasons and
evidence, and between claim(s) and counterclaims.
d. Establish and maintain a formal
style and objective tone while attending to the norms and conventions of the discipline in
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Novels
1. American Born Chinese by Gene Luen Yang
2. The Sun Is Also a Star by Nicola Yoon
3. Fangirl by Rainbow Rowell
4. Monster by Walter Dean Meyers
5. If I Ever Get Out of Here by Eric Gansworth
6. The Absolute True Diary of a Part-Time Indian by Sherman Alexie
7. The Adventures of Huckleberry Finn by Mark Twain
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Poetry Collections
1. The Odyssey by Homer
2. The Inferno by Dante Alighieri
3. “The Road Not Taken” by Robert Frost
4. “Song of the Son” by Jean Toomer
5. “Indian Boarding School: The Runaways” by Louise Erdrich
Nonfiction
1. Diary of a Young Girl by Anne Frank
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Field Trip
The Annual Arizona Renaissance Festival & Artisan Marketplace (Student Days)
Calendar/Activities
1. Town-Hall Meeting
2. Literature Circles
3. One-Minute Papers
4. Field Trip
5. Observation Journals
6. Travel Brochure or Time-Travel Brochure
7. Travel Video
8. Fantasy World Dissection
9. White-Board Review Game
10. Literature Analysis
how they
have
gathered
information
of how their
own
community
functions and
could
function
better.
will be about
the world
changing
around
people.
Week Literature Literature Literature One-Minute Summative for
4 Circles Circles Circles Papers Unit Due:
(Groups will (Groups (Groups White- Literature
be separated will be will be Board Analysis
to talk about separated mixed to Review Paper:
the same to talk talk about Game: Students will
book) about the their Groups will write a paper
same book) different each have on one of the
books) their own books read in
whiteboard the unit
and marker. focusing of
The will pass character,
the board theme, mood,
around to tone, setting,
each other and/or the
per round. elements of
The teacher world building.
will ask a
review
question of
the unit, and
the students
will try to
write the
answer down
on the white
board and
hold it up the
fastest for
points.
Assessment
Points—Assignment
1. 60 Daily Participation
2. 24 For 12 Literature Circle Role Questions
3. 15 For All 5 Complete One-Minute Papers
4. 10 Observation Journals
5. 10 Travel Brochure or Time-Travel Brochure
6. 10 Travel Video
7. 15 Fantasy World Dissection
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