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  • The 50 S Progressions

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    Balmiro Arteta
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    The '50s progression is a chord progression of I–vi–IV–V that was commonly used in popular Western music from the 1950s to early 1960s, especially in doo-wop. It has also been referred to as the "Heart and Soul" chords, the "Stand by Me" changes, and the "ice cream changes." One of the earliest songs to use this progression extensively was "Blue Moon" from 1933.

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    The '50s progression is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is: I–vi–IV–V. For example, in C major: C–Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly associated with doo-wop.

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    the 50´s progressions

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    The '50s progression is a chord progression of I–vi–IV–V that was commonly used in popular Western music from the 1950s to early 1960s, especially in doo-wop. It has also been referred to as the "Heart and Soul" chords, the "Stand by Me" changes, and the "ice cream changes." One of the earliest songs to use this progression extensively was "Blue Moon" from 1933.

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    © All Rights Reserved
    Descărcați ca DOCX, PDF, TXT sau citiți online pe Scribd
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    92 vizualizări1 pagină

    The 50 S Progressions

    Încărcat de

    Balmiro Arteta
    The '50s progression is a chord progression of I–vi–IV–V that was commonly used in popular Western music from the 1950s to early 1960s, especially in doo-wop. It has also been referred to as the "Heart and Soul" chords, the "Stand by Me" changes, and the "ice cream changes." One of the earliest songs to use this progression extensively was "Blue Moon" from 1933.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca DOCX, PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    din 1

    THE '50S PROGRESSION

    The '50s progression is a chord progression and turnaround used in Western popular music. The
    progression, represented in Roman numeral analysis, is: I–vi–IV–V. For example, in C major: C–
    Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly
    associated with doo-wop.

    It has also been called the "Heart and Soul" chords, the "Stand by Me" changes, the doo-wop
    progression and the "ice cream changes”. The first song to use the sequence extensively might
    have been "Blue Moon", written in 1933 by Richard Rodgers, and first released, with lyrics by
    Lorenz Hart, in 1934. is a chord progression and turnaround used in Western popular music . The
    progression, represented in Roman numeral analysis, is: I–vi–IV–V. For example, in C major: C–
    Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly
    associated with doo-wop.

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