BY

MAÁABO : i .::.:::.. TED REED

- ,.:.i !: .: i::,t:a,:::: ,'l:;:::t: i.i,:i4.¡. :il¿

MERENGUE
BOLERO ::::::.:;:¡¡;¡:l
,::::: ::li:9iai¡r:-:i!i: ::,. ::q1i-r{1i:t:!:::!
';i#,$*¡:;*¡¡i*t:ii
: :;:!ii::í*ii::i¡"::'..-:i4t?J;1

5A^ BA fi"i,
::ir:: ¿e;r::::!;e:a:'::.r!:r.::1r::r!i*:::ie4:l
'.:,-..":-.".i
" --" .":- ."'.:" .l

'i:f!*;- i.:,*.

CONGA .ti:*:lff¡f
.:rril!t:rdt::::!,!:9:tr::..,:ir:':;r::¡,a,:

. -; , :'j:. "tj:' ;
j,i

. ' . :..:".i. : : ::
BEGUINE $l¡Í*i¿i'ii;*;,
'-.:r" ;.
.1 "'..' .:

1:1:i,...9i::!t:rr*::.i ni::::r::r1:a:l

DOBLE i**iÍi,ltii**?i
PASO
r;:f; l .,t:?¿:1¡;fi'-. ]:'all::ti;i :ul;l
;?Jn:,,,:r:rt":::.:iqi:i*:::t:3.;9;air:ti:
,i:;,ti::i!::i:r:t'1;t::ar:!;{::e:,,€j j
I:itt¡:i5t?:i:Élar,::r;r ¿!Í.i{4ji
f;ai3jii5r:r.:iif¡a:t':.r;i
rq;li: r T:ia.;t*;r:.:*
:*;i:
rt:!t:¿*e!ni:;¡::ti¡/:
:ia::1i'i9":ri:::1!; j.:,t:¡r::i
!:¡i::i:<9:{r:;fi !:::' : l

.¡ 1 #f*¡*$': ''iuj.: ;i¡"-'t¡ ' .$ffi

.:.r¿:n :,,
'.
::.,ar.i¡3r::ri:.:J_..i1.,i,;ir:eiai:¡3:ri:
r4r:s:-¡:':1!jl!;1:i:i::iirii

TANGO ".:i;.--.1"-.
:¡ , "-'--- l
!ii:ia*i:,i¡
,|i"-'?iírt tli.

'-:. -. '' '"--..: -"".' '.':

MONTUNO -',.. . .';"
:r:r:.:i,:::::!r::ri.ir;i:ir:::jr .. -:" i" :" i::
': r:.::.
.--.f.
: "",

$3.50
in U. 5. A.

{:

TED REED'i*¡;;l¿rr¿*i*;**f:a¡i¡s:;¡*r;rt¡*
33515
 LATIN RHYTHMS

DRUMS AND TIMBALES

BY
TED REED

9tcludu
SAMBA TANGO
'YIAMBO
CHA-CHA-CHA CONGA MONTUNO
MERENGUE BEGUINE CATYPSO
BOTERO PASO DOBLE JOROPO

Copyrisht O l95Z by TED REED

Copyrishr O l9ó0 by TED REED
lntcrnotionol Copyright Sccurcd printcd in U.S.A.
All rightr rc¡crvcd including thc right of public performoncc for profit

Published By

TED REED
CLEARWATER, FLA.33515
P.O. BOX 327

q
 COI,IIBELL BEATS 3

Fo¡r; Uambo, llonüuno, Chraracha, Cal.¡pso and Fast Rhr¡nba.

BA.SIC RITTHM

ccu cc ucM
Rlgbt hend Cowbell
Ir.ft ha¡rd i Large Tlmbale
Ba.ss dn.tm

u- l[outb of oo¡rbell. Strlke tbe corbell flat on top neaip the openlng.
c- Center of cowbeLl. Strlke the cowbell ln the center. Use tlp of stlct
x- pel:n
Rlm shoü. fhe stlck ls held between the forefinger and thumb, the
ür¡rned dornward. St:rlke the center of the head wlth the palm
of the hand. and tl¡e stlck. Tl¡e stlck, extend.ed fo:rsa:rd ov€r the
nl-m, st¡plkes tt¡e r1¡r at the sq¡re tlme. IbLs shoüd.-!-duce a ¡mrffled.
sound. Eo not let ttre head. rLng.
oo- Strlke the center of the head. twlce wlth the tlp of the stlck. IÉt
the head nlng.
X and OO may also be played slth the hand ... NO STICK"
x- SünÍ.ke the centen of the head wLth the tlps of the flngers. UIIIFFLED.

oo- tove the hand beck about helf ray between tho center and the rün
and strlke the head, twice wlth the ttp of the foneflnger. LET RING.
Illb,en uslng the hand to produee the sound.s fon X and. OO, the stlck
ls placed on the snall Tlmbale whene lt w111 be handy to plck up
for shorü f111-1nt s a¡rd, b¡reakg.
In onder to produce the beet sound.s, use gtlcks made of 3/8 dowel,
il¡ lncbes long.
Íl¡e trso-bar cowbell rhythns a¡re based on the clave beat wrLtten as
follo¡rs;
I
The¡re a¡re a@e ür¡nes ühat call fo¡r ühe clave beat beLng nevensed,
as follows;
I
When tbts occurs, tb,e cowbell beat nrst aLso be neversod.
Cowbell beats are also played on ttrs slde of the snaLl Tf.mbale o¡r
ühe cup of the la:rge c¡rmbal. Use the slde of the small Tlmbale for
soft chorugeg.

,1
i;
fr
sp
*,il
.|':,
l+ COüTBEI,L BEATS CONTIMIM

fhc foLlorlng sowbell beats are used for moderately slow tempos.
All corbelL beats wllL be based on the reversed elave beat.
BA,SIC NINflTRll

ccc u c
Rtgbt har¡d CowbelI

Ipft hand Large Tlmbale

Bass drrrrtr

VARIATIONS

ccuccc u cc![ cc cl{ }úcc ccM c![

7.

ccl{ uccc M ccM cc ccM

MCC

ccM cc MCCC MCCM

CC I¡CCM
 COI|ÍBELL BEATS CONTI¡IT'D

The followlng cowbell beats ane used fon medfi¡¡r to moderately brlgbt
tempos.

BA,STC RIüTHII
I.
Rtght ha¡rd Cowbell
I€ft hand y' L,arge Tlnbale
Bass dnr¡tr

VA.RIATIONS

uccu cccM

MCCM
 COIVBtr,L BEATS CONTI}IUD

llhe followlng cowbell beats a¡re usod fon medÍ¡n to moderately brlght
tempos.

BA,STC RIüTHII
I.
Rlgbt ha¡rd Cowbell
I€ft hand y' Large Tlmbale
BsSs dnrm

VANIATIONS

uccM cccM

MCCM
6 COTBET,L BEilIE¡ CO}ÍTITfi'BD

ft¡e fol,lowlng eowbell beaüs are used, for brlgbt üo veqy fast tqros.

B.ASIC RffiITTII
1.
ltc c u clr
mght hand Corbell
Lfü hand / Large I{mbale
Bass d¡u¡n

VARIATIOTS¡

ct[ cü ccr cc

uccG t cr ccc

Dfccc u cr[
 7

VARIATIOI{S FOR IHE I,EFT RA¡ID

ft¡e followlng rhyühns alre played on the large Tlmbale wlth the left
hend NO STfCK.
X and 0O are played, as explalned on page 3.
Corabine any of these two bar rhythms wlth any two ber cowbell rhythm..
B
SEORT FILL-INS AND BREAiCS

Fon; Mambo, Montuno, Gua::acha, Cha-6ha-Cha a¡rd. fast Rhrrnba.

llbc baslc cowbell nhythn w111 be used to lllustrate alL
ftlL-lns. !9hen these are mastered, practlce them wlth
varlous cowbell rhythms.
ABBREIIIATIONS

C.B. CowbeLl. S.T. fuaIl Tlmba1.

B.D. Bass D?un. L.T. Iarge Tlmbal.
R. S. Rixl Sl¡ot
U-CandX-OOareplayed the same as explalned on page 3.

SEORT FILITINS
(r 111 -ln)
ec
c.B.
1.
I-l A
S. T.
L.!.F
B.D.

ccm
 SHORT FILI'INS CONTINUD
9

C. B.
L
vaTmS.T.
Ir¡ .l ¡
B. D.

ccm cca

B.

cccc cccc
 BREAKS
10

L.
C. B.

i:il:¡
B.D.

cccco

occ
 BREAKS CONTINUD
11

C.B.
S. T.
9. tm ¡.
&1.
B.D.

ccccc
L2
CEA-CEA- CEA

TB[PO:- IoderatelY slor l¡. (C)

OPJGIN:- GTbA.
llhc on a four- (lf ) lnob cowbell'
follorlng rtryths a¡e uoually pl-ayed1"I9"
ñ;tare-araó práVea on- the oun !r.¡uá 9ryb+^on tlre slde of
tb;'su¡a1l tLrnb-al.-Ilse the gld,e of the snall ttmbal for soft cboruges.
tÍ - c ar¡t I - oo are played the sane as e:qrlalned on page J.
BA^SIC RITTTHII

1o ic
nfght hand Cowbell
I€ft hand L,arge ttmbaL
Bas s &ruln

VARIATIONS

2.
\

nocm o m crtro m cm com c m c

5.
t t I
)
n comocm o m o mo om mo on mc

OPTIONAL BASIC RT]1MII,f

CowbelI
Ipft hand. - $O STICK.
Bass dru¡n
 CHA-CHA-CHA FILIFfNTS
13

1.
Rlght hand
I€ft hand orbell
Ióft hand I Timbele
La.nge Tlmbele
Bass dtrul!

(contlnue
baslc rhytlm)

cccccc

MctÍc MCMC C CC C C C C CC c CC CC

6.

F111-1ns may also be used as short solos.

 IERMG['E
il+

rmfPo :- Bnlgirt 2. (l)

ORIGIN:- Natlve dance of Sar¡to DomLngo.
Menensue rhyths are pJ.ayed on übe large Tlmbale -- wttb stlcks. lÚrey
may aÍso be- played. on the snane d¡n¡n - SNA'RESI OFF.
To produce the best sounds, uso 3/8 doreJ., il¡ lnches long.

Large TLmbale
1. R LR.LR L R NLN
Bass drun

Tlhe sticks are hold the ssme as ty:npanl stlcks tbe palns üurned.
d.ownwa¡rd.. .&11 ¡rotes for the Tfunbale that are not accented are llgltt nl¡n
strots. Tbe rlm shots for the rlglrt hand, are pISeffi3ffihe edge of the
rim to produce a hlgh pltched' sound. Tbo rLm shots fon the left hand
are played by plaelng the hand and stick ln the center of the head. ---
tfre sttók extended. forward over the r1m. Ihen, Ilft the stlck wlth the
thr:mb and foreflngeñ-e'n trlke the r1m. Do not llft the left ha¡rd from
the head wh1le playirrg left or rlght r1m shots these sounds should
be mlffIed.. A].L accented qoJsg are played ln the cente:r of the head. IÉü
them nlng.
VARIATTONS

LR'LRR L R RLR R LR'LR L RLRLR

R LR LR L RLRLR R LR LR RLR LRL

tual1 Tlmbale
Large Tlmbale
R LR'LR
Bass dru¡n
 sAxBA g
TEIFo3- (a) bderetely
n alor. (C) .
(b) brlgbü. W|
ORIGftr:- tratlvc d,anoe of FazLl. lDrey prcfcr tbe sJ.ot, ballad semba.
In tbls eountrg the brlgltt topo 1s thc favorlte.
Ilrc ¡anba l¡ playcd on ül¡e sn¡¡c dro - StrARES OFF. Do not
use üLnbalc¡.
note¡ arc played rlth the ctlck.
Rlgbt hand - STICK. .[11nxn
t f¡ft band. - BRIISE llbc ls played rltb the b¡Rrsb.
I Alrays hol.d the bmsh flat on the dmm rhlle pl1ÉnS notes
fo¡r tbe rtglt b,a¡d. A11 sou¡de ehould be ntrffLcd'.
BA,SIC RNTTHT

ñee¡ rl¡a.
Bm¡sb - oentet.
10 Center - on brnrsb.
I

Dre follorlng rhyüh lse alnpllfled baclo boat, uaed by

nar{r dn¡mnergo

,0
I

lbe fol,loring va¡latlons aro bagcd on the einpltftcd baglc

beato

l
V
 16
PIII¡ BEATS
(rldrr of tho tt¡úalcs)

For¡ Bolcro, Son, Out¡eol¡e ud fe¡t Rh¡ubr.

Pal'h boaüg lro u¡od for vocr,l lnd eIl rofü ch,ort¡scs. Uso tJrc
ttp of thc ¡tiok.
To producc thc bc¡t counda, troa 3/8 dorellng, l4 tnohes tong.
RIGET Ir^{D - ¡ldr of thc runell tl¡nbaI.
LEFT EAID sLd,e of tho Largc tf.nbrl.
Bff¡IC RETTEI

L. I
VARIATIO$S

lre follorlng r\ytha a¡c usod fon mcd.ft¡m to fast tenpos.

nLnnI,nLn RLNLNNL 8[,RntnRt RLNLRRL

RLNLNRLE RLNNI,RR NLRRLRLL RLNIRNL

I0. RINTLRNL NLNLRRL RLRNLLRL NLNLNNL

 PA,SO DOBI,E t7

TmfPO :- Moderately bnigbt. In 2 (Z/1ü or 3 . B/1+\

ORIGIN¡- Spaln.
The folloylog rhythms are played on a sna¡e drum, (snares on ) basa
drtrm, hlgb-hat, wood blook, cyrnbaJ.s eto. Do NoT úse Tlmbales ór corrbells.
tho hlgh-hat ls used sl¡mltaneously wlth tbc bass d¡'r¡¡n on cnsamble
choruges.
Íhe wood block ls used on soft and legato chortlges.

i:lffi
BASIC RIIYTIfM (2/1+) BASIC R}TYIHM O/1+)
L. I.
S.D.
BnD.

VANTATIONS

ffi
2, z-

3.
ffi R RLR RLR RL

l+.
ffi r. :R LRL RLRLRL:

5,
ffi 3 ¡r
s- ;R LRLn LRLn L:

ffi
'

6. 6. :R LRLR INLR LRL

18 BOI,ERO

( slow rhr:nrba)

TE¡IPO :- ModeratolY slow. (C)

0RIGIN:- Ctrba.

(head's) and t!q.

ltre followlng nhythms are played on the Tl¡rbal-esdrurÁ
bass d,run. ñ"yáay also bá piayea on- the snare (snares off)
and the small tom-tom. D0 NOT use cowbellsr cyurbals etc.
The stLcks are held ln the samo manner as explalned for the ilet'éngueo

BA.SIC RtrTEM
2&3&
Large Tlsbale.
RLR
Bass d¡n¡¡!.

1- llght ntm shot nean the edge.

&- stlck across head' and rlm -- cllck sound.
2- center of head -- mr¡f f Ied.
&- stl-ck across head and nfun -- cllck sound..
3-
&-
llgbt rlm shot nean the edge.
stlck across bead, a¡rd nlm -- cllck sound.
l+- cente:r of head -- LET RING. (llft left hand off head)
&- drop left hand. -- stlck across head and rim cllck sound.

2,
Srnal1 Tlmbale.
Iarge Tlmbale.
Bass dn¡.m.

1 - Ilght rln shot -- near the edge.

&- stLck across head and ri¡u -- cllck sound.
2- centen of head -- 1-et rlng. (smaII Ti.:nbale)
&- llllll illrltll
3- stlck across head and rLm -- cIlck
&- llttll ilil
sound.
l+- centen of head -- let ning. (llft left hand off head)
&- drop left hand -- stlck across head and rf¡n cllck sound.
 Bof,,mo coNTrNum 1g

2&3& I
Large Tlmbale.
Bass drRtn.

L- center of head -- r,rLrff 1ed.

&- l1sht rLn shot -- near ttre ed.ge.
2- stlck ecross head a¡rd. rl¡n -- cllck sound.
&- centcr. of heed. -- ¡¡t¡ff 1od.
3-
&-
llght ¡rl¡n shot -- near the edge.
stlck across head and rl¡o -- ollck sound.
l+- oente¡l of head -- Let rlng. (ltft Left hand off head)
&- drop left har¡d -- stlck acros s head and rl-n c1lck gound.
&ehz & l¡- &
lT.
Large T1mbale.
Bass d::r.¡n.

the sounds are produced the s¡a¡ne as e:rplalned for rhythrn No. 3. Just
d,ouble the L1ght ntm shots on the second half of the flnst beat. (A al¡

2o
Large Tl¡rbale.
:N RI,R
Bass drum.

tlhe tnlploü Le played. as follows:-

Lst note - Ught l'lln strot -- near tlre edge.
2nd note - stlck across head and nfr¡ -- cllck sound.
Jrd note - llgt¡t rim shot neet the edge.
ALL oühen notes are played ln the senl€| manner as explalned fon nhythn
No. 3,

NOTE:- When playlng ellsk sounds for the left hand, do not ltft the
har¡d off the head. --- Just llft the fnont pa:rt of the stlck and. strlke
th9 11n. By keeplrrg the Left ba¡¡d on ühe head, all sound,s w111 be
nuffled except the sound, on the for¡¡tb (l+) count.
 CONGA

TEf,FO:- Brlght two. (ll

gRIGIN:- Afrlca. Brouglrt to ühe Western Eomlspbere by the slaveg.

BA'SIC ntrfHl{ 6:rB. or Tom-Tom

(su¿nus oFF)
r. s L S
/
C.B.
n R R
I ) J
s.D. É L L L
s
l
t t-
B.D.

S:- Sa1l cowbell.

L:- Large corbell.
fhe effect w111 stll1 be good lf Just one cowbell 1g used.

VANIATIONS

s LL SS
AI AI
R RR R n
I J
2. c
Lt t
I
Lt- L

S e LL SS
AI /)
R I nR R R
) J
3. L L t (-
L
I I a

SS LLL S S

NR
tt
RRR R R
/

l+.
I I
a
L L L e L
I t a-
 CONGA CO]'ITINUED
e1
Ihe following rhytLuns are played on the s'nall tom-tom, large tom-tomr
bass drr"ur, snaro drum (snares off ) and c¡rmbal.
c:nn a
1.
S. T. T.

S.D.
R
J R
I
tl L
I
L L
JL:
L. T. T.
R
a-
B.D. -

2.

3. : LL I tL

l+. z L L I t L

5.
22
rAIGO

BEI[PO:- t[ode¡raüely sJ'ow to moderately bnlgbt. (C)

ORIGIN:- Argentl'na.
Ithe follow!.ng rhythms a:re played on the snare d¡n¡:n (enares 99) a¡d
bass d¡n¡¡l. pÓ NOT use Tbnbal-es, Cowbell, Cltnbalc cto.

BA,SIC NffiTIil[ p¡Po ss ro11

/

S. D.
1.
B.D.

OPTIONAL BA.SIC NffiTHU pre ss ro11

/

S.D. mgbt h,anrd..

éo S.D. I¡ofü h,and.

B.D"

VANIATIONS p¡3o ss noII

/

S.D"
3.
B.D.

S.D. Rlght har¡d,.

ls. S.D. I€ft hand,.

B.D.
 IAIÍGO

S.D.
5.
B.D.

S.D.
6.
B.D.

In spots rbero t-bc r.lrythn sectton Ls r¡oü plaVk¡g, ple¡r a ro11 on

tb,e sn^ere druu and quertc¡r noües on the bass dr't.u -- but keep lt
lofte (gee oxenplo belor) If you shouLd, lncrease the volr¡mo of tbc
ro11, bc sure üo kcep ühe bass dn¡n soft -- unless ühe pa¡t t s
na¡lked oüberrt sc.

tf,AXPI¡E:-
s.D
oto.
B.D

Urc lango usuelllr cnds ag follors:-

a-?
 BEGUINE

trilpQ3- ![ode¡rately slow 2. (l)

ORIGIN:- IsIe of ![artlnlque.
lhe followlng rtrythms are played on the sn&re drun - sNAnEs oFFo

BA"SIC RffTETI

S.D.
1.É
B.D.

To produce the correct sound -- play_ all notes for tbe left hand
,.á"i ttt" edge of tl¡c dn¡m and keep them.Ieqy soft. fbe first note
i,;" ttre gg[t ha4d must be played.near the center of the dnrm wltl¡
á U"""y Effintl-lEe last tfrree noües fon the rlglrt hand. are accent-
"¿
- ¡üt not as treavY as the flrst'
VANIATIONS

;ii l 2.í

FIRST RIGIIT: Accented Press roll wLth rlght stlck.

S. T. T.

3. I

S.T.T.3 Smell tom-tom. onL

R

l+. É

R on L: STICK SHOT - cross rlgltt stlck on left stlck.

a a a

5. I
 BEGUINE CONTINUED 25

Íhe fo1lowlng rhytlems are played on the t1mba1€s.

Hold the stlcks in the same m&nner as explained fon the Menongue.

BASIC RIIyTHM

Srnall tlmbale.
1.F Large tlmbale.
R LLN LR L
Bass drun.

I - llght rlm shot -- near the od.ge.

& - center of head - ACCENTED. (sma11 tlmbale)
2 - stick across head and rlm -- cllck sound.
ll ll ll ll ll ll ll
&-
3 light rlm shot -- near the edge.
& - stlck across head and rl¡n -- elick sound.
l+ - center of head -- LET RING. (lift ].eft hand off head)
& - drop left hand -- stlck across head and rlm -- click sound.
Vftren playlng cllck sound.s for the left hand, do not Ilft the hand
off the hoad --- Jusü I1ft the front part of the stlck and strlke
the nim. By keeplng the left hand on the head, all sounds w111 be
muffled exóept ühe sound on the fourth (l+) count.

BA,SIC R}TTTHM

Rlght stlck S.T. shelI.

1. IÉft hand / L.T. - head.
(no stick)
B. D.

RIGHT STICK: Play all notes on the slde (shel}) of the s¡na1l
tlmbale. (use tlp of stlck)
Lff'T IIAND : FIRST NOTE; strlke the cente:r of the head wlth the
tlps of the flve f1-ngers - HEAVy ACCENT -- muffled.
SECOND NOTE; sane as flnst note -- do not aecent.

LAST T't¡fO NOTES; strlke tho head halfway betwoen the

t1p or the lndex rlnser
i:tT;"ilurll"'lt3""lll*:n"
26 BECUTNE COIITINT'D

2.
mgbt stlck S. T. she1l

IÉft hend 6 t.T. - tread

(no stlck)'
B.D.
 27
JOROFO

:- tloderately bnlght. 3l+l

TEIIFO
T!?E :- f,altz -- wLüh a two-beat feel.
ORIGIN:- Venezuela.

Ilre foLlorlng rhytluts are played on the snare drunr ( snares on) e¡¡d,
bass drum. DO NOT use TlnbaLes, Cowbells, Maracas etc.

BA,SIC RETTH}I

I :- Rlgbt on left stlck shoü.

llotioe thaü the last th¡ree clgltth notes are played the aame as thc
fl¡rsü tl¡ree. lhls glves ühe nhythm a two-beat fóeI.

OPTIOTAI, BA.STC RfiTTHU

3
I+

lhcn uolng ühJ's bass dJn¡¡r beat, aoocnt the fl¡rgt beat of caob blro
Ererl
A NEW EOOK ON ll¡t i r. ffytp.1g
t."Y?t,ii
SYNCOPATION
FOR THE iTODERN DRU}IMER. .1d
ó0 poges of rhythms ond exercises in 4/4 to im- 1

prove your reoding. Also plenty of occented tr:t: lt fl

eighth notes, dotted eighths ond sixteenths, eight i .:
note triplets ond sixteenth notes for extended
¡i

solos. Price $4.00

rrir ,r l!'.J.,.$
--'r@
r

." jo
,'¡i

1.,* i f..j
,:l*-tt tYrü
ff,.lfu'.#,
,V.,',
-4i ,
*l', *T,,ll:,¿Jlr.j

E'ct M
, ) d;,|l
t{.oo ,i,;f,
',¡t.OO

CLEAAIAIEF
F!A. T5I<
Po ao\pr
; J.í",4
\
lli il #t fi
;"1Fl4i lr;t:iai::::.tl
,'l

t
BtlsÉ Í*l}"

DRUil S0t0S AND fl[[-l]ls

FOR, THE PROGRESSIVE DRUMftTER
43 Drum Solos (4-8 ond ló bor solos) 52 F¡ll-
ins. Only book of ¡ts k¡nd, ideos of mony top
'[r. ,';;;'" drummers coptured in this book.
i\,.[$c..ol
"-.] ;,
,¡
Price $3.00
r;'

riü ÉllD

t¡i::

"''' ')
.;....1.

$2.50 l

;C0RP0RAGi0N DlGlTfrl
jPopc
No. 8-A, Coi. Florid¿ $an
t..
TeA0€rS iAngel 0" P. 01030, l"¡Íéxlen, D. F.