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This blog describes Metatime in the Posthuman experience, drawn from Sir Isaac Newton's secret work on the future end of times, a tract in
which he described Histories of Things to Come. His hidden papers on the occult were auctioned to two private buyers in 1936 at Sotheby's, but
were not available for public research until the 1990s.
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Some readers may have noticed a shift in attitudes, mood and consciousness since the summer. Several
people have commented to me that they feel as though this year was split down the middle. The first half R E A D E R S S AY
was what you thought reality was, and the second half is what reality really is. The evidence is anecdotal,
"This was a truly amazing and
but I explain that common feeling in terms of piling technological change upon global change, until what we
inspired blog post. I do hope you
experience does a somersault and collapses over upon itself to become something else. It is as though we
are able to publish a book that
became addicted in the first fifteen years of the 21st century to eradicating the 20th century. And now, after further delves into these cyber
all the hammer blows, we are finally succeeding. resistance and cultural
movements. I'd buy it today." (26
December 2017)
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"I'm definitely a lurker. You have
Not so fast - the 20th century dies hard. Every attempt to erase its history promises a return of its worst the greatest blog on the
excesses. Holocaust denial, 9/11 denial, this denial, that denial. This summer, ISIS beheaded Palmyra's lead internet. ... You are a
archaeologist and blew up temples in Palmyra's ruins. You can see lists of cultural heritage sites destroyed by lighthouse." (26 August 2013)
ISIS here, here and here. These sites were the pride of 20th century archaeologists and represented the
common history of humanity:
BLOG ARCHIVE
► 2014 (127)
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► 1980 (1)
CROWDFUND HIGHLIGHTS
The ISIS reality - in which beheadings are the norm and most of Syria flees the ISIS advance, while ISIS
fighters cross the Sinai Peninsula, other ISIS groups close in on Jordan and Lebanon, and the Saudis build a
giant anti-ISIS wall along their border with Iraq - brings 20th century lessons back to the table. The question
is not where ISIS came from, who funded them, or who can destroy or control them. The question is: what is
ISIS? The Islamic State is bigger than the great power politics out of which it grows. ISIS turns the post-
apocalypse into a pre-apocalypse. Their colourful armageddon includes a baby cyclops Antichrist and a Jesus
who will supposedly resurrect to help them fight Israel, although the story ignores bits of Islamic
prophecy they do not like. So - they are not as doctrinaire as all that. ISIS fighters represent something larger
than an internal Islamic Sunni revolution. The medium is the message: their mythological doomsday brand is a
perfect commodity to go viral in the market of global communications. What is ISIS? The Islamic State's media
men are anti-history pioneers, who explore how far they can go, now that history - at least in the virtual
realm - is dead. The Islamic State fills the gaps between the state-centric real world and virtual anti-statism.
Technology and the Internet allow any history to be rewritten, erased or disbelieved, and in the resulting
environment, anyone can do anything. There are no limits. Pro-ISIS Websites dismiss reports of ISIS atrocities
as online fakes. Malleable history initiates a power game around the creation of reality and enables a
resurgence of violence. Malleable history awakens the shadow self in human nature.
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Vilnius at War
Sonia Zhuravlyova
London, UK
11% £231
funded pledged
In an environment of fluid data, Holocaust denial is rampant. The post-World War II order was founded on the
intention to prevent another Holocaust from ever happening. To overturn that order, the Holocaust would
have to be denied and Holocaust conditions revived. Make no mistake, deniers: you know and acknowledge
that the Holocaust historically occurred because it remains your template for radical action. When the Nazis Project We Love
wrote the handbook, they began with the eradication of history. They won over German citizens on the back
of radically revised history. They burned books and destroyed art; they erased whatever did not fit their
Beyond Books: Multimedia
picture of reality. They built a propaganda machine and held mass rituals to change popular opinion about stories for your tablet and
accepted facts and traditions. They sculpted the German past to create their desired future. They created phone
new facts out of 'historic' non-facts. The denial of history, replaced with fake Doppelgänger histories,
An immersive story telling app:
provided a mental cushion for violence. original and retold fairytales
with visual art, music and
The Nazis' rise to power and the Holocaust also partly depended upon trust in human decency; no one narration.
believed that things could get as bad as they did. Even those who experienced the Holocaust first hand could
barely process it as a historical fact. Survivors lamented: it happened, how did it happen, did it happen.
Their cognitive dissonance confirmed that the rational human community is a rickety house built over acts of by Pam Shaffer and 253
backers
savagery. It is hard to believe authentic history when it records how terrible people can be.
Today, those conditions repeat. Millennial truthers and critics deny history, especially the history of the
Holocaust. Erasing history is simpler than facing it. It is easier to deny the Holocaust, dismiss its importance,
recapture it to suit certain opinions, and explain it away with conspiracy theories, than it is to live in the
cold, post-Holocaust reality. Above the currents of mass psychology, this is done because on the Internet, it is
possible.
In the post-2008 atmosphere, there is also disbelief. It is easier to repeat the delusion of pre-Holocaust
scapegoating and indulge in anti-Semitic myths than it is to accept how catastrophic the Holocaust was. Then
as now, myths blame Jewish bankers' domination of world governments; the worst Millennial conspiracy
theories contend that Jewish bankers initiated the Holocaust to start building their 'New World Order' and
'One World Government' after 9/11. It is harder to acknowledge the facts, stripped of conspiratorial rumour,
that the technological revolution transformed the productive capacity and financial behaviour of developed
economies, sparking successive downturns during periods of adjustment. The Protocols myth about Jewish
banking interests reflects fears of an evolving world economy and integrated global society, enabled not by
said interests, but by a miraculous expansion in computing power.
The authentic, sordid history is not so easily explained and directly affects every individual now alive. At the
start of the Holocaust, Jews climbed into trucks marked with the Red Cross, thinking they would be treated
as refugees, and those trucks were genocidal gas vans. Today, if you were a refugee escaping a war zone, and
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you saw a truck with a Red Cross sign on it, would you not instinctively trust it? I would. But because of World
War II events and the new Millennium's global communications, most people second-guess everything they
see, and only trust what they want to believe. Trust in opinion, combined with lack of trust in authentic
history, is now normal because our world is founded on propaganda and atrocities.
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LIBRARY
The Underground Library is a
book-making and distributing
community project circulating
non-established words, films
and music, mysteriously.
by The Underground
Librarians and 56 backers
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German interview with Herte Bothe, Belsen guard (2009). Video Source: Youtube.
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The new Millennium nurses a growing darkness in its heart alongside a willingness to bend the truth with new
media in ways that would make Stalin blush. Malleable history is the real trend, not the 'discoveries' that the
A D D H O T T C TO S O C I A L
Holocaust or moon landing never happened, that 9/11 was an inside job, or that Hillary Clinton supposedly NETWORKS
created ISIS. When I see historic facts denied to bolster 'real' truths, I see that the medium is the message.
Like 3 Tweet Share
Technology enabled a gnostic hunger for 'real' truths as a channel for Millennial confusion, anger, blame, and
irresponsibility, which resolve themselves in a manipulation of information until the querent finds his or her
comfort zone.
OTHER SOCIAL MEDIA
A smaller symptom of that mentality is evident in professional services which remove inconvenient people
from old personal photographs. From Mike Hicks at the University of Minnesota: LC DOUGLASS Writer's Website
www.digital-restoration.com provide the service of removing unwanted persons from photographs. THE DRAGONFLY My Writer's
Want to find a way to keep great pictures, without those people you would rather forget? Why not have
Blog
us digitally remove those unwanted items from your photographs? This is how www.digital-
restoration.com explains its services. Friends and family members can be removed from photographs to
create the desired effect. ... Reviewing these manipulations, it is clear that there is a market for GOODREADS
removing girlfriends, boyfriends, family members and others from personal photographs. Is this right or
wrong? Does owning a photograph give the owner the right to manipulate it in any way? Removing a GOOGLE PLUS My Profile
person from a picture is very self-deceptive. It is equivalent to lying to oneself about the past, and
constructing fake pictures to "prove" a lie. When it comes to governments using this technique to
GOOGLE PLUS Blog Profile
shape public opinion or to increase their power, what comes to mind is corruption and the problem is
more political than social. However, when a person is digitally removed from a family photo, as
requested by another family member, the problem is a social one. MINDS
Despite the danger, people and powers will not step back from fabricating history or accusing their opponents PINTEREST
of fabrication. In this liminal historical environment, the more you change the past to suit yourself, the more
comfort and power you acquire, and the less afraid you are. Information wars are battles to define and INSTAGRAM
control a future mainstream perspective. Truthers are vulnerable to radical reappraisals of 20th century
history because they don't want to learn the 20th century's lesson that we must regard that century's horrors TWITTER
squarely, and not turn them into vehicles for identity construction in our changing times.
My VOCAL MEDIA Articles
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Hypnosis draws viewers into the ruins of Nazi Germany. Prologue from notorious director Lars von Trier's Zentropa aka Europa (1991). Video Source: Youtube.
S U B S C R I B E TO
To regard 20th century history squarely is to have an intimate connection with its horrors. No one wants to do
that. The writer Jasun Horsley has likened social participation to "the grammar of living." An accurate history Posts
is part of that grammar. When opinion hijacks the human narrative to reshape reality in the name of 'real
Comments
truth' agendas, that grammar breaks down to inflame cult mentalities. Hyper-rationalization of 'real truths'
ends in delusion. The disconnection from reality (ironically to defend some purported 'truer history') paves
the way for violence, and sparks a mass psychological chain reaction:
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[French historian] René Girard has pointed out that, in liminal states—stateless states, nations stripped
of sovereignty—mimetic violence rapidly escalates. There’s a conundrum here: imitation is necessary
for socialization—the creation of a socialized self and the adopting of language—to occur. And where
imitation and socialization starts to break down, liminality (lack of structure) increases and the FOLLOWERS
collective and individual sense of identity begins to falter. At this point, mimesis kicks in with renewed Followers (108) Next
fury, both boosted and distorted by the anxiety of social incoherence and identity loss. The society that
is breaking down is at risk of accelerating that breakdown in a mad, mimetically violent dash to try and
restore order (Nazi Germany again being a handy template for watching the process in action).
Once institutions and group arrangements begin to break down, once the social cohesion begins to
erode, people no longer know how to behave. In confusion, they look for charismatic leaders,
“false ceremony masters,” to guide them. Distress and confusion (panic) combines with the
attempt to imitate what others are doing to relieve the tension. This is commonly known as mass
hysteria. Since the greatest danger of this kind of lynch mob situation is that the members will turn on
each other, the essential thing becomes to find a common object on which to release all that pent-up
fear and rage. Enter the scapegoat.
In a January 2015 piece entitled The Extinction of Reality, Horsley reviewed the Ridley Scott film The Follow
Counsellor (2013), about the Mexican drug trade. In this example, Horsley argued similarly that Scott
portrayed our current reality as too terrible for many to bear. The film implied that the western love of
recreational drugs is founded in gore, crime, horror and slavery. The film also depicted drug kingpins as ultra- GOOGLE+ FOLLOWERS
rich, a source of anxiety for the new Millennium's disappearing middle classes. The film's dark capitalism LC Douglass
stripped once-accepted values of meaning. The post-apocalypse was evident in The Counsellor, as it
Add to circles
is everywhere in ads, music, cinema, news and other pop cultural media which keep us entertained.
All the ruined and murdered people of today's accurate histories replay their dystopic terror on our
televisions and computer screens. Therefore, and worst of all, the film cleverly offers a harsher truth. The
liberating drug of choice is not cocaine, meth, heroin or some chemical synthetic. The drug is news
infotainment, the ISIS beheading video, the Putin UN speech, or the 'real truths' we find on the Internet, all
injected back into grimdark pop culture entertainment. We do not want to accept we are addicted to stories
of the world's supreme cruelties, because if we are diverted or entertained by the horror, if we make up
theories about it that make us into alt-history authorities, we are one step removed from it, and surely it
cannot then consume us.
139 have me in circles View all
Horsley contended that Scott's fictionalized, but accurate, vision of the Mexican post-apocalypse was so awful
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that it was difficult for viewers to digest. Critics panned the film because they could not get their heads BLOG ROLL
around it. Horsley also noticed in the critics' distance a curious, 'not me' syndrome: An Inner Journey: The
Moon, Mythology, and You
When Westray (Brad Pitt) warns the counselor not to imagine there’s anything these people (Mexican Imbolc Blessings
drug cartels) aren't capable of, it’s the emphasis on this fact ... that’s the real horror. ... [It is]
Atop the Fourth Wall
something that the film plays upon: we want to believe the worst about human depravity. The idea of Atop the Fourth Wall... Dot
people acting without any moral compass or checks or bounds is weirdly attractive to us because it’s so Com
horrifying. But also the reverse: it’s horrifying because it’s attractive. In a world where everything is
permitted, the only possible defence is to tell ourselves that none of it is true, that nothing is. Cabinet of Curiosities
That’s ironic detachment. ... Keith Newhouse
Herry's Journal
Favourite Poems - The Wound
in Time
Historical Mysteries Redux
Channel to Utopia - OJOO
Game App
Inexplicata-The Journal of
Hispanic Ufology
Argentina: Locals Claim
Seeing UFO Over Airport
Ink Nouveau
What is the Purpose of a
Hooded Nib?
John Rozum.com
Next Month...
Kate of Mind
Andrea Barrett's THE VOYAGE
OF THE NARWHAL
Kate's Chapbook
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Still from The Counsellor (2013) in which the Counsellor, played by Michael Fassbender, walks through a rally for the disappeared. Image Source: Roger SPOKEN SUNDAY: VILLANELLE:
Recruitment And Its Perils
Ebert.
LGC:Doom Patrol
Spinner Memorial Part 7:
The Holocaust crossed lines - as did the World War II Japanese Manchurian concentration camp Unit 731, as "¿Gracias, Por Nada?"
did the Rwandan genocide, as does the Mexican drug trade, as does ISIS - and confirmed that any imaginable
Moral Machines
violence can and will happen. There are no limits. There is no place far away enough from the epicentre of It's (not) a robot, it's (not) a
depravity. It is that capacity for limitless hatred and violence, that dark night of the soul of humanity tied drone, it's a...
personally and immediately to each and every one of us, which is so frightening and inescapable. Necropolis
Same Old Story
The truthers are right about one thing: radical jihadism is intimately connected to the post-Holocaust, post- No Fear of the Future
apocalyptic mentality of the west. But truthers misjudge how the two phenomena connect: all the horrors Harlan Ellison (1934-2018)
are related, built upon one another, through a transgressive human addiction that continues to grow and PARANORMAL MUSINGS
evolve. This is an anti-horror addiction to horror. That experience depends on a quasi-factual perspective that Apparition of the Blessed
Virgin Mary
allows armchair citizens to view the post-apocalypse at an ironic distance through political infotainment or
new media entertainment. Horror is mediated through the lenses of new media. Addiction to a one-degree Physics and Physicists
Quantum Entanglement of 10
separation from horror will not save us from horror.
Billion Atoms!
POST-MAC BLUES
The 2018 PMB Poster-Child
Posthuman Blues
Triptych #15
Quigley's Cabinet
Quigley's Final Cabinet
Internet's shadow selves, the abuse of history - despite all the bones in the foundations - the picture is not Suppertime Sonnets
I Should Be Writing
one of complete nihilism. At one point, I recall talking to another blogger, and we could not get over how
awful the new Millennium has been so far. I attribute this to a toxic combination of world conflicts, hatched Tea at Trianon
Christmas Returns to the
from deepening globalization, combined with the surge of new media and technologies. Abuses of media and
White House, Again
information build a passive, delusional comfort drawn from endless, low grade dystopia. We do not have to
accept this status quo, just because the Internet drip-feed told us so. New media have bent collective The Four Color Media
Monitor
perception, so that people are simultaneously desensitized and over-sensitized, and constantly seek an Why is the pretentious Alex de
emotional comfort zone in selected information about reality. Campi writing 2 episodes of a
Blade Runner anime?
The Lyceum
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My New Blog: "The Craft of
Living"
Total Dick-Head
New Pravic Website and Blog!
Weimar
Masked
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Mean Girls on dvd is like five dollars & would've already taught David Lynch
you that this is a bad idea. Defense Advanced Research
521 4:35 PM - Sep 30, 2015 Projects Agency (DARPA)
Doom Patrol Online
458 people are talking about this
Einzelgaengerin
Elfquest
In The Counsellor, Ridley Scott hinted that the only way to deal with the world's real monsters was to find ENE Energy News
authenticity through art. The technological revolution in global communications could birth a renaissance, European Film Gateway
rather than World War III; but for that to happen, mass inertia would have to change. Entertainment and European Space Agency
infotainment are hypnotic drugs which bring war ever closer, by feeding a collective addiction to anti-history Fictional Cities
and distrust, masquerading as real truth. These narcotic representations oppose art as an acceptance of Fortean Times
authentic reality. I do not think everyone realizes that we have a choice between the two.
Frank R. Paul Gallery
Fukushima Live Webcam
Fukushima TEPCO Live Webcam
Future Laboratory
Future Scanner
Global Risk Insights
Google Newsstand
Grand Comics Database
H. R. Giger
H.P. Lovecraft Historical Society
Horror Masters
How to be a Retronaut
I Am the Cavalry
Still from The Counsellor (2013). Image Source: The Quietus.
IGN Comics
Internet Speculative Fiction
Other posts on the destruction of Iraqi and Syrian ruins are here, here, here and Database
here. Io9
See all my posts on Ghosts. Journey to Death at Lifespeed
Kate Sherrod's sonnetstories
Kate Sherrod's storysonnets
Lights in the Dark
Lines and Colors
Machines Like Us
Martian Vistas
McSweeney's
MDS Images
Mental Landscape
Meta-Religion
Metamodern
Metaphrog
Methuselah Foundation
Mindscape Magazine
Check out other blogs observing the Countdown to Hallowe'en!
MIT's Technology Review
NASA
ADDENDUM (29 May 2016): On 28 May 2016, BBC interviewed author Roberto Saviano on his work which NASA Image of the Day
confirms that the City of London is a centre for money laundering of Mexican drug money and the Italian NASA JPL Photostream
mafia. Thus, the wealth and lifestyles of the City rest on violence and crime discussed in the following posts: Neil Gaiman
New Scientist
Post-Apocalypse Rehab (6 October 2015)
Quasi Morto (29 December 2015) Newsarama
Mysteries of Things to Come (30 December 2015) Obscura Antiques and Oddities
Stains on the Heartland (18 March 2016) Old and Interesting
Quid Pro Quo (3 April 2016) Old is the New New
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Comment as:
The Hero Business
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Publish Preview
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L I N K S TO T H I S P O S T
Thompson Rare Books
Create a Link Tozo - The Public Servant
Newer Post Home Older Post Transhumanist Arts and Culture
Trigger Street.com
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Universe Today
Urban Molecule
Vice
Virtual Biosecurity Center
Wired
Wondermark
Zoetrope
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Anniversaries: Lest We
Forget the Indian
Ocean Tsunami
Science Channel ranks
the Indian Ocean tsunami of
December 26, 2004 as the second
worst natural disaster in the
history of humankind : &q...
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Anniversaries: Lest We
Forget the Fall of the
Berlin Wall
Initial Dismantling of the
Berlin Wall. Image Source:
PHBond . On this day in 1989, the
East German authorities
permitted their citi...
Reflections on the
Revolving Door of
Death 1: Titanic
Legacies for
Generation X Superheroes
heshire mourns her daughter.
Titans , vol. 2 #26 (Oct. 2010).
Open a mainstream comic these
days, and chances are you'll find
one mai...
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