Sunteți pe pagina 1din 19

Design

November-December 2018

THE
NEW YORK
TIMES
STYLE
MAGAZINE

THE BRIGHT
SIDE
Great spaces with
second acts, from a row
of 18th-century
Dublin townhouses to
a 19th-century former
factory on Lake Como
MARKET REPORT

Buck
The Trend
Surprisingly versatile for its
unconventional shape, the bucket
bag bucks the trend in sturdier and
roomier versions for fall.
By Debrina Aliyah

Bonsai leather bucket, QR2,600,


Simon Miller. Alligator bucket bag,
QR61,880, Alaïa. Nelia two-tone
leather bag, QR1,440, Nico Giani.
Tab small color-block tote, QR1,520,
Yuzefi. Bobbi leather bag, QR1,740,
Danse Lente. Umar 13 embellished
bag, QR3,060, Boyy. Crossbody
leather-trimmed canvas bag,
QR1,144, Paravel.
51
THINGS QATAR APPAREL

The Hollywood Boot


Shop is recreated
within the exhibition.

A Shoemaker’s Mark in Cinema


With the late Salvatore Ferragamo as its protagonist, an
exhibition traces the phenomenon of Italian migration
to California and its influence on Hollywood.
By Debrina Aliyah

IF YOU WERE A Hollywood filmmaker in the 1920s, chances are you expanding and growing, my shop followed right behind them.”
would be getting the Italian shoemaker from the Hollywood Boot Drawing from this period of the shoemaker’s life, the exhibition
Shop to dress the feet of your stars. The Roaring Twenties would Italy in Hollywood captures a little-known yet fascinating moment
have marked Salvatore Ferragamo’s final but glorious years in the in history that ignited Italian influence in American culture.
United States before he went home to Italy for good in 1927. But The historical reconstruction of Ferragamo’s life represents a
52 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

before the glitz and success of the renowned store on Hollywood broader phenomenon of Italian migration to California, the role of
Boulevard, Ferragamo had arrived in North America along with the Italian community within the context of the West Coast and the
thousands of southern Italian immigrants just as Italy had joined the resulting interchange in the world of art, crafts and entertainment
BOOK ILLUSTRATIONS COURTESY OF SALVATORE FERRAGAMO
first world war.
arts – areas where Ferragamo’s creativity was prevalent. From a
Alongside his brothers, he ran a custom-shoe repair shop in Santa
social commentary perspective, it examines the contradictory
Barbara, California which drew the attention of prominent film
perception of Italian-Americans, between a positive opinion of
directors of the time including D.W. Griffith, James Cruze, and
Italian history and tradition, and negative criticism of some of the
Raoul Walsh. It was Cecil B. DeMille who commissioned Ferragamo
to make the shoes for some of the most notable movies of the traits that characterized the stereotype of the Italian including
decade; The Ten Commandments and The King of Kings. His rising instinct, passion, and sentimentalism. A larger part of the exhibition
fame prompted the opening of the Hollywood Boot Shop and delves deep into Italy’s presence in filmmaking in California, from
cemented the influence of Italian leather craftsmanship in the cinematic styles to on-set work culture distinguished by the image
world of cinema. of certain immigrants, the likes of Ferragamo.
“I seem to glimpse a parallel between the film industry and my Italy in Hollywood is curated by Giuliana Muscio and Stefania
activity”, writes Ferragamo in his autobiography, “when the majors Ricci and currently runs until 10th March 2019 at the Museo
(players in Hollywood) overcame the early phase and began Salvatore Ferragamo in Palazzo Spini Feroni, Florence.
Ramon, Silence and Special
Shoes were also made for men and actor Rudolph Valentino were often seen in
the various styles including boots and dress shoes.

Bella Foxtrot
BOOK ILLUSTRATIONS COURTESY OF SALVATORE FERRAGAMO

Worn by Gloria Swanson in the An iconic model designed for


1928 movie, Sadie Thompson, Joan Crawford, a loyal client of
directed by Roaul Walsh. The Assoluta Ferragamo. This shoe was
American actress was one of patented on 21st June 1933 and
A personal favorite of Mary
Ferragamo’s biggest clients from is a celebrated signature design
Pickford, silent cinema’s most
the days of the Hollywood Boot of the brand.
prominent actress and producer.
Shop.
Ferragamo made several versions
of this model throughout the
Roaring Twenties.
53
APPAREL

CREATIONS MUSEUM CAPSULE

A capsule collection developed


especially for the Italy in Hollywood
exhibition commemorates some of the
most iconic Ferragamo shoes seen on
the silver screen in the 1920s. The
collection is currently exclusively
available in the region in Qatar.
THINGS QATAR

CREATIONS COLLECTION

Rainbow Future, a psychedelic colorful model


inspired by the Rainbow sandal made in suede
in 1938 for actress Judy Garland is now
available in a limited edition of 100 pairs as
part of the prestigious Ferragamo’s Creations
collection. The Creations line draws from the
museum’s shoe archive to reintroduce in
limited and numbered edition of some of
Ferragamo’s most iconic pieces, and are
entirely handmade using the original
constructions, leathers, and shapes, and
carries the brand’s historical label, designed in
1930 by futurist painter Lucio Venna. The
Qatar selection will also showcase three other
iconic shoe styles, the Norma and the Honey
pumps which were originally designed for
Marilyn Monroe in 1959 as well as the
sculptural Calipso sandal from 1956, featuring
the ‘cage heel’. The top handle bag, a revival of
one of Ferragamo’s best known styles, is
available in crocodile and ostrich, in vibrant
colors on top of the classic brown and black.
Custom orders are also available at the
54 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

boutique in Villaggio Mall.

BOOK ILLUSTRATIONS COURTESY OF SALVATORE FERRAGAMO

From Top: Prominent


Italian personalities who
influenced American
culture across artistic
industries,
The exhibition housed
within the Museo
Salvatore Ferragamo in
Florence, The Rainbow
Future shoe is also the
brand’s commitment to
sustainable production
strategies.
PEOPLE QATAR THE ARTIST’S LIFE

A New Icon of
Style and Grace
When Halima Aden walked down Max Mara’s runway in Milan last September, clad
28 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

in a beige leather trench with polka dots complete with a matching head scarf in the
same print, the Arab press went into a frenzy.
By Debrina Aliyah

WITH THEIR SMARTPHONES OUT, the editors were live-sharing snapshots breaking barriers and giving a voice to the marginalised in a world that
of the newly minted model whose outfit did not look one bit as if it had to seems to be moving one step forward and two backwards on the issue of
PHOTOS COURTESY OF MAX MARA

be appropriated to seem modest. In fact, the chicly put styled head-wrap tolerance. “Beauty isn’t a one size fits all. We need to celebrate everyone
had appeared on the runway before Halima Aden, ushering in a style and welcome those who are different than us. This year has had so much
narrative for Max Mara’s SS19 collection. Modesty is a subtle element, and negativity, it’s time to move away from the hate and learn to accept. I’m
a matter of class and taste in the modern fashion landscape. choosing love because a nation that doesn’t stand together will fall,” the
But it helps to have somebody like Aden at the forefront flying the flag model says. Born in a refugee camp in Kenya after her parents had fled
not only from a style viewpoint but also from a human perspective. Her Somalia, she moved to the United States at the age of six and flourished in
meteoric rise has as much to do with being a style icon as a symbol of her new life while maintaining her cultural identity.
As the first Muslim homecoming queen at her high school, the first woman to
wear a hijab in a Miss USA state pageant, and the first to grace magazine covers with
a head scarf, Aden’s message of diversity is loud and clear.
“I signed with one of the most influential modelling agencies in the world and still
wore my hijab as my crown. Don’t ever change yourself, change the game,” the model
announced when her contract with IMG Models was official. “I am so excited to join
the IMG Model family and spread the message that diversity is beauty.”
Her passion has led to another feather in the cap this year when she was
appointed as a UNICEF ambassador in recognition of her work in empowering
young people and her desire to give back to the community. She brings awareness to
programs that save and protect children’s lives and uses her platforms to advocate
for children’s rights. “I’ve seen UNICEF’s incredible, impactful work for children
first-hand. When I was young, UNICEF gave me an education, empowering me, my
PHOTOS COURTESY OF MAX MARA

29
THE ARTIST’S LIFE

family and our community in the process. It’s an honor to have


this platform with UNICEF USA and I look forward to advocating
for children around the world, just as others advocated for me,”
the model recounts.
On the style front, Aden continues to set the tone for a niche
market that has grown in importance and influence in recent
years. This season, Max Mara launches an exclusive Middle
East capsule collection with Aden as the face of the campaign
epitomizing a perfect coming together of style and grace. “We
were one of the first brands to cast Halima in a runway show,”
says Ian Griffiths, the brand’s creative director. “She impressed
us with her intelligence, charisma and courage - a unique
combination of qualities that make for breathtaking beauty. She is
a shining star and an outstanding role model,” he adds.
PEOPLE QATAR
30 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

The region-specific collection features the MaxMaragram, an original


pattern inspired by the original lettering of the Max Mara logo of the 1950s and
includes the celebrated double-breasted coat in pure camel wool with silk
MaxMaragram lining and gold personalized buttons. To complete the look,
key pieces include a silk satin shirt and a pencil skirt that can be worn with a
classic pair of stretch MaxMaragram logo satin trousers. The original lettering
appears throughout the whole collection including the accessories. The trio
of a silk head scarf, a rhinestone brooch and a pair of T-bar pumps is the must-
PHOTOS COURTESY OF MAX MARA

have of the season.


“It’s a look that’s sharp, smart and savvy. Its camel and gold tones
communicate discrete opulence and understated glamour, and the kind of
power that doesn’t have to raise its voice to be heard,” Griffiths explains. And
that is just the exact kind of philosophy that fits right into Aden’s emblematic
stand for power and grace.
A Writer on Her
Quest for The Lost
Rose
By Debrina Aliyah

BOOK ILLUSTRATIONS COURTESY OF JOWHARA MOHAMMED


56
The author
Kummam Al-Maadeed.

SET AGAINST a backdrop of sorcery and magic, a


story of hope, trust and forgiveness unfolds in a
captivating read by debut author Kummam
Al-Maadeed. Weaving an adventurous tale that
follows the characters as they travel across
kingdoms and battle through chants and spells,
Al-Maadeed leads a new genre of fiction writing for
Qatari authors.
Al-Maadeed’s The Lost Rose sits comfortably on
stands along side international bestsellers in
Doha’s swankiest book stores and the young
author has garnered quite a following across
different demographic groups in the region. While
a sense of regional pride fuels her popularity – a
young female Arab author breaking out in an
unconventional genre – the younger fans are
entirely devoted to the world of the protagonists
Clara and Luca that defines the book’s universe.
“I’ve always made up stories in my head and with
some encouragement from my sister, I finally
decided to put pen to paper ten years ago and I
haven’t stopped since,” she recounts. Though The
Last Rose is her first ever published work, she
emphasises that it’s obviously not her first ever
written work.
Fantasy, made popular in mainstream media in
the last two decades through big budget
adaptations, has finally lost its nerd image and
found a brand new cool appeal. “It was a personal
triumph when another writer told me that I had
inspired her to finish writing her book, also in the
fantasy genre,” recounts Al-Maadeed. “She wasn’t
sure how people would react to this genre and
having someone else open the path gave her new
hope.” In Qatar, it is a sign of the times that ties in
with its futuristic buildings and forward-thinking
economic visions – building a literary scene away
from the standard romanticized fiction set in
sleepy deserts. “I want to see the writing scene in
Doha evolve so that our authors can reach an
international audience,” she says.
With a day job at Qatar University in media and
publications, she continues to travel to promote
her book while engaging with fans and the literary
community on social media – an indispensable
communication tool for the young generation in
the region. “I consistently answer writing
BOOK ILLUSTRATIONS COURTESY OF JOWHARA MOHAMMED

questions and use social media as a platform to


promote and discuss literary awareness,” she says.
The Last Rose is available on Amazon and across
book stores in the region.

A SNIPPET FROM THE LAST ROSE


and the thing that she thought could stop or at Panic paralyzed her, but the fear for Luca, who
The world stood still around Anya. and the cold least weaken him: the jewels in her bracelet. But stood beside her, made her fight it.
numbness she feared overcame her as she saw even the jewels wouldn’t be enough. She couldn’t Her head began to spin as she thought of ways to
Adrian ride toward her. She could barely feel Luca’s even remember the spell to enchant them. She make them safe. Protective spell? She could try,
protective grip on her or hear Julia’s shouts as she wasn’t prepared. She wasn’t ready! but Adrian was too powerful. She wasn’t prepared
ran to them. This can’t be happening, she thought. “You have to go,” she said to Luca. to face him. She needed potions, strength spells,
57
“To where?” Julia asked, terrified. “He will
stop us with a flick of his finger.”
“We can fight,” Luca said, and she saw that he
had his sword ready in his hand.
“Are you mad?” Julia said, her panic rising.
“You think we can fight, oh, the most powerful
sorcerer in all the four kingdoms?”
“We can try,” Luca eyes sharp in a way Anya
had never seen, causing the fear in her heart to
transform into courage.
“Yes, we can try,” Anya said and grabbed
Julia’s hands.
Julia looked at her for a few seconds and then
nodded. “We’re going to die eventually anyway, I
guess,” she said with a quivering smile as she
gripped Anya’s hands and started to chant.
Anya followed suit and put her heart into the
spell. Adrian would not hurt Luca. He couldn’t,
and Anya would make sure of it, even if it was
the last thing she did.
As they chanted, she felt Lex sit between her
and Julia, and she felt him helping her with the
spell. Luca stood in front of them. Even though
their spell would be stronger than his sword, she
appreciated his will to fight with them. Deep
down in her heart, she knew that even if they
weren’t trapped, he would still fight for her, and
for that she put her soul into the spell to protect
him.
A circle of rushing wind formed a shield

around them, and the pounding of horses’


hooves and shouting men made her believe the
spell was working, so she kept chanting, not
daring to look up and get distracted. She had to
focus, to draw on all the pain, the hurt, and guilt
she suffered since the moment she left the
castle.
But as soon as she felt hopeful, a rope of
flaming fire cut through the circle of wind with
such force that made her let go of Julia’s arms.
She was thrown onto her back.
She scrambled to her feet and saw Adrian
standing before her, with three or four men
behind him. His icy gaze pierced into her soul,
only to bring back a mountain of emotions that
paralyzed her and drained the courage out of
her heart.
“Stay behind me,” she heard Luca say, before
he shielded her from the approaching men. Next
to him Lex stood, baring his teeth and ready to
pounce. On their other side, she rubbed
shoulders with Julia.
“We are so dead,” Julia murmured.
“Clara.”
Anya’s heart stopped. It was Adrian’s voice.
So calm and gentle, yet so cold and loud enough
for all of them to here. “I came to take you
home.”
“You’re not taking her,” Luca shouted, his
sword raised, ready to strike.
She heard Adrian laugh softly. Anya wanted
to see what he would do, to predict which magic
he would perform, but she couldn’t move. She
could hardly take a breath. She hated her
weakness and helplessness.
58
“Stay back,” Luca said again as he pushed her
behind him, while he took a step forward.
The four men behind Adrian walked toward
them, weapons in hand. Luca braced himself for
the clash, while sparks flew from Julia’s hands.
“Oh, I won’t die by a novi’s hands!” Julia said as
threw the first blow, which hit one of his men. He
swayed from the impact, and from the panicked
look on Julia’s face, Anya knew the blow was meant
to deliver great harm.
The man she hit with her spark rushed toward
her with an ax. She whispered a spell and flicked
his hands at him. This time the hit knocked him off
his feet and Julia clapped her hands in victory,
which didn’t last long as two other men rushed
forward to attack.
Anya started casting a spell to help her, but the
men around Julia made it hard for her to aim at one
without harming Julia. Anya was shaking too much,
and the sound of metal clashing rang in her head.
She panicked.
Luca, on the other hand, was fighting a huge man
whom she recognized as Cedric, Adrian’s first man.
Unlike the other men, she knew Cedric had never
been the object of strength spells or any type of
magic, which gave Luca a chance to beat him, but
with Luca’s injured leg, she could never be sure.
She had to help him, but her mind could think of

nothing, nothing but the dread of meeting Adrian’s


eyes again.
“Clara,” she heard Adrian say again and
suddenly time stood still.
Her breathing was shallow, and her heartbeat
slowed down. It was as if she was in one of her
dreams. Maybe it was a dream and Lex would bark
soon to wake her up.
But, as she turned her attention finally to
Adrian, she knew it was real. It was so real, she
could feel his living soul touching hers.
Oh, how she had loved him, how she had
believed in him. Yet, he had betrayed her and hurt
her family. But, you did that, a voice told her. You
listened to him and did what he asked without
question. The image of her parents and brother
lying in their own blood passed through her mind,
and every nerve and muscle in her body shivered.
Yes, I did it with my own hands, she thought as
anger burned her heart.
Because you love him, the voice said. Because
BOOK ILLUSTRATIONS COURTESY OF JOWHARA MOHAMMED

deep down in your heart you know he was right.


That throne is yours. You deserve it.
No, I don’t.
Yes, you do, and you will rule beside him, the
one you love; the only one who loves you. The one
who gave you everything you wanted and was
denied. Because you are as dark as he is. You
deserve him.
You love him.
I love him. I do. She knew it now.
You will be his queen.
“I will be his queen,” she whispered.
59
NEW ICONS

ICON as the new


mark features
across the pieces
in the collection.

New Icons
The definitive name of American cool style launches a
classic capsule collection that goes back to his roots of
iconic pop culture and Americana heritage.
By Debrina Aliyah

IN RECENT SEASONS, Tommy Hilfiger the designer and the brand has “It’s a celebration of our iconic flag logo and a reinterpretation of
been on a trailblazing campaign in bringing back the vibrancy of pop some of our most classic styles from the archives with a modern
culture into its collections, both by much-hyped collaborations and twist,” the designer says.
staging of fashion shows in new cities. From New York, the hyper- Familiar wardrobe staples, including the Oxford shirt, parka and
staged TommyNow shows incorporating racing elements and puffer jacket, are given a contemporary makeover and presented in
technologies - a sport dear to the designer’s heart – has since made oversized silhouettes, pleated constructions, luxe fabrics, contrast
PHOTOS COURTESY OF TOMMY HILFIGER

pitstops in Los Angeles, London, Milan and this fall, in Shanghai. color-block stripes, and a warm navy, burgundy and gold color
A constant presence is the unmistakable aesthetic, referenced by palette. “The metallic gold puffer jacket and Arctic-inspired parka are
the colors of white, blue and red as Hilfiger’s continuous ode to wardrobe essentials that really stand out from the crowd with their
America and its icons that has served as his pillars of design since the bold colors and shapes,” the designer explains. A final touch of tribute,
launch of the brand. For Fall 2018’s capsule collection that is simply as if a gesture of homecoming, sees the brand’s signature American
named Icons, Hilfiger revisits well-loved classics that has defined the flag logo tinted in a new minimalist gold design.
brand’s embodiment of American pop culture across the decades. Working on the capsule, Hilfiger reflects that Martin Luther King
25
NEW ICONS
PEOPLE QATAR

Harlow and Baldwin behind


the scenes, shooting for the
global campaign of the new
capsule collection.

Jr has always been his ultimate icon. “He shaped


our history, culture and attitudes. I have the utmost
respect for his passion, devotion and what he stood
for as a leader,” he explains. To echo these
sentiments, the designer has always valued hard
work, passion and dedication in his pursuit in
inspiring others. “It is important for others to
realize that with these values, you can achieve
anything. I love mentoring emerging designers and
trend-setting talents by sharing lessons I learnt in
my own career,” he explains.
Perhaps it is this dedication that got the ball
rolling in the brand’s recent enterprise in all things
new and now, including immediate retail
availability after shows and collaborations with a
new generation of influencers. “They are leading
the way for the next generation of Tommy women,
approaching everything with confidence,
dedication and optimism,” Hilfiger notes. And in the
case of Hailey Baldwin and Winnie Harlow who
have both been named ambassadors for the Icons
capsule collection, “they captivate their audience
with their powerful drive and inner fire,” Hilfiger
says. Baldwin’s passion and dedication are reflected
in her 12 years of training as a ballerina before
starting her modeling career at the age of 16.
26 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

PHOTOS COURTESY OF TOMMY HILFIGER


“My first memory with Tommy was walking for
him in my first show for New York Fashion Week.
Baldwin recalls. The co-host of Drop the Mic on TBS
cites comfort as a big part of her style – something
that she is looking forward to in the capsule. “I love
the snow-white-colored fisherman sweater with the
statement Tommy crest. It’s one of my favorite looks
from the brand’s archives, with the gold and
cabernet details adding an elevated twist. It’s perfect
to keep warm on chilly evenings. The cropped CLOCKWISE FROM TOP: Harlow’s

hoodie is a wardrobe essential to combine with vocal outreach on


inclusiveness and positivity
high-waist jeans for a cool, tomboy look,” she says. caught Hilfiger’s attention,
Harlow caught Hilfiger’s eye through her vocal The original sketches from
outreach and passion on celebrating individuality Hilfiger on the creation of the
collection.
and positive body image. A prominent public
speaker with a highly followed TEDx Talk on
perceptions of beauty, Harlow embodies Hilfiger’s
vision on breaking conventions and stereotypes.
“My mom is a huge inspiration to me. Growing up,
she always encouraged me to chase my dreams and
never stopped believing in me,” Harlow says. “I’ve
always believed in the power of embracing who you
are, so I am proud to partner with an incredible
designer who truly shares this spirit”.
PHOTOS COURTESY OF TOMMY HILFIGER

27
WANDERLUST

Seven Wonders
The Aeolian archipelago off the Sicilian coast
is notoriously difficult to reach, but the seven
islands charm those who do.
By Debrina Aliyah

FOR THE AVERAGE VISITOR, IT TAKES A FLIGHT, a scenic


two-hour drive, and an hour or so on the hydrofoil to get to
these islands. The actual journey of course includes hours of
waiting in between connections, accident-prone highways
and a dash of southern Italian laid-back vibes that could
prolong the entire process altogether. It is no wonder then
that the Aeolian Islands, though magical with abreathtakingly
gorgeous landscape, has stayed under-the-radar away from Boat trips offer a chance
the throngs of tourists heading to Sicily every summer. But as to see geographical
formations around the
you are about to surrender to traveling fatigue, gratification islands.
and awe hit you the moment you step off the hydrofoil onto
shore.
STAY
The locals speak of a folklore that the seven volcanic
islands that make up the Aeolian archipelago are demigod
Therasia Resort Sea & Spa A stylish
sisters descended from the mythical figure, Gea. The beauty
luxury resort sprawled over the Capofaro An establishment on Salina
of the sisters manifests in the geographical landscapes of the
rugged cliffs of Vulcano island with its island with a narrative that is tied to the
islands formed by years of volcanic activity. Rugged, steep
own private spa and a one-star history of the locality, from the fertile
cliffs with vegetation of agaves and prickly pears, jagged
PHOTO COURTESY OF TWENTY30FORTY

Michelin restaurant, Il Cappero. The grape-growing land to the nineteenth-


coasts from cracks and hardened lava formations, black
property adopts an eco-design century lighthouse. Run by the Tasca
sandy beaches and hot springs give character to the seven
philosophy by adapting common d’Almerita family, rooms are available
islands of Panarea, Stromboli, Lipari, Salina, Vulcano, Alicudi
spaces into the natural landscape – both in the main building and within the
and Filicudi.
the cascading sun decks offer an lighthouse itself. Guests can immerse in
Cluttered around the north-east sea of Sicily, the islands
exceptional view as you make your the island life by trying their hands at
enjoy clear blue waters and splendid weather all-year long.
way down the cliff to the water. Most working in the vineyard or visiting the
Set up base in any of the larger islands of Lipari, Salina or
rooms boast a private sun terrace. in-house Marina and Malvasia
Vulcano and hop on and off boats to explore the rest.
Micromuseum. www.capofaro.it
37

www.therasiaresort.it
WANDERLUST
PLACES QATAR

Raya Hotel A rustic retreat on the seafood so fresh that they are best
38 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

island of Panarea with natural forming served raw, which is the signature
pools irrigated by hyperthermal and antipasti dish on the menu. It is best to
hypotonic waters of volcanic origins. Its have a chat with the staff and let them CLOCKWISE FROM
holistic wellness approach extends to tell you the catch of the day and how TOP : Lipari is one

the signature restaurant where only grandma in the kitchen wants to cook it. of the busier
islands among the
organic local produce is used. Alternatively, give the one item that has seven,Traditional
www.hotelraya.it been on the menu since the restaurant Sicilian sweets for
opened decades ago a try, the Roast breakfast.

Chicken. Via Cardo, Vulcano. +39


EAT
0909853034.

Il Diavolo dei Polli Its name literally


meaning“The Devil of Chickens” belies Trattoria Cucinotta This cozy little
the main offering of the kitchen: trattoria occupies a traditional white-
washed rock house overlooking the waters of
Salina island. Traditional Sicilian fare is the focus
here with lots of hearty appetizers and seafood-
based pastas. Be sure to try the stuffed sardines
– a local favorite. Via Risorgimento 66, Salina.
+39 090 984 3475.

Ristorante La Sirena Charming and most


definitely off the beaten track, this is probably
the only place to get a decent bite on the island The Aeolian
of Filicudi. It makes for a good excuse to do a Regional
quick pit stop to visit one of the smallest and archaelogical
museum on Lipari is
furthest Aeolian islands. Fresh seafood and housed in an old
simple cooking for a fuss-free dining experience. castle on a cliff, The
Località Pecorini, Filicudi, +39 090 988 9997. island is covered in
vegetation of
agaves and prickly
EXPLORE pears.

Boat Trips Sail the days away on island-hopping


tours and soak in the sights of little grottos, bays
and caves that are unique to these volcanic
landscapes. The crystal-clear water is also
perfect for both snorkelling and diving – most
boat trips are tailored for individual preferences.
A highly recommended must-do is the night boat
trip that takes you out to the still-active crater on
Stromboli where the volcanic eruptions create a
spectacle of red fireworks against the pitch dark
sky. www.dimensionesicilia.com
PHOTO COURTESY OF TWENTY30FORTY

39
WANDERLUST
PLACES QATAR
40 T QATAR: THE NEW YORK TIMES STYLE MAGAZINE

The cascading cliffs


of Therasia Resort
Sea & Spa.

Hiking Dormant craters, cones and ranges hike, take a gradual climb up Fossa di and black sandy beaches. Immerse in the
PHOTO COURTESY OF TWENTY30FORTY

make the perfect setting for hikers of all Vulcano that will take you about two to three mud baths for its purifying properties but
levels to admire the views and sceneries hours. www.ilvulcanoapiedi.it be sure to take precautions against the
across all the islands. For sweeping views of sulphur stink afterward. Fanghi di
Malvesian vineyards and the surrounding Mud Baths Apart from Stromboli, Vulcano, Via Riccardo Conti 20.
seascape, climb Salina’s highest peak, Vulcano is the only other island with active
Fossa delle Felci, that takes you volcanic activity though on a more mellow
mountainside through green forestry right scale. The constantly smouldering
up to the peak. For a more amateur- friendly volcano gives rise to bubbling fumaroles

S-ar putea să vă placă și