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1. For many people today, the word “singularity” serves as a synonym for
“individuality”. And although the two terms are historically intertwined, and perhaps
inseparable from one another, their usage, in both non-‐technical language and
scientiFic discourse, separates them signiFicantly. Whereas the individual, if taken
literally, suggests indivisibility, and thus a certain elementary self-‐identity, what is
“singular” is not just unique – that is, separate and different – but also odd. What is
“singular” does not just stand out: it does not .it in, and in this it recalls the kind of
experience that Kant in his Critique of the Power to Judge associated with “reFlective
judgment”, provoked by the encounter with phenomena that cannot be
– whether as an aesthetic judgment of beauty or of the sublime – therefore for Kant
can have no conceptual content, and in a traditional sense therefore is not a
judgment at all. I will note, in passing – we can come back to this perhaps in the
discussion – that this so-‐called “reFlective judgment” marks a point where traditional
cognitive judgments begin to move toward what later will be called “decisions”,
which entail, for Kant at least, not so much cognitions as communicable feelings of
pleasure and pain. In the case of aesthetic judgments of taste, however, such feelings
are held to be communicable, although they can never be directly communicated or
shared in any actual, present moment. They are, as Kant puts it, mitteilbar, impart-‐
able.
2. Following in this Kantian tradition, but also radicalizing it, Walter Benjamin from his
earliest writings on – i.e. from his Program of the Coming Philosophy – emphasized
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the need to rethink the notion of experience (Erfahrung) by no longer simply
equating it with cognition of general, timeless objects, but rather emphasizing its
temporal and singular dimension. In German the word for “singular” – Einzeln – can
in no way be confused with that for individual, Individuum. If the singular must be
construed as “that which does not Fit in” – as the “odd” – it stands in a necessary
relation to that into which it does not “Fit”. In short, what is “singular” can only
conceived or experienced as an event that quite literally comes out (e-‐venire) of that
which it exceeds. In this respect, the singular event – the event as singular – is, in
contrast to the in-‐dividual, eminently divisible. It can only be acceded to through a
process that seems to be its direct contradiction: a process of repetition. But it is a
repetition that is composed not just of similarity, but of irreducible difference.
3. For the Benjamin of the Origin of the German Mourning Play, singularity so
understood is at the origin of history. From his “Epistemo-‐critical Introduction”:
“Origin … an entirely historical category … is accessible only to a dual insight. It
needs to be recognized as a process of restoration and reestablishment on the one
hand, and on the other, and precisely because of this, as something imperfect and
incomplete. … The principles of philosophical reFlection are recorded in the dialectic
that is inherent in origin. This dialectic shows singularity and repetition to be
conditioned by one another in all essentials.” (45-‐46) Singularity, then, emerges only
through a process of repetition that seeks a certain restoration or reproduction, but
cannot attain it. This implies that singularity can only be experienced negatively, as a
form of resistance or of loss – but also as one of anticipation and hope.
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4. A performative instance of this “dialectic” – that might better be called an “antinomy”
or an “aporia”: the title of the book by Pascale Quignard and of the Film directed by
Alain Corneau: “Tous les matins du monde” (in English: “All the mornings in the
world”). The title, for those who have neither read the book nor seen the Film, would
probably suggest a certain form of generalization: all the mornings in the world have
certain characteristics, which once and for all deFine their essence as mornings. In
view of this expectation, the rest of the phrase, from which the title is taken, may
come as a surprise: “Tous les matins du monde sont sans retour”: “All the mornings
in the world never return.” What all the mornings in the world have in common is
that they can never return identically. In short, what they all share is their respective
differences. In the book and Film, this phrase immediately follows, and comments,
the suicide of a young woman: the singular mornings she spent with her father, sister
and lover, will never return. It is this that is asserted of all the mornings in the world.
And yet their uniqueness is only determined negatively: all the mornings “in the
world” will never return – not at least in this world. And this non-‐returnability of all
the world’s mornings reFlects a similar characteristic of the living beings that
populate those mornings. All the mornings in the world are as unique and as Finite as
the lives of those beings. They are all unrepeatable – but as such tied negatively to
5. I turn now to another mourning – one that does “come again,” albeit not identically. It
is the “mourning” (spelled with a “u”) that can translate the title of Walter Benjamin’s
study, “The Origin of the German Mourning Play”. It is this relation between
singularity, repetition and “the living” – a phrase that Benjamin often prefers to use
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in place of the more familiar noun, “Life” – (it is this relation) that Benjamin places at
the historical origin of the German mourning play. Whereas many discussions of
singularity, in philosophy and in science, tend to treat it almost as a logical Figure, the
great merit of Benjamin’s study of the German baroque theater is that its singular
origin is resolutely historicized. It is not simply treated as a universal, but rather tied
to an enormous but still temporally and spatially limited historical phenomenon: the
emergence of the Protestant Reformation, and in particular its Lutheran version,
which in turn calls forth a Counter-‐Reformation that Benjamin insists cannot be
limited to any one religious group, such as Catholicism. Western modernity,
acknowledges the challenge of the Reformation to universal authority, but only in
order to defuse and absorb it. I want to suggest that Carl Schmitt’s theory of political
sovereignty can stand as an exemplary modern product of this restorative, counter-‐
reformational striving. Not for nothing does Schmitt conclude the First chapter of his
for having insisted on the importance of the exception. Schmitt seeks to give a
concrete deFinition of political sovereignty by linking it to the constitutional
possibility of some one or some instance “deciding on the state of exception.”
Political sovereignty consists in the power to take exception to positive law by
rooting it not just in an exceptional situation, but in what in German he describes as
an Ausnahmezustand – a state of exception. Exceptionality is thus preserved but also
transformed into the basis of juridical and political order, in the spirit of the Counter-‐
Reformation. The rule of the general over the particular is thus to be secured through
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the decisive intervention of an exceptional individual or individual instance – the
executive – in “deciding” that the exception is in fact a state of exception.
6. In other words, for Schmitt the singularity of the exception is valid only insofar as it
can be subsumed under and identiFied with the self-‐identity of a sovereign
individual. This is surely why in 1934, following Hitler’s public justiFication of the
massacre of Ernst Rohm and the leading Figures in the SA, Schmitt had no problem
legitimating the National Socialist Führerprinzip in his famous or rather infamous
article, Der Führer schützt das Recht. Citing Hitler’s pronouncement, that „in this hour
I was responsible for the destiny of the German nation and hence the German
people’s supreme judge (oberster Gerichtsherr), Schmitt goes on to conclude that “the
true Leader is always also a Judge. From the Leader derives the Judge.”
In short, the exceptional Leader is the source of all general and universally binding
laws, which derive precisely from his exceptionality. But in this notion of
exceptionality, the heterogeneity of the singular disappears behind the self-‐identity
of the individual. It is not for nothing that Schmitt calls this book in which he unfolds
this conception of sovereignty Political Theology. However, he might have added a
further qualiFication: not just political theology, but political mono-theology. For no
doubt the original and most powerful paradigm of such a notion of Exceptional
Sovereignty is to be found in the book of Genesis, which recounts how a single and
yet universal Deity is at the origin of the world itself, and in particular, of all worldly
life. In this mono-‐theological deity can be found I want to argue the paradigm of what
until today is the dominant form in which identity is construed. I therefore will call it
the mono-theological identity paradigm. It is this paradigm that both responds to and
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seeks to absorb the heterogeneous existence of singular living beings – which is to
say, of beings whose lives are constitutively delimited by alterity and mortality.
That the notion of a divine and immortal Creator-‐God in the Book of Genesis is
designed to support the notion of a Life that would be eternal and unbounded is
evident. Death only arrives as a result of the transgression of Adam and Eve, who in
eating of the apple of the tree of the knowledge and good and evil defy the
prohibition that has been clearly pronounced by God. But what has been less noticed,
and what is equally important, is how such prelapsarian life is in fact created. God
does not create individuals as such, but only individuals as representative of a
species. Or, as the King James Bible puts it, “after their kind”. This phrase, which can
be found 17 times in Genesis, intervenes only where living beings are created. But in
Genesis, all such beings are only created “after their kind” – since it is the “kind”
alone that can survive the Finitude of the individual living creature. Only in the case
of man is this not explicit. But it is, of course, stated in the name given to man,
“Adam,” “man”. So Adam is not just an individual but also a human, indeed the name
of “the human”. But despite this generality, Adam – man – suffers from solitude;
eternity is not enough, something else is required, something like society. And so
“Eve” is created, be it out of the earth or from Adam’s rib. However that may be,
gendering splits the genre “man,” making it eminently divisible. It is signiFicant no
doubt that the Hebrew word for Eve, Hawwah or Khavah, signiFies “the living one” or
the “source of life”. If however the source of life is this “living one” – i.e. singular
living beings – then the life it engenders will be very different from that found in the
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Garden of Eden, since its source is not the Eternal Life of an individuated Supreme
Being.
But this is not the story Genesis wants to tell. For if man is said to have been created
“in the image of God” –the God that created him is individuated, but emphatically not
mortal, nor is His life dependent on anything beyond his own being. When in Exodus
3:13 Moses asked God to tell him His name, so that he can convey it to “the sons of
Israel,” God responds, “I AM WHO I AM” and adds, “Thus you shall say to the sons of
Israel, “I AM has sent me to you.” Hebrew specialists have suggested that a better
rendition of this name of God would be “I AM WHO I WILL BE”, thus asserting the
When it is said, then, that Man has been created “in the image of God” and in his
“likeness”, this underscores both the power of the mono-‐theological identity
paradigm, but also its self-‐destructive tendencies. When humans seek to band
together to build the Tower of Babel, at a time when “the whole earth was of one
language and of one speech”, they are following the call of this identity paradigm,
which informs the notion of the proximity of the human to the divine. But as in the
Lacanian mirror-‐phase, which can be read as a psychoanalytic commentary on this
identity paradigm, identiFication with the imaginary Other, as the One and Universal,
can only be aspired to, but never permitted. It is already at the source of the Fall, so
that human desire to transcend the anxieties associated with Finitude is represented
as the very cause of mortality itself. But in the postlapsarian world, it is also at the
source of society, which is born in the violence of fratricide as a response to the
unattainability of the divine. After having killed his brother, Abel, whose blood
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sacriFice has been accepted by God, while his own “vegan” offering has been
rejected,– Cain begs God to put an end to his life. But as with Adam and Eve, God
commutes their death sentence to life imprisonment. However, the “imprisonment”
of Cain is marked by the founding of the First cities, societies and technologies: and
indeed, the First city is named after Cain’s son, Enoch. And his descendants are said to
be at the origin of cattle-‐raisers and nomads, musicians and metal workers. But this
line is also marked by the continuation of lethal violence, in the Figure of Lamech.
7. In short, what will later be known as Individualism has a much longer history that is
often assumed. Since my time here is limited, I will just point out two further stages
in what I would call the history of the mono-‐theological identity paradigm. With the
emergence of Christianity, a highly successful attempt is made to bridge the gap
between I AM – or rather, the gap in a notion of the First Person Singular as
simultaneously One and Universal, One and Forever, One and Independent, through
the notion of the incarnation of the I AM not just in a human being, but in the
biological life-‐process itself. In place of the Alliance of a Universal and Exclusive God
with a non-‐Universal limited People or Tribe, the attempt is now staged to redeem
Humanity in General from the punishment of mortality afFlicting it in the form of its
guilty, sinful individuals. Just as God is individuated, so man is now construed to be
both individual and divine – potentially divine at least, since the guilt that removes
him from his Divine Creator can now be seen to be the sacriFicial pathway to the
Universality of Eternal Life, of Resurrection and Redemption, affecting the individual
person. Eternal Life is now linked more clearly than before with individual self-‐
consciousness (although this was already implicit in God’s use of the First person
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pronoun, I, in naming himself). Thus emerges the idea of Christian Humanism as
exempliFied in the Figure of the individual living person. “Man” in the First person
singular is once again employed as the name of the Species. The collective and
general is now modeled after the Individual, just as the Individual was originally
construed on the model of an Individuated (but universal) God. This link between
the Human and the Divine as both individuated is then both exacerbated and
undermined with the advent of the Reformation, especially in its Lutheran form,
which rejects any phenomenal connection of Good Works and Grace in favor of “faith
alone”, which is located in the deepest depths of the individual, in his or her “heart”
rather than “head”. It is this crisis of Christian Heilsgeschichte that Benjamin takes to
be the origin of Western modernism (although he never says this in so many words).
8. Since I have no time to develop this any further, let me close by referring to a poet
and thinker who is fully aware of this crisis and who searches for an alternative – not
just to the loss of Grace, but to the destructive effects of what I am calling the mono-‐
theological identity paradigm. Interestingly enough, it is in his Remarks on
Sophocles’ Antigone, a tragedy that is precisely not part of the mono-‐theological
universe, that Hölderlin glimpses both the same problem, but also a possible
alternative response to it. Although he develops the problem with respect to Greek
tragedy, Hölderlin is aware that his translation and interpretation of these tragedies
cannot be separated from their relation to his contemporary situation. The problem
he therefore describes as the point of departure of Greek tragedy is that of humans
seeking to become one with God, and that as a result the tragedy demonstrates how
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Oedipus, Schmidt, 735-‐36). Such striving to abolish all limits – Finitude – results in
precisely what it is seeking to escape, namely a death-‐drive. Hölderlin justiFies his
translating the proper name of the god, Zeus, by “father of time” or “father of
earth,” (Schmidt, 786), “because his character is pitted against the eternal tendency,
to strive out of this world into the other and to turn it into a striving out of an other
world into this one.” In this sense – and I have to resume brutally here -‐-‐ Hölderlin
can conclude his extremely elliptical Remarks on Antigone by noting that “the form
of reason that here constructs itself tragically, is political, and namely republican.”
Hölderlin, writing at a time and in a place where Republican ideas were sufFicient
cost one one’s liberty and even one’s life, that Sophocles was “right” for his time and
his fatherland, but that we must equally respect the traditions of our time and
For
us
such
a
form
is
still
useful,
because
the
in3inite,
the
Spirit
of
Nations
and
of
the
world,
in
any
event
can
only
be
grasped
as
from
a
point
of
view
that
is
skewed
and
askance.
Hölderlin’s German here, that I am struggling to render into English, is actually more
complex and more concrete than my previous translation can suggest: in German he speaks
of a point of view that is “linkisch”: literally “leftish,” but more commonly, “clumsy”. In
English therefore we might say “gauche”. To acknowledge that which surpasses the Finite in
the Spirit of Nations and of the World, from a point of view that also seeks to respect its
Finite limitations – its singularity – can only point toward a politics that takes the risk of
being adroitly gauche; in German one might say, mobilizing a word that plays a decisive role
in Hölderlin’s prose and his poetry, geschickt linkisch. In other words, this would be a
politics without sovereignty, but that nevertheless takes responsibility for decisions that do
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not seek to bring exceptionality to a halt as a “state” of exception – or as an unending War
Against Terror.
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