Concert Kavyesh Kaviraj

Sojourn
FORM- INTRO, A, B, INTRO, A, SOLOS, A, CODA

A  maj7 D maj7#11 E add13 A  maj7 D maj7#11 E add13


INTRO

 
                           
F m11no3 F m11no3

 
 
A

                     
Alto Sax
  
2nd repeat- creep in with improvisation


4

              
                         
A  maj7 D maj7#11 E add13 A  maj7 D maj7#11 E add13
   
F m11no3 F m11no3

          
Tenor Sax 
4
2nd repeat- creep in with improvisation

  
      
  
                 
Trumpet in B   
                  
   
     
4


A  maj7 D maj7#11 E add13 A  maj7 D maj7#11 E add13
                                     

F m11no3 F m11no3

                  
 
   
                      
            4

F m11no3 A  maj7 D maj7#11 E add13 F m11no3 A  maj7 D maj7#11 E add13

             
 

           

                        
   
           

No repeat on Out Head!

To Coda

                    
4

               
9

       
 
A. Sx.


                                  
       
   
T. Sx.
4


                           
                
9

B  Tpt.  
4


                           
                
9

 
A  maj7 D maj7#11 E add13 A  maj7 D maj7#11 E add13
4
F m11no3 F m11no3
  
               

©2018
 2 Sojourn

 
B

                    
A. Sx.
                   
 
         


                   
T. Sx.          

  
           
13

B  Tpt.                          
 
 
             
        
piano in octaves + guitar

  
                  
                   
13

     
    
    
     
E  7#9(#11)
D sus2/F B  m13 D maj7#11 D  m(maj7) A  7b9(13)
  F/D 
A m7 D 9sus G m9 D 7#9(#11)
G/E  F/D  D /A A /E
                      
E m(maj7)

      
A/C

   
 

 
C D
SOLOS

             

 

   
          
   
 

A. Sx.

F m11no3 A  maj7 D maj7#11 E add13 F m11no3 A  maj7 D maj7#11 E add13 E maj7(#11) E min11 D maj7(#11) D min11

       

T. Sx.
        

                  
22

B  Tpt.
section 2
E min11 D min11
section 1

       
22 E maj7(#11) D maj7(#11) x3
                            

F m11no3 A  maj7 D maj7#11 E add13 F m11no3 A  maj7 D maj7#11 E add13

       on cue              
 Sojourn 3


Back to [C] for more solos D.C. al Coda
     
          
30

        
     
A. Sx.


     
    


    
T. Sx.        

                 
30

B  Tpt.         
 

 
            
30

                    
       

F  m11 C 7sus4add3

E maj7(#11) E  m9

     
        
B 9sus

                    
 

               
E

           
A. Sx.
                       


                 
              
T. Sx.
 
              


                    
36

B  Tpt.               


         
piano in octaves + guitar

            
                    
36

D sus2/F B  m13 D maj7#11 D  m(maj7) F sus2/A

4

  D  m11 A  m11 D  m7
A m7 D 9sus

 
E maj7 C 7#9 F m11 E mMaj7 A 9sus

                          
   
 
 4 Sojourn

      

   
44

        
A. Sx.
  

         

    
T. Sx.
    


          
           
      
44

B  Tpt. 

  
           
       
44

        
 
D  m9 F  m11
A  m/G  F 7#11 E maj7 G add2 A  m9 C 7#9

   
                 

Improvise around each other- let diatonic hell break loose! fade till only bass and piano L.H.


       
48

A. Sx. 

   
T. Sx.    

    
    
48

B  Tpt.

B 9sus

 
repeat and fade

  
48

    
 
 
      
     