Documente Academic
Documente Profesional
Documente Cultură
.
Gorak:sanatha
Editors
Dr. M. L. Gharote Dr. G.K. Pai
2016
The Lonavla Yoga Institute (India)
Lonavla
First Edition, 2005.
Second Impression, 2010.
Third Impression, 2016.
Printed by :
XL Images,
S.No.411/1 , PlotNo.11,
Jc. Satish Agarwal Path, Dapodi,
Pune - 411 012,
(INDIA).
Published by :
Dr. Manmath M. Gharote
' (India),
The Lonavla Yoga Institute
B-17, Rachana Gardens,
Bhangarwadi, Lonavla,
Pune.
INDIA- 410 401.
•
©ecficated
witIi
profound respect
to
Sitftmi 1(uvafayananda
Editors
Dr. M. L. Gharote
&
Dr. G. K . Pai
Contents
<Pu6{islier's Note
(Secontf Impression)
Great works of Natha Siddhas who reigned the spiritual kingdom
of Indian subcontinent about one thousand years ago have left deep
impressions in the psyche of the denizens of this region. It stands as
testimony to their immortal works on Hathayoga which are firmly founded
on profound philosophical ideals meticulously integrated with spiritual
exercises. From around 11th century till date teachings of Natha Siddha
Yogis are beckoning the bewildered humanity.
Blow of time would have put these teachings into oblivion, had
their ideals not been grounded firmly on sound reasoning, logic, deep
insight and experience.
Siddba-siddhinta-paddhati is perhaps the only work which
exclusively deals in the philosophical stand-point of the Natha Yogis. An
exposure to this rare wisdom equips one with extraordinary confidence
and self-reliance.
The first critical edition of Siddha-siddhanta-paddhati has
been well received by the students of Yoga. The content of this work
obviously is a demanding one since it is an indepth enquiry. Now we ~e
ready with its Second Impression . We hope that the votaries of Y oga will
derive suitable benefits from this work.
May the Siddba Yogis bless The Lonavla Yoga Institute (India) to
successfully carry out their task!
__ Dr. Manmath M . Gharote
tPu6fisfier's !NOte
('Tfii'rti repnnt)
Many critiques intensely criticize Yoga system on the basis tha t it is ~ot
worth the while to spend away valuable time in delving into somethmg
which is physical and therefore impermanent. Life is invaluable. There-
fo~~· .it s~ould be spent in searching and finding out the eternal. Such
cnttcism is not substantiated by right information and know ledge · Yoga
system does not ignore the grossQ. neither does it undervalue the transc.en-
dental. Yoga flourishes on the solid bedrock of a balanced worldview
back~d by.a great ph~osophical discourse. This aspect of Yoga i.s finely
descnbed Ill the present text. There is remarkable substance in this book.
~eople are convinced that Yoga is not mere physical gimmicks. The ~ri
tiq~es cannot be blamed. Classical texts of Yoga had not been accessible
to mtere~ted people because these texts, saving just a few , h ad bee n in
manuscnpt form and therefore did not see the light of the day till t~e
recent year~ . The Lonavla Yoga Institute (India) has been working consis-
tently to bnng out the rare and unpublished traditional texts for generat-
ing true interest in the readers in addition to preserving this valuable
heritage of India.
This humble effort has been successful. This is evident from the fact that
we are flooded with steady demand for these books from all over the
globe.
We are happy to bring out the third reprint of the present book named
Siddha Siddhanta Paddhati. _
We are grateful to Peter Greis and Rosemarie Stein from Germany
for offering financial assistance for the printing of the present text.
May Yoga enrich human life with subtle knowledge .... !!!
-- Dr. Manmath Manohar Gharote
- -- ~---- -- - -- - - -
(iii)
}f.66reviation
AP- Amaraughaprabodha
GhS- Gherai::ic;Ia sarµhita
GP- Gorak~apaddhati
GS-- Gorak~asataka
HP - Harhapradipika ( 10 chapters), Lonavla Yoga Institute
(India)
HR - Hatharatnavali
HSC- Hathasatiketacandrika(ms.)
Ms.- Manuscript
PYS- Patafijala Yogasutra
SCN- ~a~cakraniriipai::ia
SS- ~a!lcarmasa1pgraha
SSP- Siddhasiddhantapaddhati
YB- Yuktabhavadeva by Bhavadeva Mishra
YM - Yogamartai::ic;la
Y.M.- Yogam1m3.Ipsa
(iv)
Dipthongs-
~ e ,, a ,, fate
~ ai ,, at ,, aisle (but not
drawled out)
.3fl 0 ,, 0 over
ilt au "
" OU ,, ounce
but not
drawled out)
Gutturals-
ifi' k k
" ,, kill
'G' kb kh
Tf " ,, ink-horn
g g
" ,, girl
tT gh gh
" longhouse
~ n
" n ,," king or ink
Palatals-
c
~' " ca ,, church
'IJ ch like the sound in Churchill
"
iTT J j m
" JOIIl
lT jh ,, palatal 'z' in azure
~T fi n m pinc h
"
Cerebrals-
?' ~ t ,, tub
"
(v)
0 th th pot-house
g " "
c;i ,, db ,, dog
{; c_ih ,, db ,, mad-house
UT r:i ,, n splinter or and
"
Dentals--
0 t ,, dental 't' as in ' thin' or like the French 'T'
tT th th in thunder
"
~ d th then
" "
t.T db ,, th ,, this
;.y n ,, n no
"
Labials--
q p p paw
" "
'qj ph ph ,, top-heavy or
"
gh in long
'IT b b balm
" "
\'..T bh ,, bh hob-house
~T m
"
m ,, mat
"
Semi-vowels-
'l.T y y yawn
" "
~ r r rub
" "
\i'T 1 1 ,, lo
"
~T v w ,, wane
"
Spirants--
~T s "
r sh ashes
~T
~ a strong lingual with rounded lips
"
H s ,, s sun
"
Aspirate--
;;, om like 0 in home
'S' h ,, h h hum
nasalised it, as in ~
(saipyama) -qi
visarga- - - - - - - - - - - - -I:i
***
Introduction
Siddha-siddhanta-paddhati (SSP) of Gorak~anatha is the
most important treatise of the nathayogis. It deals with topics
such as the philosophy of the nathayogis, the nature of the
Absolute, the cosmology according to the natha system of thought
and the characteristics of an av_adhiltayogi. It caters to the palate
of the advanced strata of the yogis and appeals to a mature
intellect.
The text of SSP has been printed several times . Yet, no
English translation of the same has come to our notice so far.
The present effort is to fulfill this long felt need for the sake of
scholars and practitioners of yoga alike.
We have utilized five manuscripts and four printed tex~s
to arrive at proper readings of the text, though we have accepted
the ~uscript J 1 which was the most legible among them as the
basis. All the texts are in general agreement with regard to the
extent of the work and its division into six chapters.
Texts consulted :
Manuscripts-
J1 -. Ms No 7773 Fol 26. Paper. Script Devanagari.
Source: RaJasthan Oriental Research Institute, Jodhpur.
I2 -~s No. 16605. Fol. 24. Paper. Script Devanagari.
Source: RaJasthan Oriental Research Institute, Jodhpur. (Listed
as- avadhiitayogi-la/c§aIJam).
B1 .-Ms No: 5663 . Fol. 26. Paper Script D e vanagari.
Source: Onental Institute, Barodara.
B2 - Ms. No.8449 .Fol. 77. Paper Script Devanagari.
Source: Oriental Institute, Barodara.
W -L. No. 6/4/ 399. fol.19 . Paper Script Devanaragri.
Source: Prajna Pathasala, Wai (Maharasthra).
We have also consulted the manuscript of Chambers (ch-
674), Germany, titled as Pii;u;Javiclira Siddhantap addhati. This
manuscript contains only the second chapter of Siddha-siddhiinta-
paddhati with some variant readings. The colophon of this
manuscript reads - iti parvatiputra-srinemanatha-siddha-
(vii)
Printed Texts -
P 1 -Siddha-siddhanta-paddhati and other works of the
natha yogis by Smt. Kalyani Mallik, M .A; B.T; Ph.D. Pub.
Poona Oriental Book House. First Impression- Poona 1954.
P 2 -Siddh asiddhanta-paddhati with Skt. Commentary
of Pt. Dravyes h Jha Shastri and bh fi$8 flkli of Pt. Yogi
Brahmanathji. Pub . Boharadhipati Yogindra Sri 108 Sri
Pumanathji . Y ogasram Sanskrit College, Mayapur, Haridwar.
Vi. Sam. 1996.
P3 -Siddhasiddhanta-paddhatiEds. Mahadev Damodar
Bhat and Sakharam Raghunath Agharkar. Pub. Joshi Brothers,
Pune - 2. 1979.
P 4 - Siddhasiddhanta-paddhati with Nlithanirvana- .
vyakhya. Ed. Kadava Sambhusanna. Tr. by Yogi Naraharinatha
Sastri. Gorakshagranthamala No. 84. Pub. Pir Chandranatha
Yogi. Raja Yogisvaramath. Vittal. S.K. (Mysore state).
The Sailslqta Commentaries of Kadava Shambhusharma
and Dravyesh Jha have been quite useful in the proper
understanding of the argument on the abstruse tenets of the natha
philosophy contained in the te xt. 'The philosophy of
Gorak~ anatha ' by Akshay Kumar Banerjee is another work
which we have leaned heavily upon in the preparation of English
translation and Introduction to the text. Other titles which we
have referred to are mentioned in the Bibliography.
We are grateful to the Raj asthan Oriental Research
Institute, Jodhpur, Oriental Institute, Barodara and the Prajna
Pathasala, Wai (Maharastra) for supplying us the copies of their
valuable manuscripts mentioned above.
Introduction
(who worked under Jaitrapal ofBira in 1207) had his mind tuned
to religion by guru Gorak$anatha (Bhave, Maharastra Sarasvat,
vol. I, p.30).
Depending upon the literary reference to Gorak$anatha
in the Jiiiinesvari, Briggs places Gorak$anatha as early as 1100
AD. According to Bhave it is 10th or 11th century AD.
Another cycle of legends, relating to Gopicand, Rani
Pingala and Bhartrhari
. ' which is current in East Bengal, western
India and Punjab also points to the same date for Gorak$anatha.
Prof. Prabodha Chandra Bagchi dates Matsyendrana~a
to 10th century AD on the basis of Tibetan tradition which
identifies him with ~uipa. The lineage of spiritual teachers
available from Tibetan sources lists Matsyendranatha as
contemporary to Tilopa. Tilopa was contemporary to king
Mahipal of Bengal who ruled from 978 to 103 8 AD· Hence
Matsyendranatha must have flourished in the beginning of 10th
century (Bagchi, Kaulajiiananin:iaya, Introduction, p.28,
Matsyendra Samhita, Part I, ed. Devavrata Sensharma, Pub.
Asiati~ Society, Calcutta, 1994, Introduction pp .21-22) · Pro~
B~gchi seeks corroboration of his hypothesis from the varpsaval!
(lineage) of Caula kings where the name of Siddha Carpap,
cont~mpor~ of Matsyendra occurs. Carpati. was con tern porary
to king Sahlla who lived in the 10th ce~tury AD. Bagchi
concludes that Luipa Matsyendranatha must have flourished in
the first half of the 1Qth century AD as he was contemporary to
Siddha-nagarjuna and Carpaµ, both living in the beginning of
10th century (KaulajiiananirQaya, Introduction, p .32 of Devavrata
Sensbarma, op. cit.).
From the above data it can be concluded that
Gorak$aniitha, the disciple of Matsyendranlitha must have
flourished not later than 11th AD
Works of Gorak$aniitha
There is a considerable literary output ascribed to
Gorak$aniitha. Hajari Prasad Dvivedi (Natha Sampradaya, p.98)
(xi)
Goralqapaddhati (GP)
GP is a work in Sarp.slqta and of200 verses in extent. It
was published by the Laxmi Venkateshvar Press, Bombay in
Saka 1855 and was utilized by Briggs in his study "Gorak~anath
and the Kanphata Yogis" ( 1938) cf. p .257 . Briggs came to the
conclusion that the first hundred verses of GP formed the
Gorak$a§ataka whereas the second series consisting of the
remaining one hundred verses being a secondary or
supplementary document. Pandit Hajari Prasad Dvivedi taking
his cue from Briggs also states that the first hundred verses of
GP form the GS. Swami Kuvalayananda and Dr. S . A. Shukla
after having consulted and studied many manuscripts collected
from different parts of India bought out the critical edition of
Gorak$a§ataka published by the Kaivalyadhama SMYM Samiti,
Lonavla in 1958. They found that all the manuscripts they studied
contained the following verse which is numbered 7 of the first
hundred group of verses:
~ q~'{tqg q~~ tn"{UT1' I
ttiR ~offer m11i~ ~ ~ 11
(The six aspects of yoga are asana, praIJayama,
pratyahara, dhara~1a, dhyana and samadhl).
As the subject-matter defined in the verse is spread over
the two hundred verses of the GP, they have rightly come to the
conclusion that there is absolutely no justification in splitting up
Introduction
the text into two. Further, as the first hundred treats only a smaller
aspect of the subject and the major part consisting prfu}iiyiima,
pratyahara, dharai;ia, dhyiina and samiidhi, is dealt with in the
second hundred, the first hundred does not constitute the original
text of GS. Briggs himself did not take pains to ascertain whether
the first half which he calls Goraksasataka treats all the six topics
mentioned in the enunciating v~rse. Thus the text which he
printed under the title Gorak~asataka (Briggs pp. 284-304) does
not constitute the real Goraksasakata.
By a careful selecti~n of the verses that deal with the
topics mentioned in the enunciating verse of the GP, Swami
Kuvalayananda and S .A. Shukla ascertained the probable
original text of GS comprised of only one hundred vers~s.
Fortunately for them, they could identify one manuscript
(Sarpslqtams.Keith5765-I-0.1664B Goraksasataka) from the
India Office Ms. Library, London 'which ·corroborated the
constituted text as the original Goraksa§ataka of only one hundred
verses and also dealing with the six ~gas of yoga. As a corollary
they have also rightly concluded that the GP is nothing but an
inflation of the original Gorak~asatakam.
Apart from the subject matter related to the six fold yoga
of ?orak$a8ataka, the Gorak$apaddhati deals with important
topics concerning yoga such as- (') t vayus and their
. (") i en
1oca~10ns, u ~e aj~pii gliyatri and its importance, (iii) kw:u;l~
and its awakerung, (1v) mahlimudra and khecari mudrii with thetr
results, (v) concept of bindu and sukra, (vi) results of m[i}abandha,
(vii) na<jisodhana, (viii) quantitative definition of dhiiraJJ.ii, dhyana
and samadhi, (ix) results of performing praniiyama, (x) concept
of pratylihiira quite different from the c~ncept presented in
Gorak~asataka. These topics constitute important material for
yoga studies.
Gorak~a§ataka (GS)
A critical edition of Goraksasa taka by Swami
Kuvalayananda and S. A. Shukla ha~ been published by
(xiii)
Yogamartal).<)a (YM)
The entire text of Gorak!Japaddhati has also been printed
under the title Yogamartal)<;ia in the 'Siddha-siddhanta-paddhati
and other works of Natha Yogis' by Smt Kalyani Mallik, pub.
Poona Oriental Book House, Poona, 1954. It is also called
Vivekamartal)<;ia attributed to Visvarilpadeva edited by
Introduction
Amaraughaprabodha (AP)
Amaraugbaprabodha is brought out and included by
Kalyani Mallik in the 'Siddha-siddhanta-paddhati and other
works of Natha Yogis' (pub. Poona Oriental Book House,
Poona, 1954) on the basis of a single available manuscript. It is
a small treatise of 74 verses . The name of the author
Gora.k$aniitha is revealed not only by the colophon but also by
other verses. By the term amaraugha is meant only rajayoga.
Hence the title Amaraghauprabodha means instruction on
riijayoga.
Four types of yoga are named and explained: constant
~erger ~f citta in the Supreme is Iayayoga, that which conce~s
~tself with the regulations of vayu is hafhayoga , that wh~ch
~volves mantra and mfirti (image) is mantrayoga, and that w~ch
is absolutely devoid of mental functions is rajayoga . The first
three are only the means to rajayoga.
_ Riij~yoga is again divided into two , viz., o~adhya (herbal
?r Ayurvedic) an? adhyatmi.ka (spirituai). Hafha also is divided
mto two dependmg upon its being devoted to vayu or bindu.
When the vayu is channelised through the middle path i. e.
SU$Umna, the mind achieves stability. This process is regarded
as amaroli and vajroli (verse-9). Bindu and nada are the two
great medicinal herbs that exist in every being.
There are four types of sadhakas, viz. , mrdu, madhya,
adhimatra and adhimatratara, each succeeding one being superior
to the preceding one. The four yogas mentioned above are
respectively prescribed for the four types of sadhakas. ·
Contemplating upon Siva in the heart and repeating the
PraIJava-OM- a hundred thousand times accompanied by as
many as 1110 the number of oblations, is mantrayoga.
(xv)
Siddha-siddhli.nta-paddhati (SSP)
SSP is the only text by Gorak$anatha which provides
elaborate description of the topics presented in a systematic order.
Because of this characteristic feature along with other specialties
it has attained a unique position in the natha literature.
The text is a mixture of prose and verse form and is of
approximately 350 verses in extent divided into six upadesas or
chapters.
Summary
The text is a mixture of siitra and verse form and is of
approximately 350 verses in extent divided into six upadesas,
lessons or chapters.
(xvii)
First chapter
The treatise begins with a salutation to Adiniitha (Siva).
Although the nathas do not believe in the process of creation,
nor in the origination of the aJJ,<;la (macrocosm) and pil)<;la
(microcosm). The matter is broadly divided into six topics as
origin of the pir:i<;la, deliberation on piJ:iga, insight into body,
sustainer of the universe, union of the pir:iga and the pada or
Absolute Reality and distinguishing characteristics of an
avadhiita.
In the beginning, when the creator who was the cause,
did not exist, there existed the One unmanifest Absolute Spirit
called anama (the Nameless), one without a beginning or end
and the self-existent who is well··known in the natha philosophy.
By himself, he has no power of creation. His will alone which
is his own co-existent-nija-sakti i .e. inherent power through its
progressive self-unfoldment into nija, parii, aparii, siik$ma and
kundalini is at the basis of the entire creation. Whereas aniimii is
the noumenal aspect of the transcendental spirit, sakti is the
phenomenal aspect of world activity. Anal!lii, known as
Paramapada remains forever complete, pilnJa or infinite.
Anii.lpii through its inherent power evolves itself in six stages
viz. parii, aniidya, iidya, mahiisakiira, prak[ti and garbhapir:iga,
each of the pir:i<)as having twenty-five qualities which are
enumerated. The garbhapiJ:i<)a as the physical body is the last
stage in the progressive stages of evolution. The formation and
development of the embryo in the mother's womb are described.
The antai)kar8J)apaiicaka as the fivefold internal faculties,
the kulapaiicaka viz. sattva, rajas, tamas, kiila and jiva, the
vyaktasaktipaiicaka each having their five individual properties
are all described. This is followed by the mention of the five
kar8J)as viz. kanna, kiima, candra, silrya and agni. The five
properties each of kanna and kii.ma, the sixteen kaliis of candra
(seventeenth being his am.rtakalii), thirteen kaliis of the sun and
eleven kaliis of agni are named.
Introduction
Second chapter
The second chapter is a discussion on the bod Y. The
nine cakras (padmas or lotuses), sixteen adharas (receptacles or
container), three lak$yas (points of concentration) viz.
antarlak$ya, bahirlak$ya and madhyalak$ya, the vyomapaiicaka
(the five sheaths or firmaments), the knowledge of which ,is
essential for a yogi are described. Their locations and the specific
parts of the body are indicated. The methods of contemplations
are suggested. This is followed by an account of the a$ta.riga-
yoga o~ the eight ~s~ects of yoga. The points of difference, if
any, w~th the 8$fangayoga of Pataiijali are indicated in the
appendix. The chapter concludes with the characteristic of
samadhi, the last aspect of a$.tli.rigayoga.
Third chapter
The third chapter concerns itself with pilJcjasarp vitti i.e.
an insight or true knowledge of the body. A yogi who has a
clear and true insight into the body is called the knower of pil).c;la.
The chapter explains the nature of microcosm or body and
elaborates the natha doctrine that whatever exists in the
macrocosm does exist but in a tiny or subtle form in the
microcosm. Cf. yatha brahmaIJge tatha piIJcje. Thus the
legendary tortoise which supports the entire world on its back is
(xix)
said to inhibit the soles of the feet; the seven nether worlds
presided over by the deity Rudra and the twenty-one braluniiJ;u;Jas
correspond to different regions of the body. Similarly, the seven
continents and seven oceans encircling them, the nine divisions,
the kulaparvatas (mountains), rivers, demons, various types of
demigods such as yak$aS, siddhas, kinnaras, apsariis, the
luminaries, trees, shrubs and creepers and in fact every matter or
creation that exists in the universe in every plane of existence
has a corresponding existence in a tiny form in the body. The
yogi who realizes this identity of the soul with the cosmic soul,
and the identity of the body with the cosmic body, experiences
unity with Siva which brings peace and salvation.
Fourth chapter
The fourth chapter deals with piI}<;lii.dhiira i.e. support,
substratum or sustainer of the body as well as universe, which is
Sakti. Sakti is ineffable and all-pervading. She is described in
her different aspects. She is both kula and akula. Kula is her
revealed or manifest form (kiirya) and akula is her unrevealed
(kiir81Ja) or unrnanifest form. By the elimination of the distinction
of the body (kiirya), the five elements (kiir81Jas) and the caitanya
(kartii.), she assumes the nature of the doer and is hence called
the iidharasakti i.e. support or sustainer of all pilJ<;las (pil)<;/a and
brahmfil)<;/a). When she is in her unruffled or unperturbed state
(niruthanadasaJ she is Siva or Akula cf. saiva saktiryada-
niruthanadasayaip vartate, tadii siva.J.i saiva bhavati. In her
revealed (kula) form, Sakti is fivefold viz para, sattii, ahantii.,
sphurata (bhasa) and kala each of which is duly explained.
Akula is unique and unparalleled in as much as it unfolds
kula and with his numerous saktis manifests in different universal
forms. But Siva without Sakti is incapable of creation. When
associated with his own Sakti, he becomes capable of creating
all manifestations (SSP-IV.13). At the time of final dissolution ,
Sakti merges into Siva who in his turn merges into the kriyasakti.
The kriyli and icchii aspects of Sakti merge into jnanasakti. In
this state when the Pa.rasiva alone remains, the world ceases to
Introduction
Fifth chapter
The fifth chapter describes the methodology by which
the pi.Jp;fa or body strikes samarasa (equipoise) with the pada or
Absolute Spirit. But the inscrutable nature of the Supreme
Reality is such that words cannot adequately describe, intellect
or mind cannot discern , philosophers cannot grasp, no ray of
light can penetrate and no amount of dialect can possibly arrive
at. It can only be experienced by intuition through the practice
of yoga. The guru (teacher or preceptor) is the one who guides
the yogi on this path. By the grace of gum, the yogis in their
unperturbed state of consciousness, experience equipoise with
the Parama-pada. In an instant flash of miraculous light, the
yogi realizes the dual-non-dual nature of the entire universe and
also gets a clear view of the Parama-pada which by means of its
caitanya illumines all the manifestations in the universe. The
repeated experience of this identification and union of the self
with the Parama-pada leads to the yogi's victory over svapiIJga.
There is a particular attire prescribed for an aspirant such
as the wearing of a sailkha (conch) and mudra (ear-rings),
growing hair, solitude, loin-cloth and sandals; ailgavastra (a
second upper garment), external garment, a blanket, umbrella, a
cane, water jar etc. But these are mere symbols with no great
importance.
The yogi who has acquired piIJgasiddhi, identifies
himself with the Paramapada and thereby realizes one's true
nature through gradual stages of sahaja (self-knowledge),
sarp.yama (self-control), sopaya (quietude of self) and advaita
i .e. the non-duality of Parama pada. The yogi conquers old age
Introduction
and death and acquires all siddhis (perfections). But all this
becomes possible only by the grace of a perfect guru. Hence
there is nothing greater than the guru- it has been so dec~eed by
Siva himself. The grace of the guru leads the yogi to instant
realization and the yogi enjoys merger with Siva.
Sixth chapter
Although.the major point of discussion in the final chapter
(sixth) is Avadhiitayogilak$ai;ia i .e. characteristics of an
avadhiitayogi, as the title would suggest, the chapter covers much
more material on allied topics as well.
The chapter starts with the definition of the term a vadhfita
derived from the root' dbiiii kampane 'meaning to ' shake off' or
'shrug off or 'move'. A vadhiita is one who having taken hold
of mind which comes in contact with the worldly objects,
withdraws it from them and merges it with the glory of one's
real abode i.e. Parama pada. By such act he stands aloof from
the world (i.e. to him the world is non-existent) and is devoid of
any beginning, interval, end and mortality.
The esoteric significance of the symbols that distinguish
an avadhiita is explained. His characteristic observances and
conduct are also explained.
An ava~hiita has intuitively experienced self-realization
and has the furn conviction that all creation is only the
manifestation of the Supreme. He in his pursuit of self-realization,
has harmonized in himself the seemingly divergent doctrines of
the different sects. Hence he alone is the perfect teacher. He
has complete control over the senses. The significance of the
four asramas, ekadaIJc;Ja and trid81Jc;Ja etc. is explained in the
particular manner which concerns an avadhiita. Similarly, the
terms Suddha§aiva, T~pasa, Pasupata, KaJ.amukha, Virasaiva,
Kapiilika, Mahavrata, Sakta, Vai$IJava, Kaulajflana, Bhaga vata,
Pancaratra, Sattvikaetc. are defined to mean what they oug ht to
be in contrast to what they actually represent. Thus he defines
sikta (VI-50) as one to whom mada (arrogance) itself
(xxiii)
Cosmology in SSP
The eternal supreme transcendent alone existed as the
Nameless One when there was no active doer, no process of
causation, no distinction into his dynamic and static phases and
no manifestation into his finite and diversified phenomenal forms.
He is of the nature of absolute consciousness and as such is also
designated as para saipvit. As no world order has separate
existence from him, the question of his origination does not arise.
He is without origin, self-existent and Infinite. He is endowed
with his unique power (Sakti) of the nature of pure will. This
Absolute Reality or Supreme Spirit endowed with his inherent
power (nija sakt1) which is essentially non-different from him is
called as siva in the natha doctrine.
The nijii sakti is the eternal dynamic aspect of the Supreme
Spirit, his other aspect being the eternal transcendent aspect. The
gradual self-unfoldment of the nijii sakti leads step-by-step to
the manifestation of the magnificent cosmic body of Siva and
the individual bodies in it as follows. From nijli sakti emerges
the para sakti which leads to the emergence of aparli sakti; from
apaTa sakti evolves the Silk$mli sakti which in its tum leads to
the emergence of kw:u;ialinI sakti. The five characteristics each
of the five saktis viz nijii, para, aparli, silk$mli and kw:icfalinl
together give rise to the parapi.IJcfa (Supreme body) Siva, anlidi,
Introduction
Parapil)~a
The birth of parapil)ga (see Chart No.I and 2 ) means the
self-manifestation of the Absolute Spirit as the Supreme Individual
with full consciousness of his powers and attributes. Thus ~e
universe is the self-embodiment of the anamli (for a graphic
understanding of anama and its evolutes, see the Chart No.1) 0 ~
the Supreme Reality through the Self-unfoldment of his nijli §akti.
The five forms of spiritual consciousness of the parapir:u;fa (Chart
No.1 and2) are aparampara,paramapada, sunya, niraii}ana and
paramiitma.
The parapil)ga is also called the anadyapii:u;Ja (Chart
N?1)-meaning thereby that it is without any origination and
without any higher source of existence, and also as adyapil}<;la (Chart
No3)-implying thereby that it is the source of all other pil}<jas.
The aniidipi{I_¢i is of the five following characteristics: paramananda,
Pia_~a, cidudaya, prakasa and sohambhava. Thus the Absolute
Spmt through the self-unfoldment of his own nijasakti in the
transcendental plane reveals himself as a self-conscious, omnipotent
and omniscient personality embodied with an ideal universe.
....u
...... (purity) I (inscrutability) Isphu.tatii I(extensiveness) (reflectiveness)
-
...... ni!jpandatii I abhinnatii I(emanation) Iniscalatii prabalatii
-
~
;::3
(motionlessness) :(indivisibility) : sphiiratii :(stillness) (mightiness)
~
C"'
f ll nirabhiisatii Ianantatii I(expansion) mscayatii
1
proccalatii -.;:...
a:s
r::i- (imperceptibility) I(infinity) Isphofatii !(firmness) (upward
:::s
~ nirutthanatii I avyaktatii I(bursting) 1nirvikalpatii motion)
(undisturbed state I(unmanifest) Isphilltitii !(non-distinction) pratymimukhatii
of consciousness) I I(creative (interiorization)
I l.- Ipulsation) I
+. da
parap11J..
aparampara •
paramapada /-·
sunya . J
niran1ana +
paramiitmii
•
sphurata •
bhiivanii
L--------------------------------------~
•
sattii •
siik$iitkiira •
paramatma
---------~
r
• - - - - - - - -·- - - - - - - -· - ·- - - - - -·- - -
! I
,
- - - - - - - - - - - - - , ,
I
I parapi.p{Ja Chart No. 21
I
I·
+
apararp.para
>!:.
paramapada sunya
• i.
niranjana paramiitma
+ ,
I
I
I akalalikatva I ni$kalatva 11linatii' Isatyatva Iak$ayyatva I
I' (spotlessness) I (partlessness) 11(absorption)! l(divine truth) l{imperishable) I'
Ii ';;;' : anupamatva I aJJUtaratva IpiinJatii lsahajatva labhedyatv.a I
I· :E 1 (incomparability)' I, (minuteness)
1
1(completeness)l(naturalstate) l'(mm-differentiating) It
I· '; . apiiratva_ I acalatveJ. 11 unmani Isamarasatva I,acchedyatva· I S1
I, !o (limitlessness) : (immobility) / (supramental :·(identity of : (indivisibility) a
Q.
'· ~ amiirttatva I asaipkhyatva I state)
1
consciousness) adahyatva c::
(')
Il ana-dyap1IJ..
. da
I
L-----------------~~~------------------~
r--------------------------------------1
I anadyap4Jt;fa Chart No .3 I
i
"° i + + I
paramananda prabodha cidudaya prakasa so' -sambhava :
spanda I udaya I sadbhava nirvikaratva I ahanta (feeling I
,_ (creative I (arising) I (awakening (changelessness) I ofl-ness) I
-~ pulsation) I ullasa I of conscious- ni$kalailkatva I akhaIJc;laisvarya I
:.; har$a : (delight) I ness) (stainlessness) I (unlimited I
& (thrill) I avabhiisa I vicara nirvikalpatva I prosperity) I
I (splendour) I (existence) I svlitmata (feeling of I
~....
';' utsaha (absence
~- (vivacity) I vikasa : karq:tva of ideation) : the Self-atmli) I
-.::::.:
SSo ni$panda I (expansion) I (activity) samata I visvlinubhava :
(quietude) I prabhli I jiiat{tva (equanimity) I siimarthya I
nityasukhatva I (illumination) I (knowing) vibhranti I (ability to feel I
(eternal I svatantratva (disillusionment) I universal I
ecstasy) I (independence) I consciousness) I
I sarvajiiatva I
I I (omniscience) I I
+ I
iidyapi1;u;la I
L--------------------------------------~
Ir---d-~~----
i yap1nua ----------------------------,
' .. Chart No. 4
I ... .
I maha.kasa -+ mahavayu -+ mahiitejas-+ mahiisalila -+ mahiip[l:hvi
I - + + + +- +
I avakasa I saiiciira f dahakatva fpravaha I sthiilatii
I -;,;- (void} I (mobility) I (burning) I ~flo~) I (~o~s~ess!
I .~ acchidratva I saiiciilana Ipiicakatva I apyayana I naniikarata
I ;.:= (blemishlessness) !(causing !(ripening) !(satiation) I (varied forms)
I ; aspr§atva I movement) I U$.{latva : m:iv~ . : ka.thinya t;4
I !:'.I (non-touchability) I spar§ana I(heat) I (liqwdity) I (hardness) a
§· :p~a§atva
Q.
I nilavanJ.atva : (touch) Irasa I gandha c:
~
I ~ (blue colour) .so$aIJa I(light) I(taste) I (smell) ~.
I sabdavatva 1
I (drying) Irakta-vaqiatva Isvet~-v~atva I pita-vaqiatva g
I (soundness) I dhiimrav~atva I(red colour) I(white colour) I (yellow color)
I I(smoky colour)
I
I
I mahisakira-pi1)9a
: miirtty~1ala (eight forms)
IJ _+ /- + i. /* + + +
Ls1va -+ bharrava -+ srikal)tiJa-+ sadas1va -+ isvara-+ rudra -+ vi$1,1U -+ brahma -+ prakrti-pinda
----------------------------------~-~~~
,--------------------------------------,
brahmadeva Chart No.5 I
+ I
pralqti-pi:r;u;fa :
+ I
bhiitas
... +
bhiimi (earth) apas (water) J
te as (fire) vayu (air) akasa (ether)
asthi llala lk$udha I dhiivana I raga
-........
~
Q)
(bone)
mamsa
I(saliva)
lmutra
I (hunger)
I trsa
I (speed)
I plavana
I (attachment)
I dvesa
I
I
I
~
N•
-t!.
-~
~
::I
(flesh)
tva.ri
I(urine)
lsukra
I (durst)
I m·dr.-a
I (hopping)
I prasiiraIJa
I (aversion)
I bhaya
:~se~en)
.._,,
O"'
foll
(skin) : (sleep) : (extension) I (fear)
('d
t:l·
na<;lI ISO.Qlta I kanti I akuiicana I lajja
:::s
bl) (channels) l(blood) I (lustre) I (contraction) I (shame)
roma sveda
1
I alasyam I nirodhana I moha
(hair) 1Csweat) /(languor) I (restraint) I (infatuation)
L--------------------------------------~
Introduction
Nitba Philosophy
As the individual has thus evolved from the anamii. or
the ~~eless O~e- Siva (although, through the self-unfoldment
of his 1?herent Sakt1) , the nlithas believe that the individual can
attai? Siva-hood and be one with the Absolute Spirit by gradual
se~-Im_P~ovemen~ and spiritual upliftment. The only means to
this spmtu~l upliftment is the path of yoga followed by the
esteemed s1ddhas. There is no path superior to that of yoga. A
yogi is the on~ who practices yoga. The distinguishing
characteristics of a yogi, the rules pertaining to his dress and
appearance and the observances that mark his conduct are
described. Merely assuming the garb of a yogi does not make
one a real yogi. It is clearly stated that a yogi who has no proper
understanding of the nine cakras, sixteen adharas, three Jak~yas
and five sheaths or firmaments is a yogi only by name (SSP-
II.31).
r--------------------------------------1
I anta,Pkaraq.a-paiicaka
Chart No. 6
I (fivefold internal cognitive faculties)
I
manas (mind) buddhi (intellect) ahailkara (ego) citta (seat of consciousness) caitanya (consciousness)
sailkalpa I viveka I abhimana I mati I vimarsa
(resolution) I (discrimination) (pride) I (intellect) I(deliberation)
~ vikalpa I vairagya madiya I dh[ti Isilana
;§ (wavering) : (indifference) (the feeling I (fortitude) I(repeated
~ milrccha I santi of mine) I sII1[1:i Ipractice)
~ (swooning) I (tranquility) mama sukha l (memory) : dhairya ~
~
;. ·a<;fata I santo$a (my I tyliga I (courage)
~ (sloth) I (contentment) happiness) I (renunciation) I cintana
manana I k$ama mama duJ:ikha I svikara I (thinking)
(reflection) I (forgiveness) (my sorrow) I (acceptance) 1nil:isprhatva
mamedam I(indifference)
(this is mine)
I
I
L--------------------------------------J
'\.___
r-------- - - - - - - - ---------
1 kulapaiicaka
--------------,
Chart No. 7 I
(the set of the five kulas) I
I
~
sattva
+
rajas ,
+
tamas
'!' .
kala (tune)
·- :+
11va (embodied soul)
. ~ I
I
+ + + + ._+ I
dayii I diina lvi.vada I kalan~ l1agra~ I
(compassion) I (charity) I(dispute) I (graspmg) !(waking) . I
-;;- ~anna I bhoga Ikal~a I kalpai:ii Isvapna I ~
.£ (nght : (enjoyment) :(strife) I (fonrung) :(dream) I i::t
~ co~duct) I Spigiira . 1soka I bhriinti. 1sll§upti I ~
g. kriyii I (sensuality) cgnef)
1
: (confusion) csieep)
1
I a
";' (religious I vastugrahar;ia Ibandha I pramada Ituriya I o·
I §· practices) I{•p_Propriation) l(b~ndage) I (negligence) l(fourth s~ate I to
I bO bhaktJ.. Isv~a- Ivanc~a f anartha 1of consciousness) I
I (devotion) IsangrahaIJa I(deceit) I (misfortune) \tuzyiitita I
I sraddha I(selfishness) I \(beyond the
: (faith) I !fourth
I I \state of
I I \consciousness)
L------ - - - - - - - - - - - - - - - - - - -·----------·---_)I
r---------------------------------------1
I vyaktaSakti pancaka (five manifested powers) Chart No. 8 I
I
I •
I iccha (will)
+ + I
I
kriya (action) mayii (illusory principle) pralqti (natural disposition) vak(speech)(energy)
I +
I ~nmada
(intense
+
I smaraIJa
I (remembrance)
+
Imada
I(arrogance)
+
Iasa
I(hope)
•
Ipara
lpasyanti
-;;- passion) I udyoga Imatsaiya I t[$IJii lmadhyama
:E vasanii I (effort) : (jealousy) I(craving) jvaikhari
] (impression I kiirya I dambha Isprha 1maq"ka
._ of the action) : (activity) I(hypocrisy) : (covetousness) ~........
~ viiiichii I niscaya Jqtpmatva I akalik$a ~
1
§· (longing) I (resolution) I (artifice) I(ambition)
cintli I svakuliiciira I asatya Imithyii
(anxiety) . I (adherence to the I(untruth) I(falsehood)
ce$.t li I conduct of one's
(endeavour) I kula)
L---------------------------------------~
r - - - - - - - - - - - - -pratyif~S-FaraI)a-paiicliks - - - - - - -
- ------,
Chart No. 9
(five means of direct perception)
k+
anna (conduct) i (desire)
kama + (moon)
canara + (sun)
siirya agm+. (fire)
• ... + +
subha Irati I ullola I tapini Idipika
-;;;- (auspicious) I (sexual I (violently moving) (heating) !(kindling)
.~ asubha I pleasure) . I kallolinI grasika lrajika
~ (inauspicious) lprlti I (surging) (seizing) l(resplendent) ~
;. ' yasas I (affection) I uccalanti ugra Vrvalani ~
:;;: {reputation) :Jatcja I(spripging) (fierce) (blazing) ~
~. apakirtti I (amorous play) I unmiidini akuiicini I vi$phuliligini (')
:::-.
~ (defamation) lkiimanii : (intoxicating) (contracting) :(sparkling) g
adr$.ta-phala-siidhana I(lust) I taraligini SO$llJi pracaJJ<ja
(result of destiny) Iatura~ I~wa.v~) (desicca~n~) :(~ous)
I(longmg) ISO$~ . prabodhi_m pacika
1
: I(des1ccatmg) (awakenmg) I(cooking)
I Ialampata smara Iraudri
I I(chaste! (remembering) !(violent)
I Iprav{ttl akar$ir)i Idahika
L- - - - - - - - - - - - - ·- - - .llP.ro~nsit_y} _ - - uattracti_!!gL _ _JQ_nflamin.fil _ ._ - _J
r--------------------------------------1
I I lahari I tu$.tivardhini I ragil}I
! I (billow) I (satisfying) I (colouring)
I I Jola I ilrmirekha I sikhavati
I : (oscilating) I (row of wave) I (flaming)
Ielihana . I kiraJJavati I jyotis 11th
1
I (darting out) : (radiant) I (light)
Iprasaranti I prabhavati
I (spreading) I (luminous)
I pravaha svaprakasika
1
I (flowing) I 13th "E'
I saumya I (self-luminosity) ~
I (gentle)
I prasanna
I (pleasing)
I plavanti
: (leaping)
I nivrtti 16th
I (inactivity-
! ambrosia)
L--------------------------------------~
_ _ _ _ _/F
--~'· \
Introduction
--Editors
1 --Dr. M. L. Gharote
--Dr. G. K. Pai
21st May 2016
***
~~~~OT
fl:t ;gfl:t ;:aH't 4;gfa g
Siddhasiddhiintapaddhati.Q
'9"~'11 q&~n
First Chapter
srigaIJesaya namaJ:i 11
Salutations to Sri-gaIJ.esa
3ilf'&'11Q ~~ ~ffi ~:I~ I
2
~ ~ ~ ~ ~ ~ i§eflli§~ I
\3f CZf(f)5q q-{ 'ir~ i3RJ1:n' ~ OG:T II ~ 11
2
mfts~tf~ 1 ~~ ~2 t>N"""11 I
mfl c)~~ <§Ua~'1l ~IRfit>~Tffil II 19 11
tato'-hantartha-matrel)a Siilf$mii saktir- utpannii I
tato vedanasilii kul)<}alini saktirudgatii 11 7 11
. Tr. Thereafter, the siiksmasakti originated from
d_iffe~entiating nature of aparasakti. Thence emerged the kuIJ<;JalinI
Sakt1 of the nature of sentient life force. 7 .
Note: This verse deals with the fourth and fifth stages
~f pr~gressive unfoldment of the nija sakti in which the silk$mii
Sak~J and kul)galini arise. Kundalini is of the nature of knowing,
feeling and willing. 7 . ··
apararpparat sphuratii-matram-utpannarp I
Tr. From aparampara sphurata (flashing consciousness)
was evolved.
q(f'f4Gi( "llCl'11"fl:f !1~ I
6
paramapadat bhavana-matram-utpannam I
Tr. Fromparamapada bhavana(creative contempletion)
was generated.
1. C§O$tiftt11§ B,W,P1 ,P3 • 2. ~-B 1 • 3. 0'1oi't«11-B 2 ,P 1 ,P3 • 4. 31tR
tR-B 1• 5. ~<tll'tl:il P 1 ,P3 • 6. ~-B,.
Siddhasiddhiintapaddhati 7
~~ m=flt~~I
siinyat sattamatram-utpannam I
Tr. From siinya satta (existence) emerged.
P=t <5'11 '11 tl trr~2~~ I
niraiijanat siik$iitkiiram-utpannam I
Tr. From niraiijana sak$fitkara (intuitive experience)
was born;
q <'11 ('JM g q <'1H"'ll N"18 3 11 CJ ~ II
p aramatmanaf:i paramiitmotpannaiJ II 15 II
Tr. --and from Parainatma Paramatman was evolved. 15.
~uf ~<5'11'1'l II ~ ~ II
satyatvarp sahajatvarp samarasa t varp savadh anatvarp
sarvagatvam-iti paii.cagul}aip niraii.janam 11 19 11
Tr. Satyatva (divine truth), sahajatva (natu r al state) ,
samarasatva (identity of consciousness), savadhiinatva (all-
pervading attention) and sarvagatva (all-pervasiveness) are the
five qualities of niraiijana. 19.
4<'11'1"Gg II ~~ II
spando har$a utsiiho ni$pando nityasukhatvam-iti
paiicaguIJaiJ paramanandalJ II 23 II
Tr. Spanda (creative pulsation), har$a (thrill), utsaha
(vivacity), ni$panda (quietude) and nitya-sukhatva (eternal ecstasy)
are the five qualities of paramananda(Supreme Bliss). 23.
-311 El I """I$ I Chim '1 ~I Chi !#II .-it$ I COi IYJi:f $1 c:.lltn i:f m\Tll
~\Tfffi '1liH1ftttri '1lil~~t"llri1&1'10e:c:fi II ~~ II
adyan-mahakafo mahakasan-mahavayur-mahavayor-
mahatejo mahatejaso mahasali18J!l mahasalilan-mahaprthvi 112911
Tr. From ii.dya(-piQ9a) the mahii.kiisa (the space), from
mahii.kii.sa mahiiviiyu (the air), from mahiiviiyu mahii.tejas (the
fire), from mahatejas mahasalila (the water) and from mahasalila
mahaprthvI(theearth) (are evolved) . 29.
Note: Siva as adyapiIJqa through further gradual self-
unfoldment of His Sakti , becomes the physical universe which
is the cosmic body or mahasakarapil)qa. The evolution of the
five great elements is a stage in that direction. The cosmic body
is constituted of these five elements. 29.
L ~ - B, , ~ - B 2 ,W,P 1 ,P2 ,P3 • 2. ~ - P3 omits. 3. ~ -
W omits, fuwqrr~g ~~g B 2 • 4. °ffis8PtfcNn - J 1 ,J 2 ,B 1 ,B 2 ,P4 ,
ms~a -W. 5. 'f~~jo1-J ,J , 'f lllt1~9)ffi3 - P ,P •
1 2 2 4
12 Chapter I
"
~~g '31R=.8if~JlI 1 "f1{mef 2 "11~1COIO f~. ~ICSC::~ 3~
l+tm
~uft ~~g 4
II ~o II
avaka8al) acchidratvam-asprsatval!J nilavarr:iatvarp
sabdatvam-iti paiicagui;w mabakii5al) II 30 II .
Tr. Mabakiisa is of the following five qualities which
are avakasa (void), accbidratva (blemishnlessness), asprsatva
(non-touchability), nilavarI)atva (blue colour) and sabdatva
(soundness). 30.
't~IC41Y)8 II ~ '3 II
JI ,J 2,w.
1. ('CICf('l<!H) JI ,J2. 2. ('Clt{fl'11fti1'11tlftr-B l. 3. 4'*l!!0118 -
4. T'PJN& - B,. 5. r~-P.,P3 • 6. ~-J 1 ,J 2 , ~1c:i01'1c:i'1 B 1 ,W ,
'IlJUT- P2.
Siddhasiddhantapaddhati 15
~ ~ ~ ~ifo:l•Hi('(OffltRl 6
5
451CtjOIJ lJTlll7 114.1.911
mado miitsaryaf!l dambhah krtrimatvam-asatyam-iti
paiicagul)ii mayii II 57 11 . .
!r. Ma~a (arrogance), matsarya Uealousy), dambha
(hypocnsy), lqtrimatva (artifice) and asatya (untruth) are the five
qualities of miiyii (illusory principle). 57.
~fug I ms1j_'ffCl)ffi II ~ ~ II ,, . -
ullola kallolini uccalanti unmli.dinI tarailgil}i SO$llJ:
alampafa pravrttil;i lahan lola lelihanii prasaranti praviihii saumy~
pra~an.na plavanti I evarp candrasya $O<;lasa kalii}J I saptadasi
kala mvfttil) I sa'mrtakala 11 63 11
Tr. Ullolii (violently moving), kallolini (surging),
~cc'!1anti (springing), unmadinJ (intoxicating), tarailgini (wavy),
80 1
$ ~ (~esiccating), alampafa (chaste), pravrtti (propensity)~
lahan ~illow), lolii (oscilating), Jelihiina (darting out), prasaran~
(sprea~mg), pravaha (flowing), saumya (gentle), prasanna
(pleasmg), plavantI (leaping)- these are the sixteen phases of
~e moon. NiV!ffi (inactivity) is its seventeenth kalii (phase) which
1s of the nature of ambrosia. 63 .
iti pratyak~a-kara1Ja-gu1Jakalasamuha]J II
This is the group of qualities and kalii (aspects)
of direct perception .
...&l. • a::>. 11.:i, .
:ii"& 01151011 ~IQ>l~iiOI
a th a nadfnam dafa -dvarani \·
Now the openings of the ten niiqis are described
~ ~'flffi q ;:m:rr7~ef"ITTfg 18
ii;ia pirigala ca nasa-dvarayor-vahataJ:i I
Tr. !<;la and pingala conduct through the nostrils.
31'& ~IOllC!'IOl8 1
atha dafavayavai)
Now the ten vii.yus
~ g IOi<:f ISl~~g~qlftCf)l(q)') ~Cf)l(~Cf)l(l(iiCf)~2 I
hrdaye prliIJ.avliyur-ucchvasa-nii)frasakii.rako hakii.ra-
sakarii.tmaka5ca I
Tr. The piiil}avayu in the heart causes inhalation and
exhalation in the form of 'ha' and 'sa 'respectively.
1];-a- tc44HCll9;g {~~~'('Cf)~ 3 I
gude tvapana vayui) recaka-kumbbaka-piiraka§ca I
Tr. Apanavayu (situated) in the anus causes recaka
(exhalation), kuf!1bhaka (retention) and pilraka (inhalation).
;rrtjl fl "ti •'F"l I YJ g cfti:rcng qrqq;~ I
nabhau samanavayui) dipaka}J pacaka§ca I
Tr. Sama.na in the navel causes heat and digestion.
~ a:JR4c:fl9'8 ffl6f Olla:ftlf'1Cf>Hct>~5 I
kaIJ.the vyanavayui) 5o~aIJapyii.yana-kiirakasca I
Tr. Vyana in the neck region causes desiccation and
satiation.
CfWfi ~ 6 c:rry: g 11 fl '1 Cl +1 '1 \i'I (l'q ct> HCb ~ I
ta/au udanavayui) grasana-vamana-jalpakarakasca I
Tr. Udiina at the palate causes swallowing, vomiting and
articulation.
Tr. -- in the fifth month the back and the belly are formed;
~ iffi« ~~11~"6 ~ I
$a$fhe masi nakha-kesadikarp bha vati I
Tr. --in the sixth month the nails a nd h air grow;
~ lflfu '(fefTl~ffil 1 ""tClf°a I
saptame masi sarva-cetaniiyukto bhavati I
Tr. --in the seventh month it attains con sciou sness;
~ lflfu ~2l'f~qffit ""t Cl Rt I
a$fame masi sarvalak$aJJa-sarpyukto bha va ti I
Tr. --in the eighth month it grows fully;
~ . inft:r ('frLI $1 He· ~ml 3 cq Cl Rt I
navame masi satya-jiiana-sar:py ukto bhavati I
Tr. --in the ninth month it is enlightened with true
knowledge;
~~ inf« ~~~mo:_ dt $11 ;ft CSI Ieft Cbl ""t Cl Rt 11 &~ II
da8ame masi yoni-sar:psparsiit ajiiiini b iilako
bhavati II 68 11
Tr. --in the tenth month because of its contact with the
sex-organ (while emerging out of the mother's womb), it loses
the true knowledge and is born as an ignorant c hild. 68.
***
~fit~GI ~ II ~ II.
trtiyarp nabhi-cakrarp paiicavartaTJ1 sarpav~t
ku1;ujalakararp I tanmadbye kul)galinlrJ1 saktiTJ1 ballir~a-k~~~
sannibharp dhyayet 1 sa madhya-sakti}J sa rva - s 1ddh1 a
bhavati II 3 II
Tr. The third is the nabhi cakra which has five coils
and is of the shape of a coiled serpent wherein the kw:u;JalinI
sakti dazzling like acrore of rising suns, is to be meditated upon.
This madhya-sakti offers all success. 3 .
~trct~9 ~10 II ~ II
caturtharp hrdaya-cakram- a$fada l a-kama Jam-
adh~mukham l tanmadhye karr;iikayam Jirigakiirarp jyoti-rupaIP
dhyayet l saiva harµsakala sarvendriyavasya bhavati 11 4 II .
Tr. Fourth is h[dayacakra in the form of a lotus of eight
petals facing downwards. In the pericarp at its centre, the flame in
the fo1311 of liiJga should be meditated upon. She is the harpsa-
kala (Sakti) hi h ·
w c gives control over all sense-organs. 4 ·
. '1ct'1'11f.f>I~ ~~l&t'1Cb'tt'1'i~ 1 ~ I ~
~ ~f\llf.f>Hi ~tcf~ 2 of "Cf{q~l-;:aj ~n_ I
~lft:<416 3 ~cscfuP-8:q~ 4 ~5 11 <\ II
navamam-iikafa-cakrarp $Oc;la5adala -kamalam - ilrdhva-
mukham I tanmadhye karr;ikayaf!1 trikil.takara1ri t a durdhva-
saktiI!J taip parama-siinyiirp dbyayet I tatraiva pilr~1agiri-pifharp
sarve$ta-siddhipradarp bbavati 11 9 11
Tr. The ninth is the akasacakra which is the lotus of
sixt~n petals facing upwards. In the pericarp at its centTe one should
meditate upon that iirdhv~saktihaving three projections that is kn0\VI1
as Pai:ama-siinya (Absolute void). The seat of piln}agiri situated
therein is the bestower of al1 siddhis. 9.
~ 01 U 'ti o; fOi i.11 al& 6 11
iti nava-cakra-viciirah 11
Thus ends the dis~ussion on the nine cakras.
Note: See Appendix for cakras. 9.
3lW tsll 6 ~~ a;e;a ali 7 I
atha $O{iasadhiiralJ kathyante 1
Hence follows the discussion on sixteen ii.dhiiras ·
M q~g qzj1llSOT~gs I ffiITlJ~\Tll11<i ~n_9 I
1:~g ft.eRr ~ II ~ o 11
~ ao(6f(1{Cfi~'t1~-c;q1(~tt_ I '11Gefltft
4
'11i'CfllU( 3
~ II~~ II -
$a$.the niibhyiidhiira orpkaram-ekacittenocciirayet I
niidalayo bhavati II 15 11
Tr. The sixth is niibhyiidhiira. Attentive recitation of
om on this adhiira results in nii.dalaya (merger in the nada). 15.
~11 11 2
L
42 Chapter II
Cdtb "1:il
uktaiica
It has been stated
W'fCltHb ~~ 4 ~~ &fT"lq:siqqp( I
~o;;J \1'1HIRt 5 ~ ~lft "11'1~1(Cf>8 II ~ ~ II
nava-cakraqi kaladhiirarp tri-lak$yarp vyoma-
paiicakam I
samyag-etan-na jiiniiti sa yogi niima-dhiirakal;l 11 31 II
Tr. A yogi who has no proper understanding of the nine
cakras, sixteen adharas, three la.k$yas and five vyomas is only a
yogi for name' sake. 31.
31211tteia1~ am dleaa 6
athii$!iiilgayoga}J kathyate
The eightfold yoga is being narrated
ttitPtttit 17(1'1g10114 l"llJ(tl l&Hf:41(0f lltl l"iij't 1 8 ~S6Glci411Pt91
yama -niyamiisana-priiIJiiyiima-pratyiihara-dhiiral}ii-
dhyiin a-sam iidhayo '$!iivangiini II
Tr. Yama, niyama, iisana, pr8!Jiiyiima, pratyahiira,
dhiiraIJ.a, dhyana and samiidhi form the eightfold yoga.
Note: For a$.tiingayoga see Appendix.
MIO ~ ~ ~~g ~~~g
\3tl&l<Pl~Pt~dc'•Udldq\l'ttl~ I ~ ffig ffig mt.t<lo:_ II~ ~11 11
44 Chapter II
11 ~ ·.g?ia~~s=r2 011~oicn -
(§ 81 di a ~ 5118 II
3
fO o cs fbt -cll ail OfJCff
II iti sri-gorak$anatha-lqtau siddha-siddhanta-paddhatau
piJxJa- vi caro nama d vitiyopadesalJ II
***
• ~g ~ ~ I mffiii ~~ I a(i'tta(i'tii~ I
-;rn-1a--=('1 q1G'tcs6 3 I~~ I wwf '11~141'( I~ ~g I
\:Std('t\erlg I
kiirmal} padatale vasati 1 piitiilaIP padfirig u$.the I talatalam-
ailgu$_thagre I mahiitalarp piida-pr$fh e 1 rasatalaIP gulphe I sutalaIP
janghayiim I vitalaip. jiinvol) 1 atalam-urvofJ 1
Tr. The karma (tortoise) inhabits the soles, patala is in
the toes, talatala is in the tips of the big toes, mahatala is in the
Siddhasiddhiintapaddhati 49
~ Rt60Rt II " II
eva.cp loka-catu$faye brahma devata I piIJ<;fa-madbye
aneka-maniibbimana-svariipi ti$fhati II 4 II
Tr. The deity Brahma presides over these four worlds
and remains in the body in various forms of ego, pride, etc. 4.
fit6(5~5 I
hrdaye rudra-loka}J I tatra rudro devata I piIJc;Ja-madhya
ugra-svarupi ti$fhati 1
Tr. Rudraloka is at the heart. There Rudra is the deity·
He embodies fierceness in the body.
~&f{ fuelc:w-J1q;g
~ttls~q&ifCl~cfr fftcsoRt I
tlilu-dvare siva -lokah I tatra sivo devatii I piIJqa-
madhye 'nup31ma-s variipl ti$th~ti I ~.
Tr. Sivaloka is at the opening of the palate. There Siva
is the de ity . He stays in the body in a matchless form .
'i,., ~I
~1
'lfll;:rT •
TTTTT ~'q]TfT (1 H:ct dP I
~m 3 ~kt(P4T q- -s.'h1b)~ilCJ 'l'fGJ4 II ~ ~ II
pinasa yamuna ganga candrabhaga sarasvati 1
vipasa satarudra ca sriratriscaiva narmada 11 11 II
'eii 010!01~ d1010116'1gs ~I
eva.rp navanadyo navanadisu vasanti I
Tr. The nine rivers vi~.· Pinasa, Yamuna, Ganga,
Candrabhaga, SarasvatJ, Vipasa, Satarudra, Sriratri and
Narmada dwell in nine na<jis (channels of the body). 11.
***
1. tre tre ~ ~~M'1-P 4 • 2. ~ ~~ftn-B"W, -qci ~'lfftrif
CJftf-J 1 ,J2 ,B 2 • 3. ~ 1ll'{1R-J 1 ,J 2 ,B 2 ,W, ~ ~:iC1<1c:m1< ~\IR-
P2.
~eifu4stn
Fourth Chapter
1
3l8r fO O CS I !.TTQf8 cnela ~
atha piJJ<;l.iidhiiraJ:i kathyate
Hereafter is described the phJ4idhiira (substratum
of the body)
.. Cbl~&q(&q(I
~Pt.,,..,~~g'!rr-~- ~ ~g2 gfe;;a:1
asti kiicid-aparamparii sarpvit-svariipii sarva-
pir:u;Jiidharatvena nitya-prabuddha nijii §aktil;l prasiddhii I
. Tr· There is an indistinct nijiisakti of the nature of
consciousness which as the substratum of all piIJflas is eternally
awake and is well-known.
q;p;:f3q:;1< 0 ICb{~~WC§TI~;r qmf-{ ctmftr I
kiirya-kiiral)a-kartfIJiim-utthana-dasarikuronmilanena
kartiirarp karoti 1
Tr. The nijiisakti is at the root of cause, effect and
doing.
'3ffi ~~1 fffifHa q;ezffi I
ata evadhiira-saktir-iti kathyate I
Tr. That is why she is called adharasakti.
'31ftl ""tt 5 ~<6Tmcffi~~~q;6 • tkl it MT
ma-1~Rf>q:;e1fflf('cfi1 ~oft -er qu ~ ~I fffi• ff tffi
a tyan ta - nija-prakasa-s va-sarp vedyanubha vaika-
gamyamanii siistra-laukika-siiksiit-kilrini
. . sa para cid-riipiIJi saktir-
giyate I
Tr. One can know her through the experience of self-
illumination and self-knowledge and also by the scriptures and
practices. She is known as the highest illuminating Sakti.
1. ~~ ;ftfq extra in W. 2. ~mffi-W. 3. Cfi'Ttl'f - W. 4. ~
~-B 2 ,W, i6Uttl~+•tH1Cftt1t<-P 2 • 5. ~-P 1 ,P 3 • 6. m'ji:raiftf-
B2,W,P1,P3. 7 . ~~-J , , J 2' p 4.
62 Chapter IV
Ch)c-iPcHRt
kulam-iti
Siddhasiddhiintapaddhati 63
What is kula ?
w "frITTS~--ill 1 ~"{OT Cffii'TT 2~ur 3 ~hr ~trr
f4~~rr faCS6fa II ~ II
para sattii 'hantii sphuratii kaliirilpeIJa saiva paiicadhii
vi§vasyiidhiiratvena ti?fhati II 3 II
Tr. Kula is Saktiwhich as the substratum of the Universe
exists in her own fivefold form of para (Supreme), satta
(existence), ahanta (1-ness), sphurata (quivering) and kalii. 3.
'310 ~ 4<14<1 I
ffircq m 1c:i cq m ct> ('el ~q YcnTm4 tJT m m II '6 II
ata eva pariiparii I
niriibhiisavabhiisaka-svarupa-prakiisii yii sii para II 4 II
Tr. That is why this Sakti is known as the para and
apara.
Being of the nature of illumination, she can not be
illuminated by any but she alone illumines all and is called para.4.
3Fll~~~sqif·tyg 8 ~'41aifcb<o11..-1~s-
M~~~~9~:cr-=rWffi10 m mstRIT 11&11 11
. _
64 Chapter IV
~~~"A~~q~ti4l.Jcnr~kc1&11 5 ctJ("t<:td'1Rt m m m
ctffiftf ~ 6 II (.. II
nitya-.foddha-buddha-svarilpa-svayarp-prakasatvam-
akalayatiti ya sa para kaleti ucyate 11 8 II
Tr. That which comprehends the state of eternal purity•
wisdom and self-luminosity, is called the highest kala. 8.
. Note. She is the one without a beginning or end. She is
bliss-pervading, unsurpassed and self-revealing. She is the one
who provides the experience of bliss to the adept in the state of
samadhi. Again it is she who is capable of knowing the real
form and nature of akula (Siva) as self-luminous, eternal, pure
and enlightened. 6-8.
akulam-iti
What is akula ?
'111RP:OI 0 frihti@l ft!a (i'( ~Pi ti~~~ 611 t{1l Rt q ft:t "A'l 11
jati-varQa-gotradyakhila-nimi tta tven aikam-e v as ti ti
prasiddham II
Tr. That which though is instrumental in creation of
jati, v~a and gotra, at the same time does not belong to any
of these (is known as akula).
~~ i§(F1'1tll't1 i§efl5'qlC§eflfl:ti8Rt I
~~~GC4"":£m:uaCblC61(8 q\g fucrg II ~ ~ II
akulal!l kulam-adhatte kulafi.cakulam -icch ati I
jala-bud-budavan-nyayad-ekakiirai) paraiJ sivaiJ II 11 II
Tr. Akula enfolds kula and kula yearns for akula. Thus
the Para5iva is of unitary nature appearing in the manner of water
and bubble. 11.
Note. Akula gives rise to kula in w hic h nija, para, apara,
siik$ma and kUI;i~alini are manifes t . According to the natha
doctrine, although the paiicasaktis are predominent in kula the
reality of Siva is immanent in it. Accordingly the svacchanda
tantra illustrates: Although the bubble looks different from water,
it is one. Similar is the presence of Siva unde rly ing this Sakti
and witness thereof. 11.
t6 tb Ml :P <"Cfflnp I d I d\,4
uktaiica pratyabhijiiayam
It has been stated in Pratyabhijiiii
I. ~ q- Mfcla1~i8~-B 1 ,B 2 ; ~ (T1Rrtotc1d§.e: -P 1 ,P 3 ; P 2 omits. 2 .
~ ~ ~-B 1 ,B 2 ,W, ara ~~ ctCIM"d P 1 ,P 3 , ctctiictil< .Jr-Rl-
J 1,J2 . 3. Pi'111'1'GICl~-B 1 . 4. P ,P omits, '3"ffi 1;n:qfti~1q1"t_- J ,J ,W.
1 2 1 2
Siddhasiddhiintapaddhati 67
-3Wlt:O~lfffi'11~tti ~c.tilh'1lll ~ I
~;rg ~~Er ~UT ~ ~ 1 II ~~ II
alupta-saktiman-nityarp sarvakaratayii sphuran I
puna]J svenaiva riipeIJa eka evavasi$yate 11 12 II
Tr. Eternally manifested through his sakti, he reveals in
varied forms and yet remains in his integral form. 12.
Note. Thus although Siva of unitary character assumes
varied forms, yet he remains in his true nature. He is not visible
in the various manifestations of Sakti, yet he is immanent in it,
being all-pervasive, unimpaired and absorbed in his own
bliss. 12.
D'ffi' m
Ol 1d1 stcJI ~ a~ s
uktarp vamakesvara-tantre
It is stated in the Viimake§vara-tantra =-
\
sival) saktya yukto yadi bhavati sakta}J prabhavitum I
na cedevarp devo na khalu kusalal; spanditumapi 11
i.e. Siva is able to create only when he is united with
Sakti. Otherwise he is not able even to stir. 13.
~~ '1ct~·u~ TJ~ I
ata eviinanta-§aktiman paramesvaraiJ visva-sarpvit-
svariipi visva-mayo bhavatui prasiddham I
Tr. That is why Paramesvara (the supreme lord) of
infinite powers who is of the nature of Universal consciousness
is known to pervade the entire universe.
fi:t;a:Hi q 4<14<~~q' C§asflr14' -erfla 1 ~
W\~""'
11 s~~:.-.'5:T_s tJftoos 11
~e:off)ifa
iirdhvam-iti
Urdhva means
~ d t'CI I ;:;q fq ~<H<I (qq il cf 4~tcf Cfff~ I 3ffl ~ ID
fW:r~ (qfq o~ ~ ftAi s ("Cf ("Cf (qq '1 ap Iw 'kfl fff6 ~gfffiID 11 C} ~ II
sarva-tattvanyapi sva-svariipam-evetyiirdbve varttate_ '·
ata eva sa vimarsa-ropil)i yoginarp sva-svariipam-avagacchantit1
suprasiddha II 15 11
Tr. As kundalini is the material cause of all beings, she
is considered to b~ ~upreme. Hence she is called vim~sariipf1;"
(of the nature of thought) and is known to help the yogis realize
their own true nature. 15.
~i et
~TT "'T'-<-TT e.-erf tf g 1q 'f.T ~ ~1 ftren ~TttTT
~lftntfqtflirn II 'i ~ 11
ekaiva sii madhyordhviidha}J-prabhedena tridhii bhinna
saktir-abbidbiyate 11 17 11
Tr. It is the same Sakti which on account of its relative
position is known by three different names as madhya (middle),
iirdhva (higher) and adhal_J (lower) Salais. 17.
'tfT ~~'tlutlq1(;iH1R::l~l'"f£0
~..mfi~m~fh-~~ 3 1
ya bahyendriya-vyiipiira-n iin ii-cintiimayi saiviidhai) -
saktir-ityucyate I
Tr. The adhal}sakti is of the nature of creating various
thoughts related to the (outgoing) tendencies of the external sense
organs.
Tr. That is why the yogis are intent upon its contraction.
Its contraction is accomplished through the m[i}adhara bandha. It is
from that (Sakti) that the world of movables and immovable of the
nature of cit (animate) and acit (inanimate) evolves. Itis the same
milladhara which is known to illumine consciousness. 18.
Note: For mulabandha see Appendix. 18.
"3°ffi ~I Oi I 01 o-41-el I ~g 1
uktafJ1 si viinandiiciiryai]J
Siviinandiiclirya states
\ffimt«IT 'GCI~ II ~ ~ II
sarva-sakti-prasara-sarikociibhyaip jagat-Sf$!ilJ saJ!1h[tis-
ca bhavatyeva na sandehah 1 tasmiit-tiim miilam-ity ucyate I atal;
0
~airc,
stbiileti
Description of sthiili
m
~ nsi \'"Fil ml'tJRll I tu (:cl (Ci\q I S fq 'q'Gf ~ 1 'f.Jf J:<:1'•t1° II
~'qt l:(l CRt-a2 ~ C§U~Rrt;ft t11Cfil(l 3 ~ffi II
nikhila-grahyadhara-grahya-svariipa 'pi padarthiintarair-
bhramyam§JJ.a cidriipa ya varttate sii km;u;Jalini siikarii sthiilii II
Tr. Km:u;Jalini that is known to be sthfila (having form)
is the source of all objects of sense perception, herself possessing
sense perception and as such pervading the various objects of
sense perception and existing in the form of cit (consciousness).
Ci5tti ~l
uktarp tattva-siire
It has been stated in Tatvasiira
dtsl Fl I~qft c:ffi"f Fl~ I~ '1 f"f q <"f q &il crT ~fqfir 2
wl'fifi
q~ I m:q3 m~&'1'11'1ielltiltifil<(i~~ 'tfT ID ~
~dltffi I ~g 4
P.1 q I ao:r fliftr
tel tel ~q 5 ~f:Jl ii I (1 ~(I\:( I (1 ••mf wt ~ 6 ~~I~ q j {9 g tel ;:y°
~7 II ~l\ II
sarve$iiJP tattviinam-upari vartamanatvan -nirniima-
parama-padam-evordhvam-iti prasiddham I tasya sva-sa.cp
vedana-niinii-siik$iitkiira-sucanasila ya sa urdh va-saktir-
abhidhiyate I tasyal) nipatanam-iti sva-svarfipa-dvidhabhasa-
niriibhiisa-miitra.cp na kintu sva-svarfipakhaIJc}atvena
bhavati II 25 II
Tr. As it exists above all tattvas , the nameless
paramapada itself is well-known as ilrdhva. Its power of
manifesting various forms by its self-perception is called the
iirddhva-sakti. Its descent means not only the extinction of the
distinction (of you and I), but also of the realization of the
indivisibility (unitary character) of one's own nature. 25.
otb3tl 8
uktafica
It has been maintained
'3tO
1 -..-...4
~ec:pJI
fui~ . ·2 ~3
41d'1 '1~11lt;:atf1P1~ tR1l ~ 'Jl~o
~ ~ II ~\.9 II
ata iirdhva-fakti-nipiitena mahiisiddha-yogibhi}J
paramarp padarp priipyate iti siddbam II 27 II
Tr. That is why the eminent siddha-yogis are stated to
attain the supreme goal by means of the descent of urddhva-
sakti. 27. ·
C!S'ffi~I
uktafica
It is stated
~ ~ ijCfi\it(tMI ~ '«~Cfil I
~ ~ 4<"P1i't'11 ~~CJlcpil~ II ~l II
sattve sattve sakala-racanii riijate sarpvid-eka ~ .
tattve tattve parama-mahimii sa.1pvid-evavabhat1 11 28 II
Tr. It is one and the same consciousness that shines
forth in every aspect of creation. It is the same consciousness
that manifests in its supreme glory in every element. 28.
~ ~ ~\ittt<\i11 4 ~-«~lift I
1lffi 1lffi ii\i1'1€1 ~u ~ftm -«~er 11 ~ ~ II
1. 3Jl:f-W. 2 . ~-B 2 ,W. 3. ~- B 1 ,W,P 1 ,P 2 ,P 3 • 4. dllll'lct<('ll
B1, ~~-J1,J2 .
76 Chapter IV
4<14<~'1~~fqofi ~~""'11'11~1fffi~qur
~ft!a\ifftwoijll(l(~Wf2 ~~ ~ fit<a:lti"Ai••tu 3 II ~ o II
parapara-_vimarsa-rupini sarpvin-nanii-sakti-rupeIJa
nikhila-pi1)9adharatvena varttata iti siddha-siddhiintal;l II 30 11
Tr· The consciousness in varied form of the nature
offers experience of para and apara that exists as the substratum
of all creation. This is the doctrine of the siddhas. 30.
***
q(&'{q~fl:lfa 2 mcfQ'1~"'<'1"'tl(11"'tH1Cti"ltf~3 II ~ II
paramapadarn-i ti s va-srup vedyam-atyanta-
bhiisiibhiisakamayam 11 2 II
Tr. Paramapada (Siva) is to be realized by in~tion which
is of the nature of illumination which illumines everything. 2.
d~ffid11~onil 01
tad-uktam-adinat.hena
Adinatha (Siva) has stated
mT"fl1T'tT~ ~ ~tiJC6J8 I
cft5fai <11"1laii 6
a ft" qpsifll.s•u 7 q)mmr~ ~g B~<:flfli'1g II l\ II
yoga-marge$u tantresu diksitiiniin-ca di1$akii1J I
te hi pii$aJJc;iinafJ proktas-tadia tail} sahaviisinal;l 11 5 II
Tr. Those who revile the guru of the path of yoga and
tantra are heretics, so are their associates. 5.
~ ~f"ff ~ mlffumt ~etmrrim-~ru
~~, -a"ffi 1J~CITTr Cbl(Otiv;ffi II G II _
yasmin darsite sati tat-ksaniit sva-sa.JP.vedya-sak$8t-karal;l
samutpadyate, tato aurur-eviitra. karanam-ucyate II 6 11
e • • D pada
Tr. As soon as the teacher divulges 1t, the .r'Mama
reveals itself and intuitive perception ensues. Hence the teacher
alone is the means (ofliberation). 6.
~ 1l~tttq1ma:. mcl'-mftIT ~ 11'~1fii<&tfl~8
tctc6\ti ~8 ~l!FJC{~~;r9 wm11 0 ftf;tro ~
ili~h18 11 l.9 11
tasmad guru-katiik$a-piitat sva-sa1pvedyata>:a ca
mahasiddha -yogibhil; svakiya!p. Pll)Qarp
nirutthanadasanubhavena samarasaip kriyata iti siddhantalJ II 7 II
1. !l~~qi:4 -W. 2. ~-B ,B ,W,P 1,P2 ,P3 • 3. ~-B,,B2,P1,P 2 ,P 3 ,
l 2 J 6 ~" .
ofu:R- W. 4. ~-J1,J2,P4. 5. ~llDIH11~ - Jt, 2· .llt1lal@!IG -J1,J2.
7. qr<3f~r~·;:rg-J1 ,J2 ,P4. 8. ~g ~-Jt , ~g ~-J2,P4. 9.
~~~"f-W . 10. ~riR·m-J 1 ,J 2 .
80 Chapter V
~3 ~4 -me?J~
pil)9a-siddhau ve$a/;1 kathyate
The attire of a yogi for success over pil}{ia
~~~T~ q- °<6mTlf"CJlfl(Ol'{5 I
~~flq1'1'1'1\if oe:JT6 ~~fi6Vl7 11 <) ~ 11
sankha-mudra-dharaQarp ca kesa-roma-pradhiiraIJam I
amari-piinam-amalaip tatha marddanam-utka.t am 11 13 II
Tr. Wearing conch and ear-rings (mudr§),growing hair,
drinking pure amari, vigorously rubbing the body, -- 13.
uktaii-ca
It has been further stated
~~ ~ tfClaj q~ ~~~ I
~11€:H3;ffig4 ti+il'Cll<:l ~ur qqfff ~s II /~~ .II
- -
m anu$yaJJal!l ca sarve$aIP ·"'r sa.mskiira-vasad-1ha
- praJ\. . I
sastra-yuktah samiicarah krameI}a bhavatJ sphufam 112311
Tr. The beh~viom as pr~scribed in the scriptures become
gradually expressed depending on the past impressions of the
human beings. 23 .
86 Chapter V
2
~ ~ ~I ~1'191Cklf ef ~ ~ qci i:tt?lfe..al'1i
ire qfl~ltl 3
\Tf\en~ ~ ms~mel;r
~~~~ffit)lfuft~~ II ~ o II
5
~~I
sarpyama iti
Saipyama is explained as follows
~flUld~Rf 5
sopayam-iti
Sopiiya is explained as follows
~er "9'C6T~tr~6 ~;fer ~tt"1~~'fQ' -aGT1 ~wt
~1aa:i ~ m~8 II ~\9 II
svayam-eva prakasa-mayarp svenaiva svatmanyekilqtya
sada tattvena sthatavyaf!l tat sopayam II 27 11 • • •
Tr. The realization that the self-luminous one is identical
with the Atman and stabilizing oneself in that Atman is called
sopaya. 27.
31ild~Rt 9
advaitam-iti
Advaita is defined as follows
88 Chapter V
atb3tl 4
uktaiica
It has further been stated
~·s ('Ctl~H't·~
11;fm8 tj'tf'rg ~l~Piir~g
6
I
'ij)qrq ~8 ~-Silf.:<"t<l~ q\li ~II ~~ II
7
~~ ~~"'llP-i<n~fidtflq 1 Pc:IC1Mo8 I
~ f&aitflTftm ~\~ ~ ~~g II ~& II
caturthe k$ut-t.[$li-nidra-sita-tiipa-vivarjital} I
Jayate divya-yogI5o dura-sravI na sarps(lyai;i 11 36 II
Tr· In the fourth (year), he overcomes hunger, thirst, sleep'
cold and heat, becomes a divine yogi and gains clairaudience. 36.
Cll~Riig ~ ~ q(Cf>ltf9~~ I
~ ~ ftRffi ~Rtcf\iimt;f ~ 2 II ~~II
vak-siddhih paiicame varse parakaya-prave5anam 1
· · - · 1137 11
biidhyatebill
$8$.the na chidyate sastrair-vajra-patalf-na
Tr· He gains eloquence in the fifth year and also the a ty
to enter another body. In the sixth year he becomes invulnerable to
weapons. The thunderbolt shall not hurt him. 37 ·
iID{ H ;:a 1...j ~ !i c.I( fl ;:a l""f ~1iRt ti "'(11 ;:i ;rJ ti ti "'d 1"'1
~tft~COl(ti"'('f 1'"1° ~fa- 1 I
qts:11'1fq 2 ti~ IW1 l"1 i3 1l~ "l~ ~ cffiff ll)f ~II
8.i-santanaip bile§vara-santanaiµ vibhiiti-sanranarp. natha-
santiinarp yogisvara-santfinaip ceti I
e§mn-api santananfup p[fhak p[fhak vaisi$!Yarp. vartate 114211
Tr. (i) iii, (ii) bilesvara, (iii) vibhuti, (iv) natha and (v)
yogisvara are the different traditions.
They have their own distinguishing features. 42.
~~ ~~ R~ {~~ ~g I
~4 ~crnrs 1Jlmrs t1:aHt'li ~ur g; II u. 0 11
brahma visnus-ca rudras-ca i5varas-ca sadasiva]J I
etas-tu de~~tiil;l proktiil;l santiiniiniilp krame1,1~,~u II 50 II
Tr. Bra11ma, Visnu, Rudra, lsvara and Sadas1va are the
deities of the santanas (d~scendents) respectively· 50.
96 Chapter V
;r ~~Tt4l<OlltitT'ff;ift~~~5 I
;r ~c[e:11tt1e1"1 6 Cfilc:tcffi~1tu<u11a II <4.~ 11
na mudradhiirar;iiid-yogiin-mauna-karma-samasrayiit I
na virakter-vfthiiyiisan-na kiiyakle5a-dhiir81)lit 11 56 11
Tr. -not by wearing mudra, (practice of) yoga,
observance of silence, freedom from passion, futile exertion,
undergoing physical mortification,-- 56.
j'~CfiqitMlct: m
~ ~{ifcllR"'li m ~Rl'11f~cl llGoll
7
Tr. The resolute yogis who speak truth attain that state
by the compassionate glance of the g uru. 60.
C6t1"1l:c:=:&fu>q1a1&1 ~ 41&1Clffi~ 1 I
'Im&nl ~ug ei<:t~ qftl«) ~ ~ II G~ II
kathaniic-chaktipiitiid-vii yad-vii piidiivalokaniit I
prasiidiit svaguro}J samyak priipyate parama.rp padam 11611}
Tr. Paramapada (Supreme goal) is attained by the otal
advice, saktiplita (transferring spiritual power), by looking at the
feet of the g uru o r by the favour of the guru. 61.
SICf ~ fV I c) afl th ct(
ata eva sivenoktam
That is why Siva has stated
~Pttst1<&f~m ~ q1c::1c:iffiCfRTil3 I
&041('11'1. fttH'11fO:l'd ~ ~rc) ;prg II Gl\ II
nimitjiirdhiit-tad-arddhiid-vii yadvii piidiivalokaniit I
sviitmiinarp sthiram-iidhatte tllsmai sngurave nama.Q 116511
Tr. I salute that guru who by his fleeting glance of half
a wink or even half of that duration or on account of the attention
paid to his feet, steadies the disciple in his own nature. 65.
1. a
Cff"UTTS <la Os q I ;r -P 2' 2. fu( q') m8 - p I,P 3. 3 . ~t:fjtfcrmlJ
tfAltLllAIClfflf6'rnl - B •• w.
~t:frt:f~ q1nanalCl\ithRT~ -B2,
~~t:fqnrrm tf'lIT qlGICl(i'l)ifWffit. - Pt>P 2,P 3.
Siddhasiddhantapaddhati 101
"11"'11~Cf>(iq~~ "C6~ ~~ g ~g 1 I
~1l~g ~ g; ~Wtttl ~ g; ~tzuf~ns+<SIC68 II && II
niinii-vikalpa-visriinti1p. kathayii kurute tu ya]J I
sadguru}J sa tu vijii.eyo na tu mithya-viifambaka]J II 66 II
Tr. He who by his advice sets to rest all doubts (of the
disciple), is alone to be considered as a sadguru. But not he
who is an imposter. 66.
C!ICIP Pal Rt
gururiti
Who is a guru ?
1l~g II~~ 11
_ punar-vag~di-sastra - dr$fyanuman a-ta rka - mudraya
bhramako gurus-tya1yal,1 11 68 11
Tr. Again, a guru who deludes by means of his
~tterances, knowledge of sas tras (scriptures), anumana
(inference)' tarka (logic), mudra etc. is to be deserted. 68 ·
ukta fica
It has been stated
~ l'1 Q"I ;;:fl 1l~ @ I \i"4l ~tel I c:i Icfl ~ 5 +al q;g I
~~ "'f \i11"'11Rt ~ tf C6Ufff fc6l( ? &~ II
jiianahino gurus-tyajyo mithyavadI vi(lambakai} I
sva-visrantirp na janati pare$iirp sa karoti. kim ? 69 II
Tr. A guru who is ignorant, who speaks untruth and
who is a hypocrite must be abandoned. Of what use is he to
others when he has not experienced repose himself? 69.
dl<tt~er 1 ~ifi:.qldl(Cf)t:l'11&1 ~~ I
2
ffif8 « ~~ ~ 4 ~fli(CSI~ I
q(i'1~'14\ "t,~ ~tSCti(fl& fucrnj CJ"'*O:. 11 \9~ II
tatal} sa mucyate si$JO janma-sarpsfira-bandhaniit I
pariinandamayo bhiitvii ni$kalal} sivatiirp vrajet II 73 II
Tr. Then the disciple becomes free from the cycle of
birth and death. After attaining paramiinanda (Absolute Bliss),
he becomes attuned with Siva. 73 .
i!i\if'Ai.6 ct>l~iAi
•
dl<ttiler5 o-~ I
~ ~1l~ «llff'Rl P:f Cfi Ief1 '1 fl::t CSf ~ii 0.. II \9 ¥ II
kulanaip koti-kopnarp tarayatyeva tatk$al)iit I
atas-tarp. sadgurum saksiit trikiilam-abhivandayet 11 74 II
Tr. A sadguru instmtly liberates crores of kulas (families).
Hence one should worship the sadguru thrice a day . 74.
***
.q~os 11 <} 11
avadh iitayogi niima ka ityapek$ayam-iiha I yal;i sarvan
pralqti-vikiiriin-avadhunoti tyavadhiital;i. 1 yogo'syastiti yogi I dhilii
1
kampane, iti dhatul) kampaniirthe vartate I kampanarp caJanam
deha-daihika-prapaficadi$U Vi$aye$U sangata.rp manal} parig(~ya
t,e~hy~ p.r atyiih[tya svadhama-mahimni pariJina-cetal} prapanca-
suny__a ad1-madhyanta-nidhana-bheda-varjital;l 11 1 II .
Tr. The query as to who is an avadhiitayogi is.
answered: One who has transcended the modifications of Prak[f:i
is called an avadhiita. One who abides by yoga is a yogi. The
root 'dhiiii karppane' means ' to shake off'. 'To shake off means
to move. Withdrawing the mind which is indulged in the ~oddly_
objects, and merging it in one's real abode, the avadhu.ta ~ogi
stands aloof from the world and is devoid of any begmnmg,
interval , e nd and mortality . 1.
Note: A vadhiita- A class of ascetics who is beyond all
restrictions . According to Sannyiisopani$ad 13, they take food
from all persons belonging to all V8J11as, except those who are
charged with moral sins. They eat like an ajagara (python), i.e.,
while lying down and opening only mouth w ithout any effort,
and are solely absorbed in contemplation . According to the
tantras , avadhiita is the aspirant who comma nds universal
reverence , who is free from all prejudices and who bas
knowledge of his own (Kulan;tava XVII) . A vadhfitas are divided
into two classes-householders and recluses (Pra1.1ato~il)I
VIl.4.532). Avadhiitas belonging to the highest grade are known
as kulavadhiitas (Mahanirvana VII.271-83) . Avadhiita is also
the name of a nerve. I . .
~C51~14<1'1~ ~ ~ ~osefi&<:P( I
\T14'11~11S~~g msc:rq_fils~Eftml II ~ II
cit-prakiisa -pariinandau yasya vai kul)<;Ialadvayam I
japa-mlila'k$a-visrantil;l so'vadhiito'bhidhiyate II 9 II
Tr. He is called an avadhiita whose pair of ear-rings
represent self-luminosity and ecstasy and whose rosary of beads
represent repose of the senses. 9.
Note. The pair of earrings is also known by the technical
term 'mudra ' (cf. SSP.V.13 quoted above). 9.
~~t:llH'P'Cf""l8 ~.1Jt1~ql(ll8 I
m a
'i aR:ot "'+t tt 1at=et tis sCl''-lot s f\I tfr tt 11 ~ \9 11
anutthadhiira-sampanna]J. para visriinti-paraga]J I
dhrtacinmaya-tattvajiia]J. so 'vadhiito 'bhidhiyate II 17 II
Tr. He who has a firm base of anutthana (undisturbed
state of consciousness) who is an expert in conferring repose
upon others and who always abides in cit(pure consciousness)
is called an avadhiita. 17.
13t c::crffi &4'ffi'f I t:4 't1 a:rffi 2 -act' 1J e f£4 ('I'( I
~ft~tctf~{ ~g 3
msc:riiffisf\ttftc:fd II ~l II
avyakt.arp vyaktam-iidhatte vyaktalp sarvarp grasatyalam I
svasatya-svantare magna]J. so'vadhiito'bhidhiyate II 18 11
Tr. He who reveals what is unmanifest and absorbs
what is manifest and remains absorbed in one's own self is called
an avadhiita. 18 .
~'fi'T~)S ~~~8 I
6
13tct'"llftlea:tct>l 'Sffif8 4
(ift(T1q1 ~ ffic6 ms~ffis~tfitfd II ~ ~ II
avabhiisatmako bhiisah sva-prakase susarpsthita]J I
lilaya ramate Joke so'~adhiito'bhidhiyate 11 !9 II •
Tr. He who being the luminary which bnngs to hght
everything else, who is content in self-luminosity and who
sportingly rejoices in the world is called an avadhilta. 19 ·
Cfct ~ (( 1=1ttft ifCf ~·t=tll aft' ~ ~ ;:;:p "18 ~~II TOI ct«. I
ctct ~ 4 Fffi' ctct t:11 tu a -msc:rqor sf\f d'l tt a 11 ~ o 11
1
~~ :q tftlft :q ~ m~ ~·~~n=rn 6 I
5
1. ~~ - J. ,J 2,B1,B2,W.
116 Chapter VI
~1thq(~R ~~ I
~~ '1l5it11e1i~ 1 '!l'!l'«fq-s 11 ~l\ 11
sarJra-padma-kuhare yat-sarve$iim-avasthitam I
tad-avasy81J1 mahiiyiisiid-veditavy81]1 mumuk$ubhi]J II 2511
Tr. That which dwells in the lotus shaped cavity of the
body of all beings should be realized with all effort by the seekers
ofliberation. 25.
Siddhasiddhiintapaddhati 117
~~ ~~ ~~ msms 'Wr8 ~ I
'ij" ~ ~~g 'ij" '9TOT8 'ij" ct>l(l'llP•u 'ij' ~ II
1 2
~ ~ m•Pl~~ 4 m~:t11e.qnt1Uls I
~ ~ q;if ~ms 5 <6lflftiri'6'iuq6 II ~\9 II
sa eva yogagamyas-tu sii!p.khya-siistra-parayaIJailJ. I
sa eva karma ity uktalJ. karma-mJmiiipsakair-api II 27 11
Tr. According to the experts of S§Ipkhya, he may be
known through yoga. He is the one called as karma by the
Mimiirpsakas , the followers of all karma (rituals). 27 ·
~t{Off3~l1ft 5 ~<1Cti1<qa ~g 1
~~ ~t~HIS'q ~~~q" lJCfiTffit II ~ ~ II
avadhilta-tanur-yogi niriikiira-pade sthita}J I
sarve$iirp darsaniiIJiiii-ca sva-svarfiparp prakii§ate II 32 II
Tr. The yogiwho has purified the body and who dwells
~
·4
"11"11 rcClllli:fil<'1 ft~. ii'S'iiefl. 'ftGTs I
d~'ti ~ ~ C(CfiGos') ft' ~ 6 11 ~ l II
ekarp nanii-vidhiikiiram-asthiram caiicalam sadii I
tac-cittaip daIJc;litaip yena ekadaQc;II sa ucyate II 38 11
Tr. He is called ekadandi who has control over the ever
unsteady and fickle citta (mi~d) which though one, assumes
varied forms. 38.
~ C§t"11C§t4 ~ ~ ~ ~ 1 g I
~qrr~!tliftt41 008 ~1fffiqc( ~~ II ){~ II
jfiiitvii kulakularp. tattva.Ip sa krameIJa krameIJa tu I
svaprakasamahiisaktyii tatal) §aktipadarp Jabhet II 49 II
Tr. After knowing the principles of kula and akula,
the yogi through gradual experience of the self-Iwninous supreme
sakti, obtains the saktipada. 49.
ircft lf'i2 liftf1~T ~ ift;ft3 ir.J:: tffill.4 I
ii_~~ tf ~~s ~ ff';fTS~ mm ~ II l\ 0 II
mado madyarp. matirmudra miiya mino manaiJ palam I
murcchana1p maithunarp yasya tena'sau siikta ucyate 1501
Tr· One who considers arrogance as liquor, desire as
mudrii, illusion as fish, mind as flesh and stupor as intercourse
is called a sakta. 50.
Note: Thi s interpretation of the paiicamakaras by
Gorak$aniitha is a pointer to the fact that, quite contrary to the
popular belief, he and his disciples adhered to non-indulgence
in the gross makiiras. 50.
«ertm ~~ q~fai:f\Tfff ~ 1
1
'Q ~ Q. fi:t c.qfi:t ;:a1"'1 lti ;:a ii) Tft '1 li IiS1 ef1 g 11 && 11
sarviisiilp nijavrttiniirp prasrtir-bhajate layam I
sa bhavet siddhasiddhiinte siddhayogi mahiibalal; 11 66 11
Tr. According to the doctrine of the siddhas, one who
dissolves the modifications of the mind is called a siddha. 66.
'3tmfl•n oo ~g ~s~\J11"tlttC6& I
l1$1'1"G'1ttl tft\g 'Q ~~ Ftii!i4l~ II G\.9 11
2
2
~ nwra1nftr\rnt1 er>< cfl ~'"' m '11'Uf1 ff~ g II
q1011q1;H1'11'1il~3 ~ ~'ffiG{ ~~
4
~I CffLI I<§3€1 "1 "I() "1 tfl fqj q, <oj ~umf tf'l 5 '1 Hl.
~ ~0s~oflydf't~'1'ttU 6 ~ offi ~ II
~ 11.uf~ ~qld"1'f~g C§ef~ m:qr~ ~
(!A0$$11"f(dlfg ij- Pt\J1qci ff1SJi ~ {i ~? ll~Gll
saktyakuiicanam-agni-diptikaraIJarp tviidhiira-sampi<;lanat
sthanat kuIJqalini-prabodhanam-atal;l Jqtva tato miirdhani II
l.'i:ftterf~-W. 2 . PJli:tlft~l~g-J l, J 2, mi:rramA• - P 2 . 3. 0
~..tfl~l(OP1~'l_l~ 1 ~~tf ~~ ~
~~~112 q;ct mR ~~Sli crlSf
3
t'W{ II
~:t ~ :4 '1 cPft ~Tflfef{ ~5 er
-ait~?i
;fl" ~~ qt ~ ~~I( ~ Cf)tSGl:ttf ff 11~~11
kanthiidhiiranamadbhutam bahuvidham bhiksiitanam niitakarµ
bhasmoddhil.lanamangak~rka§ataraq:i kµva'th~ VaT$~IP c"aran 11
0
TI ~~ ~~ ~"CSfi ~~ ~n_ I
TI ~~ CSl(l'llwfl oq-r;;f iilEH"111dl'CSef1 IG_ II ~ o ~ II
TI ihft"it€1'11&1'11"1 ~~~ tlltt'11G.3 I
~:nt11~ TI ~ 1J~1ts•4ijiit ~ II ~o~ II
na deyaip parasi$yebhyo nanye$iiJ!1 sannidhau pa!het I
na snehiinna balallobhiinna mohannanrtacchalat II 102 II
na maitribhavaniid-danan-na saundaryan-na casaniit I
putrasyapi na datavyaip gurusi$ya-kramarp vina 11 103 II
Tr. It should not be divulged to the disciples of other
teachers, nor should it be uttered in front of strangers. It should
not be imparted out of affection, coercion, greed, delusion, stealth,
cunning, friendship, as a gift, being attracted by loveliness or
~'QT~tf~s ~lJ~Mirn:. l
t+i(l'1"&"'1~ 'i}ffi-6 lfu1q~fq'~ ~g 11 CJ~~ II
vidadhatvarthanicayarp bhaktanugraha-milrtimat I
smaranandabharaqi ceto gaIJapatyabhidhaip mahal; II 116 11
Tr. May the great God Gai;iapati, whose remembrance
alone fills the mind with Bliss, who bestows favour upon the
devotees, grant all the (four) objectives of life! 116.
Note. Four objectives of human life are dharma , artha,
kama and mok$a. 116.
***
~--
Appendix
Vik (SSP-I.59)
SSP has accepted five states of vak (speech), namely,
para, pasyanti, madhyama, vaikhari and matrka. The speech
that is articulated through the mouth is called vaikhari, the
previous state of this is called madhyama which an individual
alone can feel within him and not the other person. Still the
preceding state is called pa8yantiwhich even the individual does
not experience, but which a yogi alone can perceive in the state
of dhyiina. Para state of the speech is the origin and urunanifested
state. A yogi in the state of samadhi attains the Jaya (absorption)
to this state of speech known as para. Matrka is the nasalised
sound of the speech which SSP alone has accepted and this is
not available in any other texts.
Na9is (SSP-1.66)
Niic;Jis in the human body are the conduits of priiI)a. If
the nac;lis are defiled, prliIJa cannot move through the na<;lis freely
and as a result of which praIJa cannot move in the passage of ·
8
U$Uinna. Therefore, through the practices of yoga it is imperative
to free all the nac;lis of the impurities.
_ _ C~nsiderable confusion prevails as to the number of
na<;fis, their names and their course as described by the different
ha.tha. texts t~emselves and also by the different manuscripts of
the S1ddha-s1ddhiinta-paddhati itself.
According to Gorak~asataka (GS) as many as 72,000
niir;/is which serve as channels of prliIJa emerge from the kanda
(bulb), out of which seventy-two are important. From among
these again ten are mentioned as especially noteworthy viz. ir;Jii,
pingalii, SU$Umnii, giindhiiri, hastijihvii, pfi$ii, yasasvini,
aJambU$a, kuhil and sa.rikhini.
Some of the mss. of SSP (B 1 1 B 2 1 and W) and the printed
texts P 1, P 2 and P3 omit yasasvini from the above list and
substitute sarasvati instead. But as this view runs counter to the
view held by GS, another work by the same author, we have
accepted the reading supplied by the remaining mss. of SSP
Siddhasiddhiintapaddhati 153
gandharI eyes
hastijihvikii eyes
pfi$li ears
Y8.$asvini ears
alaip.bu$li mouth
kuhii anus
sarikhin1 generative organ
SU$UDlnii spinal column (up to
brahmarandhra)
other nii<}is pores of the skin
Viyus (SSP-1.67) .
According to yoga system by 'vayu ',all the. ten bod1l~
viiyus are taken which is differently named according to their
functioning as prlil)a, apana, udiina etc., amon~ which priil)a is
considered as the prominent. Due to priil;Ja bemg the foremost,
many a time the terms like 'priil;Ja ' or 'priil;Ja- vayu' are used for
all these ten viiyus. Vayu (air) is the vehicle of priil)a. Both
subtlety and movement of prii.Qa are based on vayu itself therefore
it seems that viiyu and pr8I)a are sometimes identical and hence
in the yoga literature both the terms are used as synonyms.
154 Appendix
lotus turned upwards; in its pericarp one must meditate upon the
~ee-peaked flrdhva sakti viz. parama8iinyii, the seat ofpiin)agiri
situated therein is the bestower of all wishes.
A graphic picture of the cakras and their locations in the
body is presented overleaf:
Judging from the location of the above cakras,itcan be
inferred that the ·f irst five cakras mentioned by the SSP correspond
to the miiladhiira, svadhi~.thana, mm;Jipilra, anahata and visuddha
cakras mentioned by SCN whereas the seventh mentioned above
as bhrflc~a correspond with the ajiiacakra mentioned by SCN.
The additional cakras mentioned by SSP are the tiiliicakra,
brahmarandhra or nirvanacakra and iikasacakra. Although the
SSP distinguishes the .two cakras viz. brahmarandhra and
lika8acakra, elsewhere while describing the $O~asiidhiira, it
locates akasacakra in the sixteenth adhii.ra viz. brahmaran&i:a
(cf. avasi~te brahmarandhre iikasacakram SSP.Il.25) wherem
the pair of feet of the guru should always be reflected upon.
Further' the aka§acakra which is described as of sixteen petals
facing upwards and as fulfilling all wishes ought to have prece<!ed
the brahmarandhra or nirvanacakra which as bestower of salvation
seems to be the highest ~orresponding to the sahasriiracakra
situated above the satcakras and at the top of the hea?·
· · al nJy JD the case
The SSP specifies the number of pet s 0 ) d
1
of two cakras viz . hrdayacakra (lotus of eight pet~ s. an
~ '--/ · · amed Similarly
aAasacakra (sixteen petalled) out of the mne n ·. '
1"t .is on 1Y m
. ~1rr (three whirled) and
the case of brahmBCi:UU a . ·
nabhicakra (five whirled) that the number of whirls 1s mentioned.
SSP does not make any mention of the letters of the alphabet o~
the petals of the different cakras as described by SCN. The GS
(69-73) refers like SCN to the five primordial elements pfthvi,
lip, agni, vayu and li.kasa residing inside the lotuses I cakras
although the arrangement does not follow_ the pattern of SCN.
Our text completely ignores the representation of these elements
in the cakras alongwith their bija letters, mention of the presiding
goddesses of the lotuses' viz. qakini, rakini, kakini, liikini, siikini
160 Appendix
and hakini, their attributes, the colour of the lotus and other such
details given by the SCN. Our text thus gives only the bare
outline of the cakras or lotuses.
jbhrUcakraj
tfilucakra
/ka.t).thacakral
hrdayadhara
~tadalakamala
(facing
downwards
oQyanapit}la
.bhicakra I
brahmacakra
mUlakanda
kamarupapi!}la
Vajroli (SSP-11.13)
The GhS includes vajroli among the twenty-five mudras.
cf. GhS-IIl.2.
It defines vajroli as follows (GhS-ID.39):
.'Having fixed the palms of the hands on the ground o~e
~u.st r~se th~ leg~ and the head up in the air. ~e sages call~~
a1roli mudra which is conducive to the awakerung of ku1Jfial1111
and to longevity.•
. V ajroli mentioned by the Hafhapradipika is an al~ogether
different process involving bindusiddhi i.e. restramt and
preservation of bindu (of men and women). Cf. HP-V.lZS: .
'The sukra (bindu) of a human being is controlled by his
mind ~hereas life depends upon sukra(bindu). Therefore,sukra
and ra1as must be preserved with effort.' b
The HP also states that success tn va} · roli can e
. 11
accomplished by both male and female aspirants and that saha10
and amaroli are but varieties of vajroliitself. Cf. HP-V .131 .
Like HP (V 6 _7) Yuktabhavadeva (YB) ~~.
Bha"ad · ~ also mentions
.... evanusra · . 1-:among the ten mudras
va1rou . -
~·
(YB-V ·6 - 7) · YB quotes ;)1vayo~ ,08 to the effect that saha1ol1,
. .
amaroli and vajroli are not different from each other. They differ
only in names. their function remaining the sam~ (YB-VIl . .2~2) ·
Thus they comprise a composite process..suc~g up or lifting
up one's bindu is called vajroli(cf. svabindorurdhvanayanarp
vajroli); the sucking up or lifting up of one's ejected bindu from
the female womb alongwith the blood which it has mixed with
is called amaroli (cf. bhage raktena saha militasya
bindoriirdhvanayanam amaroH); withholding one's bindu (by
162 Appendix
Khecari (SSP-11.19)-
The importance of khecarimudra has been clearly
brought out by HP saying that there is only one mudrii and that
Siddbasiddhiintapaddbati 163
brahmarandhradhara
lalatiidhara
tiilvadharaf----4-~~ro-- i.....::;__ _ _ _ _ ,
kaQ~adhara
O<;Iyanadhara
meQhradhara
gudadhara
angu~thadhara
Lak$yatraya (SSP-II.26-29) .
. After having explained meditation on the sixteen gross
Objects (ll.10-25) pertaining to the body, Gorak$a deals with
th~ subtle objects of meditation (II.26-29). Antarlak$ya deals
~1~ meditation on internal objects such as (i) the SU$umnii and
1
~~ tmy dazzling image moving upward through the backbone
(n) ~e minute form in the kolla.tama.JJ.~apa (iii) the form of a red
bee m the bhramaraguha (iv) internal sound and (v) a tiny doJl
of b~uis_h tinge situated in the eyes. Bahirlak$ya deals with
meditation on the elements like ether, air, fire, water and earth.
cf. PYS-ID.45 :
8 th fl] as varflpas flksmiinvayiirthavatvasa!Jlyamiid
bhfltajayai). ·
. Madhyalak$ya is meditation on the flame of fire,
lurrunary' lightning, solar orb or half-moon considering on~self
to be different from all objects or without any particular o~3ect.
Lak$yatraya is meant to lead to manolaya and 1~ an
advanced stage compared to meditation on the sixteen adh_ar:15·
Pataiijali specifies many such spots/regions perta1J11:n~
to .the body as well as outside, sarpyama performed on whic
bnngs for the siidhaka extraordinary powers (see PYS-ID.27-33).
Vyomapaiicakas (SSP-II.30)
The nature of the soul is illusive. To experience the nature
of the soul 0 ne is
.
recommende d to meditate on __ the ,.five vyomas.
ak_ ,.
The five vyomas or vyomapaiicakas are- akasa, p~ asa,
1:18!1likasa, tatvakiisa and sii.ryiikiiSa. the fiv~ vyomas exist ?oth
ms1de as well as outside the human beiJ:tg which can be perceived
through meditation practised on them. B.y doing so a practitioner
also becomes as extensive as the space itself. The five vyomas
(spaces) and their nature is shown in a tabular form below:
166 Appendix
Name Chacteristics
a.Kasa pure, formless
parakasa brightly white
mahakii§a kalagni (of the nature
of fire of dissolution)
tatvakiisa nijatatva-svarilpa (of
l saryakasa
the nature of the self)
of the nature of sun
In M81J<Jalabrlih81Jopani$ad (iv .3) aka§a is said to be dark,
parakiisa is of the nature of kalagni (frre of dissolution), mahiikasa
is full of immense illumination while paramiikasa is put in place
of tatvakasa after suryiikasa.
Asana (SSP-11.34) .
- ·ali· defines asana as sthiras
P atan1 - anam' 1·e· that
· ukhamas
body-posture which can be maintained with comfort/ease for a
long time. It is only a body-posture. The iisana as de~~ed by
SSP is much more than mere body posture. Its emphasis IS ~n a
mental posture or mental attitude (asanamiti · · .svasvarupe
.
samasannata- SSP-II.34) . Asana according to SSP IS fixat10~ of
the mind in its characteristic form i.e. cinmiitra. In order to achie:e
this , ~ne must adopt any one of the three ~ody-postures viz.
svastika, padma or siddha and remain alert m that pose. Thus
the body-posture is only a help in achieving the mental pose
which is the real import of iisana as defined by SSP.
Patafijali does not name any particular asana. Though
hathayoga texts generally name numerous asanas, the mode of
performance of which run counter to Pataiijali's definition of
asana. SSP recommends only three.
168 Appendix
Pril;layama (SSP-II.35)
SSP defines priiIJiiyiima as steadiness of priiI}a. It
mentions four types of priiI}iiyiimas viz. exhalation, inhalation,
retention and fusion. Repeated performance of retention for long
periods, brings the prliI}a under complete control of the siidhaka.
By internal manipulation of the priiIJic currents the
sanghaµakaraIJa praniiyiima or the fusion of priilJ.a and apana is
achieved. Finally there is no feeling of either priiIJa or apana.
This condition is called samatva - vijiiana-samudgamana
(Vijiiana-bhairava 64) . Neither Pataiijali nor SSP explains the
technique of performing this fourth type of priiIJ.iiyiima
(bahyabhyantara-vi§ayak$epi caturthal}-PYS-11.51) probably
because it is to be imparted to none other than in the guru-Si$ya
tradition after having properly tested the fitness of the disciple.
Dbiiral}i-dhyana-samadbi (SSP-II.37-39)
Fixation of the mind at a particular spot/region is dhiir81Jii
according to Pataiijali. Cf. desabandhascittasya dhiiraIJ.ii-PYS-
IIT.1 . The concept of dhlir81Jii according to SSP is much wider.
It is an advance over Pataiijali's view of the state of mind of
siidhaka. Here the siidhaka has to develop a mental attitude that
whatever is inside and the outside world is only one's own
essential form; also whatever mental modification that arises is
to be merged in the formless and steadiness maintained like a
lamp in a windless place.
Pataiijali defines dhyana as tatra pratyayaikatfinata
dhyanam -PYS-III.2 i.e. uninterrupted flow of mind towards
the object of meditation is contemplation. Thus it is intensity
alone that distinguishes Pataiijali 's dhiirarJii into dhyfina. dhiiraJJii
leads to dhyana. Thus it is a progressive step in the process of
concentration and is in sequential order.
But dhyana according to SSP is not mere intensification
of dhiir81Jii. Here dhyiina is essentially a mental attitude of non-
duality, and equanimity in all beings, which develops based on
the perception of all manifestations as forms of That Supreme
Siddhasiddhilntapaddhati 169
Brabmudas (SSP-111.5) · ·
·:
I n tune with . _ d · 'whatever ts m
the basic natha octnne,
brahmi4J9a is found in pinda' verses 2-5 name the twenty-one
lokas of brahm§J)9as alo~g with the seven n~t!1er ~o~lds and
their location in the body' and also their presiding de1t1es. The
seven nether (under) worlds are located in the lower p~ of the
body. The kfinna (tortoise) who according to the puraIJaS bears
the entire Universe on its back, inhabits the sole of the feet:
According to the pur81Jas, to get hold o~ the nectar (~)
devas (deities) and asuras (demons) got mandaracala (mountam)
as a churning pole and Vasuki (snake) as the churning rope for
churn the ocean. To provide base of the mandiiracala, Lord
Vi$QU took the form of kiinna (tortoise).
170 Appendix
2. bhuval)--
in bodv
guhyasthiina J
(private parts) Indra----
liriga (penis)
Function
regulator of
sense organs
3. sval) --- nabhi (navel)
-
4. mahal)- shoot of spine
5. janal)-- orifice of spine
6. tapas-- spinal canal Brahma--- ego, pride, etc.
7. satya-- miilakamala
8. Vi$QU- belly-----
- Vi$QU--- vanous
functions
9. Rudra- heart---- Rudra--- fierce form
10. f§vara- chest---- l&vara--- satiation
11. Sadasiva-- base of throat Sadasiva--- mild
12. NilakaQ.tha-- middle of throat NilakaIJfha-- protection
13. Siva-- palate--- Siva---- matchless
14. Bhairava-- root of tongue Bhairava most excellent
15. mahasiddha- a little behind mahasiddha-- awakening
the above
16. anadi-- middle of anadi---- supreme
r··
forehead unfettered bliss
17. kula-- s(liga_ta kulesvara--- bliss
18. (akula)-- akulesvara-- absence of ego
palate
the tip of
ose
19. Parabrahma- brahmarandhra Parabrahma-- satisfaction
20. Parapara-- sahasrfira--- Para mes vara-- parapara
21 . Sakti - trikiifa--- Supreme Sakti subtle
Siddhasidclhiintapaddhati 171
mahasiddhaloka
anadiloka ~~-• bhairaivaloka
akulesaloka
0
=
Cl.)
Cl.) j rudraloka /
t:
::s
0
janaloka
. ~ maharloka\
Kulaparvatas (SSP-111.10)
The eight kulaparvatas (mountain representing one's
own kula) named by SSP and their locations in the body are the
following:
Siddhasiddhiintapaddhati 173
UnmanI (SSP-VI.87)
UnmanI is that state of mind which ensues when the
mind is completely cut off from all its functions (modific~tio~s)
and is thus suspended in the void. This is the clistingmshin~
1
characteristic of a yogi. One who has not experienced unman
cannot be called a yogi. (The Serpent Power by Arthur A v~on~.
The GhS (VIl.17) declares that rajayoga, samadh'
unmani and sahajavasthii are synonyms. . db
How this samadhi can be attained is also explame Y
GhS (VII.8) as follows: ·
' By merging oneself in the void (Brahm~) and filling
oneself with kha (Brahman) one identifies on~lf with Brahman.
In this state, one experiences nothing else. Bemg full of absolute
bliss one becomes steady in samadhi.,
Dbauti:
'One should slowly swallow a strip of wet cloth four
digits wide and fifteen cubits long as per the direction of the
teacher and thereafter pull the same out by repeated practice.
This is dhauti-kanna which removes the impurities of the net-
work of nii<;lis and conquers cough, asthma, disorders of spleen,
skin diseases and many varieties of phlegmatic disorders.'
GhS-I.13,14 however gives elaborate techniques of
dhauti as shown in the following table and explained further
The elaborate process of dhauti is shown in a tabular
form below:
Dhauti
i i i i
antardhautJ dantadhauti hrddhauti miilasodhana
+ + +
i. viitaslira i. dantamiila i. daJJqadhauti
ii. varislira ii. jihvamiila ii. vamanadhauti
iii. vahnisara iii. kailJ.arandhra iii. viiso(vastra)dhauti
iv. bahi$iqta iv. kapalarandhra
Siddhasiddbi.ntapaddhati 179
Bas ti:
nabhidaghne }ale payunyastaniilotka.tiisanalJ I
iidharakuncanaip kuryiidapiinarp. bastikarmavidll HP-
ID.14.
Neti:
sutra.rp vitastisusnigdharp. niisiiniile pravesayet I
mukhannirgamayedeva neti siddhair-nigadyate II HP-
ill.17.
'A smooth sheaf of cotton, measuring a cubit
(approximately 23 ems. in length), is inserted into the nasal cavity
and pulled out through the mouth. This is called neti.'
This process of neti is popularly known as siitra neti.
SS-68 mentions it as of two kinds distinguished by the thread
being rolled and not rolled. Swami Kuvalayananda popularized
182 Appendix
the use of rubber catheter which is very convenient for use and
can be easily sterilized. The main purpose of this neti is not only
to clean the nasal passage but also to render nasal mucosa resistant
to the environmental changes. (For the technique and treatment
of chronic diseases of nose, refer to YM . Vol .XIV , No.land 2,
15-33).
Another technique of neti consisting of inserting thread
in one nostril and taking out from the other after giving frictional
effect, is described by Srinivasa, the author of HR and
brahmananda, the commentator of HP. However, for this variety,
a long thread is used.
Triifaka:
nirik$enniscalad[sa siik$malak$yarp. samahital) 1
a§rusampataparyantam-acaryaistra.takarp. smrtam II
HP-IIl.19.
'Uninterruptedly gazing, with fastened eyes, at a minute
object, until tears begin to roll is called tra.taka.'
Because the tears roll down the eyes during tra.taka,
possibly it is classed as a §odhana kriya. An evidence has been
brought from the Kaivalyadhama Laboratory that tra.taka works
as a psychological cleansing process. It was observed that dming
the initial practice of tra.taka the subconscious and the unconscious
mind gets activated and this helps to bring back certain repressed
experiences to the level of consciousness.
Nauli:
amandavarta vegena tundarp. sa vyapasa vyayoi} I
sata§o bhriimayede$a nauliyoga£!1pracak$yate11 HP-
III.21.
i.e. Swift rotation of the abdominal columns to the right
and left many times repeatedly is called nauli.
Lauliki is a synonym for nauli which word is generally
used. The technique of nauli described in GhS is inadequate
from the practical point of view. This has been adequately
Siddhasiddhiintapaddhati 183
Kapiilabhastri:
lohakarasya bhastriva kuryiit savyii~~savY_atal) I
kapalabhastri vikhyiitii kaphado$af1SO$aIJl 11 HP-III.23 .
' Imitatin 0 the swift movements of the bellows of a
blacksmith alte~ately using left and_right n~strils f~r ra~i·d·
inhalations and exhalations is called kapalabhast:ri or kapalabhatJ.
Perhaps GhS is the only text which talks about the three
varieties of kapiilabhiiti. The well known technique of
kapal.abbati which is sometimes called bhast:rii, is performed using
two nostrils fro rapid inhalations and exhalations .
184 Appendix
Sankhaprak~ilBJ)a (SSP-Vl.89)
The GhS prescribes three types of kapiilabhiiti (also called
bhiilabhiit1) for the removal of disorders of phlegm. They are
called viitakrama, vyutkrama and sitkrama respectively (see GhS-
I.54):
viitakrameIJa vyutkrameIJa sitkrameIJa vise$atal} I
bhiilabhiitiip tridhii kuryiit kaphado$a.rp niviirayet II
Viitakrama is kapiilabhiiti involving rapid inhalations and
exhalations of air explained above.
Vyutkrama is a similar process in which water is sucked
in through the nostrils and expelled through the mouth (see GhS-
1.57):
Siddhasiddhintapaddhati 185
Gajakar111;11 (SSP-VI.89)
HP-ffi.24 describes it as:
udaragatapadiirthamudvamanti
pa vanamapanamudirya kaJJ.thanale n
karibhirivajalasya vayuvegiid
gajakaraniti nigadyate ha.thajiiail;l 11 •
'By raising the a~iina-viiyu upto the throat one vonuts
r the stomach lik
wi·th -&iorce the contents of . e an eIephant showers
. .
water with force through its trunk. Those who are proficient m
ha!ha (-yoga) call this gajakararft.'
***
Glossary
)f
abhedyatva-non-differentiating .
acarya-propagators of the mantras.
acchedyatva -indivisibility.
acchidratva- flawlessness, blemishlessness.
adiibyatva- non-combustibility.
adeSa- a term signifying agreement or obedience of the speaker.
apJJ~sakti- lower Sakti situated at the milladhara.
adbara-sustainer, substratum; seat of physical energy.
Adinatha- Siva the Absolute Spirit; the highest principle.
adnfaphalasadhana- results of destiny.
adva.ita-identification with the Absolute.
adyap4J(la- the primordial piIJ<Ja and hence source of all
piIJ<Jas.
ahanta- feeling of I-ness.
ii- a progeny from guru.
ajnavati- name of Supreme Sakti who absorbs in herself all
other saktis at the time of dissolution of the Universe.
akasa-the formless pure space which is internal as well as
external; one of the five aka§as (vyomas).
akasacakra- lotus of sixteen petals of ether turned upwards.
akh~<)aisvarya- unlimited prosperity.
a.lcya- sense organs.
ak~ayatva - imperishable.
Akula- Siva; multifaceted Consciousness. Siva (natha) as the
originator of all the beings. Siva, the unmanifest, highest
principle.
akulesaloka- abode of the paramasiddhas.
a.m{ta-ambrosia which secrets from the talucakra located above
the palate.
amrtakalii- ambrosia that secrets from the aperture above the
palate.
aniidipil)<}a- the piIJ<Ja without a beginning.
anahata- an unstruck sound produced on its own in the body.
aniibatakalii- su~umna .
Siddhasidclhii.ntapaddhati 187
aJ
bahirlalcyya-extemal object of meditation.
babuli- basti-karma.
bbivani- creative contemplation which is generated from
Paramapada.
bbedibbeda-dvaita (duality) and advaita(monism).
bbramaragubj- place of rest of bindu.
bbiilcakra-cakra (lotus) situated in the region of eyebrows.
bbrf1madbya-midd1e of the eyebrows; one of the sixteen
iidhiiras.
bbOcad- Goddess that presides over asana.
bbiirloka-the world above atala wherein the human being
dwell.
bbuvarloka-the space above bhiitala wherein the sun shines
and thega.pas(demigods) reside.
bile.§vara-a progeny from guru.
bindu-semen.
Brahma-the Supreme nameless One.
brshmscakra-three whirledplexus situated at the base
(milliidhiira) of the body.
brshmsgranthi-the triple knot on the coils of kw;u;Jalini.
brahmskaplfll-the cavity of the head. Middle of the eyebrows.
brahmsnl{li- a synonym for SU$U~ii - the middle niigi.
One of the spots for internal meditation. A special point
above the lotus of the thousandpetals
(sahasradalakamala).
brahmllJ(/JJ-(twenty-one) regions or worlds .
brshmanmdbra-terminal of SU$Umnii nii<Ji as sharp as the
point of a needle. Seat of iikiiSacakra. One of the sixteen
iidhiiras; situated in the triangular space of
sahasrara inside the top of the head; the door to liberation.
c
csndramB.l)(ialB-orb of the moon.
csndrsnl9f- niigi on the left i.e. igii.
cidudays-emergence of consciousness.
Siddhasiddhintapaddhati 189
citprakiisa-awakening of consciousness.
citta-seat of consciousness.
cittavi§ranti-repose (rest) of Consciousness.
(/)
dihakatva-burning.
dinava-demons like bali etc.
dal).<Ja- merudanda or vertebral column.
daIJ.c;lakuhara-~pex of the spine.
diqipaniila- spinal cord.
dlql9arlJrura-the shoot of the spine.
deva-deities such as Indra etc.
dhinu;;iii- cultivation of a particular mental attrib.u~ . .
Development of an attitude that whatever IS mside or
outside is only one's own form.
dhiitu-the three humours like vata, pitta and kapha of the body·
Bodily constituents which are ten according to SSP.
dhyiJna- contemplation with an attitude of supreme non-
duality.
digambara - (lit.) one who has four directions as cloth-a
naked.
dr$,asana- triitaka.
g · plied
galabila-throat where jiilandhara-bandha IS ap ·
gandbarva-demigods like visvavasu etc.
garbbapi.J;i~a- embryo.
ghanti- trataka-karma.
gh~:tika- ~vula; one of the sixteen adharas.
gb81)µkiUinga- uvula.
gollata-forehead.
golllftamw;r4apa-a point situated above the forehead.
gotra- the name of a p,i who initiated a clan.
graha- planets which are nine like sun etc.
guda- anus; one of the sixteen adhiiras.
190 Glossary
J{
J
~~andharap~tha-seat of jalandhara situated in nirvfu}a cakra.
Jihva- tongue; one of the sixteen adharas.
jfva-the embodied soul.
jivatma- soul with the attribute of action.
}iiiinanetra-Eye of knowledge.
Jiiiit:{tva- consciousness of being the knower of objects;
knowing.
7(
kala-phase (of the sun, moon or agm) , sixteen (as in kaladhara);
a part or particle, an aspect. Doctrine of Jaukayatika.
kaladhara-synonym for sixteen adharas.
kamarilpapitha-seat of desire situated at brahmacakra.
Siddhasiddhiintapaddhati 191
9r1.
mada-mental inebriation.
madhyalak~ya, madhyamal~ya- intermediate object of
meditation.
madhyama- the third of the five forms of vak (speech) which
takes shape of a voice at the heart (chest) when the mind
gets connected to the buddhi (intelligence).
madhya§akti-the middle Sak.ti situated at nabhi (navel) or
svadhi~.thana cakra. A synonym for kur;u;falini.
mah8.kaSa- the all-pervading space which is as bright as
kalanala (fire of destruction). The element of space.
mahiip{thvi- the earth element.
mahiisiikiirapii;uja- cosmic Body of Siva.
mahiisalila- the water element.
mahiitala- the world underneath which is above talatala
resided over by the serpents like paficapha.IJa etc.
mahiitejas- the fire element.
mahiiviiyu- the air element.
miitara- brahmi etc.
mati-thinking.
matiprakasa- intellectual functioning .
miitrka- the fifth of the five forms of va.Jc (speech) which is
in the form of letters like' arp', 'iirp' etc. especially
produced as nasalised sounds.
Siddhasiddhantapaddhati 193
~
nibhi-one of the sixteen adharas. • - '8
nabhicakra-navel cakra of five whirls named maIJipur, ·
niidalaya- merger (of the mind) in (internally aroused) sound.
niI41- channels or passages in the body.
nalinistbina-tip of the nose.
niinakarata- varied forms .
nisii- nose; one of the sixteen adhiiras.
natba- a progeny from guru.
naulika- nauli.
navaca.kra-the nine lotuses orplexuses.
navakhanda-nine divisions (ofjambudvipa).
nijiUakti:..:_inherent Power. The power or energy ~n the form
of Pure Will eternally inherent in anama (Siva).
nirilbhasa- the insentient category· .
ninup§atl -the I-consciousness having no duahty or
divisibility. .
.nirailjana-spotless; pure, blemishless. Abs~l~te R~al~ty
experiencing himself as the true self d1stmgmshmg
Himself from His Sakti;
nirantarata -absence of discontinuity; extensiveness.
194 Glossary
0
cx)yana- one of the sixteen adharas.
cx)yanapi_tha-seat of o<;lyana at the svadhi$.thana cakra.
<P
pacakatva-ripening.
pada- supreme goal; Absolute Reality .
padiilgu$!ha- big toe of the foot.
padasaip.vitti.- supreme Knowledge (of the nature of the
Absolute inseparability from his inherent SaktJ).
piiicaratras- vai$1J.a vas.
para- Sakti; evolute of nijasakti.
parabrahma- Supreme Brahma.
parakasa - it is extremely bright internal and external space,
one of the five vyomas (spaces).
paramananda- Supreme Bliss.
Paramapada-Supreme goal; Siva.
Siddhasiddhiintapaddbati 195
~
rijadanta-a point situated above the frontal teeth at the palate.
~ass-demons like vibhi$aIJa etc.
rasitala-the world underneath which is located above
mahatala.
rati-sexual pleasure .
.recaka-exhalation (of breath).
roma-hair.
rudra- disposition of anger.
mdraloka-a synonym for Kailasa.
s
sadbbava- experience of the Supreme Reality.
sabaja-self-knowledge.
§lldni- yoga§akti that is kuIJgalinI.
samidhi-State of Equilibrium of all tattvas, natural absence
of all efforts.
Siddbasiddbiintapaddhati 197
rt
talitala-the abode underneath but above patala which is
occupied by the serpents like Viisuki etc.
Wu-palate; one of the sixteen adhiiras.
talucakra-cakra (lotus) situated at the palate.
tatviikaSa-the all-pervading space which is of the form of the
Self, one of the five vyomas (spaces).
trikiifasthana-the centre of the iikiisacakra having sixteen
petals.
turiya-the fourth state of consciousness .
twyitita- the state of consciousness which is beyond the fourth
state of consciousness (turiya).
'{)
unmani- the fifth state of mind; characteristic of silnya.
Supramental state, a state where mind does not exist.
iirdbvakamala- topmost point in the body of sixteen petals
located at akiisacakra.
iirdbva8akti-the higher sakti situated at iikasacakra. The power
which always moves upwardly, a synonym for kwJc;lalinI.
Wmi-sensations of thirst or hunger, formation of the bones.
Siddhasiddhantapaddhati 199
'V
vai.dika-fo llowers of the Vedas.
vaikhan- the fourth of the five forms of vak (speech) which
is expressed as letters by articulation of the tongue, palate
etc.
Vai.$1)avas-piificariitras.
vajroli- a process or technique of arresting; or conserving
semen .
vak- speech with the properties of parii, pasyanti, madhyama,
vai.khari and miitrkii.
vaqastbala-the place ~hove the heart but below the throat.
valaya-the coils of the nadis.
var.pa-class . ·
vasan-kaplilabhati.
Viisana- an impression of the past action left on the mind which
works as a seed for further action.
vi_bhuti.-a progeny from guru. ..
vicars - reflection as the source of all phenomenal realities.
vikasa-: experience of the expansion or self-unfoldment of
Sakti.
vi$1).uloka-a synonym for vaikuIJfha. Abode of Vi$JJU.
visrii.nti.- repose (of consciousness).
vitala - the netherworld above sutala occupied by the demons
like mayaetc.
vyoma- 8.kasa, the space which is five in number.
vyomapaiicaka- Five firmaments.
'Y
yak$a-demigods like Kubera etc.
yama- tranquillity; control over sense organs. Restraint of all
the senses and control of food, sleep, cold, wind and
heat etc.
yoga-a means or instrument to equip oneself with.
yogisvara- a progeny from guru.
***
Word Index
abhinnata- I .9 astita-I.9
adefa-VI.98 avadhiitayogi--VI .1
adhaQ.sakti - IV .16 avyakta-I.4
adhara-II.l . avyaktata-I.9
adhara5akti- IV. I bahirlak1?ya - II .28
Adinatha-I. I bhagavata-VI.54
advaita- V .28 Bhairava-I .35
adya-I.29 bhairavaloka- III .5
adyapi.t).c;la-I.27 ,28 bhakti-I.40
agnikala-I.65 bhavana-I.15
ahaiikara-I.42 ,45 bhedavadi - VI .55
ahanta-I.7,IV.6 bhramaraguha-II.13, 27
filsantana-V.42 bhriicakra-II.7
ajfiavati-IV.10 bhriimadhyadhara-II.21
filca8a-I.41,II.30 bhiimi-1.37
filcasacakra- II .9 ,25 bhiita-I.41
akula-I.4,IV.2,9 bilesvarasantana-V .42
akulesaloka-ID.5 Brahma-I.4
alambu~a- I.66 Brahma-1.35,V.50
amrtakala-I .63 ,II .18 brahmacakra-II .1
anadiloka-III .5 brahmacan - VI.33
anadya-I.22 brahmarandhra-II.8
anadyapi.t).c;la-I.20 ,21 buddhi-I.42,44
anahatakala - II .5 caitanya-I.42,47
anama-I.4,5 cakra- II.l
anantata-I.9 candrakala- I .63
a.t).c;fa- I.2 candranac;li - II .5
antaQ.kara.t).a - I .42 cidudaya-I.22,25,28
antarlak~ya-II .26 citprakafa-I .28
apanavayu- I.67 citta-1.42,46
apara-I.14 dana-I.50
aparaqipara-1.15,16 ,21 dasamadvara- II .6
aparasakti - 1.6,1 o dafavayu - I .67
aprameyata- I.9 devadatta-1.67
asana- ill.34 devata-ill.13
Siddhasiddbintapaddhati 20 I
***
Bibliography
Ananda-lahari by Sankaracarya
Brhadaranyakopanisad-- Ten Principle Upanishads, Shastri
Govinda , Motilal Banarasidas, Delhi, 1992.
Brhadyogiyanjnavalkya smrti-- (Ed.) Swami Kuvalayananda
& Raghunath Shastri, KSMYM Samiti, Lonavla, 1951.
Chandogyopanisad--Ten Principle Upanishads , Motil al
Banarasidas, Delhi, 1992.
Goraksapaddhati, Laxmi Venkateshvar Press, Bombay,
saka, 1885.
Gorakhnath and the Kanphata Yogis- Briggs, George
Weston,Motilal Banarasidas, Delhi, Reprint , 1998.
Goraksasataka-Ed. Swami Kuvalayananda and Dr. S.A.
Shukla, Kaivalyadhama S.M.Y.M.Samiti, Lonavla,
1958 .
Goraksasiddhanta samgraha Ed. by Gopinatha Kaviraj,
pub. -Saraswati Bhavana Texts, Benaras .
Hathapradipika (10 chapters)-- Ed. Gharote. M . L. & Parimal
Devnath, The Lonavla Yoga Institute (India) , 2001.
Hatharatnavali-- Ed. Gharote., M. L. et al. , The Lonavla Yoga
Institute (India), 2002.
Hathasanketa Candrika (Ms.)
Jnanesvari- by V.L. Bhave, pub. Maharashtra Saraswat, First
Ed. 1915
Kaulajnananirnaya- Devavrtata Sen Sharma, pub. Asiatic
Society, Calcutta, 1994.
Kularnava Tantra-- Pandit M. P ., 2nd Ed., Ganesh & Co.,
Madras, 1973.
Kurmapurana-- (Tr.) Tagare, G.V. vol. 15-19,Motilal
Banarasidas, Delhi.
Mahabharata (Santiparva) - BORI, Pune, 1974.
Mahanirvana Tantra--(Tr.) Mukherjee Upenclranath, Basumati
Sahitya Mandir, Calcutta, B .S .1384.
Maharashtra Saraswat-Bhave V. Li., Vol.I. New Edition,
Poona, 1925.
Mandalabrahmanopanisad-- Pandit Mahadeva Shastri, Adyar
Library and Research Centre, Adyar, Madras, Reprint,
1983.
Siddhasiddhintapaddhati 205
Future Publications
The Institute is working on the following texts and soon these will be
published.
i. Critical Editions of Selected Yogopanishads.
ii. Natha Vakya.
iii. Critical edition of Goraksha Shataka.
iv. Concordance ofAsanas and Pranayama.
" Akulagama Tantra.
vi YogicAnatomy and Physiology.
vii Yogabija
viii. Notices of Manuscripts on Hathayoga.
***