juan carlos tolosa

Tres lezamas
para guitarra sola

© 2014 by Juan Carlos Tolosa & Black Jackets Editions,

Brussels
 Escrita especialmente para Carlos Bojarski.

Encargo del Área Contemporánea del Ministerio

de Cultura de la Nación, para el ciclo
“Guitarras del mundo”
 I - ...como una cara inservible para morir
(para guitarra)
Juan Carlos Tolosa
(2014)
q = 80
vibratissimo

   

         
7
  

 

      
   

  
Guitar
 fff
ff

IX
VIII  3 
 
IV
     
   
4

         
6


               
Gtr.

mp     
ff 3


7
      
6 l.v.

        
7 7
      
   
Gtr.
p subito
 


 
M.V. 3
 
 
étouffé

  
 
  
9 
        
étouffé

      
 
Gtr.
fff  f fff
 f fff (simile)
mf
mf

3
 
12 
       

 
étouffé

  
       
Gtr.

fff fff
p

sul pont. ord.

 
3

VII
14  étouffé IV
 7:4

               VI     

 

   
Gtr. 
 mf
fff p f

Copyright © 2014 by Juan Carlos Tolosa & Black Jackets Editions

2

       

18 IV
      



7

  

 
 
 mp  
Gtr.

 p
 
ff ff

[T]
3
    
M.V.
21 7
     
 7

               


     
3

   
Gtr.

 
p
mf
ff

M.V.
7 
      

 
 
7
          
       
24
  








Gtr.         
   
ff

        
   







            









26

    
      
 
 
       
Gtr.

fff

p subito


3  
  7
 
 
    
28
       
      


   

           
   sonoro      
Gtr.  f
fsonoro 
p subito
ff fff fsonoro
 3

q = 70 q = 80 q = 70
32 7
          

     

           

   
Gtr.
mf 
fff

[T]
3
   
3

 
  
35

            



           
Gtr.

mf fff
f

M.V.
 


36
   
            
    
Gtr.
mf f
ff
 4

II - un color tapado con un manto Juan Carlos Tolosa

(para guitarra) (2014)
q = 88 - 90


(frotar la yema sobre la cuerda) open


mute

   
 p

(golpear cuerda)
5


          

9 ord


                               

13 
  
     


17 

 
     
  

   
  
       
21 

    
       

Copyright © 2014 by Juan Carlos Tolosa & Black Jackets Editions

5

  
(Resultante armónicos)

 

 



     
  
23
  
 


  
             


   

 

       

      
25
    
  
    

 
  

VI VII
      
IV mute

  
    étouffé
          
 

 
 
       

 



 
                    

mute open

     
28 étouffé

       
        f   f

ff ff

32

     
 

 


 f   f   f   f   f   f  
ff ff ff ff ff ff

sul pont.
  
38  l.v.

 
    
  
   
X

       

f  fff
ff (simile)
 6

(entre la boca
 
      
y el puente)
    
    
44
     
  


   
mf  mf  mf  
p p p (simile)

  
  
 
       
 (sempre)
      
         
49    

     
mf  mf  mf
p p

 
  (golpear cuerda
suavemente)
54
   
(sul pont.) sul tasto

 mf          
p p pp

Tapping
ord.!!

58

M.D.
      
               
       
                     
M.I.
     
pp subito

ff

Tapping
        ord.
M.D. f

 
60
 

     
    
           

 
M.I.
      pp subito (el bajo sempre pp)
ff
(simile)
XII
63
    

 

  
    

    
7

f Vibratissimo
 (simile)
67       
 
     
 

           

71
     

    
                 pp

75

    
   

XVI

      

(suena 8a alta) l.v. hasta la extinción



       
78 
 
XII 
 
 (silencio absoluto)
   mf 
 
   f e ben sonoro
mf
pp subito
pp subito
 8

III - el tokonoma en la pared

(para guitarra)

Juan Carlos Tolosa (2014)

Relajado. Resonando sempre

Vibrato molto e lento
q = 60

 
  
             3      
3 3
 

           
3 mp
p


l.v.
  
         
3
 
5

    
   



  
 


 mf
   f sonoro
  mf

p

        
  l.v. M.V.
    
11

       
  

p possibile
M.V. f
mp

 
V.L.
 
 S.V.
17
  
    
         
3

      
ppp (eco)
mp

VII 

    
VII - VIII   
IV 
  
22
 
      


 
     
mf    
p
f

Copyright ©2014 by Juan Carlos Tolosa & Black Jackets Editions (Brussels)
9

  
       3 
26 3 3
      
3

       
       
3 mp pp
p f
mf

  
poco S.P.

  
pp 3
30
      
      
3 l.v.

    
  sfz 
 
 
3
   pp  p poss.
p
3
mf

l. v.
p p poco rall.

       V. L.
3 (como arpa)

 
ord.
       
33
        
 
  


3 mf sonoro
poco sfz

M.V. A Tempo

        
38 (simile) (simile)  q = 60

       
mp p pp

Non arpegg!
 
Vacío sempre l.v.
     
43
      
S.V.
    
   
 pp p ppp

Non arpegg!
l.v.

 
48
         

 

     
pp
 
pppp

Córdoba, 18-IX-14