from Arctic Monkeys - AM

R U Mine?
Words by Alex Turner
Music by Arctic Monkeys

Intro Verse
Moderately slow q = 97

 
*F#5 µ F#5 C#5 D5 C#5 B5


                           

1. I’m a pup - pet on a string, Tra - cey Is - land, time trav - el - ing, dia - mond cut - ter

 
Riff A End Riff A

  
Gtr. 1 (dist.)

    
       
 
     

mf
w/ bar


4
5 5 5 4 2 2 14 14
2 2 2 2 7 9 7 9

  
 
Gtr. 2 (dist.)

        
       
 
      


mf
w/ bar 1/2

 2 2 2 2 2 7 9 7 9
5 5 5 4 2 2 14 14 14

*Chord symbols reflect implied harmony.

Gtr. 1: w/ Riff A (1 1/2 times)


     
F#5 C#5 D5 C#5 B5 F#5 C#5

 
     
  
                     
shaped heart - aches that’s come to find you, 4 in some vel - vet morn - ing, years too late. She’s a sil - ver lin -


     

Gtr. 2

  
             
   
      


5 5 5 4 2 2 14 14
2 2 2 2 7 9 7 9 2 2 2 2 7 9 7 9

© 2013 EMI MUSIC PUBLISHING LTD.

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All Rights Reserved International Copyright Secured Used by Permission 1

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 D5 C#5 B5 F#5 C#5 D5 C#5 B5 A5

   

           

             

- ing, lone rang - er rid - ing through an o - pen space in my mind, when she’s not right there be - side me.

 

*Gtrs. 1 & 2

        
                
 
   
1/2

5 5 5 4 2 2 14 14 14 5 5 5 4 2 2 2 2 2 0
2 2 2 2 7 9 7 9
*Composite arrangement

 Pre-Chorus

   
2nd time, Gtr. 3 tacet

 
       
F#m7 D5 C#5 B5 A5 F#m7
          

 
            
I go cra - zy ’cause here is - n’t where I wan - na be. And sat - is - fac - tion feels


 
Riff B

          

         
    

7 7
7 9 9 7 5 5 5 4 2 2 2 2 0 7 9 9 7
2 2 2 7 9 2 2 2 2 7 9

2nd time, Gtrs. 1 & 2: w/ Fill 1

             
        
D5 C#5 B5 A5 F#m7 D5 C#5 B5 A5




 
  
                          

like a dis - tant mem - o - ry. And I can’t help my - self, all I wan - na hear her say is, “Are you

End Riff B


3

      
 
         
         

         

7 7 9 7
5 5 5 4 2 2 2 0 7 9 9 7 5 5 5 4 2 2 2 2 2 0
2 2 2 2 7 9

Fill 1


Gtrs. 1 & 2

      
       
 

5 5 5 4 2 0 2 2 4 2 4

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 To Coda 
Gtrs. 1 & 2: w/ Riff B

  
F#m7 D5 C#5 B5 A5

 *  
 
         
 
mine?” Well, are you
*Sung behind the beat.

Chorus

          
 
F#5 µ D5 C#5 B5 A5 F#5 µ

 
                 

mine? Are you mine?


Riff C End Riff C

 
     
 

Gtrs. 1 & 2

  
    
  
      

7 7 7 6 4 4 4 2
X X X X X X X X
5 5 5 4 2 2 2 0
2 2 2 2 2 2 2

          
D5 C#5 B5 A5 F#5 D5 C#5 B5 A5

 




                 
  
Are you mine? Are you.

   
      
 
     
Gtr. 1

      
         
   
       

w/ bar

7 7 7 6 4 4 4 2 7 7 7 6 4 4 4 2
X X X X X X X X 4 X X X X X X X X
5 5 5 4 2 2 2 0 5 5 5 4 2 2 2 0
2 2 2 2

   
      
 
     
Gtr. 2

      
   
    
   
        

w/ bar

7 7 7 6 4 4 4 2 7 7 7 6 4 4 4 2
X X X X X X X X X X X X X X X X
5 5 5 4 2 2 2 0 5 5 5 4 2 2 2 0
2 2 2 2 2

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 F#7(no3rd) D5 C#5 B5 A5

     


2. I guess

 
*Gtrs. 1 & 2

     
    
  
                

7 7 7 6 4 2
X X X X X X
7 9 7 9 5 5 5 4 2 0
2 2 2 2 7 9 7 9 7 9
*Composite arrangement

Verse
Gtrs. 1 & 2 tacet

F#5 µ D5 C#5 B5 A5 F#5 µ


                         
    

what I’m try - ing to say is I need the deep end, I keep im - ag - in - ing meet - ing. Wished a - way en - tire life -

  

**Gtrs. 1, 2 & 3

 
Gtr. 3

   
 
       
   

5 5 5 5 4 2 2 2 0
2 2 2 2 2 2
**Bass arr. for gtr., played mf

         
    
D5 C#5 B5 A5 F#5 D5 C#5 B5 A5

   
                       

- times. Un - fair we’re not some - where mis - be - hav - ing for days. Great es - cape. Lost track of



  
Gtr. 1

     
mp 
w/ amp tremolo

16 6
X X
14 4

 

Gtr. 3

       

                


5 5 5 4 2 2 2 0 5 5 5 5 4 2 2 2 0
2 2 2

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 D.S. al Coda
F#5 D5 C#5 B5 A5

       
 
             
time and space. She’s a sil - ver lin - ing climb - ing on my de - sire. And

  
Gtrs. 1 & 2

      
     
    
     
mf
Gtr. 1, amp tremolo off

7 7 7 6 4 4 4 4 2
16 X X X X X X X X X
5 5 5 4 2 2 2 2 0
14

        
           
  
    

7 12 12 12 12 11 9 9 9 7
7 9 9 7
2 2 2 7 9

 Coda
Chorus

       
µ


      
D5 C#5 B5 A5 F#5 µ

          
  
mine? Are you mine?

   
Voc. Fig. 1



      
 
             

(R U mine to - mor - row, or just mine

         
Gtrs. 1 & 2

 
    
    
    
7 7 7 6 4 4 4 2
X X X X X X X X
5 5 5 4 2 2 2 0
2 2 2

Gtrs. 1 & 2: w/ Riff C (last meas.) Gtrs. 1 & 2: w/ Riff C

    
D5 C#5 B5 A5 F#5 µ D5 C#5 B5 A5

  
    

      

Are you mine?


End Voc. Fig. 1
  
     
     
     
to - night? Are you mine?)

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 F#7(no3rd) D5 C#5 E5 C#5

  
*Gtrs. 1 & 2

     
  
 
                  

7 7 7 6 9 6
X X X X X X
7 9 7 9 5 5 5 4 7 4
2 2 2 2 7 9 7 9 7 9
*Composite arrangement

Bridge
B5 C#5 D5
    
            
And the thrill of the chase moves in mys - te - ri - ous


         
       

7 7 7 7 7 7 7 9 10 10 10 10 10 10 10 10

  
F#5 G#5 A5

           
 
       

ways. So in case I’m mis - tak - en, I


 
                

2 2 2 2 2 2 2 4 5 5 5 5 5 5 5 5 5

   3       
B5 C#5 D5 C#5 B5 A5

  
 

3

              
just wan - na hear you say “You’ve got me, ba - by, are you


 
                   

7 7 7 7 7 7 7 7 7 7 9 10 9 9 9 7 7 5 5 0

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 Interlude

  
Gtr. 1: w/Riff C (1st meas.)
F#5 µ

     

mine?”

       
   
Gtr. 2


     
       
1 1

7 10 10 10 5 5 5
6 9
7 9
7 9
2 2 2 2 7 9

Gtr. 2 tacet
F#5 µ D5 C#5 B5 C#5 A5


Gtr. 1

  
    
  

    
 

4 4 4
X X X 5 5 5 4 2
2 2 2


Gtr. 2
Gtr. 3


      
 
   
   
 

4 4 4
X X X 0 2
2 2 2 5 7 7 9 5

Verse
Gtrs. 1 & 2: w/ Riff C (1st meas.) Gtr. 3 tacet

   
F#5 µ

   
     
   
 
     
       
3. She’s a sil - ver lin - ing, lone rang - er rid - ing through an o - pen space in my mind.


Gtr. 3

        




7 14 14 14 14 14 2

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 Pre-Chorus
Gtrs. 1 & 2: w/ Riff B

  
   
F#m7 D5 C#5 B5 A5

  

            
 
             

When she’s not right there be - side me I go cra - zy ’cause here is - n’t where I wan - na be. And

  
Voc. Fig. 2 End Voc. Fig. 2





        

(All I.)

  
Bkgd. Voc.: w/ Voc. Fig. 2

 
      
F#7(no3rd) D5 C#5 B5 C#5 F#m7

           
    
       
   
sat - is - fac - tion feels like a dis - tant mem - o - ry. And I can’t help my - self, all


*Gtrs. 1 & 2

          


 
      

    
    

7
7 9 9 7 9 9 9 5 5 5 4 2 0 2 2 4 2 4 7 9 9 7
2 2 2 2 7 9 2 2 2 7 9
*Composite arrangement

         
         
D5 C#5 B5 A5 F#7(no3rd) D5 C#5 B5 A5

                      

I wan - na hear you say is, “Are you mine?”. Well, are you


      
                        
  

5 5 5 4 2 2 2 2 0 7 9 7 9 5 5 5 4 2 2 2 0
2 2 2 2 7 9 7 9 7 9

Outro-Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

      
F#5 A5 B5

   
       
mine? Are you


 
                            

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 7 7 7 7 7 7

SheetMusicDirect.us Order 5187809 | 1 copy purchased by Ethan Block on Jul 19, 2017 at 1:27pm CDT
   
  
F#5 A5 B5 C#5

 
        

mine? Are you


 
                          

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 7 7 9 9

Bkgd. Voc.: w/ Voc. Fig. 2

 
F#5 A5 B5 E5

  
   

    

mine?


 
                            

7 7 7 7
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 7 7 7

F#7m7 D5 B5 C#5 A5 F#5 µ


Gtr. 2

  
 
    
        

  

7
7 9 9 9 7 7
2 2 2 2 7 9 9 10 10 10 10 9 7 9 5 7 14 14 14 14 14


Gtr. 1

      
         
    

7
7 9 9 9 7 7
2 2 2 2 7 9 9 10 10 10 10 9 7 9 5 2 2 2 2

SheetMusicDirect.us Order 5187809 | 1 copy purchased by Ethan Block on Jul 19, 2017 at 1:27pm CDT