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Felix Rodriguez

Arranger, Composer, Interpreter, Publisher, Teacher

Porto Rico

About the artist

I have been involved with the classical guitar for 45 years and since 1976 have been actively performing,
arranging and recording. Some of my most influential teachers (masters) have been Alirio Diaz, Michael
Lorimer and Juan Sorroche, among others. I still have the same passion for music as when I started and I
love to share thr results of my dedication.
Qualification: Master
Artist page : www.free-scores.com/Download-PDF-Sheet-Music-felixrodriguezguitar.htm

About the piece

Title: Natalia (Valse Criollo) [Venezuelan Waltz]


Composer: Lauro, Antonio
Arranger: Rodriguez, Felix
Copyright: Copyright © Felix Rodriguez
Publisher: Rodriguez, Felix
Instrumentation: Guitar solo (standard notation)
Style: Latin
Comment: This is one of the most famous classical guitar pieces
from Latin America. Natalia is the name of the
composer's daughter but it's also known as "Valse
Criollo" or Venezuelan Waltz # 3.

Felix Rodriguez on free-scores.com

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First added the : 2015-10-07 Last update :


Natalia
Valse Venezolano (1968)
Revisión y digitación Antonio Lauro
por Félix Rodríguez (1917 - 1986)

Allegro rítmico
2 Arm.12
2 4
 2 1 0 4  4
3
2
   1
 3 1 0 3 0 1 0 6    0  1 0   1 0 4 1 0
Guitarra  4      8  0 
0   2 2
2 
   2
4 3 5
CVII
 CV  CVI CVII
5 2
  
    4  
 3 3 2   0
4 4 3    3
 2 4       0 
       3 2    2
  1
  

2 Arm.12
2 3 4

9 4 2
2  4
  1 0 3 0 1 0 6  1 0   1 0   1 0 0   1
     8   0 0  1 
4

0  2 2
  2 
    2
4 3 5
CVII
 CV  CVI CVII
13 2
  
    4  
 3 3 2   0
4 4 3    3
 2 4       0 
      3 2    2
 1
   
 3
17
 CVII  CV  CII  
  1 0  4 0 1 0 6   4   13   241   3   4    2  4    4 3

  8    

  3
    13 4
0 0 
2  
  3 2 
    6 5   5   

21
2  CIII  CII 3   
 3  4 2 1 2 4 2 6  2 43     4  3 
 4 8       001   30    21  43
0 0 2    2  0 2   0    4  00 
0   2
    
    
2 Copyright (c) 1968 by Antonio Lauro. This edition (c) & (P) 1991 by Felix Rodriguez. Not for sale, All Rights Reserved.
½CX
CVII  4 
25 3    3 4  4
 3 1 0 0 1 0  4     2    
2     0 0 
 4 00          
3
0 
  3 0  1  5

29   CII 
  4   4  4
  0  4    4  0 
 1      0 0 
  3 2  0 0  3     2  

0  2    3  1

poco meno mosso 2 CIV CII
33  4 
   1 0 2 0 1 0  4   2 4   2
        3  1   3    
     
  4 
5

2 CVII 2
37  4 2 CVII 3
2 4  3  4
 1
        6      3      3 4 2 1 3 0  2
    1 2   82  1 4
0 

3 4
  
5 
CIV CII CIV
41  4  3 

 1 0 2 0 1 3 0 1 4  4
 2   2


4
   
  2 6
     0   1  3     2  8
 2     3
    
CIX
4 4
 ½CV 
46    3  4 
      3  4
 6    
 8    43    2  1  2 86   2     43   2   1  2 86
 2 
 3 3 0  0 

50  
4 
 6 4  0   3 4
 6 4
 3

 8  1  0   1  0  4   2     0  2 8     2 0  0 4  2 0   2
3 3
1 1
2    1  2  1 1

al Coda 1.  2.  3. 
4 4 Tempo I D.S. al Coda
54 1  4


3 
 0 1 0 0  1 0
 2 0 1
 0   
 11  
     
    
    
     
6 
Copyright (c) 1968 by Antonio Lauro. This edition (c) & (P) 1991 by Felix Rodriguez. Not for sale, All Rights Reserved. 3