Conferences on Sounds

# Name Location/count Time Call for paper

ry

1. Netherlands Monday 30th The deadline

:| Institute for September - for
submissions
Sound and Thursday 3rd is 22nd
Vision, in October 2019 February 2019
Hilversum,
Netherlands. http://2019.ias
IASA 2019 - 50th Annual a-web.org/key-
dates

Conference
The 50th Annual Conference of the
International Association of Sound and Audiovisual Archives (IASA)

2 IAML Congress 14-19 July, 2019

2019 (Kraków,
Poland)

https://www.iaml.info/

1st Analytical Approaches to World Music Special Topics Symposium (AAWM Birmingham July 2–4, is ​March 1,
2019) City 2019 2019
The first Special Topics Symposium, AAWM 2019, will meet jointly with the 9th University,
International Workshop on Folk Music Analysis (FMA 2019). The special topic of UK
this symposium is “Computational Approaches to World Music Analysis.”
AAWM 2019 welcomes submissions that examine world musical traditions from
any analytical or theoretical perspective that relates to this topic, including (but
not limited to):

· Computational and mathematical ethnomusicology

· Computational analysis systems for non-western and folk musics

· New methods for music transcription

· Cognitive and related empirical models of world music

· Methodological and representational issues and models

The June The

Mathematics and Computation in Music Universida 18-21, deadline
d 2019 for all
Politécnica types of
2019 de Madrid, submissio
Madrid, n is:
Spain. JANUARY
The art in mathematics, the science in music 15th, 2019
https://mcm19.etsisi.upm.es/home
Notificatio
n of
Acceptan
ce:
MARCH
5th, 2019

Early
Registrati
on Dates:
 until MAY
1st, 2019

Conferenc
e Dates:
JUNE
18-21,
2019

University of  30 - 31 May  16 

Vienna,  (with  December 
Austria pre-conferenc 2018.
e workshops 
on 29 May 
and an 
‘un-conferenc
The Music Encoding Initiative (MEI) is a community-driven effort to define guidelines  e’ day on 1 
for encoding musical documents in a machine-readable structure. MEI closely mirrors  June)
work done by text scholars in the ​Text Encoding Initiative​ (TEI) and while the two 
encoding initiatives are not formally related, they share many common characteristics 
and development practices. MEI, like TEI, is an umbrella term to simultaneously 
describe an organization, a research community, and a markup language. It brings 
together specialists from various music research communities, including 
technologists, librarians, historians, and theorists in a common effort to discuss and 
define best practices for representing a broad range of musical documents and 
structures. The results of these discussions are then formalized into the MEI schema, 
a core set of rules for recording physical and intellectual characteristics of music 
notation documents. This schema is developed and maintained by the M ​ EI Technical 
Team​.

Sound and Music Computing   Málaga, Spain May 23 at 10

PM – May 30 at
http://www.smcnetwork.org/#smc 1 AM UTC+02
Sound and Music Computing (SMC) research approaches the whole sound 
and music communication chain from a multidisciplinary point of view. By 
combining scientific, technological and artistic methodologies it aims at 
understanding, modelling and generating sound and music through 
computational approaches. 
https://www.facebook.com/events/444818476056056/ 
 

Berlin, May 22-23,

German 2019

Portland, May 8-11, Ongoing?

Oregon 2019 https://docs.g
http://www.arsc-audio.org/index.php The Benson, a oogle.com/for
ARSC is unique in bringing together private individuals and institutional professionals. Archivists, historic hotel in
librarians, and curators representing many of the world’s leading audiovisual repositories participate ms/d/e/1FAIp
downtown
in ARSC alongside record collectors, record dealers, researchers, historians, discographers, Portland QLSdmhE9o
musicians, engineers, producers, reviewers, and broadcasters. QmoZbBOFv
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Abstract
Deadline: ​1
26th International Congress on Sound & Vibration December
2018 -
Extended
deadline
31
January
2019
 Notification
of
This congress is a leading event in the area of acoustics and vibration and provides an important Acceptance
opportunity for scientists and engineers to share their latest research results and exchange ideas
of
on theories, technologies and applications in these fields. The congress will feature a broad range
of high-level technical papers from across the world: distinguished plenary lectures will present Abstracts:
recent developments in important topics of sound and vibration and include discussions about 28
future trends. February
2019
Montréal is an exciting, vibrating and welcoming destination. It’s a city where delegates can
enjoy a rich diversity of culture, museums, art galleries, night-life, gastronomy, shopping and Deadline
sport, not to mention the International Jazz Festival right before the conference. Cosmopolitan for
Montréal offers something to suit every delegate!
Full-Length
Submission
: ​31
March
2019

Notification
of
Acceptance
of
Full-Length
Papers: ​1
May 2019
 Monash  Deadline 
University,  for 
Melbourne,  submissio
Australia.  ns: 30 
23-27 July  January, 
2019  2019 
Notificatio
n will be 
15 March, 
2019. 
Revisions 
will be 
due 1 
The fifth International Conference on Technologies for Music Notation 
May, 
and Representation. 
2019. 
● Alternatives to common practice notation, including microtonal  https://www.
and electronic music notations;  monash.edu/t
● Performer perspectives on technologies around notation  enor2019/ho
me
● Digital archiving and dissemination of notations 
● Composer and/or performer engagement with the technology for 
and representation of notation· 
● Interactions between new notation technologies and performance 
● Notations for other performing arts 
● psychological impacts of new technologies for notation 
● Critical and aesthetic engagement with technologies for notation 
● Notating electronic music/notation for controllers 
● Technological developments in notation and representation for 
pedagogy 
● Notation and gameplay 
● Notation and live coding 
● Ontology of the score 
 ● Modular/generative real-time scores based on audience and/or 
performer input 
● Web/network-based notational approaches 

 
Westin July 24-27, Deadline
Lombard 2019 for
Yorktown Submission
Center in : April 15,
Lombard, 2019 at
Illinois. Join 11:59PM
us in Pacific
reaching Time
more than
700 http://www.
independent keyboardpe
and dagogy.org
institutionally /national-co
Celebrating 20 years of Excellence in Piano Teaching and affiliated nference-in
Learning keyboard fo2/2019po
Inspiring Creativity and Innovation: Past, Present and Future educators. sters
The Frances Clark Center invites you to be an exhibitor at The National Conference on
Keyboard Pedagogy,