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It was an unusually hot spring day on the Lower East
Side of Manhattan, and I was visiting a class of 8th
graders who had organized themselves into book clubs.
The club meetings that day overflowed into the hallway
outside the classroom. The air conditioning didn’t. I sat
with a club that was discussing Jerry Spinelli’s Stargirl.
The club members sat against the walls on either side
of the hallway, legs stretched out, notebooks splayed
over their laps. They were fanning themselves with
their cracked-open copies of the novel and discussing a
pivotal scene between the characters Leo and Stargirl
when one member asked, “But what does the evidence
say?” They all stopped fanning and dutifully flipped
through pages tiled over with sticky notes to find the
scene under discussion—to determine “what the
evidence” said.
And I might have written just that in the notes column on the form, except that the question
started looking odd to me. What does the evidence say? Would this question have sounded normal
to my ear three years ago, when I last taught? Back then, my students and I discussed, perhaps,
pulling evidence from text to support interpretations. But this equation of text and evidence—this
interchangeability of the terms—struck me as a new phenomenon.
Anyone teaching or learning in K-12 classrooms must accept the primacy of textual evidence. The
"Reading: Literature" section of the Common Core State Standards for English/language arts
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directs students to “cite specific textual evidence when writing or speaking to support conclusions
drawn from the text.” I don’t dispute the letter or the spirit of this, but it seems like our focus on
evidence has altered the way we see text. We’ve come to see text as evidence, and only evidence.
After that first moment of strangeness, similar moments began to fall like "When students
rain. My colleague, a former science teacher, asked me to explain how read in this way,
reading teachers use “think-alouds” (a teacher’s narration of her thinking they don't
about a text) to impart comprehension strategies. He asked if their purpose recognize all that
is to present the evidence that supports the teacher’s claims about a text. text does and can
For a moment, I was tempted to accept this explanation, but I realized do besides serving
that, if I did, I’d be assuming that our thoughts arrive in our minds as as evidence."
claims, and words arrive on the page as evidence. I clarified that the
purpose of a think-aloud is to show what the text makes us think as we read it and how, through
this thinking, we make sense of its meanings.
A few weeks later, another colleague and I were designing a reading curriculum. She suggested
this daily objective: “Students will categorize evidence from a nonfiction text by subtopic.”
How strange to think of the information we gather from a nonfiction text as “evidence.” Evidence of
what? I thought. I suggested we keep her objective, but replace “evidence” with the word
“information.”
I suspect that this confusion of terms is unintentional. But if our ways of speaking about text have
seeped into our students’ ways of thinking about it, if they’ve come to think that text’s raison
d’etre is to serve as evidence, their experience of reading has been fundamentally changed.
The trouble is that when students read in this way, they Visit Opinion.
don’t recognize all that text does and can do besides
serving as evidence. The first standard doesn’t acknowledge the way text elicits thinking and draws
out new ideas, curiosities, frustrations, causes, and sometimes even pursuits.
Text does this to me all the time. In a recent search for an article about literacy, I happened upon
a 2000 article by scholar Cynthia Lewis in the Journal of Literacy Research on reader-response
theory, which posits that a reader’s role is not merely passive, but essential to determining a
work’s meaning. It wasn’t what I expected (or needed for my research), but it sent me on a search
for other, similar critiques and prompted me to open a discussion of reader-response theory with
my curriculum-design colleagues. Had I set out reading Lewis’ work just to stock evidence to
support some future claim, I would have abandoned it after reading the abstract.
In a “Modern Love” essay for The New York Times this year, Edan Lepucki wrote, “I told myself
terrible things every day, just to see how terrible they would feel.” Her words left me wondering
and worrying, smack in the middle of the work day, if I don’t also occasionally participate in such
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catastrophizing, in my own kind of internal game of mercy. This kind of reading is what we used to
call a text-to-self connection before we banished it from our practice and replaced it with so-called
“text dependent” questions and answers.
Recently, I was reading Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven and
designing a series of text-dependent questions, just the kind of questions that students would need
to answer with evidence. I read: “Victor imagined that his father’s tears could have frozen solid in
the severe reservation winters and shattered when they hit the floor. Sent millions of icy knives
through the air, each specific and beautiful. Each dangerous and random.” With this image, Alexie
elicited in me the kind of emotional response that people in my generation tend to take to social
media. (That’s what I did.) How wrong it would be to call this image simply evidence. Alexie’s
words aren’t there just to be appropriated into an argument. That night, they helped me
understand how little I actually understood about poverty.
If we want to prepare students for college and career, let’s teach them the full range of reading
required of us in college and career. Let’s teach them to read for real and relevant purposes and
also to return to the text to search for evidence when they must. Let’s teach them not only to use
text as evidence to support claims, but also to let the text move, teach, frustrate, confuse, and
compel them.
Mia Hood is a graduate instructor and doctoral student at Teachers College, Columbia University,
and an assistant professor of practice at the Relay Graduate School of Education, in New York City.
She also consults with schools across the country on implementing and strengthening reading and
writing workshops, supporting diverse readers and writers, and developing assessments. She
previously taught English/language arts and served as the dean of instruction at KIPP Truth
Academy in Dallas.
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