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Menaka defies expectations as an apsara, or celestial woman, in the story Menaka's Choice by falling in love and challenging the notions of her kind. As an apsara, Menaka is typically expected to use her beauty to seduce kings, but is denied emotions like love. In the story, Menaka asserts her rights as a woman and voices her opinions, shaking up Indra's heavenly abode. This paper will examine how Menaka resists being seen as the "other" and sexually objectified, instead fighting to overturn stereotypes of apsaras. It will also analyze how Menaka's voice questions the foundation of apsaras being categorized solely as sexual objects.
Menaka defies expectations as an apsara, or celestial woman, in the story Menaka's Choice by falling in love and challenging the notions of her kind. As an apsara, Menaka is typically expected to use her beauty to seduce kings, but is denied emotions like love. In the story, Menaka asserts her rights as a woman and voices her opinions, shaking up Indra's heavenly abode. This paper will examine how Menaka resists being seen as the "other" and sexually objectified, instead fighting to overturn stereotypes of apsaras. It will also analyze how Menaka's voice questions the foundation of apsaras being categorized solely as sexual objects.
Menaka defies expectations as an apsara, or celestial woman, in the story Menaka's Choice by falling in love and challenging the notions of her kind. As an apsara, Menaka is typically expected to use her beauty to seduce kings, but is denied emotions like love. In the story, Menaka asserts her rights as a woman and voices her opinions, shaking up Indra's heavenly abode. This paper will examine how Menaka resists being seen as the "other" and sexually objectified, instead fighting to overturn stereotypes of apsaras. It will also analyze how Menaka's voice questions the foundation of apsaras being categorized solely as sexual objects.
Hindu mythology is abundant with female goddesses and apsaras who are the epitome of physical beauty. An apsara is a celestial woman who is typically defined as a seductress whose main role is to seduce the kings and break their penance apart from being beautiful dancers and entertainers. In Menaka’s Choice by Kavita Kane, Menaka defies the set notions of being an apsara when she falls in love and unsettles the entire construction of her kind. She fights for her rights as a woman and asserts her opinions which shakes Indra’s heavenly abode. This paper will look at the construction of ‘self’ and the ‘other', whereby Menaka resists against her identity as the ‘other’ and threatens to over throw the stereotypical beliefs embedded in her and the other apsaras. Menaka is sexually objectified and she is made to use her body to seduce a great king but an emotion like ‘love’ is denied to her. But she goes against her basic nature to assert her rights as a woman. The main objective of this paper will be to look at the reversal of power relations as a woman voices her opinions and breaks the sexual hegemony. The paper will look at how apsaras in Hindu mythology are treated as objects of pleasure and voyeurism, much like how the modern day women are also objectified. It will study how one woman’s voice is enough to question the foundation of being categorised as a sexual object. This paper begins with an understanding of the roles of an apsara, the other and will proceed to see how Menaka rebels against them.
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