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Jamdani (Bengali: জামদানি) is a fine muslin textile of Bengal, produced for centuries in South

Rupshi of Narayanganj district in Bangladesh. The historic production of jamdani was patronized
by imperial warrants of the Mughal emperors. Under British colonialism, the Bengali jamdani
and muslin industries rapidly declined due to colonial import policies favoring industrially
manufactured textiles. In more recent years, the production of jamdani has witnessed a revival in
Bangladesh. Jamdani is typically woven using a mixture of cotton and gold thread.

In 2013, the traditional art of weaving jamdani was declared a UNESCO Intangible Cultural
Heritage of Humanity.[1][2][3]

In 2016, Bangladesh received geographical indication (GI) status for Jamdani Sari.[4]

Contents
 1 Etymology
 2 Origin
 3 Weave
 4 Varieties of jamdani work
 5 Changes with time
 6 Decline and fall
 7 Current problems
 8 Geographical indication
 9 References
 10 External links

Etymology
Jamdani was originally known as Dhakai named after the city of Dhaka, one of many ancient
textile weaving centers in Bengal region.[5] Under the Mughal Empire the Persian term Jamdani
came to be in popular use, since it was the court language of the Mughals. Jamdanis are
popularly known as Dhakai Jamdani or simply Dhakai. The earliest mention of jamdani and its
development as an industry is found into Dhaka, Bangladesh.

Origin
An early reference to Indian origins of muslin is found in the book of Periplus of the Erythraean
Sea and in the accounts of Arab, Chinese and Italian travelers and traders.

Jamdani is a hand loom woven fabric made of cotton, which was historically referred to as
muslin. The Jamdani weaving tradition is of Bengali origin. It is one of the most time and labor-
intensive forms of hand loom weaving, and is considered one of the finest varieties of
muslin,[citation needed] and the most artistic textile of Bangladeshi weavers. Traditionally woven
around Dhaka and created on the loom brocade, jamdani is rich in motifs. In the first half of the
nineteenth century, James Taylor described the figured or flowered jamdani; in the late 19th
century, T. N. Mukharji referred to this fabric as jamdani muslin.
Weave

Traditional blue jamdani

Whether figured or flowered, jamdani is a woven fabric in cotton. This is a supplementary weft
technique of weaving, where the artistic motifs are produced by a non-structural weft, in addition
to the standard weft that holds the warp threads together. The standard weft creates a fine, sheer
fabric while the supplementary weft with thicker threads adds the intricate patterns to it. Each
supplementary weft motif is added separately by hand by interlacing the weft threads into the
warp with fine bamboo sticks using individual spools of thread. The result is a complex mix of
different patterns that appear to float on a shimmering surface. The pattern is not sketched or
outlined on the fabric, but is drawn on a graph paper and placed underneath the warp. Jamdani is
a fine muslin cloth on which decorative motifs are woven on the loom, typically in grey and
white. Often a mixture of cotton and gold thread was used.

Varieties of jamdani work


Though mostly used for saris, Jamdani is also used for scarves and handkerchiefs. Jamdani is
believed to be a fusion of the ancient cloth-making techniques of Bengal (possibly 2,000 years
old) with the muslins produced by Bengali Muslims since the 14th century. Jamdani is the most
expensive product of Dhaka looms since it requires the most lengthy and dedicated work.

Jamdani patterns are mostly of geometric, plant, and floral designs and are said to have
originated thousands of years ago. Due to the exquisite painstaking methodology required, only
aristocrats and royal families were able to afford such luxuries.

Changes with time


We do not know exactly when jamdani came to be adorned with floral patterns of the loom. It is,
however, certain that in the Mughal period, most likely during the reign of either Emperor Akbar
(1556–1605) or Emperor Jahangir (1605–1627), the figured or flowered muslin came to be
known as the jamdani. Forbes Watson in his most valuable work titled Textile Manufactures and
Costumes of the people of India holds that the figured muslins, because of their complicated
designs, were always considered the most expensive productions of the Dhaka looms.[6]

Decline and fall


From the middle of the 19th century, there was a gradual decline in the jamdani industry. A
number of factors contributed to this decline. The subsequent import of lower quality, but
cheaper yarn from Europe, started the decline. Most importantly, the decline of Mughal power in
India, deprived the producers of jamdani of their most influential patrons. Villages like
Madhurapur and Jangalbari, (both in the Kishoreganj district), once famous for the jamdani
industry went into gradual oblivion..

Current problems

Jamdani Sari for sale in Sonargaon, Bangladesh

According to a national daily, a senior taanti or "ostad" earns about Tk 2,500 to Tk 3,000 per
month. Junior weavers get much less, around Tk 1,600. As a result, many weavers do not want
their children to come to the profession, preferring the more lucrative garments industry.

Bangladeshi bride in Jamdani sari

The government and other organizations are trying to revive the old glory of Dhakai Jamdani. In
a bid to avoid the middlemen, they are trying to establish direct contact with the weavers. A
Jamdani Palli has been established near Dhaka. Jamdani, one of the oldest forms of cottage
industry in Bangladesh, was once a dying trade. Organizations like Radiant Institute of Design,
Shanto Mariam University of creative technology,National Institute of Design (NID) and others
are helping designers create new Jamdani designs.

Jamdani is a symbol of aristocracy. The demand for quality Jamdani Sarees has increased
exponentially over the years.

Geographical indication
In 2016, Bangladesh received geographical indication (GI) status for Jamdani Sari.[4] It was the
first GI status given to any Bangladeshi product.

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