Documente Academic
Documente Profesional
Documente Cultură
Rizal was 16 years old when one Sunday in 1887 he paid visit to his maternal grandmother in Trozo, Manila and there met, among
others, Segunda Katigbak, a two-year-younger-than-him ‘colegiala’. In his ‘Memorias de Un Estudiante de Manila’, Rizal
graphically described her as a short lady with “eloquent eyes, rosy cheeks, and smile that reveals very beautiful teeth”. Mariano
Katigbak, Segunda’s brother and Rizal’s classmate who was also in the house, probably had no idea that his friend had been
experiencing “a love at first sight” being bewitched by his alluring sister.
During the 1880s, the Katigbaks of Batangas were known for their successful and very lucrative coffee industry. When Jose met
Segunda, she was at the time a boarding student of La Concordia College where Rizal’s sister Olympia was also studying. Jose and
Segunda got to know each other more intimately as his visits to his sister Olympia (or rather to his love interest Segunda) in La
Concordia surprisingly became more frequent.
How could Rizal forget that incident when he was urged by other acquaintances and conformed to make a pencil sketch of Segunda?
“From time to time”, he later recorded in his diary, “she looked at me, and I blushed.” When Segunda one day gave him a white
artificial rose she had made herself at school, he gave her in exchange that pencil sketch he had drawn of her.
In hindsight, we can submit that Rizal was somewhat clueless and naïve. As in the song “Paper Roses,” the artificial flower was
perhaps Segunda’s way of insinuating that their affection was hopeless from the very start. The ‘rumor’ that she had been engaged to
be married to a fellow-townsman, Manuel Luz, even before she met Pepe, was all along true. Rizal’s discovery of the real score later
was probably his major reason, being a man of delicadeza, why he did not propose to her, more than his being ‘torpe’ or a reluctant
lover.
It was also at La Concordia where the young lovers talked to each other for the last time. It was a romantic day in December 1877
when the confused Rizal came to see the ever-hopeful Segunda. Rizal said goodbye because he would spend his New Year vacation in
his hometown starting the following day. Segunda replied that she was also going home to Lipa a day later. She then maintained
silence, perhaps giving Rizal enough opportunity to say anything romantic, especially that sweetest tri-syllabic pronouncement
which a lover would want to hear from a beloved. To her surprise, Rizal indeed uttered a three-syllable statement. The young Rizal
said, “Well, good-bye” (which is virtually equivalent to today’s cold text message “Ah ok” plus a smiley). “Anyway—I’ll see you when
you pass Calamba on your way to Lipa”, he nevertheless promised.
Rizal went home to Calamba and woke up the following day determined to fulfill his promise to Segunda. The steamer carrying
Segunda anchored in Biñan so Jose saddled his white horse to wait at the road. When Segunda’s carromata passed by, she smiled
and waved her handkerchief to him. Initially wanting to follow, Rizal at the last minute turned his horse around and decided to ride
home instead. That incident marked the end of everything between the young lovers.
Segunda returned to Batangas and in due time married Don Manuel Luz y Metra who also hailed from a prominent family in
Batangas. Segunda’s husband was actually the nephew of her maternal grandmother.
Orang was Rizal’s neighbor when he boarded in the house of Doña Concha Leyva in Intramuros during his sophomore year at
the Universityof Santo Tomasas medicine student. To finally move on perhaps from his unsuccessful love story with Segunda
Katigbak, Rizal frequently visited Orang’s house with or without social gatherings. The proofs that Rizal indeed courted her were the
love letters he sent her. His love notes were mysteriously written in invisible ink made of common table salt and water, which could
be read by heating the note over a candle or lamp.
More than a manifestation of Rizal’s knowledge of chemistry, his magical love notes to Orang, one can say, are a proof that he
wanted to keep the courtship private. But why would he want to make it secret?
Many references declare that Orang was Rizal’s object of affection (too) while he was courting the other Leonor, his cousin Leonor
Rivera. If this were true, then sending invisible love letters would indeed be the smart thing to do for other people would find them
as mere blank papers.
Without clear material evidence, the ‘two-timer charge’ could indeed be easily denied. (To do a further speculative stretch, Rizal was
perhaps thinking that if both ladies would become his girlfriends, he would not make the mistake of calling any of them by a wrong
name.)
When Rizal left for Spain, he received a letter from his friend and confidant Jose M. Cecilio (Chenggoy) indicating that the two ladies
had an idea that their ‘common denominator’ was not only their first name:
“…nagpipilit ang munting kasera (Leonor Rivera) na makita si Orang, pero dahil natatakpan ng isang belong puti, hindi naming
nakilala nang dumaan ang prusisyon sa tapat ng bahay. Sinabi sa akin ni O(rang) na sabihin ko raw sa munting kasera na hindi
siya kumakaribal sa pag-iibigan ninyo. Que gulay, tukayo, anong gulo itong idinudulot natin sa mga dalagang ito!”
The letter suggests that either Orang was giving way to Rivera-Rizal love affair or she (Orang) was not that interested in Rizal. In
fact, records were not clear if she officially reciprocated Rizal’s courtship. If indeed she never took Rizal’s courtship seriously, we
could not actually blame her. Her would-be affair with Rizal could only be either a rebound relationship (from Segunda-Jose failed
affair) or an unhealthy love triangle (with the other Leonor in the equation).
Subjectively considered as a pretty lady, Leonor is commonly described as having wavy soft hair, high forehead, wistful almond eyes,
small and pensive mouth, and charming dimples. She was said to be intelligent and talented, as she could play the harp and the
piano—skills which matched her fascinating singing voice.
Leonor was a “tender as a budding flower” colegiala at the La Concordia College when she became romantically involved, though
secretly, with her distant relative Rizal. Though both Leonor Rivera and Segunda Katigbak (Rizal’s first love) studied in the same
school, they probably had not met and known each other (much less pulled each other’s hair) as the Tarlaqueña was four years
younger than the Batangueña. Rizal was just a young high school student in Ateneo when he was ‘dating’ Segunda. When he boarded
at his Uncle Antonio’s boarding house in Intramuros and became the boyfriend of the landlord’s daughter, Rizal was already a
second-year medical student then at the UST.
In one of Indios’ street brawls against young Spaniards in Escolta, Rizal was wounded on the head. Bleeding and filthy, he was
brought home by friends to his boarding house. With tender love and care, Leonor nursed him. His wound was gently washed and
carefully dressed, though the band-aid used was unnamed.
It was during Rizal’s second trip abroad when he met Seiko Usui. From Hong Kong, he arrived in Japan in February 1888 and
moved to the Spanish Legation in the Azabu district of Tokyo upon the invitation of an official in the legation.
One day, Rizal saw Seiko passing by the legation in one of her daily afternoon walks. Fascinated by her charm, Rizal inquired and
learned from a Japanese gardener some basic information about her. The next day, Rizal and the Japanese gardener waited at the
legation gate for Seiko. Acting as a go-between and interpreter, the gardener introduced the gracious Filipino doctor and the pretty
Japanese woman to each other. The gardener’s role as intermediary was cut short however when Seiko spoke in English. She also
knew French, and so she and Rizal began to converse in both languages.
O-Sei-San, as Rizal fondly called Seiko, voluntarily acted as Rizal’s generous tour guide. She accompanied him to Japan’s shrines,
parks, universities, and other interesting places like the Imperial Art Gallery, Imperial Library, and the Shokubutsu-en (Botanical
Garden). Serving as his tutor and interpreter, she helped him improve his knowledge of the Japanese language (Nihonngo) and
explained to him some Japanese cultural elements and traditions like the Kabuki plays.
It was thus not surprising that Jose fell for the charming, modest, pretty, and intelligent daughter of a samurai. Seiko subsequently
reciprocated the affection of the talented and virtuous guest who, like her, had deep interest in the arts.
Their more than a month happy relationship had to end nonetheless, as the man with a mission Rizal had to leave Japan.
Gertrude was the daughter of Rizal’s landlord—Charles Beckett who is an organist at St. Paul’s Church in London. Coming from brief
stay in Japan and the United States of America, Rizal chose to live in the capital city of the United Kingdom on May, 1888. The
oldest of the ‘three’ (some say ‘four’) Beckett sisters, Gertrude (also called ‘Gettie’ or ‘Tottie’) was a curvy lady with cheerful blue
eyes, brown hair, rosy cheeks, and thin lips. (Based on the pictures of Rizal’s ‘girlfriends’ now available over the internet, one can
even argue that Gertrude is the most beautiful.)
This English girl (who probably spoke the British accent of the ‘Harry Potter’ characters) fell in love with Rizal. The more-than-
normal assistance she gave to the Filipino boarder betrayed her special feelings for him. She showered him with all her attention and
assisted him in his painting and sculpturing. With her aid, Rizal finished some sculptural works like the ‘Prometheus Bound’, ‘The
Triumph of Death over Life,’ and ‘The Triumph of Science over Death.’
Away from his home, it was just normal for Rizal to find enjoyment in Gertrude’s loving service. Rizal called her by her nickname
“Gettie” and she affectionately called him “Pettie.” It was said that their friendship glided towards romance, but Rizal, for some
reasons, was alleged to have ultimately backed out. Some sources nonetheless suggest that their relationship was just a one-sided
love affair as Rizal never really reciprocated her love.
Either way, it was clear that the couple did not end up as husband and wife as Rizal chose to leave London on March 19, 1889 so that
Gertrude may forget him.
The following year (1884), Rizal and other compatriots attended (again) the birthday party of Don Pablo in which there was a
dance. It was not clear if Rizal had a dance with Consuelo but five days after, he sent her a piece of guimaras cloth. Rizal recorded
that he again went to see Consuelo on February 10 after doing something at the university district. On March 15, Rizal and other
compatriots—including Eduardo de Lete—were again gathered in the Ortiga house.
Lete was actually one of the reasons Rizal gave up his affection for Consuelo. Lete seriously liked Ms. Ortiga and Rizal did not
wish to ruin their friendship over a lady. It was said that even Maximino and Antonio Paterno, Rizal’s good friends, regularly visited
the lady. (Thus, we can submit that Consuelo was the “crush ng bayan” among Filipinos in Madrid in Rizal’s time).
References:
https://ourhappyschool.com/history/segunda-katigbak-jose-rizals-first-love
https://ourhappyschool.com/history/leonor-valenzuela-and-jose-rizals-invisible-love-letters
https://ourhappyschool.com/history/leonor-rivera-jose-rizals-true-love
https://ourhappyschool.com/history/seiko-usui-jose-rizals-japanese-girlfriend-0
https://ourhappyschool.com/music-and-arts/gertrude-beckett-jose-rizals-fling-london
https://ourhappyschool.com/history/consuelo-ortiga-y-rey-crush-ng-bayan-rizals-time
https://ourhappyschool.com/history/suzanne-jacoby-jose-rizals-fling
https://ourhappyschool.com/history/nellie-boustead-jose-rizals-almost-wife
https://ourhappyschool.com/history/josephine-bracken-jose-rizals-dear-and-unhappy-wife