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Symphony No.9 in E Minor, Op.

95 Antonín Dvořák
Trumpet I in B 
    
                  

Adagio
       
Hn. Hn.

 
     


                  
            
    
Fl.

Allegro molto.
21
     
attacca

        
          
       
39
  
   
           1               
                
56
   
 
       
Viol. I

 
2 3 4 5
73   
 
 
       
                  
1.

   
169


    
                     
6
     
2.



181

 3  3
                             

200


cresc.

      
                
7
211 
   
 cresc.  

3

                     
225
  
  
 
 
 
 8   
  

241                                  
  
        
250                                   

Symphony No.9 in E Minor, Op. 95 - Trumpet I in B 

                
2

            
9

Fl.

  
259

   
               
      
   
292

 
10  11   12  13 

         
Hn.

           
308
 
  
   

              
 
                
402
      

                
            
 
412


                                          
424         

                             
  
436

 
                           
445           

II.
   Fl.
Largo
 
      
1
 

Cello.

   
     


  dim. 3
3
3
3

     
    
        
  
22

 dim. 
2
   
Un poco più mosso poco rit. Poco meno mosso. 3 Poco più mosso Meno.

   
46
Symphony No.9 in E Minor, Op. 95 - Trumpet I in B 

        


3
                            
Viol. I 6 6

 
6 6
4
  

 
90

 cresc.

                    


     
rit.
96

 dim.  
5 Meno mosso. Tempo I
         
rit. in tempo rit. Molto Adagio.


  
101


III. Scherzo.

  

Molto vivace.
       
  

Fl. Oboe.

 
Fl.

    
        

  1                       
 
 
        


47


              
Fl.

     
Poco sostenuto.

  
56
3

 
                      
 
90


 
                                   
2 a tempo
    
    
99

cresc.
cresc.

  
   
               
3    
115            
  
                       
125      

           
133               
Symphony No.9 in E Minor, Op. 95 - Trumpet I in B 
4

   
Viol. I



Fl.


 
Viol. I

Fl.

Viol. I
 
Fl.

              
4 5
154  


        

                                    
 

 
223      









    
                       
6

 e poi la Coda.
231

cre - - - - scen - - - do - - -  Scherzo D.C. al

   
     
Fl.

 
       
7
      
    
Coda

 
 
              
 
  
   
282

dim.   G.P.

IV.

Allegro con fuoco


    
                
Viol. I

       
    

 
                         
   
10



                  
         
3

16
 

                    
22      
3
Symphony No.9 in E Minor, Op. 95 - Trumpet I in B 
5

      
                  
1
34  

        
                          
    
2
 

41

               
47                         
 
                
                    
56

  
  
           4
                  
 
Viol. I
3

68      

 
95                                 

        
             3  
            
3 3

101

           
       
5
   
Hn.

   
  

106


      
   
            
   

Viol. I
6 7
        
   
144


 
178                           
      
  cresc.

            8   
 
 

 




188   
 cresc.    
Symphony No.9 in E Minor, Op. 95 - Trumpet I in B 
6

       
                    
           
198

 marcato   
                            
9

Meno mosso.
207
  
 
 
   
  
10 11 Tempo I.

string.
       
in tempo Un poco sostenuto.
    
 
  
3

     
227

Cello & Basso.


 

279                               


 

       
285                         

                                           
293 


  
12
        
      
299

    
     
    

Meno.

ritard.
 
 
poco a poco ritard. in tempo

  
     
  
 

 
321

Viol. I

               
in tempo

              
in tempo Un poco meno mosso.
(Allegro con fuoco.)

331   

                                 
338 
3 3 3 3 3 3

                        


343
3 3
dim.
lungo
Symphony No.9 in E Minor, Op. 95 Antonín Dvořák
Trumpet II in B 

  
Adagio

                 

       
Hn. Hn.

 
   
    

Fl.             

                    
Allegro molto.

     
21

attacca

      
      
  
     
     
  
39

 

                                           
1
    
       
56

2  3  4    
Viol. I

  
5
73    
 
 
   
                      
1.

   
169


6
    
                     
2.

181   
 3
 3

200                              
 cresc.

    
               
7
 
       
 cresc. 
211

3  

                    
  
 
226


 
 

  
  

 
  

      
             
8
   
 
241

  
Symphony No.9 in E Minor, Op. 95 - Trumpet II in B 
 
        
2

250                                   

    Fl.               
            
9

  
259

  
    
                    
292

     
10  11   12 
 

Hn.

           
 
  

308

                   
13
           
400
             

       
                 
 
410


                  
420         


429                     
   
         
  

                          
438 
 
                              
446 

II.
   Fl.
Largo Cello.

 
      
1
 
       
 

 


  dim. 3
3
3
3

       
    
      
  
22

 
dim.
Symphony No.9 in E Minor, Op. 95 - Trumpet II in B 
3
2
   
Un poco più mosso Poco meno mosso. 3 Poco più mosso

poco rit. Meno.

   
46


        
   
Viol. I 6 6

                   
6 6
4
    
       
 
90

 cresc.

  
                
rit.

     

96

 dim.


5
       
Meno mosso. Tempo I rit. in tempo Molto Adagio.

rit.

   
101

III. Scherzo.

  

Molto vivace.
       
 
   
Fl. Oboe.

 
Fl.

    
       

  1
                              
 
47    


Poco sostenuto. Fl.     
   
                       
 
56
3

 
               
        
90


 
                                   
2 a tempo
    
  
99

 cresc.  cresc.

    
                      
3
       

115

 
Symphony No.9 in E Minor, Op. 95 - Trumpet II in B 
4

125                              

 
133                         

   
Viol. I



Fl.



Viol. I
 
Fl.

Viol. I

Fl.

              
4 5
154  


        

 
                                    
  
223


    
                 
             
6

    Scherzo D.C. al  e poi la Coda.


231

cre - - - - scen - - - do - - -

   
     
Fl.



          
7
      
Coda

 

                        

282

dim.
   G.P. 

IV.
Allegro con fuoco


     
                       
Viol. I

              
     

                     
                
3

    

12


  
                                           
3

  
19
Symphony No.9 in E Minor, Op. 95 - Trumpet II in B 

     
5

                     
1
34


                         
    
2
41   


       
47                                    
 
   
                         
3
    
  
57

    
        4
       
 
Viol. I

          
    
87


 
95                                 

        
             3  
            
3 3

101

  
         
5
   
Hn.

106
 
   
       


      
   

   
   
6
 
7
              
Viol. I

    

144

          
                       

182

 cresc.


                     
8
 
 
188

 cresc.    
Symphony No.9 in E Minor, Op. 95 - Trumpet II in B 
6

       
           

     

    
         
198

 marcato   
                            
9 Meno mosso.
   
207

 
 
   
 
11 Tempo I.
  
10

string.

Un poco sostenuto.
     
in tempo
    
  
3

     
227

Cello & Basso.


279                              
 

285

                          

                                  
293     


  
12
        
      
299

    
      
Meno.

  

 
ritard.

 
poco a poco ritard. in tempo

  
     
  
 

 
321

Viol. I

                         
in tempo Un poco meno mosso. in tempo

       
(Allegro con fuoco.)
331

                                  
3 3 3 3 3 3
338


                         
3 3


343

dim.
lungo

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