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DRUMS
SyllabUS GUiDe
2012 - 2018
www.rockschool.co.uk
© Copyright 2014 Rock School Ltd Drums Syllabus Guide 2012-2018 | 1
International Music and Performance Arts Exam Board
Table of ConTenTs
3 Introduction
4 Debut
6 Grade 1
8 Grade 2
10 Grade 3
12 Grade 4
14 Grade 5
16 Grade 6
18 Grade 7
20 Grade 8
22 Technical Work
25 Sight Reading
26 Quick Study Piece
26 Ear Tests
28 Assessment Criteria
30 Exam Regulations
InTRoDUCTIon
W
elcome to the Rockschool 2012-2018 syllabus for EXAMINATION STRUCTURE
Drums. This syllabus guide is designed to give The examination structure for the grade
teachers, learners and candidates practical infor- examinations is shown below:
mation on the graded examinations run by Rockschool. › 1st - pieces or technical exercises
› 2nd - technical exercises or pieces
The Rockschool website, www.rockschool.co.uk has detailed › 3rd - Sight Reading or Improvisation &
information on all aspects of our examinations, including Interpretation or Quick Study Piece
examination regulations, detailed marking schemes and › 4th - Ear Tests
assessment criteria as well as notated and audio examples › 5th - General Musicianship Questions
to help you prepare for the examination.
DebUT
to the backing track for the first few bars. Once the
T
he Debut Bass exam is for candidates who have
been learning a short time and have learnt the correct level has been agreed, the examiner will begin
basic skills. There are two types of exam availa- again and conduct all three pieces. Note that this is only
ble at Debut, Grade Exam or Performance Certificate. done for the first piece.
Please see the Examinations section for an explana-
tion of the differences. TECHNICAL WORK
At Debut there are four groups of technical work.
GRADE EXAM The examiner will ask a selection from each group and
Prepared work: candidates play 3 pieces that last a before you start the section you will be asked whether
maximum of 1 minute and Technical Exercises cover you would like to play the exercises along with the click or
the preliminary areas. hear a single bar of click before you commence the test.
Unprepared work: candidates are required to use the
drums for a simple sight reading test and two ear tests Tempo: 70 bpm
that begin to develop fill playback and groove recall. GROUP A: SINGLE STROKES
The final part of the exam is a set of 5 simple ques- In eighth notes
tions based on the candidate’s choice of piece. These
are designed to explore simple theory and instrument GROUP B: DOUBLE STROKES
knowledge. In eighth notes
snare drum with a metronome backing. You will hear Criteria for own free choice pieces can be found by visit-
the test twice. The test is made up of quarter and eighth ing the website www.rockschool.co.uk. If there is any doubt
notes. Each time the test is played it is preceded by a or questions about the appropriateness of the chosen
one bar count-in. There will be a short gap for you to piece, you can email it to info@rockschool.co.uk and a
practise. Next you will hear a vocal count-in and you will member of the Rockschool team will advise you. n
then play the fill back with the metronome backing. The
candidate will then be required to identify the test from
two printed examples.
GROOVE RECALL
Tempo 80 bpm
The examiner will play you a two bar groove that is
repeated played on the hi hat, snare and bass drum with
a metronome backing. You will hear the test twice. Each
time the test is played it is preceded by a one bar count-
in. There will be a short gap for you to practise. Next
you will hear a vocal count-in and you will then play the
groove back with the metronome backing.
INSTRUMENT KNOWLEDGE
The examiner will also ask you one question regarding
your instrument.
PERFORMANCE CERTIFICATE
The candidate chooses to play 5 pieces lasting
a maximum of 1 minute each.
GRaDe 1
T
he Grade 1 Drum exam is for candidates who SETTING THE LEVEL OF THE BACKING TRACK
have been learning for a relatively short period Before playing the first piece all the way through, the
and have mastered the key basic skills. There examiner will make sure the volume of the backing track
are two types of exam available at Grade 1, Grade is correct for the candidate by asking them to play along
Exam or Performance Certificate. Please see the to the backing track for the first few bars. Once the
Examinations section for an explanation of the correct level has been agreed, the examiner will begin
differences. again and conduct all three pieces. Note that this is only
done for the first piece.
GRADE EXAM
Prepared work: candidates perform 3 pieces that last a TECHNICAL WORK
maximum of 1 minute 15 seconds and demonstrate a At Grade 1 there are four groups of technical work.
selection of Technical Exercises. The examiner will ask a selection from each group and
Unprepared work: candidates are required to play either before you start the section you will be asked whether
a 4 bar sight reading test, or a 4 bar Improvisation and you would like to play the exercises along with the click or
Interpretation test. There are also two ear tests that be- hear a single bar of click before you commence the test.
gin to develop fill playback and groove recall and the fi-
nal part of the exam is a set of 5 simple questions based Tempo: 70 bpm
on the candidate’s choice of piece. These are designed GROUP A: SINGLE AND DOUBLE STROKES
to explore theory and instrument knowledge. In eighth notes alternate bars
GRaDe 2
T
he Grade 2 Drum exam is for candidates who SETTING THE LEVEL OF THE BACKING TRACK
have been learning approximately one year Before playing the first piece all the way through, the
to eighteen months and have established the examiner will make sure the volume of the backing track
key basic skills along with solid basic techniques. is correct for the candidate by asking them to play along
There are two types of exam available at Grade 2, to the backing track for the first few bars. Once the
Grade Exam or Performance Certificate. Please see correct level has been agreed, the examiner will begin
the Examinations section for an explanation of the again and conduct all three pieces. Note that this is only
differences. done for the first piece.
SIGHT READING
Tempo: 70 bpm
GENERAL MUSICIANSHIP QUESTIONS
At Grade 2 you will be offered a Sight Reading test
MUSIC KNOWLEDGE
that is in the form of a four bar rhythm played on the
The examiner will ask you four music knowledge ques-
snare drum. The test is made up of quarter, eighth and
tions based on a piece of music that you have played in
sixteenth notes and quarter and eighth note rests. The
the exam. You will nominate the piece of music about
examiner will allow 90 seconds preparation and practise
which the questions will be asked.
time and will offer the option of practising with or with-
out a metronome. The candidate will then perform the
In Grade 2 you will be asked to identify:
test for the examination.
› Drum voices on the stave
› The meaning of time signature marking
IMPROVISATION AND INTERPRETATION
› Quarter, dotted eighth note, eighth note
Tempo: 70-80 bpm
and 16th note values
At Grade 2 the test is four bars long and the candidate
› Rest values
will have 30 seconds preparation time. The test is in
› Repeat markings including first and
the form of a notated one bar groove that should be
second time bars
developed and a one bar fill. The examiner will offer the
metronome as a guide or throughout this time. The can-
INSTRUMENT KNOWLEDGE
didate will then have a complete practice run through
The examiner will also ask you one question
with the backing track and then on the repeat, the test
regarding your instrument.
will be examined.
In Grade 2 you will be asked to identify:
EAR TESTS › The following parts of the drum kit - bass drum,
There are two tests which are Fill Playback
snare, high tom, medium tom, floor tom, hi-hat, ride
and Recognition and Groove Recall.
cymbal and crash cymbal
› The following parts of the drumstick - tip, neck,
FILL PLAYBACK AND RECOGNITION
shaft and butt
Tempo: 70 bpm
› Two main drum kit makes
The examiner will play you a one bar fill played on the
snare drum with a metronome backing. You will hear
the test twice. The test is made up of quarter, eighth and
PERFORMANCE CERTIFICATE
The candidate chooses to play 5 pieces lasting
sixteenth notes and quarter note rests. Each time the
a maximum of 1 minute 30 seconds each.
test is played it is preceded by a one bar count-in. There
will be a short gap for you to practise. Next you will
hear a vocal count-in and you will then play the fill back
FREE CHOICE PIECE/OWN CHOICE PIECE
There is an option of playing free choice pieces
with the metronome backing. The candidate will then be
in the examination.
required to identify the test from two printed examples.
› Grade exam: 2 free choice pieces
› Performance certificate: 3 free choice pieces
GROOVE RECALL
Tempo: 80 bpm
Candidates also have the opportunity of playing from
The examiner will play you a two bar groove that is
the Hot Rock Drums Grade 2.
repeated played on the hi hat (open and closed), snare
and bass drum with a metronome backing.You will hear
Criteria for own free choice pieces can be found by visit-
the test twice. Each time the test is played it is preceded
ing the website www.rockschool.co.uk. If there is any doubt
by a one bar count-in. There will be a short gap for you to
or questions about the appropriateness of the chosen
practise. Next you will hear a vocal count-in and you will
piece, you can email it to info@rockschool.co.uk and a
then play the groove back with the metronome backing.
member of the Rockschool team will advise you. n
GRaDe 3
T
he Grade 3 Drum exam is for candidates who SETTING THE LEVEL OF THE BACKING TRACK
have been learning approximately eighteen Before playing the first piece all the way through, the
months to two years and have established the examiner will make sure the volume of the backing track
basic skills and the beginnings of stylistic awareness is correct for the candidate by asking them to play along
through controlled balance, technique and coordina- to the backing track for the first few bars. Once the
tion of the kit and the introduction of solo and devel- correct level has been agreed, the examiner will begin
opment work. There are two types of exam available again and conduct all three pieces. Note that this is only
at Grade 3, Grade Exam or Performance Certificate. done for the first piece.
Please see the Examinations section for an explana-
tion of the differences. TECHNICAL WORK
At Grade 3 there are six groups of technical work.
GRADE EXAM The examiner will ask a selection from each group and
Prepared work: candidates perform 3 pieces that last a before you start the section you will be asked whether
maximum of 2 minutes and demonstrate a selection of you would like to play the exercises along with the click or
Technical Exercises. hear a single bar of click before you commence the test.
Unprepared work: candidates are required to play either
a 4 bar sight reading test, or a 4 bar Improvisation and Tempo: 75 bpm
Interpretation test. There are also two ear tests that GROUP A: SINGLE STROKES
develop fill playback and groove recall and the final part In eighth, eighth note triplets and sixteenth notes
of the exam is a set of 5 questions based on the can-
didate’s choice of piece. These are designed to explore GROUP B: DOUBLE STROKES
theory and instrument knowledge. In eighth and sixteenth notes using snare and toms
SIGHT READING
Tempo: 70-80 bpm
GENERAL MUSICIANSHIP QUESTIONS
At Grade 3 you will be offered a Sight Reading test that
MUSIC KNOWLEDGE
is in the form of a four bar rhythm played on the snare
The examiner will ask you four music knowledge ques-
drum and is made up of quarter, eighth and sixteenth
tions based on a piece of music that you have played in
notes and quarter and eighth note rests. The examiner
the exam. You will nominate the piece of music about
will allow 90 seconds preparation and practice time
which the questions will be asked.
and will offer the option of practising with or without a
metronome. The candidate will then perform the test for
In Grade 3 you will be asked to identify:
the examination.
› Drum voices on the stave
› The meaning of time signature marking
IMPROVISATION & INTERPRETATION
› Quarter, dotted eighth note, eighth note, triplet
Tempo: 80-100 bpm
eight notes and 16th note values
At Grade 3 the test is four bars long and the candidate
› Rest values
will have 30 seconds preparation time. The test is in
› Repeat markings including first and second
the form of a notated one bar groove that should be
time bars
developed and a one bar fill. The examiner will offer the
metronome as a guide or throughout this time. The can-
INSTRUMENT KNOWLEDGE
didate will then have a complete practice run through
The examiner will also ask you one
with the backing track and then on the repeat, the test
question regarding your instrument.
will be examined.
In Grade 3 you will be asked to identify:
EAR TESTS › The following parts of the drum kit – bass drum,
There are two tests which are Fill Playback
snare, high tom, medium tom, floor tom, hi-hat,
and Recognition and Groove Recall.
ride cymbal and crash cymbal
› The following parts of the drumstick – tip, neck,
FILL PLAYBACK AND RECOGNITION
shaft and butt
Tempo: 70 bpm
› Two main drum kit makes
The examiner will play you a one bar fill played on the
› Two main cymbal makes
snare drum with a metronome backing. You will hear
the test twice. The test is made up of quarter, eighth,
eighth note triplets and sixteenth notes and quarter
PERFORMANCE CERTIFICATE
The candidate chooses to play 5 pieces
note rests. Each time the test is played it is preceded by
lasting a maximum of 2 minutes each.
a one bar count-in. There will be a short gap for you to
practise. Next you will hear a vocal count-in and you will
then play the fill back with the metronome backing. The
FREE CHOICE PIECE/OWN CHOICE PIECE
There is an option of playing free choice
candidate will then be required to identify the test from
pieces in the examination.
two printed examples.
› Grade exam: 2 free choice pieces
› Performance certificate: 3 free choice pieces
GROOVE RECALL
Tempo: 80 bpm
Candidates also have the opportunity of playing from
The examiner will play you a two bar groove that is
the Hot Rock Drums Grade 3.
repeated played on the crash, hi hat (open and closed),
snare and bass drum with a metronome backing. You
Criteria for own free choice pieces can be found by visit-
will hear the test twice. Each time the test is played it is
ing the website www.rockschool.co.uk. If there is any doubt
preceded by a one bar count-in. There will be a short
or questions about the appropriateness of the chosen
gap for you to practise. Next you will hear a vocal
piece, you can email it to info@rockschool.co.uk and a
count-in and you will then play the groove back with the
member of the Rockschool team will advise you. n
metronome backing.
GRaDe 4
T
he Grade 4 Drum exam is for candidates who have SETTING THE LEVEL OF THE BACKING TRACK
been learning approximately two - two and half Before playing the first piece all the way through, the
years and have mastered the basic skills, prelim- examiner will make sure the volume of the backing track
inary techniques and have acquired the beginnings of is correct for the candidate by asking them to play along
stylistic awareness. Grade 4 develops further stylistic con- to the backing track for the first few bars. Once the
viction and understanding through developed solo and correct level has been agreed, the examiner will begin
improvisation work and more complex groove patterns. again and conduct all three pieces. Note that this is only
There are two types of exam available at Grade 4, Grade done for the first piece.
Exam or Performance Certificate. Please see the Examina-
tions section for an explanation of the differences. TECHNICAL WORK
At Grade 4 level there are five groups of
GRADE EXAM technical work.
Prepared work: candidates perform 3 pieces that last a The examiner will ask a selection from each group and
maximum of 2 minutes 15 seconds and demonstrate a before you start the section you will be asked whether
selection of Technical Exercises. you would like to play the exercises along with the click or
Unprepared work: candidates are required to play either hear a single bar of click before you commence the test.
an 8 bar sight reading test, or an 8 bar Improvisation
and Interpretation test. There are also two ear tests that Tempo: 75 bpm
develop fill playback and groove recall and the final part GROUP A: SINGLE AND DOUBLE STROKES
of the exam is a set of 5 questions based on the can- Eighth, eighth note triplets and sixteenth notes.To be played
didate’s choice of piece. These are designed to explore first time with singles and with doubles on the repeat
theory and instrument knowledge.
GROUP B: PARADIDDLES
EXAM STRUCTURE Sixteenth notes using the whole kit Triple Paradiddle.
The Grade 1 exam lasts 25 minutes and will Sixteenth notes using the whole kit
be taken in the following structure.
› 1st item - Pieces or Technical Exercises. GROUP C: FLAMS AND RUFFS
The candidate chooses to play either their Flam tap and ruffs in quarter notes
pieces or their technical exercises first.
› 2nd item - Technical Exercises or Pieces. GROUP D: HANDS AND FEET PATTERNS
The candidate will perform the element not Four patterns
chosen above.
› 3rd item - Sight Reading. The candidate is given GROUP E: FILL
a previously unseen test to practice and play. Tempo: 80 bpm
› 4th item - Ear Tests. The candidate responds to two In the exam you will be asked to play the Fill exercise
tests. Fill playback recognition and Groove recall. from the Grade 4 book to a backing track. The groove is
› 5th item - General Musicianship Questions. shown in bars 1-3 and the examiner will choose one fill
The candidate answers 5 questions related to from a set of four to be played in bar 4. The candidate is
a piece of their choice. to play the repeat.
SIGHT READING
Tempo: 70-80 bpm
GENERAL MUSICIANSHIP QUESTIONS
At Grade 4 there is an element of improvisation. This
MUSIC KNOWLEDGE
is in the form of a two bar development. At Grade 4
The examiner will ask you four music knowledge
the notation consists of quarter, dotted quarter, eighth,
questions based on a piece of music that you have
dotted eighth and sixteenth notes and quarter note and
played in the exam. You will nominate the piece of music
eighth note rests in 4/4. The test is 8 bars long and is on
about which the questions will be asked.
the whole kit. The examiner will allow 90 seconds prepa-
ration and practice time and will offer the option of
In Grade 4 you will be asked to identify:
practising with or without a metronome. The candidate
› Drum voices on the stave
will then perform the test for the examination.
› The meaning of the time signature marking
› The meaning of bpm markings
IMPROVISATION & INTERPRETATION
› Repeat marks, first and second time bars, D.C.,
Tempo: 80-120 bpm
D.S., al Coda and al fine markings
In Grade 4, the improvisation and interpretation test
› All note values used in the chosen piece
contains a small amount of sight reading. This consists of
› Equivalent rests
a two bar groove at the beginning of the test. You will be
› One type of rudiment that can be used stylistically
asked to play the notation as indicated and complete the
in the solo or development section of the piece
test developing the groove and ending with a two bar
› Use of drum voices, rhythms and techniques in
drum solo. This is played to a backing track of eight bars.
drum solo sections
EAR TESTS INSTRUMENT KNOWLEDGE
There are two tests which are Fill Playback
The examiner will also ask you one question
and Recognition and Groove Recall.
regarding your instrument.
FILL PLAYBACK AND RECOGNITION
In Grade 4 you will be asked to identify/explain:
Tempo: 70 bpm
› Any part of the drum kit and drumstick
The examiner will play you a one bar fill played on the
› How to tune the drum kit
snare drum with a metronome backing. You will hear the
› Cross stick, choke cymbal, bell of ride and accent
test twice. The test is made up of quarter, eighth, eighth
note triplets and dotted eighth and sixteenth notes. Each
time the test is played it is preceded by a one bar count-
PERFORMANCE CERTIFICATE
The candidate chooses to play 5 pieces lasting
in. There will be a short gap for you to practise. Next
a maximum of 2 minutes 15 seconds each.
you will hear a vocal count-in and you will then play the
fill back with the metronome backing. The candidate will
then be required to identify the test from three printed
FREE CHOICE PIECE/OWN CHOICE PIECE
There is an option of playing free choice pieces
examples.
in the examination.
› Grade exam: 2 free choice pieces
GROOVE RECALL
› Performance certificate: 3 free choice pieces
Tempo: 80-120 bpm
The examiner will play you a two bar groove that is
Candidates also have the opportunity of playing from
repeated played on the crash, hi hat (open and closed),
the Hot Rock Drums Grade 4.
ride, bell of ride, cross stick, snare and bass drum with
a metronome backing. You will hear the test twice. Each
Criteria for own free choice pieces can be found by visit-
time the test is played it is preceded by a one bar count-
ing the website www.rockschool.co.uk. If there is any doubt
in. There will be a short gap for you to practise. Next
or questions about the appropriateness of the chosen
you will hear a vocal count-in and you will then play the
piece, you can email it to info@rockschool.co.uk and a
groove back with the metronome backing. You will then
member of the Rockschool team will advise you. n
be required to identify the style of the groove from
asset of three listed by the examiner.
GRaDe 5
developing solo and improvisation elements, sync and the
T
he Grade 5 Drum exam is for candidates who
have the intermediate skills and techniques and communication of the music through performance.
have developed an increasing sense of stylistic
conviction. This is demonstrated through instrumen- SETTING THE LEVEL OF THE BACKING TRACK
tal techniques, rhythmic complexity, coordination Before playing the first piece all the way through, the
and balance of the kit and maturing solo and improv- examiner will make sure the volume of the backing track
isation work. There are two types of exam available is correct for the candidate by asking them to play along
at Grade 5, Grade Exam or Performance Certificate. to the backing track for the first few bars. Once the
Please see the Examinations section for an explana- correct level has been agreed, the examiner will begin
tion of the differences. again and conduct all three pieces. Note that this is only
done for the first piece
GRADE EXAM
Prepared work: candidates perform 3 pieces that last a TECHNICAL WORK
maximum of 2 minutes 30 seconds and demonstrate a At Grade 5 there are six groups of technical work.
selection of Technical Exercises. The examiner will ask a selection from each group and
Unprepared work: candidates are required to play either before you start the section you will be asked whether
an 8 bar sight reading test, or an 8 bar Improvisation you would like to play the exercises along with the click or
and Interpretation test. There are also two ear tests that hear a single bar of click before you commence the test.
develop fill playback and groove recall and the final part
of the exam is a set of 5 questions based on the can- Tempo: 80 bpm
didate’s choice of piece. These are designed to explore GROUP A: SINGLE AND DOUBLE STROKES
theory and instrument knowledge. Eighth, eighth note triplets and sixteenth notes.
To be played first time with singles and with
EXAM STRUCTURE doubles on the repeat
The Grade 5 exam lasts 25 minutes and will be
taken in the following structure. GROUP B: PARADIDDLES
› 1st item - Pieces or Technical Exercises. Single paradiddle in sixteenth notes using the whole kit
The candidate chooses to play either their pieces (bass drum follows the right hand)
or their technical exercises first. Triple Paradiddle Sixteenth notes using the whole kit
› 2nd item - Technical Exercises or Pieces. (bass drum follows the right hand)
The candidate will perform the element not
chosen above. GROUP C: FLAMS AND RUFFS
› 3rd item - Sight Reading. The candidate is given Flam accent and single drag tap
a previously unseen test to practice and play.
› 4th item - Ear Tests. The candidate responds GROUP D: ROLLS
to two tests. Fill playback and recognition Five stroke roll phrase (75bpm)
and Groove recall.
› 5th item - General Musicianship Questions. GROUP E: HANDS AND FEET PATTERNS
The candidate answers 5 questions related to Four patterns
a piece of their choice.
GROUP F: FILL
PIECES Tempo: 90 bpm
At Grade 5 the pieces last up to a maximum of 2 minutes In the exam you will be asked to play the Fill exercise
30 seconds. The pieces are over two pages and are de- from the Grade 5 book to a backing track. The groove is
signed so the candidate can retain focus and concentrate shown in bars 1-3 and the examiner will choose one fill
on notation accuracy, stylistic sense of groove, technical from a set of four to be played in bar 4. The candidate is
control including execution of stylistic drum techniques, to perform the repeat.
GRaDe 6
techniques, technical control, maturing solo and
T
he Grade 6 Drum exam is for candidates who
have begun to develop advanced technical improvisation elements and a clear sense of ownership
control and have a competent grasp of stylistic and communication of the music.
techniques. At Grade 6 this is shown through mature
stylistic conviction, execution of rhythmic complexity, SETTING THE LEVEL OF THE BACKING TRACK
creative and stylistic solo and improvisation work Before playing the first piece all the way through, the
as well as a secure sense of communication and examiner will make sure the volume of the backing track
performance. There are two types of exam available is correct for the candidate by asking them to play along
at Grade 6, Grade Exam or Performance Certificate. to the backing track for the first few bars. Once the
Please see the Examinations section for an explana- correct level has been agreed, the examiner will begin
tion of the differences. again and conduct all three pieces. Note that this is only
done for the first piece.
GRADE EXAM
Prepared work: candidates perform 3 pieces that last a TECHNICAL WORK
maximum of 2 minutes 45 seconds and demonstrate a At Grade 6 there are five groups of technical work.
selection of Technical Exercises. The examiner will ask a selection from each group and
Unprepared work: candidates are required to play a before you start the section you will be asked whether
previously unseen Quick Study Piece. There are also you would like to play the exercises along with the click or
two ear tests that continue to develop fill playback and hear a single bar of click before you commence the test.
recognition and groove recall and the final part of the
exam is a set of 5 questions based on the candidate’s Tempo: 80 bpm
choice of piece. These explore theory and instrument GROUP A: SINGLE AND DOUBLE STROKES
knowledge. Single and double strokes in triplet eighth notes, 16th
notes and 16th note sextuplets played alternately as a
EXAM STRUCTURE continuous exercise. To be played first time with singles
The Grade 6 exam lasts 30 minutes and will be taken and with doubles on the repeat.
in the following structure.
› 1st item - Pieces or Technical Exercises. GROUP B: PARADIDDLES
The candidate chooses to play either their pieces Flam paradiddle in 16th notes and paradiddle-diddle
or their technical exercises first. in sextuplets
› 2nd item - Technical Exercises or Pieces.
The candidate will perform the element not GROUP C: RATAMACUES
chosen above. Single ratamacue.
› 3rd item - Quick Study Piece. The candidate is
given a previously unseen test to practice and play. GROUP D: ROLLS
› 4th item - Ear Tests. The candidate responds Five stroke roll phrase with accents on toms.
to two tests. Fill playback and recognition and Nine stoke roll phrase.
groove recall.
› 5th item - General Musicianship Questions.
The candidate answers 5 questions related to a
piece of their choice.
PIECES
At Grade 6 the pieces last up to a maximum of 2
minutes 45 seconds. The pieces are over four pages.
Emphasis is on notation accuracy, execution of stylistic
GROUP E: STYLISTIC STUDIES be a short gap for you to practise. Next you will hear
You will prepare a technical study from one group of a vocal count-in and you will then play the groove back
styles from the list below. Your choice of style will with the metronome backing. You will then be required
determine the style of the Quick Study Piece. Each study to identify the style of the groove from a set of four
concentrates on two stylistic techniques. listed by the examiner.
› Rock/Metal: half open hi-hat, busy 16th-note
bass drum pattern GENERAL MUSICIANSHIP QUESTIONS
› Funk: snare drum ghost notes, quick open/closed
hi-hats MUSIC KNOWLEDGE
› Jazz/Latin/Blues: polyrhythm, advanced The examiner will ask you four music knowledge ques-
co-ordination tions based on a piece of music that you have played in
the exam. You will nominate the piece of music about
QUICK STUDY PIECE which the questions will be asked.
At Grade 6 you will be asked to prepare and play
a short Quick Study Piece. The style of your QSP is In Grade 6 you will be asked to explain:
determined by the stylistic study you selected in the › Any notation used in the chosen piece
technical exercise section. You will be shown the test and › Any dynamic marking found in the piece
played the track with the notated parts played. Any bars › What makes the drum groove stylistically
that require improvisation will not be demonstrated. appropriate
You will then have three minutes to study the test. The › Use of drum voices, rhythms and techniques
backing track will be played twice more. You are allowed in drum solo sections
to practise during the first run through of the backing
track, with the notated parts now absent, before playing INSTRUMENT KNOWLEDGE
it to the examiner on the second playing of the backing The examiner will also ask you one question
track. The QSP is in the form of a lead sheet and it is up regarding your instrument.
to you to create your own interpretation of the music in
the parts marked for improvisation. In Grade 6 you will be asked to explain and
demonstrate:
EAR TESTS › Care and maintenance of drums
There are two tests which are Fill Playback › How to tune the drum kit according to the
and Recognition and Groove Recall. style of one of the pieces played
› How to convincingly produce: cross stick, choke
FILL PLAYBACK AND RECOGNITION cymbal, bell of ride, rim-shots, ghost notes, half
Tempo: 70 bpm open hi-hat, accents
The examiner will play you a one bar fill played on the
snare drum with a metronome backing. You will hear PERFORMANCE CERTIFICATE
the test twice. The test will be made up of all values and The candidate chooses to play 5 pieces lasting
combinations from quarter note to 16th note sextuplet a maximum of 2 minutes 45 seconds each.
and quarter and eighth note rests. Each time the test is
played it is preceded by a one bar count-in. There will be FREE CHOICE PIECE/OWN CHOICE PIECE
a short gap for you to practise. Next you will hear a vo- There is an option of playing free choice pieces
cal count-in and you will then play the fill back with the in the examination.
metronome backing. The candidate will then be required › Grade exam: 2 free choice pieces
to identify the test from three printed examples. › Performance certificate: 3 free choice pieces
GROOVE RECALL TEMPO Criteria for own free choice pieces can be found by visit-
Tempo: 80-120 bpm ing the website www.rockschool.co.uk. If there is any doubt
The examiner will play you a two bar groove that is or questions about the appropriateness of the chosen
repeated played on the whole kit with a metronome piece, you can email it to info@rockschool.co.uk and a
backing. You will hear the test twice. Each time the test member of the Rockschool team will advise you. n
is played it is preceded by a one bar count-in. There will
GRaDe 7
sense of ownership and communication of the music
T
he Grade 7 Drum exam is for candidates who
have developed advanced technical control and through performance.
have a thorough grasp of extended stylistic
techniques. At Grade 7 this is shown through mature SETTING THE LEVEL OF THE BACKING TRACK
stylistic conviction, execution of rhythmic complexity, Before playing the first piece all the way through, the
mature and creative stylistic solo and improvisation examiner will make sure the volume of the backing track
work as well as a commanding sense of communica- is correct for the candidate by asking them to play along
tion and performance. There are two types of exam to the backing track for the first few bars. Once the
available at Grade 7, Grade Exam or Performance correct level has been agreed, the examiner will begin
Certificate. Please see the Examinations section for an again and conduct all three pieces. Note that this is only
explanation of the differences. done for the first piece.
GRaDe 8
and a clear sense of ownership and communication of
T
he Grade 8 Drum exam is for candidates who
have mastered advanced technical control and the music through performance.
have a thorough grasp of extended stylistic
techniques. At Grade 8 this is shown through mature SETTING THE LEVEL OF THE BACKING TRACK
stylistic conviction, consummate execution of rhyth- Before playing the first piece all the way through, the
mic complexity, mature and creative stylistic solo and examiner will make sure the volume of the backing track
improvisation work as well as a commanding sense is correct for the candidate by asking them to play along
of communication and performance. There are two to the backing track for the first few bars. Once the
types of exam available at Grade 8, Grade Exam or correct level has been agreed, the examiner will begin
Performance Certificate. Please see the Examinations again and conduct all three pieces. Note that this is only
section for an explanation of the differences. done for the first piece.
TeCHnICal WoRK
Group B Double Strokes Single & Double Single Paradiddle with Double Strokes
Strokes Accent
e e s
s s
Group C Paradiddles Paradiddles Flams Single Paradiddle
Accents on Snare &
e s q
Tom
s
Group D Fill Fill Triplets Flams & Drags
§ q
3
Group E û û Fill Triplets. Accents on
Snare & Toms
§
3
Group F û û û Fill
GRADE 4 & 5
4 5
Tempo q= 75-80 q= 80
Single & Double Single & Double
Strokes Strokes
Group A
n § y n § y
3 3
Group B Paradiddles: Single & Paradiddles: Single &
Triplet Triplet
s s
Group C Flams: Flam Tap & Flams: Flam Accent &
Ruffs Single Drag Tap
n q § n
3
Group D Hands & Feet Pattern Rolls: 5 Stroke Roll
Phrase
§ y
3
Group E Fill Hands & Feet Pattern
§ y
3
Group F û Fill
GRADE 6, 7 & 8
6 7 8
Tempo q= 80 q= 65-85 q= 65-90
Single & Double Single Single
Strokes
Group A q- q-
§ y 5 5
3 6
Group B Paradiddles: Flam Paradiddles: Flam Paradiddles: Paradiddle-
Paradiddle, Paradiddle, diddle, Alternative
Paradiddle-diddle Paradiddle-diddle Paradiddle-diddle
Y y
Group C Ratamacue Single Flams Pataflafla Triplets: Swiss Army
Triplet & Pataflafla
§ s
3
§ y
3
Group D Rolls: 5 & 9 Stroke Ratamacue: Double & Ratamacue: Triple
Roll Phrase Single
Group E Stylistic Study Rolls: 7 & 9 Stroke Roll Rolls: 7 Stroke Roll
Rock/Metal Phrase Phrase With Accent on
Funk Toms, Combined Rolls
Jazz/Latin/Blues
Group F Stylistic Study Stylistic Study
Rock/Metal Rock/Metal
Funk Funk
Jazz/Latin/Blues Jazz/Latin/Blues
GRADE 6, 7 & 8
6 7 8
Tempo q= 80-120 q= 80-120 q= 80-120
Styles Rock/Metal Rock/Metal Rock/Metal
Funk Funk Funk
Jazz/Latin/Blues Jazz/Latin/Blues Jazz/Latin/Blues
Length (Bars) 12 12 12
Sight reading (Bars) 6 6 6
Solo/Improvisation (Bars) 6 6 6
Preparation/Practice 1 listen with Bass + 1 listen with Bass + 1 listen with Bass +
3 minutes practice + 3 minutes practice + 3 minutes practice +
1 run through 1 run through 1 run through
eaR TesTs
GRADE 4 & 5
4 5
Test 1 - Fill Playback
Tempo q= 70 q= 70
Notation
qeis™ Q E qeis™ Q E
3 3
Length (Bars) 1 1
Drums used Snare Snare
Test 2 - Groove Recall
Tempo q= 80-120 q= 80-120
Notation
qes Q qes™
3
Length (Bars) 2 repeated 2 repeated
Drums used Crash, Crash,
Hi-hat (open/closed), Hi-hat (open/closed),
Ride, Ride,
Bell of ride, Bell of ride,
Cross stick Cross stick
Snare, Snare,
Drums Toms,
Drums
GRADE 6, 7 & 8
6 7 8
Test 1 - Fill Playback
Tempo q = 70 q = 70 q = 70
qes™ ³ qeis™ ³
Notation
qes™
3 3 3 3 3
QE QE QES
6 6 6
Length (Bars) 1 1 1
Drums used Snare Snare Snare
Test 2 - Groove Recall
Tempo q = 80-140 q = 80-140 q = 80-160
Notation
qeis Q E qeis Q qeis ™
3
Length (Bars) 2 repeated 2 repeated 2 repeated
Tempo Whole kit Whole kit Whole kit
Time Signatures
4 5 6 7
4 4 8 8
assessMenT CRITeRIa
PREPARED WORK
Debut - Grade 2 Grade 3 - Grade 5 Grade 8 - Grade 8
Distinction • Consistent and secure basic • Consistent and secure • Consistent and secure
Pieces 18-20 techniques techniques advanced techniques
Technical exercises 13-15 • Consistent rhythm / pulse • Consistent rhythm / pulse • Consistent rhythm / pulse
• Notation accuracy detailed • Notation / harmonic • Notation / harmonic
throughout accuracy detailed accuracy detailed
• Consistent sync throughout throughout
• Highly confident and • Stylistic direction detailed • Stylistic direction detailed
assured presentation throughout throughout
• Convincing and stylistic solo • Advanced solo / improv
/ improv with stylistic conviction
• Consistent sync • Consistent sync
• Highly confident and assured • Comprehensive
stylistic performance understanding of complete
musical structure
• Convincing communication
through stylistic
performance
Merit • Secure basic techniques • Secure techniques overall • Secure advanced
Pieces 15-17 overall • Secure rhythm / pulse overall techniques overall
Technical exercises 11-12 • Secure rhythm / pulse • Notation / harmonic • Secure rhythm / pulse
overall accuracy observed overall overall
• Notation accuracy observed • Stylistic direction observed • Detailed notation /
overall overall harmonic accuracy
• Mainly synchronised • Stylistic solo / improv overall observed overall
• Confident presentation • Mainly synchronised • Stylistic direction observed
overall • A sense of stylistic overall
performance overall • Convincing and stylistic
solo / improv overall
• Mainly synchronised
• Secure understanding of
complete musical structure
• Good sense of
communication through
stylistic performance
Pass • Basic techniques evident • Some secure techniques • Some advanced techniques
Pieces 12-14 • Rhythm / pulse evident evident shown
Technical exercises 9-10 • Notation accuracy evident • Generally secure rhythm / • Generally secure rhythm /
• Sync evident pulse pulse
• Some confidence in • Some notation / harmonic • Notation / harmonic
presentation accuracy evident accuracy observed
• Some stylistic direction • Some stylistic direction
evident observed
• Adequate solo / improv • Solo / improv with some
• Sync evident stylistic conviction
• Some sense of stylistic • Sync evident
performance • General understanding of
musical structure
• Some sense of
communication through
stylistic performance
Below Pass 1 • Basic techniques not shown • Techniques hesitant and/or • Advanced techniques
Pieces 6-11 • Rhythm/pulse largely incorrect hesitant and/or incorrect
UNPREPARED WORK
Debut - Grade 8
Distinction • Notation/pitch accuracy correct throughout
Sight/Improv • Consistent rhythm/pulse
QSP/Ear Tests 9-10 • Convincing improv/solo throughout
GMQ 5 • Consistent sync
• Accurate responses
Merit • Notation/pitch correct overall
Sight/Improv • Secure rhythm/pulse overall
QSP/Ear Tests 7-8 • Improv/Solo convincing overall
GMQ 4 • Mainly synchronised
• Accurate responses overall
Pass • Notation/pitch accuracy evident
Sight/Improv • Rhythm/pulse evident
QSP/Ear Tests 6 • Improv/solo evident and generally appropriate
GMQ 3 • Sync evident
• Adequate Responses
Below Pass 1 • Notation/pitch largely inaccurate
Sight/Improv • Rhythm/pulse largely inaccurate
QSP/Ear Tests 3-5 • Improv/solo largely absent or inappropriate
GMQ 2 • Sync largely absent
• Responses vague or incorrect
Below Pass 2 • No attempt
Sight/Improv • Responses not offered
QSP/Ear Tests 0-2
GMQ 0-1