Conductor

  
Florence + the Machine

        
 = 96

      
     
           
     
      
                  
          
  
          

          

    

7

    
                 
I tried to con trol my sha king

             
      
      

       
              

11

   
              
With just one sound I tried to warm the o cean

        
      
      
       

       
       
15

   
            
By wri ting it down I tried to tame my night mare

            

      
      
   
     
               
19

   
            
Line by line If I write a song a bout you

          
      
      

          
       
   
23

   
            
Does that make you mine The con duc tor caught

   
       
 
     
 
      
     
                
  
26

   
             
in slow mo tion The or ches tra plays on

   
    
         
   
       
2
    
           
      

29

    
              
O ver and o ver the same mo tion This work is ne

           
    
     


     

          
   
        
       
32

    
                   
ver done The on ly thing that's cer tain

  
     
        
     
  
               
35

       
             
Is your in de ci sion I guess it must be wor

       
   
          
    
 

   
           
38

 
 
 
       
king Cause you hit me with such pre ci


   
    
    
    
3
     
          
40

   
           
sion Now the strings are brea king


         
            
 
  

         
      
43

 
              
Their fin gers run with blood But they keep on play

           
       
              
   

          
        
46

  
              
ing The cy cle ne ver stops Who's in con trol

        
       
  
  

   
       
49

    
        
   
Who's play ing who

                
      
       

4
    
       
 
53

  
          
She wants to be a mongst them

        
                 
  

     
       
55

  
          
Con duc ting them too

       
                 
  

   
         
57

  
          
She know the song won't save her

       
                 
  

     
    
  
59

  
          
But what else can she do

  
                 
         

5
      
 
    
    
61

  
          
She weeps just like a wil low

        
                 
  

 
          

63

  
          
She's play ing for you

       
                 
  

  
          
  
65

  
          
She's fra gile and she's fer o cious

 
                  
         

       
   
  
67

  
           
As the current flows through

  

          
   
   
6
     
          
  
69

   
            
She's a con duc tor caught in slow mo tion

          
     
    
     
    
                

71

   
                
The or ches tra plays on O ver and o

              
     
               
        
    
                
  
74

   
                    
   
ver the same mo tion This work is ne ver done

   
   
         
        
   
         
77

 
              
Now here comes the cre scen do

     
   
 
 
7
        
   
  
79

 
   
               
The mu sic starts to swell And now it's so e sta

               

     
     
 

   
   
        
82

 
 
                 
tic I know this part so well

  
          
     
  
  

 
    
         
85

 
                     
And then it goes sta ca to The notes were fly ing up

           
    
  
 
       
     
88

  
                        
 
High er and high er

    
    
 
  
8
        
  
   
91

 
                 
But they ne ver reach the top Who's in con trol

               
     
     
 

  
           
94

 
        
     
Who's play ing who Who's in con trol

     
   
     

   
       
97

 
             
     
Who's play ing who

            
     
        

     
                   

101

   
           
    
I am the or ches tra The con duc tor too

    
      
      
9
       
      
           
105

    
            
My heart is a con cert hall And I filled it with you

          
       
       
  

10