LIVE SOUND ENGINEERING

ACCELERATED PROGRAM

Intake Class Schedule

September 2014 TBA

Registration Fee Rp 500.000,- Entry Requirements:

• No formal requirements
Course Fee Rp 10.000.000,- • Minimum age 15 years
• Familiar with basic
Duration 3 Months, (2x) 3 hour / week + practical time computer operations
Course taught in :
Qualification Certificate in Live Sound Engineering Indonesian

LIVE SOUND ENGINEERING

Aimed at those who want to make sound engineering Some examples include: Career options:
a career and get work in the live industry. The course - Rehearsal studios - Stage Monitor Engineering
includes essential in-depth theory on the principles - Sound hire - Front of House (FOH) Engineering
of sound, acoustics and gain structure, and from this - Sound Installation - Rigging & Cabling
moves onto the equipment, components and setting - Music venues - Virtual Stadium Mixing
you should use. - Theatres - and many more
- Audio equipment retail
There is in-depth training on patching in and using - Outside broadcast
the mixing desk, understanding and using EQ, - Self employment
Grouping and Routing, using the matrix and record-
ing a live mix.

On successful completion students can develop

careers in numerous areas of the live sound industry.
 Syllabus
Session Subject Method Lecturer

1 • Live sound overview Lecture Norman Hajadi/Ozon

• Safe Work
• Maintain Personal Safety Standards
• Equipment Used in Live Sound
• Role in Live Sound
• Grounding requirements and safety
• Signal ground, Earth and Chassis ground
• Ground Loops
• Single and Multiple point grounding
• Floating ground
• Hazardous solutions to grounding issues

2 • Sound Theory Lecture Norman Hajadi/Ozon

- Definition of Sound
- Frequency
- Amplitude
- Wavelength
- Speed of Sound
- Phase

• Decibel

3 • Introduction to Microphone Lecture Norman Hajadi/Ozon

- Dynamic Microphone
- Condenser Microphone
- Ribbon Microphone
- Wireless System
- Lavaliere

• Polar Pattern
- Cardioid
- Super Cardioid
- Hyper Cardioid
- Omni-Directional
- Figure 8

• Microphone Techniques and Microphone Workshop 1 Lecture/Workshop Norman Hajadi/Ozon

4
- Close Mic
- Far Mic
- A-B Spaced Pair
- X-Y
- On Axis
- Off Axis

5 • Microphone Techniques and Microphone Workshop 2 Lecture/Workshop Norman Hajadi/Ozon

- Vocals
- Guitars
- Drums

6 • Introduction to Mixing Console Lecture/Workshop Norman Hajadi/Ozon

- Gain Structure
- Standard Operating Level

7 • Mixing Console Workshop Lecture Norman Hajadi/Ozon

8 • Type of Connections Lecture Norman Hajadi/Ozon

- XLR
- TRS
- TS
- RCA
- Speakon

• Basic Soldering
 Syllabus
Session Subject Method Lecturer

9 • Basic Electronics Lecture Norman Hajadi/Ozon

- Atoms,Protons,Neutrons and Electrons
- Neutral, Positive and Negative
- Conductors and Semi-‐Conductors
- Voltage
- Ampere
- Batteries

10 • Basic Electronics 2 Lecture Norman Hajadi/Ozon

- Resistors
- Capasitors
- Inductors
- Ohm’s Law
- Transformers
- Power
- Relay
- Basic Soldering
- Grounding Requirements and Safety

11 • Power Amplifiers and Crossovers Lecture/Workshop

- Fundamentaloperation of the Power Amplifier
- Power Amplifier transistor types and class
A/B/AB operation Norman Hajadi/Ozon
- Power Amplifier inputs and outputs
- Power Amplifier bridging and daisy chaining
- Speaker load impendence matching
- Power Amplifierspecifications

12 • Loudspeakers Lecture/Workshop Norman Hajadi/Ozon

• Loudspeakers Driver Types
- Subwoofer
- Mid-Range Driver
- High-Range Driver
- Full Range

13 • LoudspeakerWorkshop Lecture/Workshop Norman Hajadi/Ozon

14 • Dynamic Processor 1 Lecture/Workshop Norman Hajadi/Ozon

- Equalizer and Filters

• Dynamic Processor 1 Workshop

15 • Dynamic Processor 2 Lecture Norman Hajadi/Ozon

- Compressor/Limiter
- Expander/Gate
• Equalizer Workshop

16 • Time Based Processor Lecture/Workshop Norman Hajadi/Ozon

- Delay
- Reverb
• Time Based Processor Workshop

17 • Signal FlowTest Lecture/Workshop Norman Hajadi/Ozon

- Live sound wiring
Mixing Console
Power Amplifier
Dynamic Processor
Time Based Processor

18 • Loudspeaker Management System Lecture/Workshop Norman Hajadi/Ozon

- Fundamental operation of the activecrossover
- Active crossover input/output connection
- Active crossover parameter adjustment
- Active crossover signal flow diagram
 Syllabus
Session Subject Method Lecturer

19 • Tuning the stage monitor system Lecture/Workshop Norman Hajadi/Ozon

• Signal flow of an eight send active stage monitor system
• Power ratings of a single and three phase outlets
• Three phase distribution
• FOH Speaker protection using a limiter
• Room tuning the FOH
• Acoustics Treatment in Live Sound

20 • FOH Lecture/Workshop Norman Hajadi/Ozon

- FOH Console Placement
- FOH Setup

21 • Technical Rider Lecture/Workshop Norman Hajadi/Ozon

22 • Small Bar Setup Practice Lecture/Workshop Norman Hajadi/Ozon

23 • Medium Setup Practice Lecture/Workshop Norman Hajadi/Ozon

24 • Big Scale Setup Practice Lecture/Workshop Norman Hajadi/Ozon

LECTURERS

OZONISASI
- Live, Mixing & Mastering Engineer for Slank, Steven & the coconut trees, Samsons, Syaharani & the Queenfireworks, Saint Loco, Lightning Seeds
(UK), Crystal Water (USA), Kerispatih and many more.

- Java Jazz Festival FOH Engineer for Kaori Kabayashi, Monday Michiru, Jose James and many more.

- Sound Reinforcement Manager at @America

NORMAN HAJADI
Live Sound Engineer for RAN, Raisa, Kerispatih, Seurieus, Saint Loco, Kripik Peudeus, Brandals, Nidji, Koil, Ecoutez and many more.

PARTNER