Alto Saxophone

Harlem Nocturne
Earl Hagen arr. Jeffery Wilson

    
            
q = 100 mm


     
mp f solo

7    
          
         

3

        
13
         
    

            
    
     
18


 
 3 3 3
3 p


                     
23 Swing

     
3
f
            
   
Straight
  
27
  
 
mp

               
Swing

30

 
    

f

          
              
33

     
3 mp

                   

Straight
       
37

    
f solo

  
          
To Coda
         
42

   

3 V.S.
  
2 Alto Saxophone
  
                            
48

   
quasi improvisation

    
                
52

 

         

    
     
  
56
     
     

           
61
         
     

       
    
Swing

   
64

 

3 3 3

                       
     
  
67


f 3 3 3

                
Straight
    
  
71

  
mp 3

       
Swing
        
   
74

            
f

   
       
      
77

    
Vibrato
mp

   Straight
      
81

                 
   
  
D.S. al Coda Alto Saxophone 3

          
84 CODA

       
f solo mp

   
       
88 rall.

    
p non vib