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Documente Cultură
1. Caboclinho(choro) ......4
2. ConversaDe Baiana(choro) ........6
3. Dois Destinos(waltz)
...................................
9
4. Dr. Sabe-Tudo (choro)....... .........1,2
5. Promessa (waltz) 14
6. SeEla Perguntar(waltz) .............17
7. Sitplica(waltz) ............2O
8. Ternura(waltz) ...........24
9. Uma Valsae Dois Amores(waltz) ..............26
10. Xod6 Da Baiana@atuque) .........28
b) When there were more than one recording of the same piece, I
chose a solo version. In the caseof two or more solo recordings,
I took that which I consideredthe best. The exception is "Dr.
Sabe-Tudo",adapted from the one existing recording of two
guitars.
This work is dedicatedto Mr. RonoelSimdes,to whom Brazilian guitar and guitarists
owe so much.
IVAN PASCHOITO
Iune 5, 1990
'N,({.1
DTLERMANDORErS(L9L6-L977)
Dilermando Reis, probably the most famous Brazilian popular guitarist, was
born in 56o Paulo Statebut lived most of his life in Rio de Janeiro,where he
worked actively in radio and recordings. From 1941to 1975 he recorded about
2O-78romand 23-LPs.
He played all kinds of music and recorded the compositions of Bach, Barrios,
T6rrega, Gnatalli and Pixinguinha among many others. However, his prefer-
ence was the traditional Brazilian guitar style: doleful waltzes and choros full
of modulations to "confuse accompanists", played with his unique style and
sound.
IVAN PASCHOITO
Ivan was born in Sdo Paulo, Brazil in 1953. Fascinatedwith the sound of
Dilermando Reis,he beganteachinghimself the guitar at the ageof 12. In1973,
Ivan began transcribing and arranging the music of Baden PoweII, Toquinho,
Milton Nascimento, Vinicius de Moraesand others. His first arrangementswere
published in 1984.
GUITARSOLO PUBLICATIONS
www.gspguitar.com
230 Townsend Street San Francisco California 94707-1720
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