Documente Academic
Documente Profesional
Documente Cultură
Solomon Lo
Mrs. Hillesland
Block 4 Silver
13 April 2018
People who must “earn their bread” are typically portrayed as desperate people who must
make extreme sacrifices in a desperate struggle to procure food and survive. Thus, when
Florence Kelley, a reformer for child labor laws and working conditions for working women,
describes children who work in factories as people who are “earning their bread,” we know that
she is describing how child laborers are forced to forfeit their childhood and happiness in order
to simply earn money for their next meal. By using imagery, emotional appeal, and parallel
construction, Florence Kelley elucidates on this plight of child labor in America and implores us
Kelley immerses her audience into the foul world of child labor, forcing them to
experience the harsh textile factories in the same way as these child laborers who toil inside of
them day after day. By utilizing auditory and visual imagery to place the reader into the same
perspective as the child laborers inside of the factories, Kelley elicits the same feelings of
helplessness and despair in the reader as the factory instills these same emotions inside of the
child laborers. Kelley expounds on how child laborers work “all the night through, in the
deafening noise of the spindles,” where these child laborers are entrapped within “the looms
spinning and weaving cotton and wool,” where they are caught in a helpless situation where they
are victimized for the sake of cheaper manufacturing costs. Kelley’s strategy of “show-not-tell”
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exhibits how child laborers must suffer in textile factories, going into great detail about what
these child-laborers must face on a daily basis. In doing so, Kelley paints a mental picture for the
reader, helping hem empathize with what these child-laborers must endure. She humanizes the
child-laborers and makes them more palatable to her audience. Additionally, Kelley’s emotional
appeal to the audience plays on the empathy of the audience and galvanizes them to help these
child laborers. Kelley highlights how these child laborers have the “pitiful privilege” where “tiny
children” have to work “under the sweating system,” serving as “little beasts of burden,” robbed
of school life that they may work for us. Kelley’s description of the oppression that the child
laborers face serves to engender emotions of pity and outrage from the reader, pushing readings
powerful adjectives which describe the child laborers also forces the audience to recognize how
it is their own consumerism and desire for low-cost textiles which creates the situation in which
child labor is used. This creates a personal sense of guilt within the audience, reinforcing
Kelley’s argument that we need to recognize the evilness of child labor and fight against it.
Kelley calls the audience into action to eliminate the victimization of child laborers. At
the end of the passage, Kelley emphasizes how we take action in order to eliminate child labor
“For the sake of the children, for the Republic in which the children will vote after we are dead,
and for the sake of our cause.” This parallel construction hammers in the importance of stopping
child labor in America, providing several reasons as to why the audience should take action and
fight against child labor. By strategically placing this parallel construction at the end of the
passage, Kelley also leaves the reader with a lasting impression of why we need to stop child
labor in America, making the audience more likely to call for change as Kelley wishes them to.
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Kelley then correlates this call to action with the necessity of women’s suffrage, linking the two
causes together to show how they form an overarching case of victimization and oppression.
Kelley states how, “Until the mothers...are enfranchised, we shall none of us be able to free our
consciences from participation in this great evil.” In doing so, Kelley illustrates how systematic
oppression of women during this time has led to oppression of other groups of people during this
time, such as the child laborers. As a result, she connects the plight of the child laborers with the
fact that women didn’t have enough of a voice during that time, causing Kelley to urge women to
seek other methods of causing change to better these child laborers. Despite the fact that women
couldn’t vote, Kelley still urges them to “enlist the workingmen voters, with us, in this task of
freeing the children,” showing how women in particular must personally take a stand against
Kelley conveys how terrible child labor is and charges us to fight against it in her 1905
speech. She uses rhetorical techniques such as imagery, emotional appeal, and parallel