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  • Don Latarski - Practical Theory For Guitar

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    bobbybird
    137 vizualizări6 pagini
    Modern licks for a roots guitar player

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    Don Latarski - Practical Theory for Guitar

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    Modern licks for a roots guitar player

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
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    137 vizualizări6 pagini

    Don Latarski - Practical Theory For Guitar

    Încărcat de

    bobbybird
    Modern licks for a roots guitar player

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    din 6

    10 TASTEFUL ARIEL

    POSEN
    ROOSTY LICKS
    by Ariel Posen
    10 Tasteful Licks Transcription: Jan Jakut

    1. Major Pentatonic Run *

    ~
    E
    # ## 4 œ
    V # 4 j œ œ œ œ œ œ œ œ
    œ ˙
    ‹œ
    ‰ Œ
    œ. œ œ œ œ ˙
    J J
    w/ fingers P.M.

    j P P 1/4
    P
    5
    4 6 4 6 4 4 6

    . ‰ Œ
    5 6 4 2

    J J
    0 0 0 0 0 0

    * The notation/TAB for all licks is transposed up a 4th for standard guitar tuning.
    To play along with the audio and for the original sound tune your guitar to:
    B - E - A - D - F# - b

    2. 'Piano Roll' à la Ray Charles


    A7
    # # œœ œœ n œœ # œœ
    V # ‰ œj # œ œ œ œ œ œ
    j
    nœ œ œ œ œ ˙.
    P.M. rake
    nœ œ
    j j
    sl. sl. H
    5 7 5 5
    .
    ‰
    5 6 7 5 6
    4 7 7 7 7
    7 6 7 7 7 7 5 3 4

    3. 'Playing Changes'

    I III 7 Vi
    # #
    œ œ œ œ œ
    ### œ œ œ œ œ œ œ œ œ œ
    A C 7 F -

    #œ œ w
    V
    3 dim. arppeggio
    6

    P H
    10 9
    10 12 10 9 10 12 10 9 9 12 12 10 9
    11 10 11

    PickUp Music
    2

    4. Three variations on a Bluegrass-lick

    00:04

    œ
    G7
    œ œ bœ œ bœ bœ
    V œ œ œ œ œ œ
    j ˙

    P P
    j
    1 0
    3 2 1
    3 0 3 0
    0 3 0 3 5

    00:49

    œ
    G7
    œ œ bœ œ bœ nœ
    V œ œ œ œ
    j ˙.
    j

    .
    1 0
    3 2 1 0
    3 0
    3 0 3 5

    01:01
    G7
    œ œ œ bœ œ bœ bœ
    V œ œ œ œ œ œ
    j ˙˙

    j
    1 0
    3 2 1
    3 0 3 0 0
    3 3 0 3 5

    5. Mixolydian Lick

    D7
    # œ œ œ œj œ
    ‰ œJ # œ œ œ œ œ œ ˙
    j
    V œœœ ‰ œj œ œ œ # œ œ Œ
    J
    j j j jj 1/2

    11 ‰ 10 11
    10
    12 10 11 ‰ Œ
    10 12 12 9 10 10 10 9
    12 12 12 10 8 9
    10
    3

    6. Major Arpeggio 'Piano Roll' à la Ray Charles

    A7
    ## œ œ nœ
    j
    #œ œ nœ #œ œ
    V ‰ œJ œ œ œ nœ
    j
    #œ œ
    œ œ nœ #œ œ œ
    j j j
    ‰ 5 7
    5 8 9 10 8 9
    10
    9 7 5 6
    9 7 7 7
    7 5 3 4

    7. Chordal Movement: I - iV-6 - I

    E A - 6/E E

    #### œœ œœ œ œœ ww
    V œœ œœ
    œœ
    œ
    œœ
    œ œ œ n œœ œ w
    œ œ œ œ w

    5 5 9 9 10 10 9
    1 1 4 4 9 9 11 11 9
    2 2 6 6 9 9 10 10 9
    0 0 0 0 0

    8. Major Pentatonic Scale & 'open string droning'

    #### j
    œœœ œ œœ œœ œœ œœ
    V œ œ
    j
    œ œ œ
    j œ œ œ œ œ
    œ œ

    j
    w/ hybridpicking
    j j
    0 0 0 0 0
    0 0 0 0 0
    4 6 4
    6 4 2 4 6 2 4 2
    4 2 4

    9. Outlining Changes: I - III7 - Vi


    # #
    E G 7 C -7
    ####
    œ œ œ œ œœ œœœ œœœ œ œj # œ œ œ œ œ œ œ œ ˙
    V œ œ œ œ
    œ œ œ œ
    H H sl. H H
    j H P P
    0 0 5 4
    4 4 4 7 7 5 4
    4 4 6 6 6 6 6 4 5 6
    2 4 6 6 7
    2
    0 2 4
    4

    10. Arpeggios and Chromaticism: I - V - I

    A E A
    ### œ œ œ œ œ nœ nœ œ œ #œ nœ œ œ œ œ #œ œ nœ bœ œ nœ #œ œ
    V œ œ œ œ b œ œ n œ nœ #œ œ

    5
    10 10 9 8 7
    9 9 8 7 6 7 6 9 8 7 8 7 5 6
    11 10 9 9 9 9 8 7 9 5 6 7 7

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