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Gottlieb Mu at, youngest son of composer and Kapellmeister Georg Mu at, was a keyboard virtuoso whose career was based around the Viennese
Imperial Court. Mu at, with his own elegantly ornamented style, absorbing in uences from Germany, France and Italy, is remembered as a composer GOODIES
from whom Handel borrowed extensively – a common practice of the period. These premiere recordings represent the remarkable rediscovery of
manuscripts sequestered and dispersed after the Second World War. Naoko Akutagawa’s previous recordings from Mu at’s Componimenti musicali
(8572610) were described by MusicWeb International as ‘galvanically virtuosic’.
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