Philippine Folk Dance Title: Areuana
Analytic Rubric Sheet for the First Performance Check – Staging Philippine Folk Dances
DIMENSIONS
Dance Interpretation
Accurate interpretation of the dance
based on the folk dance literature
without modification and
choreography. Authenticity of the
dance based on its cultural
background and nature.
Skill and Mastery of the
Performance
Correct skill execution of the
different terminologies and basic
dance steps, step patterns and
sequence of movements with
mastery and continuous flow.
Synchronization and Execution
Unity of movements as a team.
Synchronization of dancers and
proper execution of different dance
steps according to the folk dance
literature.
Projection and Grace
Stage presence and projection with
confidence and gracefulness during
performance. Correct posture,
elegance and performance level
should be maintained.
Prepared by: Tom Arvin S. Estadilla, LPT
Excellent (20)
Excellent dance interpretation,
movements are based from the folk
dance literature without any
modification and changes created.
Excellent mastery of the different
movements in the folk dance
assigned to interpret. No errors
created in staging the given folk
dance. Mastered fundamental skills
in folk dancing same with the folk
dance that was assigned to
interpret.
Excellent synchronization and
execution of the different figures in
the given folk dance. Superior unity
in performing the given dance.
Sophisticated projection while
performing a certain folk dance
with simple movements and
elegance. Excellent gracefulness
while performing the given folk
dance.
Section: AC 25
Good (15)
Above average dance
interpretation. Movements are
based from the folk dance literature
with 1 – 2 modifications or changes
created.
Good mastery of the different
movements in the folk dance
assigned to interpret. With 1 – 2
error/s created in staging the given
folk dance. Execute distinguished
fundamental skills in folk dancing
same with the folk dance that was
assigned to interpret.
Above average synchronization and
execution of the different figures in
the given folk dance. Very good
unity in performing the given
dance.
Highly competent projection while
performing a certain folk dance
with simple movements and
elegance. Very good gracefulness
while performing the given folk
dance.
Score: ____________________
Acceptable (10)
Sufficient dance interpretation.
Movements are based from the folk
dance literature with 3 – 4
modifications or changes created.
Satisfactory mastery of the different
movements in the folk dance
assigned to interpret. With 3 – 4
errors created in staging the given
folk dance. Execute proficient
fundamental skills in folk dancing
same with the folk dance that was
assigned to interpret.
Sufficient synchronization and
execution of the different figures in
the given folk dance. good unity in
performing the given dance.
Competent projection while
performing a certain folk dance
with simple movements and
elegance. Good gracefulness while
performing the given folk dance.
Partial (5)
Intermediate dance interpretation.
Movements are based from the folk
dance literature with 5 – 6
modifications or changes created.
Poor mastery of the different
movements in the folk dance
assigned to interpret. With 5 – 6
errors created in staging the given
folk dance. Execute intermediate
fundamental skills in folk dancing
same with the folk dance that was
assigned to interpret.
Minimal synchronization and
execution of the different figures in
the given folk dance. Fair unity in
performing the given dance.
Fairly competent projection while
performing a certain folk dance
with simple movements and
elegance. Poor gracefulness while
performing the given folk dance.
Not at all (0)
Poor dance interpretation.
Movements are not based from the
folk dance literature with 7 or more
modifications or changes created.
No mastery of the different
movements in the folk dance
assigned to interpret. With 8 and
above errors created in staging the
given folk dance. Did not execute
fundamental skills in folk dancing
same with the folk dance that was
assigned to interpret.
No synchronization and execution
of the different figures in the given
folk dance. No unity in performing
the given dance.
Not yet competent projection while
performing a certain folk dance
with simple movements and
elegance. unacceptable gracefulness
while performing the given folk
dance.
Philippine Folk Dance Title: Areuana Section: AC 25 Score: ____________________

Group Members Role/s Contribution Attendance During the Performance

Agravante, Relery Member 6/6
Albastro, Angel Member 5/6
Aquino, Guimao Member 4/6
Basconcillo, Mary Alyzza Mykyla Leader/Member Choreography 5/6
Baudin, Mark Francis Member Speaker 5/6
De Leon, Leira Love Assistant Leader/Member 5/6
Martirez, Elias Member 5/6
Ong, Hanna Mae Member Costume 6/6
Ordiales, Hyalo Member 5/6
Palma, Chariss Member 6/6
Rebancos, Andrea Faye Member Costume 6/6
Rebueno, Ding Member 6/6
Sarmiento, Rhoda Lynn Member 4/6
Sayritan, Erika Shane Assistant Leader/Member Costume 6/6

Prepared by: Tom Arvin S. Estadilla, LPT

Philippine Folk Dance Title: Areuana Section: AC 25 Score: ____________________

HISTORY OF THE FOLK DANCE:

A Filipino folk dance originated in the Visayas. Different versions of the dance exist such as the one from Ilo-ilo and the other from Negros Occidental. There’s no exact date when did Areuana started.
Areuana is dance wherein there are two couple who are not in good terms at first but lived happily ever after in the end.

COSTUME:
Apple green semi-filipiniana top and apple green long skirt
Scarf/Panyo
Slack (boys)
White T-shirt (Boys)

IMPLEMENTS/PROPERTIES USED:
N.A

FOLK DANCE RESEARCHER:

ALL

Prepared by: Tom Arvin S. Estadilla, LPT

Philippine Folk Dance Title: Areuana Section: AC 25 Score: ____________________

PLEASE ATTACH TO THIS PART THE SUMMARY OF ATTENDANCE DURING PRACTICES

GROUP MEMBERS July 26, 2019 July 27, 2019 July 29, 2019 July 30, 2019 July 31, 2019 August 1, 2019
Agravante, Relery Present Present Present Present Present Present
Albastro, Angel A Present Present Present Present Present
Aquino, Guimao Present Present A A Present Present
Basconcillo, Mary Alyzza Mykyla Present A Present Present Present Present
Baudin, Mark Francis Present A Present Present Present Present
De Leon, Leira Love Present A Present Present Present Present
Martirez, Elias Present A Present Present Present Present
Ong, Hanna Mae Present Present Present Present Present Present
Ordiales, Hyalo Present A Present Present Present Present
Palma, Chariss Present Present Present Present Present Present
Rebancos, Andrea Faye Present Present Present Present Present Present
Rebueno, Ding Present Present Present Present Present Present
Sarmiento, Rhoda Lynn A A Present Present A Present
Sayritan, Erika Shane Present Present Present Present Present Present

Prepared by: Tom Arvin S. Estadilla, LPT