Documente Academic
Documente Profesional
Documente Cultură
of Germanic Languages
Joannes Richter
Abstract
According to Ruth Benedict the indoctrination is inherited to the children who learn their mothers'
language or to be more precise their family's dialect. As soon as a baby is born it will be integrated
in this clan and follows the clan's rules.
In Germanic languages the keywords “wit” (for “we two”), the sky-gods “Tiw” and “Vut” and a
number of philosophical activities “witan”, “wita” and “to wit” obviously belonged to the local
family's dialects.
As a special feature the relevant runic symbols ᚠ-ᚢ-ᚦ for these keywords “wit” have been positioned
at the beginning of the Futharc alphabet. Therefore the Futharc runic alphabet also contains a
number of important keywords.
In the Gothic alphabet the author Ulfila, bishop of the Visigoths, inserted these relevant runic
symbols ᚠ-ᚢ-ᚦ in the standard alphabet A-B-G..., but took care to terminate the alphabet with a
special TUV-pattern, which may have been included to comfort the Germanic people for the loss of
their religion.
The well-known dual form “wit” / “wut” / “wat” in Germanic languages may have been based on
the Plato's creation legend of splitting a first human creature in 2 halves.
The keyword “wit” for the dual form had been shared by the definitions of “wisdom”, “witness”
and “wita” (“wise man”) and “witan” respectively “witenagemot”. Various words (“wiskunde”,
“weten”, “wissen”) in neighboring languages such as Dutch and German are also cognate to
“witan”.
“Wit” also may have been included in the names for “Tiw”, “Wodan”, “Witebi” (Whitby), “Wit”
(Wight), etc.
In Greek the dual form νώ, νῶϊ (“we two”) does not seem to be related to “wit”.
Homer's Iliad contains two words, νόος (nous, → English: mind) and νῶϊ (“we two”), which seem
to be correlating with two corresponding English words wit (mind) respectively the obsolete dual
form of the English personal pronoun wit (“we two”).
These words must be considered as fundamentals in a philosophical system. Since Homer's
composition of the Iliad the “Nous”-Concept has been studied by almost all philosophers including
Heraclitus, Parmenides, Anaxagoras, Socrates, Plato, Aristotle, Plotinus, Valentinus, Simon Magus,
Averroes, the Christian fathers … There can be no doubt the nous-concept has been a fundamental
theme for philosophy. Additionally the duel may be related to the dual form “we two”.
The alternative word wit (mind) is written and spoken as the dual form of the pronoun wit (“we
two”), but nobody seems to discover the analogy between both English words nor the correlation to
the Greek translations νόος (nous) for wit (mind) respectively νῶϊ (“we two”) for wit (“we two”).
An Introduction to Anthropology
Ruth Benedict's Patterns of Culture (1934)1, a standard reading in American anthropology courses
for decades, descibes how each society applies cultural conditioning to indoctrinate its own culture,
race, religions, and customs.
Ruth Benedict2 argues for the importance of culture in analyzing not only behavior but the
underlying values and thought processes that lead to such behaviors.
The cultural patterns that each society develops, she argues, correspond to the
underlying values that guide proper attitudes and are revealed in every aspect of life,
including language, daily activities such as cooking, and rituals.
Beginning in infancy, even “baby talk” is culturally marked and, Benedict emphasizes,
inescapable: no human being grows up without culture.
Equally important, such features are not carried in any “germ-cell”; that is, “culture is
not...biologically transmitted.” Rather than a random assortment of traits, however,
cultures may be sorted in to patterns, and not only the external manifestations but
interior states are culturally derived. In the last regard, Benedict was a key figure in the
“culture and personality” studies that emphasized psychology.3
Language is used as a tool to manage the symbiotic relationship between the individual and society.
Individuals get their culture, beliefs, and education from society, and in turn, society requires
individuals to adhere to those rules in order to exist.
Benedict chastises Americans for cultural intolerance and blames a rigid, hyper-
conformist society lacking in empathy for creating psychopaths who are unable to find a
sense of belonging. She argues that cultural relativity is needed in order to challenge
paradigms to arrive at a more tolerant, inclusive, and self-aware existence.4
There is a record of a small inscription in Morghab (southwestern Iran) on which there is the
sentence (adam kūruš xšāyaƟiya haxāmanišiya) in Old Persian meaning (I am Cyrus the
Achaemenian King), which also illustrates the use of “adam” (“I):9
Therefore “Adam”, “I” and “Man” belong to the keywords which locally may have been defined to
indoctrinate the children to grow up as social citizens. In an optimized environment some of the
keywords may have been concentrated at the beginning or end of the alphabets.
13 Source: duel
14 Source: Champion warfare
The architecture of the alphabets
Greek and Latin alphabets and ancient Ugaritic alphabet seem to have been founded on a dedicated
fundament of vowels.
The first letter of these alphabets may be the principal vowel “ A”, which is generated by blowing
the breath through a wide-open vocal tract.
Some stages of the alphabets also may be terminated by another vowel such as the Greek omega
(Ω) or in Latin the “U”, respectively “V” or “Υ”.
The Ugaritic alphabet is terminated with a “ u”, which is located at the terminal position V (and U)
of the Old Latin alphabet. The Greek alphabet also contains a “Υ” but terminates with a Ω.
The comparison between both alphabets now suggests to correlate the letters H, Θ and I of
the Greek alphabet with the letters ḩ, ṭ, y the Ugaritic alphabet.
At the location of the Θ the Latin alphabet the Latin alphabet positioned an I, whereas the
Greek Jota left a J in the Latin alphabet where the Ugaritic alphabet located a “y”.
In the Old-Greek alphabet the H represented the sound /h/, but later the Η or η (èta, æ)
turned into a phoneme /E:/.
Ugaritic alphabet a b γ d h ḩ ṭ yk l m n p q r s t u
Greek alphabet AΒΓΔΕ FΖHΘIΚΛΜΝ OΠ ΡΣΤ Υ Χ Ω
Old Latin A DE F H IK MN O S V
Latin alphabet abcd e fgh i j k l mn o pqrstuvwxyz
Dutch alphabet abcd e fgh i j k l mn o p q r s t u v w x y z ij
Table 1 Comparison table of the Ugaritic alphabet with Greek, Latin and Dutch alphabets
The original structure of these alphabets seems to have been derived from the Ugaritic alphabet.
Some of these concepts may have existed before the Gothic bishop Ulfila developed the Gothic
alphabet.
Apart from the vowel stuctures a - y- u structure in the Ugaritic alphabet, the A-E-H-I-O-Y-Ω
vowel pattern of the Greek alphabet and the A-E-H-I-O-V structure in Old Latin no special patterns
of words seem to be included.
The basic vowels a, i, u in the Old Persian a - y- u vowel structure also may be identified at the
beginning of the Old-Persian alphabet:
The U in Old Persian does contain a large corner wedge (shaped like “<”). This may have been a
marker for special cuneiform characters for T, Z, Th (Θ), Δ, Ð in the Ugaritic alphabet. These letters
may have been reserved for the divine names in Germanic religions.
The Ugaritic alphabet15
The city-state of Ugarit (~1350 BCE–1200 BCE), equipped with an international harbor, has been
identified as one of the first locations in which a cuneiform alphabet had been developed. This late
Bronze Age alphabet contained 30 characters, 27 for consonants, 3 for the vowels a i o, which is a
remarkable feature for a Semitic system.
The following table marks the vowels green, the letters with the large wedge red and the s2-
character blue:
Keyword
ᚠᚢᚦ (f,u,þ) ᚦ ᚢ ᚠ
Insertion ↓ ↓ ↓
Vowels Α Ε Η Ι
j Υ Ω
Gothic alphabet Α Β Γ Δ Ε Ϛ Ζ Η Φ Ψ Ι Κ Λ Μ Ν G ᚢ Π Ϙ R S, Τ Υ Ϝ ΧΘ
Ω Ͳ
ϰ ᛃ Σ F ᛟ Ϡ
Transliteration a b g d e q z h þ i k l m n j u p q r s t w f x ƕ o
↓ ↓ ↓
Greek alphabet AΒΓΔ Ε F ΖH Θ I ΚΛΜΝ OΠ Ρ Σ Τ Υ Χ Ω
Old Latin A DE F H I K MN O S V
Latin alphabet a bcd e f gh i j k l mn op q r s t u v w x y z
Ugaritic ABC a bγd h ϝ Zḩ ṭ yk l mn Ҁp q r s t u
Numeric value 1 2 3 4 5 6 7 8 9
1 2 3 4 5 6 7 8 9
Gothic alphabet 1 2 3 4 5 6 7 8 9
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
Table 2 The concept for the Gothic alphabet by Ulfila, bishop of the Visigoths
The TUV- respectively TYF- pattern in the alphabets
Another strange pattern may be found at the TUV-section, which is highlighted in the following
table.
At the time of Wulfila's insertions this TUV-section may have formed the trailing sector of the
alphabet.
In forward and reversed reading modes the TUV-pattern also matches the runic expression ᚦᚢᚠ,
which may represent the Germanic words “Tuw” for the deity “Tiw” and “Vut” for the deity
“Wutan”.
Keyword
ᚠᚢᚦ (f,u,þ) ᚦ ᚢ ᚠ
Insertion ↓ ↓ ↓
Vowels Α Ε Η j Ι Υ Ω
Gothic alphabet Α Β Γ Δ Ε Ϛ Ζ Η Φ Ψ Ι Κ Λ Μ Ν G ᚢ Π Ϙ R S, Τ Υ Ϝ ΧΘ
Ω Ͳ
ϰ ᛃ Σ F ᛟ Ϡ
Transliteration a b g d e q z h þ i k l m n j u p q r s t w f x ƕ o
↓ ↓ ↓
Greek alphabet AΒΓΔ Ε F ΖH Θ I ΚΛΜΝ OΠ Ρ Σ Τ Υ Χ Ω
Old Latin A DE F H I K MN O S V
Latin alphabet a bcd e f gh i j k l mn op q r s t u v w x y z
Ugaritic ABC a bγd h ϝ Zḩ ṭ yk l mn Ҁp q r s t u
Numeric value 1 2 3 4 5 6 7 8 9
1 2 3 4 5 6 7 8 9
Gothic alphabet 1 2 3 4 5 6 7 8 9
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
Table 3 The TUV-pattern in the concept for the Gothic alphabet by Ulfila, bishop of the Visigoths
Iᚢᚦ--ᚨᚱᚲᚷIᚺᚾᛁᛃᛈᛇᛉᛊᛏᛒᛖᛗᛚᛜᛞᛟ
Futhark-alphabet with a header Iᚢᚦ (1:1 copied from the Kylver stone)
ᚠᚢᚦ--ᚨᚱᚲᚷᚹᚺᚾᛁᛃᛈᛇᛉᛊᛏᛒᛖᛗᛚᛜᛞᛟ
Futhark-alphabet with a header Fᚢᚦ (from the Kylver stone, but “repaired” at ᚠ and ᚹ)
The AIΩ-vowels in the “ᚨᚱᚲᚷ…ᚺᚾᛁᛃᛈᛇᛉᛊᛏᛒᛖᛗᛚᛜᛞᛟ”-body have been highlighted. We may easily
identify the Ω-structure of the terminating letter “O”, which obviously has been copied from the
Greek alphabet. The letters A, I, Ω are also used in ιαω, an early Greek form of the tetragrammaton,
or name of God and in Iao (Gnosticism), an archon corresponding to Jupiter.
Tuisto
Some Germanic deities (such as Tuisto) seemed to have been considered as dual characters.
According to Tacitus's Germania (AD 98), Tuisto (or Tuisco) is the legendary divine ancestor of the
Germanic peoples.
The Germania manuscript corpus contains two primary variant readings of the name. The most
frequently occurring, Tuisto, is commonly connected to the Proto-Germanic root *twai – "two" and
its derivative *twis – "twice" or "doubled", thus giving Tuisto the core meaning "double". Any
assumption of a gender inference is entirely conjectural, as the tvia/tvis roots are also the roots of
any number of other concepts/words in the Germanic languages. Take for instance the Germanic
"twist", which, in all but the English has the primary meaning of "dispute/conflict".[a]
The second variant of the name, occurring originally in manuscript E, reads Tuisco. One proposed
etymology for this variant reconstructs a Proto-Germanic *tiwisko and connects this with Proto-
Germanic *Tiwaz, giving the meaning "son of Tiu". This interpretation would thus make Tuisco the
son of the sky-god (Proto-Indo-European *Dyeus) and the earth-goddess.[1] 21
19 neben der pluralform steht im älteren germ. der dual wit (t ist angehängte zweizahl) 'wir beide', vgl. got. ags. asächs.
wit, anord. vit (viþ), der sich auf deutschem boden nur im nordfries. erhalten hat, sonst durch den plural ersetzt und
schon ahd. nicht mehr bezeugt ist; vgl. lit. vèd. (wir, pron. In Deutsches Wörterbuch von Jacob Grimm und Wilhelm
Grimm
20 From Old English witan, plural of wita (“wise man”).
21 Etymology - 1.1 Tuisto, Tvastar & Ymir (Wikipedia)
The old religion in Symposium
In his famous dialogue “Symposium” the author Plato describes an old religion, in which the
first human beings have been created as circular beings, composed as male & male, male &
female and female & female.
Terrible was their might and strength, and the thoughts of their hearts were great, …and they
dared to scale heaven and would have laid hands upon the gods. Therefore Zeus had to split
them up in individual persons.
After the division, the two parts of man, each desiring his other half, came together.
reuniting our original nature, making one of the two, and healing the state of man.
Each of us when separated is but the indenture of a man, and we are always looking for our
other half…
When one of us finds our other half…we are lost in an amazement of love and friendship
and intimacy, and one will not be out of the other’s sight.
And the reason is that human nature was originally one and we were a whole, and the desire
and pursuit of the whole is called love. 22
The well-known dual form “wit” / “wut” / “wat” in Germanic languages may have been based on
the Plato's creation legend of splitting a first human creature in 2 halves.
The keyword “wit” for the dual form had been shared by the definitions of “wisdom”, “witness”
and “wita” (“wise man”) and “witan” respectively “witenagemot”. Various words (“wiskunde”,
“weten”, “wissen”) in neighboring languages such as Dutch and German are also cognate to
“witan”.
“Wit” also may have been included in the names for “Tiw”, “Wodan”, “Witebi” (Whitby), “Wit”
(Wight), etc.
24 Notes to the usage of the Spanish words Nos and Vos, Nosotros and Vosotros
Notes to the Philosophical “Nous”-Concept 25
Homer's Iliad contains two words, νόος (nous, → English: mind) and νῶϊ (“we two”), which seem
to be correlating with two corresponding English words wit (mind) respectively the obsolete dual
form of the English personal pronoun wit (“we two”).
These words must be considered as fundamentals in a philosophical system. Since Homer's
composition of the Iliad the “Nous”-Concept has been studied by almost all philosophers including
Heraclitus, Parmenides, Anaxagoras, Socrates, Plato, Aristotle, Plotinus, Valentinus, Simon Magus,
Averroes, the Christian fathers … There can be no doubt the nous-concept has been a fundamental
theme for philosophy.
The alternative word wit (mind) is written and spoken as the dual form of the pronoun wit (“we
two”), but nobody seems to discover the analogy between both English words nor the correlation to
the Greek translations νόος (nous) for wit (mind) respectively νῶϊ (“we two”) for wit (“we two”).
The English words wit (mind) and wit (“we two”) may be identified in the first 3 letters of the runic
Futhorc-alphabet.
The French word nous both translates to the plural “we” and the Greek nous as the (divine) reason
in philosophy.
In the context of the four correlating words (νόος, νῶϊ and 2 x wit) the dual form seemed to have
played a mayor role in the joined European or even global philosophical system. The dual form
belonged to the archaic nous-concept.
29 Thanks to Simon Stevin the Dutch language got its proper scientific vocabulary such as "wiskunde" ("kunst van het
gewisse of zekere" the art of what is known or what is certain) for mathematics (source: Simon Stevin)
Derivations of Witan
Source: A Concept for a Runic Dictionary.
R 60 ᚨ ᚦ ᚢ ᚠ Odin Wodan
Table 7 Runic Dictionary - Header section ᚠ ᚢ ᚦ (including ᚨ ) in Backward Reading Mode
Appendix 4 - A-I-Ω Body section (ᚦ ᚨ ᚱ ᚲ ….) in For- & Backward Reading Mode
Source: A Concept for a Runic Dictionary.
Ansuz is the conventional name given to the a-rune of the Elder Futhark, ᚨ. The Anglo-
Saxon futhorc split the Elder Futhark a rune into three independent runes due to the
development of the vowel system in Anglo-Frisian. These three runes are ōs ᚩ
(transliterated o), ac "oak" ᚪ (transliterated a), and æsc ᚫ "ash" (transliterated æ).
The A-I-Ω vowel-structure is marked in purple. The divine names, the first man from an “ash” and
planetary names are marked yellow.
Proto-Germanic Old English Old Norse
Name *Ansuz Ōs Āc Æsc Óss
"god" "god" "oak" "ash" "god"
Shape Elder Futhark Futhorc Younger Futhark
Unicode ᚨ ᚩ ᚪ ᚫ ᚬ ᚭ
Transliteration a o a æ o
Transcription a o a æ ą, o
Position in row 4 4 25 26 4
Table 8 The split of the Elder Futhark “a”- rune into three independent runes
(from Wikipedia's *Ansuz (rune)
In Old English the creation of the first male man "ash" (ᚫ) from “god” (ᚪ) uses “equivalent” runic
letters. The A-I-Ω vowel-structure starts with the “A”-character for “god” (ᚪ) or “Odin” and the
"ash" (ᚫ) character for the first male creature, which suggests to consider the first Man as an image
of the Creator.
Section Runic Translation Meaning Source Source link
B 01 ᚨ, ᚩ *ansuz Vowel A/O Futhark Elder Futhark
The god Odin
B 02 ᚫ ash Ash (1st male Man) Futhark Elder Futhark
B 03 ᛇ *ī(h)waz/ Vowel I Futhark Elder Futhark
*ei(h)waz yew-tree
B 04 ᛊᛋ *sōwilō Sun Futhark Elder Futhark
B 05 ᛏ *tīwaz tyz < *tius Futhark Elder Futhark
the god Týr
B 06 ᛗ *mannaz Man Futhark Elder Futhark
B 07 ᛜᛝ *ingwaz Yngvi (→ Frey) Futhark Elder Futhark
B 08 ᛟ *ōþila-/ Vowel Ω Futhark Elder Futhark
*ōþala- heritage, possession
Table 9 A-I-Ω Body section (ᚦ ᚨ ᚱ ᚲ ….) in Forward & Backward Reading Mode
Appendix 5 – Overview of the published papers of Joannes Richter at Academia.edu
• The Bipolar Core of Germanic Languages
• Simon Stevin's Redefinition of Scientific Arts
• Simon Stevin's definitie van wetenschappelijk onderz
• De etymologie van de woorden met Wit-, Wita en Witan-kernen
• The "Vit"-Roots in the Anglo-Saxon Pedigree
• The Traces of "Wit" in Saxony
• King Chilperic I's letters (ΔΘZΨ) may be found at the beginning ("Futha") of the runic
alphabet and at the end (WIJZAE) of the Danish alphabet
• Aan het slot (WIJZAE) van het Deense alfabet en aan het begin ("Futha") van het
runenalfabet bevinden zich de letters (ΔΘZΨ) van koning Chilperik I
• The Role of the Ligature AE in the European Creation Legend
• A Concept for a Runic Dictionary
• Concentrating the Runes in the Runic Alphabets
• Traces of Vit, Rod and Chrodo
• De sleutelwoorden van het Futhark alfabet
• The Keywords of the Futhark Alphabet
• Het runenboek met het unieke woord Tiw
• A short Essay about the Evolution of European Personal Pronouns
• The Evolution of the European Personal Pronouns
• De miraculeuze transformatie van de Europese samenleving
• The Miraculous Transformation of European Civilization
• The Duality in Greek and Germanic Philosophy
• Bericht van de altaarschellist over de Lof der Zotheid
• De bronnen van Brabant (de Helleputten aan de Brabantse breuklijnen)
• De fundamenten van de samenleving
• De rol van de waterbronnen bij de kerstening van Nederland
• De etymologie van "wijst" en "wijstgrond"
• The Antipodes Mith and With
• The Role of the Dual Form in the Evolution of European Languages
• De rol van de dualis in de ontwikkeling der Europese talen
• The Search for Traces of a Dual Form in Quebec French
• Synthese van de Germanistische & Griekse mythologie en etymologie
• De restanten van de dualis in het Nederlands, Engels en Duits
• Notes to the Corner Wedge in the Ugaritic Alphabet
• The Origin of the long IJ-symbol in the Dutch alphabet
• Over de oorsprong van de „lange IJ“ in het Nederlandse alfabet
• The Backbones of the Alphabets
• The Alphabet and and the Symbolic Structure of Europe
• The Unseen Words in the Runic Alphabet
• De ongelezen woorden in het runenalfabet
• The Role of the Vowels in Personal Pronouns of the 1st Person Singular
• Over de volgorde van de klinkers in woorden en in godennamen
• The Creation Legends of Hesiod and Ovid
• De taal van Adam en Eva (published: ca. 2.2.2019)
• King Chilperic's 4 Letters and the Alphabet's Adaptation
• De 4 letters van koning Chilperik I en de aanpassing van het Frankenalfabet
• The Symbolism of Hair Braids and Bonnets in Magical Powers
• The Antipodes in PIE-Languages
• In het Nederlands, Duits en Engels is de dualis nog lang niet uitgestorven
• In English, Dutch and German the dual form is still alive
• The Descendants of the Dual Form " Wit "
• A Structured Etymology for Germanic, Slavic and Romance Languages
• The “Rod”-Core in Slavic Etymology (published: ca. 27.11.2018)
• Encoding and decoding the runic alphabet
• Über die Evolution der Sprachen
• Over het ontwerpen van talen
• The Art of Designing Languages
• Notes to the usage of the Spanish words Nos and Vos, Nosotros and Vosotros
• Notes to the Dual Form and the Nous-Concept in the Inari Sami language
• Over het filosofische Nous-concept
• Notes to the Philosophical Nous-Concept
• The Common Root for European Religions (published: ca. 27.10.2018)
• A Scenario for the Medieval Christianization of a Pagan Culture
• Een scenario voor de middeleeuwse kerstening van een heidens volk
• The Role of the Slavic gods Rod and Vid in the Futhorc-alphabet
• The Unification of Medieval Europe
• The Divergence of Germanic Religions
• De correlatie tussen de dualis, Vut, Svantevit en de Sint-Vituskerken
• The Correlation between Dual Forms, Vut, Svantevit and the Saint Vitus Churches
• Die Rekonstruktion der Lage des Drususkanals (published: ca. 27.9.2018)
• Die Entzifferung der Symbolik einer Runenreihe
• Deciphering the Symbolism in Runic Alphabets
• The Sky-God, Adam and the Personal Pronouns
• Notities rond het boek Tiw (Published ca. 6.2.2018)
• Notes to the book TIW
• Von den Völkern, die nach dem Futhark benannt worden sind
• Designing an Alphabet for the Runes
• Die Wörter innerhalb der „Futhark“-Reihe
• The hidden Symbolism of European Alphabets
• Etymology, Religions and Myths
• The Symbolism of the Yampoos and Wampoos in Poe's “Narrative of Arthur Gordon Pym
from Nantucket”
• Notizen zu " Über den Dualis " und " Gesammelte sprachwissenschaftliche Schriften "
• Ϝut - Het Nederlandse sleutelwoord
• Concepts for the Dual Forms
• The etymology of the Greek dual form νώ (νῶϊ)
• Proceedings in the Ego-pronouns' Etymology
• Notities bij „De godsdiensten der volken“
• The Role of *Teiwaz and *Dyeus in Filosofy
• A Linguistic Control of Egotism
• The Design of the Futhark Alphabet
• An Architecture for the Runic Alphabets
• The Celtic Hair Bonnets (Published Jun 24, 2018)
• Die keltische Haarhauben
• De sculpturen van de Walterich-kapel te Murrhardt
• The rediscovery of a lost symbolism
• Het herontdekken van een vergeten symbolisme
• De god met de twee gezichten
• The 3-faced sculpture at Michael's Church in Forchtenberg
• Over de woorden en namen, die eeuwenlang bewaard gebleven zijn
• De zeven Planeten in zeven Brabantse plaatsnamen
• Analysis of the Futhorc-Header
• The Gods in the Days of the Week and inside the Futhor-alphabet
• Een reconstructie van de Nederlandse scheppingslegende
• The Symbolism in Roman Numerals
• The Keywords in the Alphabets Notes to the Futharc's Symbolism
• The Mechanisms for Depositing Loess in the Netherlands
• Over het ontstaan van de Halserug, de Heelwegen en Heilwegen in de windschaduw van de
Veluwe
• Investigations of the Rue d'Enfer-Markers in France
• Die Entwicklung des französischen Hellwegs ( " Rue d'Enfer "
• De oorsprong van de Heelwegen op de Halserug, bij Dinxperlo en Beltrum
• The Reconstruction of the Gothic Alphabet's Design
• Von der Entstehungsphase eines Hellwegs in Dinxperlo-Bocholt
• Over de etymologie van de Hel-namen (Heelweg, Hellweg, Helle..) in Nederland
• Recapitulatie van de projecten Ego-Pronomina, Futhark en Hellweg
• Over het ontstaan en de ondergang van het Futhark-alfabet
• Die Etymologie der Wörter Hellweg, Heelweg, Rue d'Enfer, Rue de l'Enfer und Santerre
• The Etymology of the Words Hellweg, Rue d'Enfer and Santerre
• The Decoding of the Kylver Stone' Runes
• The Digamma-Joker of the Futhark
• The Kernel of the Futhorc Languages
• De kern van de Futhark-talen
• Der Kern der Futhark-Sprachen
• De symboolkern IE van het Nederlands
• Notes to Guy Deutscher's "Through the Language Glass"
• Another Sight on the Unfolding of Language (Published 1 maart, 2018)
• Notes to the Finnish linguistic symbolism of the sky-god's name and the days of the week
• A modified Swadesh List (Published 12 / 17 / 2017)
• A Paradise Made of Words
• The Sky-God Names and the Correlating Personal Pronouns
• The Nuclear Pillars of Symbolism (Published 10 / 28 / 2017)
• The Role of the Dual Form in Symbolism and Linguistics (Oct 17, 2017)
• The Correlation between the Central European Loess Belt, the Hellweg-Markers and the
Main Isoglosses
• The Central Symbolic Core of Provencal Language (Oct 7, 2017)