Beginning Jazz Survival Guide

Beginning Jazz
survival guide
'
1. Functional Harmony
2. Walking Bass Lines
3. Latin Rhythms
4. Soloing
5. Terminology
6. Intros & Outros
Copyright © 2016 Scott's Bass Lessons

C Major Scale

0:22
     
  
T 2 4 5
A 2 3 5
B 3 5
1:18 Notes Of C Major: C D E F G A B C
1:36 Chords Of C Major:

C Major 7 I
D Minor 7 II
E Minor 7 III
F Maj7 IV
G Dominant 7 V
A Minor 7 VI
B Minor7 b5 VII
4:23 Chord Progression Examples:
II - V - I : Dm7 - G7 - Cmaj7
I - VI - II - V : Cmaj7 - Am7 - Dm7 - G7

G Major Scale

6:40
     
 
2 4 5
2 3 5
3 5
Notes Of G Major: G A B C D E F#
Chords Of G Major:
G Major 7 I
A Minor 7 II
B Minor 7 III
C Maj7 IV
D Dominant 7 V
E Minor 7 VI
F# Minor7 b5 VII
Chord Progression Examples:
II - V - I : Am7 - D7 - Gmaj7
I - VI - II - V : Gmaj7 - Em7 - Am7 - D7

Autumn Leaves Progression
      
   
                 
      (  )
                  
      (  )
 
                
      
                 
           
                 
        ( )

 
                

Harmony Analysis Of Autumn Leaves
II V I IV
   
Bb Major:
  
                   
G Minor: II V I
   
Opt. (Secondary Dominant)
  (  )
                  
G Minor: II V I Opt. (Secondary Dominant)
      (  )
                 
Bb Major: II V I IV
      
 
                
Bb Major: Eb Major:
G Minor: II V VI II II V
           
 
                
IV G Minor: II V I
        (  )
                 

6:41 Using 5th Above
   

  
       
   
T
3
A 5 3 1
B 3 3 1
1
    

  
     
 
2 7
1 0 5
0 5
3
7:48 Using 5th Below
   

  
      
  
3
3 3 1
3 3 1
3

   
  
  
     

2
1 5 5
5 5 5
5
8:17 Combined 5ths
      
      
  
5 3 3 1
3 3 1 1
   
  
  
    
 
2
1 0 5
5 5
5 3
9:37 2 Chords Per Bar
     

     
     
   
3
1 0 3
0 3
5 3

      
 

     
 
3 2 7
1 0 5
5
3
10:36 Quarter Notes For 2 Chords Per Bar
           
       
     
1 0 5 3 3
0 5 3 3 1
5 3
      

 

      
  
3 2 7
1 1 5
5 5
5 3
12:36 Root - Third
   

  
       
 
2 0
1 3 0 1
3 1

   

  
     
  
3
4 5
0 3 5 2
3
13:54 Thirds Below The Root
    



     
  
5 3
1 3 1
5
5 3
   
  
  
  
    
2 0
0
3 1 2
2 3
15:22 Thirds Combined
      
      
   
1 3 0 1
3 1
5 3

      
     
    
1 0 4 5
0 2
6 3
   
 
  
       
2 3
1 3 5
3 5 6
   
  
  
 
3
      
 
2
5
3 5 1 0 1 2
2 3
etc.
17:35 Combining 5ths and 3rds (5th-3rd-5th-3rd)
   
 
  
      

2 3
5 3 3 1
3
3

      
         
   
3
1 0 4 5
0 2
6 3
etc.
18:28 Inverting Thirds (3rd - Root)
      
       
  
0
1 3 3 1
3 0 1
   
  
  
    
  
2
1 4 5
5 5 2
3
etc.

6:10 Autumn Leaves Root Notes Only
      
          
         
T 1 1 1 1
A 3 3 3 3 1 1 1 1
B
1 1 1 1
   
     
  
       
   
2 2 2 2
5 5 5 5
5 5 5 5
3 3 3 3
etc.
11:25 Roots and 5ths
      
         
        
5 5 3 3 3 1 1
3 3 3 1 1 1 1 1
1

      
            
    
1 1 5 5 5 5
0 0 5 5 5 5 5
5 3 3
etc.
14:43 Roots, 3rds and 5ths
    
 
  
         
    
5 3 3
5 3 3 1 1
3 6 3 3 5 1
5 3
      
              
  
0 0 4 4 5 5 5
0 0 3 3 5 5 2 5 5
etc.
17:41 3rd on Beat 1
    

  
          
     
5 2
5 3 0 3 1 5
3 6 0 3 1 1 1
3

   
    
  
          
  
2 2 2
1 1 4 4 5 5 5
5 5 5 2 5 2
etc.

1:25 Root, 3rd, 5th, Rest
   

  
              
    
T
0 3
A 5 0 3 1
B 3 6 0 3 1
1
   

  
            
   
2
1 0 4 0 0
3 1 2
5 3 3
etc.
3:09 Chromatic Passing Notes
  
  
 
  

     
     
   
2 5 4 3 0 3 1
5 4 3 0 3 2 1
3 6

   
    
  
        
   
2 2 1 0
1 4
3 4 5 1 5 2 5 4
2 3
etc.
12:04 2 Chords Per Bar (Chromatic Above)
  

     
     
 
4 3
4 3 2
4 3
3
12:38 2 Chords Per Bar (Chromatic Below)
 
 
     
      

2 3
2 3 0
2 3
3
13:16 2 Chords Per Bar (Chromatic Mixed)
  

     
      
 
4 3
2 3 0
4 3
3

1:55 Major II-V-I Line #1
  
  
  
          
 
T 5 6 7 8
A 5 6 7 8
B
8
3:25 Major II-V-I Line #1 (Alternate)

    
            
5 6 7 8 6 5
8 8 6
4:40 Major II-V-I Line #2
    


  
       

5 8 6 7
5 6 7
6
8

7:51 Major II-V-I Line #3 (1st Finger Starting)
  
 
  
         
2 5 3
2 3 5
3 5 6
9:01 Major II-V-I Line #4 (1st Finger Starting)
 
 
  
          
3 2
5 5 3
3 6 6 5
11:29 Major II-V-I Line #5 (Descending)

  


         
 
5 3
5 4 3
6 5 3
6
13:40 Minor II-V-I Line #1
   


       
   
4 7 5
4 5 6
5 6 8

    
         
   
5 4
6 6 5 3
5 8 6
   
   

       

5 8 7
3 4 7
3 6
5
19:48 Minor II-V-I Line #4 (Descending)
         
   
7 5
6 4 5 3
6 5 3

2:33 Maj7 Line #1
  
 
        

T 7 8 9 10
A 7 8 10
B
8 10
4:20 Maj7 Line #2
  
 
     
 
7 8 9 10
7 8 9 10
8
6:32 Maj7 Line #3 (Descending)
  
 
        
10 9 7
11 10 8 7
10 8

10:02 Dominant 7 Descending Line


   
      
10 8 7
11 10 8 7
10 8
11:01 Dominant 7 Line Extended Over 2 Octaves


     
     
9 10
7 8 9 10 12
7 8 10
8 10
           

12 14 15 16 17 15 14
18 17 15 14 12
    
      
10 8 7
11 10 8 7
10 8

13:11 Minor 7 Line Ascending
 
     
    
4 5 6 7
5 7
5 7 8
15:02 Minor 7 Line Descending


 
          
7 5 4
8 7 5
8 7 5
Extra Minor 7 Line


 
  
17:26
       
  
4 5 4 5 6 7
4 5 6 7
5 7 8

0:52 Practice Line
    

              

 
 
T 7 8 9 10 8 7
A 7 8 10 11 10 8 7
B
8 10 10
2:50 Ghost Note Above

ŒÂ = Œ Ç‰ (Swing 8ths)
              
  
      
   7 8 10
7 8 9
8 10
                 
       
10 8 7
11 10 8 7
10
 

6:00 Ghost Note Below
              
  
   
     
2 3 4
2 3 5
3 5
                 
   
     
5 3 2
6 5 3 2
5
7:50 Ghost Note Same String

                

   
   7  8  10  7 8 9
8 10
                 
   
10 8 7
11  10  8  7   
10

10:26 Open String Ghost Notes
        
      
 

 8 0 10 0
7 0 8 0 10 0
7 0 8 0 9 0
  




     
    

10 0 8 0 7 0
11 0 10 0 8 0 7 0
10 0


2:57 Bossa Nova Pattern (Root - 5th Above)
 
 
             
   
 
 
T 5 5 5 5
A 3 3 3 3
B
4:17 Bossa Nova Pattern (Root - 5th Below)
 
 
           
   
 
 3
3 3
3 3
3 3
3 
6:06 Autumn Leaves Bossa

   
 
  
            
           

5 5 3 3 3 3 1 1
3 3 3 3 1 1 1 1

   
 
 
 
   
          
      
7 7 5
0 6 6 5 5 5 5 5 5
5 3 3 3
etc.
8:05 Samba Rhythm
 
 
              
 
 
 3
5 5
3 3
5 5
3 
Apply Samba Rhythm to Autumn Leaves Progression

5:39 Arpeggios Ascending
     
 
  
    
    
 
   
 
T
12 15 14
A 13 13 12 15 12
B 15 12 15 13 13
13 11 15
      
  
 
 


    
   
12 10 10
13 10 12 9 12
12 15 9 12 10 13 10
10
6:52 Arpeggios Descending
    

 

        
     
15 12 14
13 10 13 15 12 12
15 12 13 13
13 15 11

   
  
  
      
       
12 10 10
13 10 12 12 9
15 12 12 13 10 10
13 10
11:54 Arpeggios Ascending and Descent from 3rd
    
   
  
        
   
12 15 14 14 12
13 15 13 12 15 13 12
15 15 13 13
   
   
  
     
       

12 11 10
13 12 10 12 9
12 15 12 10 13 10 8
10
21:21 Chromatic Approach
   
             
  

      
         
12 15 12 13 14 14 14 13 12
13 15 13 12 15 13 12
13 14 15 15 11 12 13 13

22:55 Chromatic Enclosure
   
     
   
 
13 11 12 16 14 15
14 12 13
16 14 15
Line Using Chromatic Approach and Enclosure

          
23:26
          
   
 
13 11 12 15 12 13 14 17 17 18 19 15 14 14 13 12
13 15 13 12
15
24:34 Line Using Chromatic Approach and Enclosure #2
     
     
    
  
   
15 12
13 13 15 12
15 13 11 12 15
14 12 13

0:46 Last 8 Of Autumn Leaves
           
  
                 
      
                 
1:32 Last 4 of Autumn Leaves
      
                 
2:07 Pedal Intro

   (on cue)
            
            
 
 1 1 1 1 1 1 1 1
 3
0 1 2
repeat til cue

5:58 I - VI - II - V Intro in C
           
 
                
repeat til cue
7:10 I - VI - II - V - III - VI - II - V Intro in C
            
                  
repeat til cue
9:26 Last 4 Ending
     
            
x3 to finish
       
10:48 Pedal Outro

 
            
         
 
 1 1 1 1 1 1 1 1
 3
repeat til cue

13:09 Ending Line Ascending
   

     

5 2 4 5
2 3 4 5
13:38 Ending Line Descending


         
5 3 2
6 5
5 3
3

1. The Head - The Tune
2. Form - Form Of The Tune (AABA etc.)
3. 4's - Trading Solos (4 bar each)
4. Pickup - Melody lead in before 1st bar
5. Changes - Chord Progression
6. Double Time - Twice As Fast
7. Double Time Feel - Double Feel but chords duration same

Beginning Jazz Survival Guide

Încărcat de

Informații document

Titlu original

Drepturi de autor

Formate disponibile

Partajați acest document

Partajați sau inserați document

Opțiuni de partajare

Vi se pare util acest document?

Este necorespunzător acest conținut?

Drepturi de autor:

Formate disponibile

Beginning Jazz Survival Guide

Încărcat de

Drepturi de autor:

Formate disponibile

Beginning Jazz

Copyright © 2016 Scott's Bass Lessons

1:18 Notes Of C Major: C D E F G A B C

1:36 Chords Of C Major:

4:23 Chord Progression Examples:

Copyright © 2016 Scott's Bass Lessons

Chord Progression Examples:

Copyright © 2016 Scott's Bass Lessons

        ( )

Copyright © 2016 Scott's Bass Lessons

G Minor: II V I Opt. (Secondary Dominant)

Copyright © 2016 Scott's Bass Lessons

7:48 Using 5th Below

Copyright © 2016 Scott's Bass Lessons

8:17 Combined 5ths

9:37 2 Chords Per Bar

Copyright © 2016 Scott's Bass Lessons

10:36 Quarter Notes For 2 Chords Per Bar

      

12:36 Root - Third

Copyright © 2016 Scott's Bass Lessons

13:54 Thirds Below The Root

    

15:22 Thirds Combined

Copyright © 2016 Scott's Bass Lessons

17:35 Combining 5ths and 3rds (5th-3rd-5th-3rd)

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

12:38 2 Chords Per Bar (Chromatic Below)

13:16 2 Chords Per Bar (Chromatic Mixed)

Copyright © 2016 Scott's Bass Lessons

3:25 Major II-V-I Line #1 (Alternate)

4:40 Major II-V-I Line #2

Copyright © 2016 Scott's Bass Lessons

9:01 Major II-V-I Line #4 (1st Finger Starting)

11:29 Major II-V-I Line #5 (Descending)

13:40 Minor II-V-I Line #1

Copyright © 2016 Scott's Bass Lessons

17:37 Minor II-V-I Line #3

19:48 Minor II-V-I Line #4 (Descending)

Copyright © 2016 Scott's Bass Lessons

4:20 Maj7 Line #2

6:32 Maj7 Line #3 (Descending)

Copyright © 2016 Scott's Bass Lessons

11:01 Dominant 7 Line Extended Over 2 Octaves

Copyright © 2016 Scott's Bass Lessons

15:02 Minor 7 Line Descending

Extra Minor 7 Line

Copyright © 2016 Scott's Bass Lessons

2:50 Ghost Note Above

Copyright © 2016 Scott's Bass Lessons

7:50 Ghost Note Same String

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

4:17 Bossa Nova Pattern (Root - 5th Below)

6:06 Autumn Leaves Bossa

Copyright © 2016 Scott's Bass Lessons

Copyright © 2016 Scott's Bass Lessons

6:52 Arpeggios Descending