Pegasus Fantasy - Saint Seiya 1st Opening

Transcribed and Arranged by Sodara HANG Composed by Seiji Yokoyama

                    
q = 166

        
  
   


   



 
  
  
 
 
                                 
5


            

  
                   
                            
              
         
10

  
      
  



      
      
            
15
 
 
               
       

   
         
   


  
 
   
  
                    
  
                        
20


       
 



     
      
                   

25

gli
                   
               
ss.

 



      
            
                 
                    ss.
 
30

    
gli
      



    
     
          
2

             

       
34

            

   


    
 

 
  


  
 
   


     
      

                     
   
39

                   
 

  
  
   
 
 

  
 
  
     

 

    

  
           
To Coda

44

         
   

  
 
       
  
  



 
  

  


 

 

49

          
    
 
1.

  
  


3 3 3

         
  
              
 
        

54
  
2. Improvisation Example Start

     
 




3

        
   
 
 
    
           
 
      
        
58

      



             

            
 
        
       
61

           
           

  
   
   
 
          
          



 3
65
         
    



                 
    
               
69
       Improvisation Example End

       
     



      
     
        
           
72
       
       
gli D.S. al Coda Ø

 
ss. 3 3
      


     
  
3

3
           

          
  

       
 
 
       
           

  
3
77
   
3
    
   
  
  
 

      






 






 
   


    
 
3
 

3

    
     
       
                              
 