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Seminar Description:
This inquiry seminar serves as the culmination of the Humanities and Arts Requirement. All Inquiry
Seminars have two primary goals: 1) to foster independence of thought through self-directed research
and writing, and 2) to encourage a cooperative approach to learning through open exchanges with peers
in a small seminar setting. Students will learn how to frame questions and to research and write about a
self-chosen topic related to the theme of this seminar, the history of sports.
Seminar Outcomes:
Each student who completes this inquiry seminar will:
• frame and investigate a significant research question in a thematic area
• identify appropriate scholarship using the library and other resources
• evaluate which sources are the most reliable and authoritative
• develop their own argument about the research question using relevant evidence
• discuss the work of other students in the seminar in a spirit of openness, cooperation, and
dialogue
Reading:
Walter LaFeber, Michael Jordan and the New Global Capitalism (New York: Norton, 2002). [Bookstore]
Expectations
Students in every Inquiry Seminar should develop the skills required for independent research and
writing. These include critical thinking, using appropriate resources, developing an argument,
communicating clearly and persuasively, and demonstrating originality and creativity. Independent
research begins with the ability to define a topic, survey work relevant to your subject, and develop a
bibliography. But diligent research is merely the first step towards writing a good paper. You should also
demonstrate the ability to organize, analyze, and integrate the material into your own argument. Even
experienced scholars find this a challenge. Good writing requires a great deal of rewriting and revision.
The seminar is equivalent to a course and you should expect to spend 16-20 hours per week outside of
class working for this seminar. An old adage says that time plus energy equals learning; there is simply
no substitute for spending time reading, researching, writing and working on your project.
Thematic Panels
Though you will work on your own topic, you will discuss your work in a thematic panel. During the first
class, we will brainstorm about research topics related to the history of sports. This discussion may
identify questions that are too large for individual papers but serve as general topics related to the
seminar theme. These will define the Call for Papers that invites proposals for individual paper topics
related to one of several thematic panels. Each student must participate in one of the panels. If any
panel has fewer than three subscribers, we will cancel it. If a panel gets too big, we will divide it.
Students on a panel work together to formulate their topics, serve as readers and editors through the
drafting process, and serve as coaches for presentations at the end of the term.
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Final presentations are an opportunity for you to present the highlights of your research. By the time of
these presentations, you will submit a full draft of your work. After the presentations, each student will
revise their paper. The result of this process will be an individual research paper that stands on its own
merits and receives an individual grade. Developed in dialogue with one another, however, these
papers should speak to a range of similar issues as an example of a community of critical inquiry.
Class Schedule
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scholarly sources. Each student also should think about a very general outline of three or four main
sections for the paper—this is about the broad scope of the paper, not a detailed outline. Individual
paper proposals will be submitted by each student; if it makes sense, identify an overall theme for the
panel as a whole.
Drafts Due (in stages—first part, second part, and eventually full draft)
You will submit a first draft of part of your paper, a week later a second draft of part of your paper, and
finally a complete draft. The shape of the first and second drafts will be different for each project, but
you need to be intentional about writing. Almost everyone benefits from beginning to write before they
feel ready. The writing process will help you to determine areas in which you need to do more research
as well as to clarify your thinking. Drafts are a component of the overall course grade. The preliminary
deadlines mean you cannot wait until the full draft is due to begin writing.
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The final paper should be at least 12-15 pages in length, exclusive of notes and bibliography. There is no
a minimum or maximum length. However, papers that are 12 pages or fewer rarely provide the depth of
critical analysis required to provide a satisfactory answer to the research question. Please use endnotes
in a consistent citation style (Chicago, MLA, APA, etc. are ok, but please do not use one of the “science”
styles, such as CSE). WPI holds a competition for the Class of 1879 Prize to recognize the best humanities
and art projects from the previous calendar year. Aim high. Plan to research, write, and revise well
enough to win one of these awards.
Grading Criteria
You will earn a letter grade evaluating your performance for the term. This term grade reflects your
work in each area of the course:
These grading criteria emphasize initiative as well as the quality and originality of the work because all of
these will be important to your success after graduation.
The grade for participation in class will be based on the following criteria: attendance, preparation,
frequency and quality of participation, ability to listen thoughtfully and engage in discussion with others
in a respectful and constructive way. More specifically, levels of participation can be characterized as
follows:
• Outstanding Contributor: Contributions in class reflect exceptional preparation. Ideas offered are
always substantive, provide one or more major insights as well as direction for the class. Challenges
are well substantiated and persuasively presented. If this person were not a member of the class,
the quality of discussion would be diminished markedly.
• Good Contributor: Contributions in class reflect thorough preparation. Ideas offered are usually
substantive, provide good insights and sometimes direction for the class. Challenges are well
substantiated and often persuasive. If this person were not a member of the class, the quality of
discussion would be diminished.
• Adequate Contributor: Contributions in class reflect satisfactory preparation. Ideas offered are
sometimes substantive, provide generally useful insights but seldom offer a new direction for the
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discussion. Challenges are sometimes presented, fairly well substantiated, and are sometimes
persuasive. If this person were not a member of the class, the quality of discussion would be
diminished somewhat.
• Non-Participant: This person says little or nothing in class. Hence, there is not an adequate basis for
evaluation. If this person were not a member of the class, the quality of discussion would not be
changed.
• Unsatisfactory Contributor: Contributions in class reflect inadequate preparation. Ideas offered are
seldom substantive, provide few if any insights and never a constructive direction for the class.
Integrative comments and effective challenges are absent. If this person were not a member of the
class, valuable air-time would be saved.
Preferred Name/Pronoun
I will gladly honor your request to address you by an alternate name or preferred gender pronoun.
Please advise me of this preference early in the term so that I may make appropriate changes to my
records.
Disability Services
If you need course adaptations or accommodations because of a disability, or if you have medical
information to share with me that may impact your performance or participation in this course, please
make an appointment with me as soon as possible. If you have approved accommodations, please go to
the Exam Proctoring Center (EPC) in Morgan Hall to pick up Letters of Accommodation. If you have not
already done so, students with disabilities who need to utilize accommodations in this class are
encouraged to contact the Office of Disability Services (ODS) as soon as possible to ensure that such
accommodations are implemented in a timely fashion. This office can be contacted via email:
DisabilityServices@wpi.edu, via phone: (508) 831-4908, or in person: Daniels Hall First Floor (124 or
137).
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Classroom Digital Etiquette/Cell Phone Policy
Digital etiquette requires that use of phones or other electronic devices in the classroom be limited to
purposes related to class work. If you have a cell phone, smart phone, or other mobile communication
device, put it in silent mode or turn it off during class. If you have a laptop, use it only to take notes but
not for other purposes such as email, games, Facebook, Snapchat, YouTube, and so on. No messaging on
any devices during class. Such activity distracts you and other students nearby and limits your
participation in class discussion. In case of an emergency, discuss the unique circumstances with the
instructor before class if possible. Please try to maintain an atmosphere in which electronic devices are
used only for academic purposes and their use does not have to be prohibited from the classroom.
Writing Center
Located on the first floor of Daniels Hall (room 116), the Writing Center is a valuable resource for
helping you improve as a writer. Writing Center tutors are your peers (other undergraduate and
graduate students at WPI) who are experienced writers and who enjoy helping others. Although a single
tutoring session should never be seen as a quick fix for writing difficulty, these sessions can help you
identify your strengths and weaknesses, and teach you strategies for organizing, revising, and editing
your course papers, projects, and presentations. Writing Center services are free and open to all WPI
students in all classes, and tutors will happily work with you at any stage of the writing process (early
brainstorming, revising a draft, polishing sentences in a final draft). Visit the Writing Center website
http://wpi.edu/+writing to make an appointment.
Gordon Library
The research librarians at Gordon Library can assist you with a variety of research questions related to
locating and citing sources. Their walk-in office hours are M-F 8-5 and Saturday 1-5 in offices 202A-C.
You may also schedule a research meeting with a librarian by visiting tinyurl.com/wpilibrary or writing to
library@wpi.edu
Additional Resources
The course website will be on canvas.wpi.edu. Below is a selected list of books relevant to themes of this
seminar. You could look at several of these depending on your interests or topic. A longer “Sports In
Society” bibliography by Jay Coakley on Canvas has additional references. Consult the WPI Gordon
Library, and this portal for some e-books: http://libguides.wpi.edu/ebooks The list below could be
expanded considerably, so use this as a starting point…
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Michael A. Messner and Michela Musto, Child's Play: Sport in Kids' Worlds
College Sports
Charles Clotfelter, Big-Time Sports in American Universities
William G. Bowen and Sarah A. Levin, Reclaiming the Game: College Sports and Educational Values
Michael Oriard, Bowled Over: Big-time College Football from the Sixties to the BCS era
Mark Yost, Varsity Green: A Behind the Scenes Look at Culture and Corruption in College Athletics
Brian M. Ingrassia, Rise of Gridiron University: Higher Education’s Uneasy Alliance with Big-Time Football
Murray Sperber, Beer and Circus: How Big-time College Sports is Crippling Undergraduate Education
Pamela Grundy, Learning to Win: Sports, Education, and Social Change in Twentieth-Century NC
James L. Shulman and William G. Bowen, The Game of Life: College Sports and Educational Values
Andrew Zimbalist, Unpaid Professionals: Commercialism and Conflict in Big-time College Sports
Howard Nixon, The athletic trap: how college sports corrupted the academy
Albert J. Figon, Cheating the Spread: Gamblers, Point Shavers, and Game Fixers in College Football and Basketball
Howard P. Chudacoff, Changing the Playbook: How Power, Profit, and Politics Transformed College Sports
Ronald A. Smith, Wounded Lions: Joe Paterno, Jerry Sandusky, and the Crises in Penn State Athletics
Olympics
David Goldblatt, The Games: a Global History of the Olympics
Toby C. Rider, Cold War Games: Propaganda, the Olympics, and U.S. Foreign Policy
Robert K Barney, et al., Selling the Five Rings: The IOC and the Rise of Olympic Commercialism
David Maraniss, Rome 1960: the Olympics that Changed the World
Amy Bass, Not the Triumph but the Struggle: the 1968 Olympics and the Making of the Black Athlete
Kevin B. Witherspoon, Before the Eyes of the World: Mexico and the 1968 Olympic Games
Kay Schiller and Christopher Young, The 1972 Munich Olympics and the Making of Modern Germany
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Susan Brownell, Beijing's Games: What the Olympics Mean to China
Xu Guoqi, Olympic Dreams: China and Sports, 1895-2008
Dave Zirin, Brazil’s Dance with the Devil: the World Cup, the Olympics, and the Fight for Democracy
Andrew Zimbalist, Circus Maximus: The Economic Gamble Behind Hosting the Olympics and World Cup
John Sugden, Alan Tomlinson, eds., Watching the Olympics: Politics, Power and Representation
Jules Boykoff, Activism and the Olympics: Dissent at the Games in Vancouver and London
Fans
Erin C. Tarver, The I in Team: Sports Fandom and the Reproduction of Identity
K. G. Quinn, Sports and their Fans: History, Economics and Culture of the Relationship between Spectator and Sport
L. W. Hugenberg, et al., eds., Sports Mania: Essays on Fandom and the Media in the 21st century
J. A. Gray, et al., eds., Fandom: Identities and Communities in a Mediated World
Games
Ian Bogost, Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games
Simon Parkin, Death by video game: danger, pleasure, and obsession on the virtual frontline
R.A. Brookey and T.P. Oates, eds., Playing to win: sports, video games, and the culture of play
Bonnie Ruberg and Adrienne Shaw, eds., Queer game studies
Business of Sport
Michael Lewis, Moneyball: the Art of Winning an Unfair Game
Albert Theodore Powers, The Business of Baseball
Andrew Zimbalist, Circling the Bases: Essays on the Challenges and Prospects of the Sports Industry
Andrew Zimbalist, The Bottom Line: Observations and Arguments on the Sports Business
Roger I. Abrams, Sports Justice, the Law and the Business of Sports
Travis Vogan, ESPN: The Making of a Sports Media Empire [a variety of these titles may be available as e-books]