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f. {rfu{,)( t(. Eei.Qll*l,,,,t;#r!, ,AI,: krl;, L rt :, J.A{^ r,lr2$-Ld4t{ I
rt {ruL'a, }l \-/ cf Bua",(hni.i*9,,t1^i*"*fr{PD
O 9 they tell us a good deal about the characrer of "official" religion. [n this chapter, I
t
lL bJ da Y6,N,L U^rl 3oc-i"{.,f9l-r, investigate the activities of women in me<lieval Thmilnadu as supporters of Hindu,
Jain, and Buddhist insticutions and practices, based <in an examination o[the Tamil
inscriptions between c.e. 700 and 1700 rhat record rheir gifts. The evidence of
these inscriprions cha[enges the idea that women conformed to scriprural norms
and were thercfore outside the mainstream of public religious life. The inscriptional
evidence also raises questions about the extenr to which the normative texts are
Women's Wealth and Worship capable of providing us with a complete or accurate view of horv religious life was
actually organized in a particular time and place, in terms of the definition of
Female Pafionage of Hinduism, central religious values and practices.
Because I propose to consider activities relared to three different religious
Jainism, and Buddhism in
tradirions-Hinduism, Jainism, and Buddhism-it is first necessary to describe the
Medieval Thmilnadu nature ofthe inscriptional evidence available to us in each case.-Brahmanical,
Jain, and Buddhist ideas and institutions have coexisted and interacted inTamilnadu
since before the beginning of the first millennium. In chis milieu, the three religious
traditions developed certain distinctively "Tamil" features and appear to have shared,
124
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i ii ..:,
I1..:; i . 1. - .- i' | -"1 ;.
,.E, ,r,olir.eh and i,*.'i-
Women's Wealth and Worship lZ7 i
surveyed onry rhose inscriptions in
eighr smau study areas in various parts
i
Tamilnadu ro generare rhe figures in rabl-e 9.t.0 gr"., of raole 9. I Hindu lnscripcions by Century and Type of Donor I
of Nigapartinam, in Tanjavur district) orrd th.t atc donor 7% ?% 6% ll% 6% 7% 6% 4% 2% 3% 30A ..5.2% I , "
are today housed in mrrseums in
Madras and elsewhere.?.of the277 images
Ramachandran described, most of whic, Femalc I I 8 l5 3 3l
represenr Gautama Buddha, 85 are insiribed (table religiou
9.J).
In rhe case of each of the three bodies of i.scriptionar donor
evidence, the vasr
majorirv of records describe a religious gifr,
and th. *,r.t *"11.,,, Queen 115419410 l9l
were made in support of worship. In all gir,, donor
three of the religious "irligiou.
;";,"."irJi,;;;;
well represented as donors. In.ihe eight study-areas,:16 ,.. Other 2 r7803734203210 I 208
' l-r to \l'omen Hind, i.,r.rip,i-onr."r..
as donors, a figure trrat is i4.lyo of ferote
gift-recording i.,r"riptio.r's o-n *hich
ir is possible ro discern the id-eq!1r of the dono"r (see donor
'--:r' mention men as donors table S. f t- Hil"'i"...iptior,,
in g0.5% of these inscriprions and corporate groups, Total l 1913754464432 ll 7 376
- ) as "assembries" (sabrraivrir) or "townspeopre', (ndiraua),i" such Fena!. 2l% 23% 24% ZW 14% l0% 4% 3% 6% l8% (_.14.3% i i
5.2i. Th; or"pl*,"""r
figures for.Jain inscripiions ,r.
donors, which rneans rhat r6yo ".r,
,i*it"r, ifr-tou, inscriptions mention female Male rsrionzz l8 11 65
ofihe inr.riprion, with idenrifiabre donors record religiow
women's gifrs, and rhe percenrages
are gr% and 3yo for ,".;;;;;";;;;';.""0., donot
respectively (see table 9.2). Inihe ."r. u141525619t7l83I196
of th. Buddhist inscriprions I examir.red, King donor 2
women are proportionally represenred
at even higher t.r"tr, *o*.r, ,..rlfrnribl. Other mle 9 5l l9l t'15 210 312 61 46 tt3 25 79 1458
for 307o of the gifrs of images, where we
can disc'em the identity of the donor, dorcr
men for the other 70yo Gee table 9.3). and
In certain periods, *,o1.., are especially prominent Totr,l l1 64 +tZ r94 7.65 183 74 65 178 39 30 l?15
as donors. As patrons of Mde 79% 78% 7Z% 7396 82% 85% 90% 93% 93% 98% 79%,' 80.5% ,
This finding suggesrs th"t iuo*.i *.r.-r.iir" number of inscriptiom. In elculating rhe number and proporrion of inscriptioro that refer ro female
participants in mainsrream (or mle) donon, ere hu ben takcn to adjut for this multiple repwnration.
(( (( ( (
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i .i,..-., .,i* .o*i,
Women's Wealth and Worship 179
TABLE 9.2 Jain Inscriptions by
Cenrury and Type of Donor
Donor 8th 9th TABLE 9.3 Buddhist loscriprions by Cenory and Type of Donor
l0th llth l2rh llrh l4th l5rh l6rh lTrh i Total
donor Donor 8fi 9th l0th I lth 12th llth l4th 15th l6th l?rh I Total
No 6 l5 I 5 6 loI ll l8?l No donor r77381 t4 37
Donor - I 5 7 l ) 6 7tz 2 844 Donor = I ll )5
Cor1pmre 2 I
donor
I z II l9
2% 2% Clrpomte
?% t3% 5% l]% 9% 3% dono.
Female zt 3
religious 25
Female I l,
donor
religious
()reendonor donor
I 1 I
Quecn donor
Other 4532r
female l6 Other I 6lr 3tz
donor
female
donor
Toml 25 95 Jr I I
Femab zt% 16% t?% 2t% 6% l3%
44 TotoJ I 7 l ll
l6% Fomle 100% 4r% 100% z50a r9% 30%
Male 212562
religiou
?
Ill59
Male
donor
rcl igious
King donor I I
donor lt 7
2 t6 ll King donor
Other male 58 21188131?6243s15g
donor Other male
donor J9 3 13 28
Totol 80 47 z4 lo ll zl 6 3
'15% ll 4 to
Mab 82% 83% ?l% 8t% 95% 75% rm% l0o% lm% 9l%
229 Toul 410 l l3 30
8l% Mde 100% 59% 7 5o/o 8l% ?o%
Toal 118 ?9 40 22 28 .39 I 6 24 5 2?
Irompabru ]g? Toal zt'l 25411 I 33 85
Insoiplioro
The inscriprions in thii tablc
are a subset ofthose lisred in
A. Ekambannarhan and C. K. Sivapmkcamt
.laim lrucnpa'ons in Iamlnadu (Madms The in*riprions in this mblc are rhose reponcd in T. N. Ramachandmn's Tfu Ndgcpctgr'm atd, Oth,er
Resarch Foundarion for
irucriprioro whoe texc have Jainology, 1987), including only thce
been prblished and whete enough Bu/dhist Bronles in tfu Madrc Mueum (Madm: Govemmcnt Pres, 1954). All the inrcriptions arc
intent o[ the inrription, irrcriptioro of the tcxt remaim to determine
the found on Buddhist image. Dates; based on an historiql stylc and paleography, are thcc provided by
mitten in Tamil or Serokrit that fall
and those rhat can, by virtuc inro the pcriod under amlpis,
of their locarion or content, be .Jain,, Ramachandran.
Ekambaranathan and Sivapmtamm considered irocriptiom. I follow
in dating these inscriptions. ln this table, the row of "oo donor" figuro refer ro insc(iptions that evidcntly upply rhe namc of
ln this tablc, the row of "no donor" Iigures the Buddha on which they arc inscritred, mthcr than rhe donor. "Donor = l" rcfcr to imcriptions
rcfeo to inscriptions rhat are nor records
"Donor = l" refes to imriprios ofdonatioro_
whcre thc scx of the donor is not clear.
rhar reord gifts wherc the idcntity
Thc numbers in this mble rcprent or ex of the donor is not clear
imcriptiom mther than individuals. The numbes in this table represnt imdptions mther than individuals. Perccntags rcpresent
thc proportion of insriptions Pcrcentages reprsent
where the identiry of thc donoc
is clear (i.e. thc "total imripcions"
rhe proportion of inrcriptions whcre the idcntity of the donor is clear (i.c., thc "total irocriptions"
minu "no donor" and "donor 1,,)
= rhat belong to a particular catcgory minu "no donor" and "donor = l") that belong to a particutar otegory For example, in the l0rh
century, 2% (2 of 107) of the For example, in the cighrh
imcriptioro where the donor's identiry entury, 100% (l of l) of the iuriptioro wherc thc donor's identity is clear refer m a female donor; for
73% (25 o( l0?) refer to femalc is clcar refer to corpontc donore,
donoa, and ?'5% (80 of l0?) refer
to male donon. thc wholc corpus o[ inariptiom, ]0% (13 of 43) of thc imcriptions where the donor'c identity is clear
rcfer to a female donor
((((( ( (" (t ( (
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l. t, ,: ..: . .,., i-t_rWcr '
",.-
Women's \?ealrh and Worship 133
were rather late in the medieval period,
in the sixteenth century. Among ,,other
female donors".in the
Jain inscriprio^s are women who are ,a.",,n.i'r, iiu*",*..,
Not only is the range of types of female donors similar in the case of each of
or wives, including the rvives of chiefs
and merchants. After the.l"r.;;i;:";;r.y, the three traditions but also the kinds of religious activities that rvomen's gifts were
rhe Jain inscriptions scarcely-menrio.,
,.,y r"*"t. aonors, but the numbers of rnale designed to support in each case. These activities are, in rhe great maiority ofcases,
donors-and rhe number oiJain inscripti""r-rl* associated with rvorship-with producing images and building shrines, with bathing
a*rndre in the later medieval
period. and adoming images, with arranging for offerings of lamps, food, and flowers, and
In the case of trre Hindu inscriprions, the classificarion with employing service personnel rvho were charged rvith preparations for and
of "rerigious donors,,
includes people of a somervhar different
.t officiation of worship.ts This focus on the patronage of worship rvas characteristic
Buddhist inscriptions, who, even if they ^.r.r.,
?.o* thor. ..n,ioi"J;"il of rvonen of all rypes--queens or commoners, "religious" or not-and of men, ancl
".
are .ro, ,.f....d to as,.nuns, and,,monks,,,
appear to be renuncianrs of some ,o.r-
T}r. female patrons of Hindu institutions it was characteristic of donation wherher in the Hindu, Jain, or Buddhist context.
classed as"religious women,,are those whorn l r.r* ,,r"*pt. I have discovered only one difference in donative style and purpose among the
women,, and who are
frequently referred to as deuadisrs.rs t" three traditions, among different types of donors, or betrveen male and female doriors.
,h.-*",ji"r"r rr*iL r"*.,pir""], ,n.',".*
used mosr often for rhese women is
rcuaratiydr, "devotee of god.,,r include in This difference relates to the expression, in a small proportion of the Hindu and
the
category of Hindu "relipious women,, women
referred to by"this *;*i;;"r;;r;n, Jain inscriptions, of the wish thar the merit generated by the gift be transferred to
makal "daughter of god"i and women
who .r. a.r.lli"a in rhc inscriptio.,, another. l9
'of thc ternple" or as performing some u"ing Among the 208 inscriptions recording gifrs by "other female donors" ro Hindu
n r.ri." l" ii. ",
temple. ,,Religious men,,
the Hindu conrexr ,r. .ef"rr"Jto Uv in insritutions, rve findsuch a transfer of merit in 16 cases. In 14 of rhe 16 cases, the
, aif"r"", ,r.rg" of rerms (some of whic[_r,
bearing the meanings of "teacher" o. ,t...,i.-ll-*.rlp *ith thoo';:.i'r";;;," woman specifies that the spiritual benefit arising from her gift be transferred to a
"religious men"), but they, like th.i, relarive---6 times to a son, 4 times to her husband, twice ro her mother, once to a
fe-ore .ouir,".pr*r, are also classed as
"religious" by virtue of being "of the
tempr.;; * ,.,ir. in various roles (e.g., daughter, and once to a brother. Expressions of the desire to transfer the merit ofa
priest, drummer, or gardener) in the temple, as gift are not found in inscriptions recording the gifts of temple wornen or queens to
Vartly *or. religious;;;i;; ifi;r,
women are me'rioned in Hindu inscriptions, Hindu insritutions. We do find such expressions in che case of rnale donors-
religious women are at least as numerous
but, chroughlh. thir,...rth .;;?;r, althougl'r, again, not in the case of Hindu religious men or kings-in 94 of the
as religious men as donors (see table
9'l)'10 4*5o.'gh religious women are not 1,458 records of the gifts of "other rnale donors" in support of I-lindu worship. But
as numerous as orher types of female
parrons to Hindu insrirutions, as we
saw in the rhe transfer of merit is, in two-thirds of these cases, directed torvard the benefit of
particularly prominent among female Jain case, Hindu ,.*pi" *.*." ,*
donors il th. thi.t.".,ti;;; nonrelatives, particularly the king and other men.20 Alchough male and female
centuries, queens were very much in evidence ;;;il". patrons of Hindu institutions express the desire to transfer thc merit of their gifts
as donors. In the tenth and eleventh
centuries, the wives and daughters of wirh about the same frequency ( in the case of 60z5 to 7olo of the donations recor&d),
Chola rulers made up more,f..r" r',fri.i .irff
female donors, and their gifr-giving
activity ."""1rJ"*.a that of kings. Afrer this we see a striking difference rvith respect to the beneficiary they name.
period, nrale royal parronage be-cam9 The patrern ofgifu that support Jainism is, once again, different. Jain religious
..t",i""fy ,ig"in""r,t o.,ly i., ,t.,? ,fr',.,*"rf,
and subsequent cenruries,
larricularry i" ,r-r" nr*!.,n and sixteenth centuries in worren and religious men were involved in the rransfer of the rnerit of their gifts
the era of the vijavanagara and Nayal
*r.". I-r. *";ority of female supporters in a way that is not seen in their I{indu counterparts. Three of rhe 59 inscriptions
Hindu institutio* o.,J Hindu worship ,.r. of that record gifts made by Jain religious men express the wish that the merit be
;;i;i;; temple women nor queens,
but were "other femare donors"-incluai"g transferred to another (in two cases, male relatives, including a brother and a
wives of landowners and merchan*, -."ru... of local chiefly families, the
nephew). But lt isamongJain religious women that the frequency of such expressions
nrrm'i" *"*.n", a.rd palace women.lT These
especially acrive d;";;;;';il is at its highest: 7 of the 25 records of thesc women's gifcs (28%)-transfer the
as pe,iod of the ninii ,r.,..,cl
;lf,'i :."#;.Xere merit of the gift to another. It is also noteworthy that none of the beneficiaries of
the merit of Jain religious women's gifts is said to be her relative, and all of the
. - )A:" we compare the partems of woment religious parronage revealed in the
Hindu, Jain, and Buddhisr inscriptions, beneficiaries are male. Even if we consider that Jain religious women might have
*" ,.. ,h'" i.rrorvement of a varietv of
types of women in all three donative
*"**r.. rlr. o;,r".r*;;'";;;i::1":. renounced connectiors with their families (although, as we have just seen, Jain
whose gift giving is directed
io*ra',i."*ro*, of one or another of religious men did not), we would expect that they would honor their preceptors-
"r.lurir.ly
the three traditions is the caregory of "iemale religious donor,,: the Hindu temple most of rvhom, acconCing to the inscriptions, were female-by bestowing on them
woman pa*onizes onlv Hindu.institutioru, the merit of their donations. Indeed, one of the beneficiaries of the merit o[a Jain
the
Jain worship, and the only.reference,".'i;;;1"';;mana
Jaii religious ,"*r".;i;;;;;;. religious womant gift is a religious man, rvho may have been her teacher, but no
that we find is on an
image of a Buddha. Apan from
this, rhere i, inscriptions regisrer the transfer of merit to a Jain religious woman. Among the
"o."ia""* ttrt pr.ti"uir. arr"..f
wom€n, or women generally,,felt
especially drawn to provide *o*i i..-;;;;, Jain inscriptiors recording the gifu of "other female donors," only 1 (of 16) mentions
another of these religious tradirions. a rransfer of meric a rvoman, the wife of a shepherd, makes her husband the
beneficiary. "Other urale donors" to Jain irutitutioru transfer the merit of their
( ( (( (t (' (t (' (,( ( ( ( (.( (' (: ( ( ( (; ( ( I (
t:
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1il
( r ( r"( (((r(
(
(( I
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( ( ( ( .(,(.(,,(, .( ti t.-,
t
significance of gift giving, including the building of remples, the corsecration of lain texts. But rvhen tt l"tk""'il"
*"Jt"t'f Tairil inscriprions' we do not Iife'
find
Ve x
tvpes of women acti'e in religious I
images, and the sponsorship of worship. Such patronage does not have to be regarded ,r.h,ro*..t; instead, *t di;:;;;t;therfi"i rvomen; we do not find wonren
do not find female priests, ;;;;;
i
temPle l
as auxiliary or incidencal to more fundamental religious practices and can, indeed, rvomen' as
be viewed as embodying rhe highest Jain values and conducing to the highest who seem to be "rea[" "'"t' il;
;t ;o find femate Jain teachers' These markers of
i
u":
:Ys j:r::,:il::ffitJ :iJ:,i::
i
the estabhshrnent of shrines and images and services, rhe opporrunity for orhers to ,'i.i, o"ui,ii,,.r."o*t"ds;.';'i;til' """'' women
i
reap the benefirs of worship surely cannot be regarded as wholly self-serving.3l ,rta af "t as men do lndeed' i[ we focus on loom large in [he normarive texrs and i
These perspectives on the religious meanings of the patronage of worshlp would men have played in '"tigioiiii*-'o1t"tt"t filled-we l
of rhe inscriptilns' have' in fact'
that men, according to th;;;;"^;;y
'
seem useful in our efforts to understand the pattems of religious activity that we
had ontv a marginal religious status',4
have the strong impresi";;h*;;;;;t"
i
territorv i' dtfitttd' lf instead
l-rave discerned in medieval Tamih-radu. of
But marginality atpt"J' o" how the
I
Hindu' Jain'
considering th. t"ligio"-"ti'''it"'-
Tamil societv-were not engag€d in'
an institutionat framework, is almost by definition a public act and one chat may we I
i:1
( ( ( ( ( ('(', ( (
( (" ( ("(' ( ( ( ( ( (
(, (t (r ('(, (, (" ( (' ( (' ( , t...-
{ ,,'
.-.
i' -:r r: :, l- " I:.:i
t
( (' (t (' ( '( ( (' (t ( (
(' ( ( (, ( ( ( (
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: i
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of Hinduism, *r,r.n rrJqr*,rr'r""* ,o b. i Tlmil inscriptions of such distinctively gendered religious roles.
influenced by !fleber's interpreration of religios
deveropmenrs i., lnai". tn rJr"mbit view, J0. For instance, Babb discusses "giving as giving up" and proposes that, for lay Jains,
for exarnple, Brahmin priests, ir1 their effortl
ro incorporate nibal and peasanr communiries gaining merit (through gift giving, for example) is not regarded simply as a route leading
into the Hindu fold, accommodated and preserued
in "an incredibre proriferation of senseress rituar.-
a great variery of local traditions, resulting toward worldly reward but as a means whereby kanna could be'shed," and it is therefore
conrrolled bv the tempre, "mosr of rhe cash
In iddition, ,i" i;;;; ;;; of oroo"r,, conducive to the highest spiritual goal ( Babb, t 996). Laidlaw dirusses the generous gift as
was rocked i""fo;d;l;;;; o. ;.*"1, ro, aformofrenunciation (rJdga) (Laidla*,1995, pp. Jl4-L3). PaulDundasseesreligiousgifting
the gods; or just pock-eted bv the priesthood "o
and their parasites,, (Kosambi, 1969, pp-,2- ,.
:. by lains as an exteruion of the ideal of the frugal and disciplined life and as a religious
?3, 196; cf. Weber 1922, reprinti964,pp. l?_li.Ttrese
ideas ir;;b; activity in which the layperson is relatively autonomous because gift giving is not necessarily
specific case of medievar ramirnadu by .ere.ar
N^r"yrrr"" "pfii.a,o,t.
consider
I
CE in India: "The laymen and monks who made these gifts. . . were giving objects of
deposits and "oh-do.,rt"d
period was converted into unproduccive
did not .i."rl"ie irr'it. ..onorrry, ,na worship, objects which in fact made u,orship possible. They were, then, really giving to any
that dre rerms of 1""',g:,1T,,o ,"",ples tended
to oppres the peasanrry by increasing taxation of their fellorv beings who ritually approached those oblects both the means and the
(lha, 1974, pp. z0r , z]z-t3). Th"s"
economy in 'lhmilnadu are not supported
i-ft;';;,iJlr .r," .d"o.,"; .r i,.ii",J'ti..y *a opportuniry to make merit, they were providing for all both theopportunity and the means
by dre findings or r.nouo *io-rr"r. L"a
studies.on the inscriptional evid.n.e and *,u. to funher their religious life. . . . The initial gifr of the acrual obiect only marked the ftrst
who ff"d;* io.,",io.,, ,o-r"rrrft.J.Jui.a in a" rooment in the donor's act ofgiving. . . which in a very concrere seilrc tnade each consecurive
recirculation ofwealth and the development
ofagricuiru.al, artisanal, anJ *'.r.rnii" ..,,..pro"
(Appadorai, 1936, pp. 274-30t;St.in act of worship possible. It was because the donor's act was continually repeatcd over time,
fleO, pfli6i-26, H"irr.".,, 1985, pp. zz74o).
*
26' is beyond the-scope- of this chaptei m because it took place again and again long after the donor himselfhad disappeared, thar ir
-
religious giving in each of the rhree rerigious
rwiew the whole of the vasr rirerarure on vas necessary to clearly record the donor! name, rhe momenr of the initial act, and. . . the
' "early'' literarure the so-calred canoniir
JiJo*. In the present discussion, I mean by donor's intentions" (Schopen, 1984, pp. 125-26). I believe that dresc ideas are extremely
tot, oij"ioir* and Buddhism, which concem important for our understanding of religious gifting in mediewl Tamilnadu. The Tamil
themselves especially with the conducr
of th" *rri"i"r,r, and, within th" Hi.rJu ,orip,r."t
corpus, late brahmanical,.dicrmalasrra, inscriptions, like the Buddhist inscriptions discussed by Schopen" record gifts whose impact
and epic literature. ,.[arer,,
The literature includes is meant to be felt long after the passing of rhe donor; indeed, ensring this continuiry is a
commentaries and digests based on the texts just
rnentioned, purdnas and ritual tex6 such as
rre dgamas, and various forms or *r""tir. major purpose of the recording of the gift and the engraving of the record.
riterature. phyllis Granoffhas suggesred 32. On the ritual aspects of gift giving and recording the gift in an inscription in
".,1?iJt
that Jain lirerature of the- "later' r,oa" pr.r.lo
riore derailed portrayal of the rearities of
temple patronage than do the Hindu iexr, medieval Thmilnadu, see Stein (1980), pp. 358-61, and Heitzman (1995), pp. ?3-109.
,rhi"h t."t
this aspect of religious life only 33. I am grateful to have had the opportunity-in discnsion, in teaching together,
{ (
( ( ( ( ( ( (
( ( ( ( I { { { :r.l.l
t.: L:
( i .r i:::'.:i i ,'l
i'::-.
Il
[: t:
Atunachaltrrn, M. The Kalabhras in the Pondiya Counnl andTheir lmpact on the Ufe and Berkelevr t
"13;r., and salvadon: Jaina Debaces on the sphirual ltbetacion ol \xtomen' l
Banks, Marcus. OrganilngJaintm in lilia and England. Oxford: Clarendon, 1992. '"""i*i.",irar. N.* York, Oxford University Press' 1996'
India (c A'D' ?00-1300)'"
i
Chakravarti, A. Jaina Ltterotwe inTamil N.ew Delhi: Bharatiya Jnanapitha, 1974. Jha, D. N. 'Tempto l-.,'ala if oJ'i* r" f"'f1f1;aieval South
", Peoole's Publishing House' 1974'
Cort, John E. "Tivo ldeals of the Suerdmbar Miurlttpnjak Jain Layman." Joumal of lndian ln Indian Socierv' n;'tJJ P;;;*t New belhi' Phvllis
i
Davis, Richard H. "The Case of the Disappearing Jains: Retelling rhe Saiva-]ain Encounrer Senese, eds., I
in Medieval South India." In John E. Cort, ed. Opet. Boundaries: Jain Conmunicies and forthcoming'
and SocietY,
I
. Dehejia, Vidya. "The Persistence of Buddhisrn in Thmilnadu." Mary3914,.1988, Kingship." Artibus Asiae 56ll-2' 1996' and N'
Buddhistic Literature'" In S' V' Subramanian
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Deo, S. B. The Hiscory of laina Morwchism /rom Inscripdons and Uterature. Poona: Deccan Kandaswamy, S- N. "Jainistic and Institute of
College, 1956. Ghadigachalam,
if tlnro itt' Madras' Intemarional
"d"',;t";;;;s;
Desai, Pandurang B. Jainism in South India. Sholapur: Jaina Sanskriti Samarshak Sangha, Thmil Studies, 1981' 193M2'
Bhandarkar Oriental Research lrstitute'
1957. Kane, P. V. Hbtotl of Dhamasastrc' Poona: (3 vols')'
Noboru, et ot' of rlre Names in the Colo Irucripdoru
Deshpande, M. N. Indian Arclaeolog 1970-7l, : ARevieu. New Delhi: Archacologiel Suruey Karashima,
of India, 1974. 19?8'
Madurai: Sarvodaya llakkiya Pannai''DeuodosiTiolicion
c. ''*ntao*e
Nil;;rr"l, - . in sourh lndia. Delhi: Motilal
Dirlc, Nicholas B. The Hollour Croqrn: Erhnohistary of M Indran Kingdom. Carnbridge: Kersenboom, saskia
Cambridge University Press, 1987. Banarsidass, 1987'
' New York: Meridian
Dumont, Louis. Hono HiercrcJuoa: Tlr Casrz Sysem and lts Imp[lcori.ons. [.ondon: Paladin, 1972. Kosambi, D. D' Ancient hdia: AHistory of lts Culwre onlCiahzaaon'
Dundas, Paul. "The Tenth Wonder: Domestication and Reform in Medieval Svetambara Books,1969. .r \t r c---^ Department
n-^^-rh. of
Kua:lrcidk Kal'xtnfual' Ed' N' Markciyakanti' Madras: Thmil Nadu State
Jainism." Indologica Tarrineruia 14, 1987-88.
Jahrs, London: Rourledge, 1992. Ar&aeologY' 1980' Oxford:
Religion' Economy mdsa;iery anoagrfuJarns'
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Ekambaranathan, A., and C. K. Sivaprakasam. Jar'na lrucnptims inTonilnadu (aTopoeaophical Laidlaw, James. Riclus and Renunciadon:
-.'rhe
List). Madras: Research Foundation for Jainology, 1987. Oxiord UnivcrsitY Press' 1995' Survev of
A"ffi;;'igog-lo'A Reuieu' New Delhi: Archaeological
Epigrcphir Indica. Catcutta: Director Genetal, Archaeological Suwey of India, 1892-. Lal, B. 8.,.d.Irdto"
Falk, Nancy Auer. "The Case of fie Vanishing Nuru: The Fruits of Ambivalence in Ancient lndia, 1973.
(' ( (t (: (, ( (t ( (
(((((( (r (r (i (, (, (! ( ( (r (r (r (l { ( (
'' ',t,'
.il l'.; '. :.- i:..:,,rrcl ro r rt
Wornen's Wealrh and Worship 147
t::
Leslre, Julia' The pufectwire:.The orthodor r,indu
vuna1666iing to tfu Snitrlarmawddhati
of Tryamba)ayajwn. Delhi: Oxford Universiry Ramesh, K. V. "Jaina Epigraphs in Tamil," appendix to A. Chakravarti, Juna Lirerature in :
;;;;", Litcrary culture, and Rerigious and C. Humphrey, eds. The Asscmbly of Uxenus: Jairu in Sociery. Cambridge: C-ambridge ;:
c"ommuniry in Tamil'speaking South rndia."
ph.D.iiin"tion, Harvarci Univenity, 199?.
Moscovitch, Ptrilip' "Buddhist Monasr.,ies R"rl University Press, 1991.
Community in MedievalSri Lanka,,,Joumnl "nri*rgined: Monks, wealth, and
of ReWnandCuhureg, I9g5.
Richman, Paula. Women, Branch Srories and Religious Rhetoric in a Tirmil Buldhi.rr Tixt. Syracuse,
i:
Nagaswamy, R. "Jaina Art and Architec,r.. N. Y.: Maxrvell Schoot, Syracuse University, 1988. i
u.a.r',f,.-Fuilavas.,, In U. p Shah and M. A. Ruclrrer, David West. Case and Capitalrsm in Colonial India: The Natnlllr.tari Chettiars. Berkeley:
Dtraky, eds , Aspe cts of Jaina Ar and. Arch*ecture.Ahrn"drb"d,
r-. o. r..,r,ri. i"a'"i"gy, E
University of Catifornia Press, 1994. I
"?
Narayanan' M' C' S' and Kesavan veruthat. "Bhakti Movement Schopen, Cregory. "On Monks, Nuns and 'Vulgar' Practices: The lntroduction o[ the Image I
in South India.,, In S. c. Cult into Indian Buddhism." Arcibus Asiae 49ll-7, 1988-89.
Malik' ed" IndianManemeru: some Aspecr o/
oiu"nlp-no oraRelorm. simra; Institute (Fitial l
ofAdvanced Study, lgZB Piery and the Monk in the Practice of Indian Buddhism: A Question of I
Nath, Vijay. Dana: Gi/t System in Anciear 'Sinicizarion'Mewed from the Other Side." T'oung Pao 70, 1984.
India (c. 600 o.c. _<. A.D. 3A0): ASocio-Economic
Perspective. New Delhi: Munshiram
fr.lr""i,rrl"i, iSSi. Shanta, N. La voie jaha: Hisroire, spiritualii) rie &s ascDtes pileires dz I'ln&. Paris: O.E.l.L.,
-. !.
Rirrrals and sym6ors. Toronto; centre tocic, South Indran Tlmple Inscn'pdons. Ed. T. N. Subrahmaniam. Madras: Government Oriental I
for souin ari* s*dies, Universiry of i
forthcoming. Jbronto, Manuscriprs Library 1953-57. I
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"The vai54ava G.T.-"-,y at srirangarn: The Tktimony Srinivasan, P. R. "Buddhist lmages of South India." In A. Aiyappan and P R. Srinivasan, I
lnscriptions.,' The
of the Early Medieval eds. Story of Buddhism uith Special Refererce to South India. Madras: Govemment of
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Stein, Bunon "The Economic Function of a Medieval Sourh lndian 'Ibmple." Joumal of
I
Idenriries in pre-coroniar ramilnadu."
[n r.".",t'n.'urrr, ed. Neru Honzoru m
1
Indian studies: papers inHonot of Nrb-" souti Asian Studies 19, 1960.
ir;;;;. New Derhi: oxford universiry psasans State and Sociery in Medie,al Sotth Indrc. Delhi: Oxford Universiry Press,
I
I
Press, forthcoming.
......-' (women 1980.
of
Medieval south lndia in Hindu TLmpre
'' Rimar: Text and practice.-
Annual -.
Strenski, Irvan. "On Getreralized Exchange and the Domesticatioo of the Sangha." Man 18,
^ .Review of Vonen in Vorld Relqrbru f S9+. :,
P'oy' J'' and M' Bloch., eds. "on rhe uorai perils 1983, pp. 463-77.
o/E1!1Se. Cambridge: Cambridge U","".ri,,"iur.rrr.g.." In Money and ile Mmarity Srvaminathan, K. D. Early Sourlr lndianTunple Architccture: Saiy o{Tiruualkoaram Inscnpnbru.
.-
rererson' rndira V' Poems roSiua:
er*., ime.
Tiivandrum: CBH Publications, 1990.
The H1mru o/a\e'%-,lia,r,r. princeton, N.J.: princeton
University Pres, 1989. Tirumalai, R. Rajendra Viwwgar. Madras: Tamtl Nadu State Department of Archaeology,
---'
(smmanas
against the Tamir way:
' 1980.
Jains an, Buddhists in the Hymns of the ,nmil
Saiva Saints.,' In John E. Cort,_ ed. Vijayavenugopal, C. "Some Buddhist Poems in Gmil." Journal of tv Intematbnal Association
6;" ;";"d";,'Jaia Commun;ties and Culunes in
,*.^ly.U*. Albany: State Universiry .f N"* i.rt,
f*rf,coming.
of Bdlhisr Studies ?, 7979.
^.,. A' v-elu. Epigraprucar Euide,c,.
Pillai, y* Waghome, Jcanne Punzo. The Rajo's Magic Cloches; Re-Vriiorung Kingship and Dioiniry in
.Iamil ro*,it irra.. ii"a.r" Intemational Institute of
Studies, 1980. England's India. University Park: Pennsylvania State University Press, 1994.
Ramachandran, T. N. Trle Nagapagg\am Weber, Max. The Sociology o/ ReL'gion. Tr. Ephraim Fischoff. 1922; Reprint, Boston: Beacon
and Otlw BuddhistBwtrze- in tlv MadrasMweum_
Madras: Govemment pres, t954. Press, 1964.
t
t
*
{(( ('rn (r,r,o(,*
S urrK ' ( ( ( ( ( ( ( ,{,ru{r",{r*n;{,,n,0{,,,t,,f,*',.,(,,rrr-,u ( t (
jsignificantll, lacking. As one often does rrith such ob...tlr.iorr., I ttrckcd volunrc... Ncvcrthclcss, the
sensllous qualitr' ol' tlrc boclt, is
enhanced by thp uppcr cdcc of tlre
Sarmcnt that clo.sely hugythe hips
not only because of thc lack of discu.ssion on it, but also because of and the nvo fleshy arcs rh2lr indicate
the buttocks."6
the possible significalce of changes in rhe depiction of male figrrrcs
between thcse early phases of Indian art. Nonvithstanding thc ftrct that carly
Even a cursory glance at representations of the standing images of Indian female figures arc indeed
the Buddha, Bodhisattvx and other serhidivine male figures of the quite voluptuous ancl combine
tr
.sccond and third ccnturies A.D. from the Mathura region reveals a very notions of fertiliw and eroticism, it is
, specific cnrphasis on the'sexual organs of the images (Fig. i). While rather striking that the sexuality of
o
,malc ligurcs is consistcntly trndcr-
emphasized or not mcntioncd at all.
In the publication rvhere Benjamin
Rowland describes fenrale nudity at
length, his description of an early
male nude sculpturc ip particularly
vague by contrast:
on Indian art withgut coming across them numerous times. . . .this statuettc i3 complctgly India4
Benjamin Rowland, for example, describes thc female imagcs in in thc scrrlptor's rcatisation of thc
rearly Indian art thds: csscntial imagc, a symbolic rathcr
Thc implication of thc Indian Goddcss' procrcativc powcrs is containcd than dcscriptivc rcprcscntation of
in thc cxaggcration of thc globular pcndulousncss of thc brcasts which anatomy, in which thc articulation
appcar l;kc "goldcn jars," and thcre is a corrcsponding frank cmphasis on
of thc body is rcaliscd in broad
convcx plancs of nrodcling. . . . thc
thc widcsprcad hips and pudcnda.. . . thc intcrlocking of thc subtly
fact that thc figrrrc appcars potbcllicd
swclling convcx planc that dcfincs the bosom, abdomcn and pclvis scrvcs
to dcmonsrate, in appropriatclyabstract tcrms, thc roundncss and fullncss
is thcrc[orc, iconographically,
complctcly right and truthful. . . . qhis
lnd rvarmth of an actual body without in any way ncgating thc naturc o[
t is not a litcral imiuetion, such as onc
t.
thc mcdium.t ' finds in rvcstcrn sctrlpturc, brrt a
Even Coomaraswamy, who has dealt with the conceptual basis of suggcstion of flcshirtcss by such
nudity in Indian art morc extensively than most other scholars, dwells at propcrly sculptural and abstract
greater leng*r on descriptions of female nudity: "It will, indeed, havc dcviccs as thc intcrlocking of thc
bcen observed that there is scarcely a single female figure represented smooth and softly rnodcilcd convcx
in early"Indian art without erotic suggestion of some-kind, implied or planc of thc (orso and thc
explicitly expressed and emphasized; nowhere, indeed has the vegetative of thc dcpth of thc
cxaggcration
sexual motif been presented with greater frankness or transpare ncy. . ."0 navcl.T
In descriplions of specilic Kushan period sculptures from Mathura The. fact that thc malc figtrre iri
as well, authors are generally much more forthcoming on female. I question also has very well articu-
sexual body parts: "The rendering of the breasu with welldefincd latcd malg genitals is simply rrot
nipplcs, the fleshy torso and the stomach with deeply set navel aqc
Fig. 2 Indra, nd sandstonc, Kttshan mentionecl.s
nrore realiStic. . .,"u ot the following, "Although the heagr brcasls, 'Tl,i.r,ir'rl.rrlv a Dattern I{ifi most
amplq hips and fleshy thighs cmphasize the sheer phy.sical prescncc ltniorl, Mathura sl)b, Altkdrutra (l) ,t t
of the figurc, thc clcar and mut orrtlinc restrains the srvcllinrl seconrl centur\, ,4.D. (Pholo: 'flv descriptions of malc nudes, even
,\ I tl ro hnl i t n n,\l t r.rru n colbctiort. )
rvhcn tlrcir scxualitl, is vcry clcarly
c
( ('"(Yr)ttuut^NDI?AI ( ( ( ( ( ( I I ( < ( ( ( t( {,ns{,o,r"Ior,,!,r"n!ro*frt"rt*,*,I, n'
((((
,isiblc as is thc casc rvi[lr rnosr of thc surnding male {igurcs fr-orn
JVlathutitirt tltc l(ushan pcdod. Nore, for cxarnprc, rrrc Jescripuo.s
of sorrre nrale figrrrcs in various publications. The sexuat organs of the I t i
stahcl!ng large figure of Indra arc abundantly evidcnt (Fig. 2) but thc
:rqt hiltorical clescription of thc image avoids auy such mcntion: ". . .the
stylc of thc lower part of thc body-with a transparent dhoti, a kutisutra
l>clt and a scarf that conrcs from the back and loops across the right
lcg to tlre rvrist of tfie left arm in the mbde known as salavallika-
l
although. fotrnd in carly inrages such as those irl the Friar Bala group,
1
I ._ .',
visual sp'ecificity according to the description of the drapery the only
,iI thirtg not mentioned is thc scarcely concealed scxual organ of the
t
figure.
I Anothcr description of a Kuslran Bodhisattva image will serve to
make the point about the lack of emphasis on male sexuality, quite
clear (Fig. 3). Once again thc figirre is as nude in appearance as
any femalc image of the Kushan period: its nudicy is emphasizcd
through a transparent undergarment and threugh the lreavy nuistcd
sash just above the penis. The description of the figure avoids any
mention of it:
'
Thc prcscnt sculpturc, conccivcd in thc round, is minus its hcad, artns.and
fcct. Its scnsitivc modclling and grcat bcauty, as wcll as hcroic sizc, classifr
it as one of thc major imagcs of this typc that came from Mathura. Thc
Bodhisatcv-a displays a slight tibhanga stancc; his lcft arm rcstcd on thc hip
(whcrc parr of thc hand and tJrc wrist remain), whilc thc right onc possibly
hcld a Ilywhisk (cauri) ovcr thc right shouldcr. Thc transparcnt dhoti, with
the fabric gathcrcd bctwccn thc lcgs and its hcmlinc markcd, is hcld in
placc by a narrqw sash (partially visiblc dn't}c lcft side) that is incised with
tr roscttc pattcrn and cnds in tasscls. Over it is a bulky scart (uttaria)
that tcrminates in a loop on thc Icft hip of the figurc and cascadcs along
tJrc sidc of thc body. A singlc nccklace mpde of strands of bcads joincd
by clasps (phalahahara)and bracclcts (yalay) on thcwrist of thc rcmaining
Icft hand complcte thc Bodhisatna's attirc.ro
Such descriptions of the sgxuality of the male figure are common in
scholarly and popular literature, regarflless of.&e iconography of the !
image. Additionally, this pattern sepins to be consistently evident
throughout the history of scholarshiir of lndian art, from the early
twentieth. century to dre present <!ay.rt W\en it is men(ioned at all,
little attempt is madc ar trying ro come to some understanding of this
rather visua.fly promincnt feature of many of the Kushan male images
from dre Matl'rura rcgion. Thus, one of the few times when the male
gcniuls afe mentioned, as in the following descriprion of , irrgi Fig.3 tittshaw Bodhisouoa, red'sandslonc, citca 2nd cenlu'n, A'D'
scul!{'urq q( q milt Mathura. (Pholo: J,H. Wadt')
lt\}t\1t king or Brhnmr, there'is no discussio,
lr
of lvhy it is so prev:rlcnt in tl:e Kushan period:
( ( { ( cs(,,rsr{rr,r( r,r(.r ( ( ( ( ( ( ( ( ( ( ( ( ( { 't1,, rt;i<,,y *{, rr;,{,"s'$"y {"'t"!.'*"d { t'
t '1 'n
b Nonvithst-an<ling cmphasis o11 mass and cxprcssivc contorrr with srrbtlc a
This suggests that, very least, rve need to address the issue of
rhc developmenr of male and female figures from a rnore
comprehcrrsivc bf view, r:ather than remain focnssed so,lely on
fe male sexuality. Once we acknorvledge that there is a greater emphasis
on male sexuality in Kushan irnagery, then we have to pondcr thc
rcasons for and significance of such a development. The question is
particularly pertinent since most of the Kushan period images of divinc
and scnlidivine Iigures are among the earliest known visual
manifestations of many deitics. .
a corrcsponding clccrc:ue
I
t
thc changcs tltat seem quite apparent to(lay berrveen the carlier and is agrcatcr dcgrcc of flonnal {ixtrzcuon-;tntl
"J
later trgurcs Signiticantly' thcre is also ir
T, in thcir 1;ro.icction ot rnascul'irlq Powor' sexiral organ' Ily- the
. ln clmparis0n rvith the carly yaksha standing figures, scveral sr:rdrral tlc-c.rpnasis ""';;;;;;tt" 3-r-t1i"rale
atl:Itonly is qrrite abstfactcd^fo't^'t""t'
differences are ol>vious in the Kr.rshan standing male images. The iixtlt ce,rturl' this part qf thc rnalc rcservcd [or
oti' it it norrnally
Sunga figures arc rnore extensively roundcd with littJe articulation of nralc fiqttrcs \\te)n I tt"Pill^t;."t gf an ercct
" specific icclnograrrhic feature
the body. Tlre Ktuhan figures, on the other hand, are inrrariably more rhosc clcides rtho carry the factors'
ascribed t,o u 't'''tbt' of diffcrent
articulated and rvitl; a greater sensc of physical and athle tic energy. pcrris. Tiris changp lluJbtt'l
changcs in the-Gupta period
fu Stella I(ramrisch has observed, it rvas in the second century that Joanna \tilliams "t'*'"tic
the "malc body began to acquire a heroic chest, the disciplined "gg;;;;tilt
gr*"i;;.:.;lrasis on the visua'i unitl'of
the oblect"'r8
may bc rltrc ro
abdominal region narrorved and enlivened by a modelling as sensitive
"
as that. of the chest".15 The ueatment of the garment is also distinctly
different in the trvo traditions. While the ches6 of the earlier figures
arc exposed like those of their later counte rparts, their lower garment
ip quite elaboratc. Thick and extensively pleated, thc lower garments
dnd sashes invariably conceal the male gcnitalia. In direct contrast, the
sculptors of the Kushan period standing male figures use the drapery
and sashes in such a way that t}e sex organ is unrqistakably ernphasized
I
-. it is as if dre sashes of the earlier yaksha figures, falling heavily
benveerr the legs, were deliberately moved to the side to reveal the
i
male oqgln.
j A similar change is also evident in the depiction of female figures
in tlre Krxhan period. For cxample, the yakshi figures from Bharhut
rvith their claborate jewellery beaded garter belts, pleated garments
and cxtensive sashes conceal their sexual organs in the lower part of
the body while revealing their naked upper bodies. Kushan period
yakshis from Bhutesar are unabashedly sexual by comparison, with very
explicit references to their sexual organs. In femalq figures this
emphasis on the explicit reference to genitalia seerns to occur a little
earlier, initially shorving up in terracotta figures. For example, there
are somc terracotta figurines dating to the Sunga period thac have
$ome suggestion of pudenda,16 even if not as explicitly defined as the
Iater images..similarly, some of the yakstii figrrres at Sanchi, dating
from just before the beginning of the Christian cra, also have very
clearly articulated female organs. A similar emphasis on explicit
sexuality for male figures is actually not as consistently evident until
the development of the large standing male figures of various rypes
in the Kushan period.
That this evident emphasis on male sexual organs is a Kushan period
(Mathura) phenomenon is also cleay when such images are compared
with later figures dating from the fourth century on. If the Mathura I
I
Kushan inale standing sculpcures are described in terms of the ir athletip I
I
presence, youthful viulity and shecr physicaliry the Gupta sculprures, I
even from the region of and around Mathura, arc m0te ab$ract and !
.J\.4 ur, once sercllc and cnergetic, dpiritual and voluptuous"'r7 There
I
! s
t'
(({ (,,r(i.sr{A(u{..\(oo.(, ( ( ( ( ( ( ( ( ( ( '( ( (
( { tfi,tisn{,,,t,t(..,.,t,,d^,,tp[,.,J,r'd srd.tiq'{l( (
a
rl
irr tlrc l(trslratr periocl Inay slrgqcst tlreological atrdcorrcsponclilrq It slrotrlcl also be suetccl that clcsl.ritc its rclltively cvidcnt posititlrt ill
: icor.rographic signil.icances rlrar sh<>rrld nor be overlooked. tlrc dcscriptio. ol the tLirty-6vo lrkrllrnts, this fl:rtUt[ \tt$\\ \t \I\\-
It is rvell krrorvn that thc earlicst of Indian marc
cli*inities-Bucldhist,Jain and Hindu-in'isualisations. bccn dc-emphasizcd by carly rvritcrs on l]trdtlhist art, iildicating a
t],e Kushan period, especialli,
, prcjudice for a vierv of Btrddhist art that rvorrld resonate with tl'rc nort-
frorn the Mathura region, are clirectJy linked with the characteristic
scxrralizcd vierv of Christianiq'. I
I
( :( ( ( ( (((
{ i (unlhuuarek)
( ( (; ( ( I ( ( ( (' ( ( I
;(
(.
,l t-il"o,1 ,( .l t'ti(..,rog,{.,,hy,{,,1,tou( *ua( -1
"( o
rvas :rssocia(r:rl cxcltrsivcly rvith Slfva and rr,as rr'orslripPcrl
,rlral, Scrtlltture, PP.l$2 t\3 ll
,a
by thc l,iulruitata scct ir and around Mathurz.x, A]nrpsr all of ln\tan "Origin
sec Attatr<la Co<iinraraswanY'
thc r.F,or il tnol'c dctailed cliscursiort of this subicct,
I(ushan-fiathur;r dcpictions o['Shiva shorv hirn n5 ;1fil'phallic and ol-tcn " 'l'he Art BuLbtirt S June, l!)27' pp' 28G329 and.f .l'' Vogcl,
I r>f thc Btrddh:r hnagc,
Brugbcls, I 930.
rl reprcscnt hirrr in tiont <ll a linga.:to One could argue that, in [act, thc '
"[.r SculPturc de lr{athrrra" Ars Asiqtica,vol. 15. l'aris &
very popularity and prevalcnce of the wdhovarcle Slriva of thc rtCoornarasrrat t1', l{istot1, P'37
r5Stella Krarnri scl't, In dian Seulplute in the Philn&lphia lvluatin o/An (Philadelphia
Pashupata sect may havc played a role in thc devclopment of the :
scxualized personification of other divine and semidivine images in, Univelsity of Per-rnsylvarlia Prcss), p.35. '!'ertacoildAr' (Brookly:r: The
, l5r\rnv Poster, Fton htdian Eartlt: Four'l-houand lbars of
the Kushan period. I
:
that these sexualized beings are based on rnental constructi with :'A. Darrapicorra and
"'li:t[;;'it;''):;" Manohar' 1976)' p'102'
Chiialatuhano oJ Nagnajit (New Dcihi: ' I
cornplcx iconographic needs. In these'images, the sexual organ is not
I
irnage in thel.
depicted merely as an imitatjon of narural form; it is made evident ff;;;;".;;ili ,.if.r.n.. to the Buddha or ro the Buddha tcxtl
some sqholars have argued.that'tltls
Chitralakshano. n..,*t oithi"t"'on'
becquset it heightens the physical presencc of the male divinity and erz' Got*'amy- and ballapicolla'i
rnay date to the early ."tiuif' of the Christia'i
conireys powerful nodons of a sexualized super human being-a the icnPt
manuscript to llle
the early
earry C'po
vuPE ptJ"Jft"ty
P itt' ceutury) otr thel
horvevci daie
chakravartin-in a guiescent form. basis of la,guage. I
,v: thc Litanl (New York: Harper & Row, 1982), p.2.
' rT6ii-pipErwi3 firit presented at an annuat meeting of College Art Associarion iu
1994. I should like to acknowlcdge Dr. Vidya Dehejia for hcr encouragemenr and founder', Lakuli, detailedl
persistence to complete the article for inclusion in this publication. of the {btrnder; l
!Benjamirr Rowlarrd,Jr., Art in East atd Wcst (Boslorr: Beacon Press, lg54), p.19. {iscussiorr, see
'Arranda K Coomaraswany, Historl of Indian.and Indoncsian Arf (Ncw York:. Dovcr is da(ablc to;
Publications, 1965, 2nd ed.), p.64. of Shin standing in front of a linga is the Pradesh.
region
thc first cctttury B.C. and comes from the southern
r
Sculltturc, p.l3l.
roCzuma, Kullwn Scutpture, p.7 b. I
rrTltis I
discusipn is aimed not at such obviously sexdal representatiorls of deities
t ht
I
lfdhUl [nUa S\ivr, \ut railrer at ,r,or. g.n..tized images which are
norretheless cndowed wirh rcrT visiblc scxual Organs.
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