Oblivion

 
Quinten Keijsper Astor Piazolla

  
 
 = 80

B♭ Clarinet

 
Alto Saxophone                 

         
 
        
  
Horn in F

          

  
Tuba

 ad lib     
 
 
4

B♭ Cl.

 
A. Sax.               

         
           
  
F Hn.

    
      
 
Tba.

     
     

7

  
B♭ Cl.

        
A. Sax.     

           
       
F Hn.

   
Tba.           
           
    

10

     
B♭ Cl.

  
A. Sax.          

                  


F Hn.

    

               
 
Tba.

         
            
14

B♭ Cl.

 
               


A. Sax.

          

F Hn.

      
       
 
Tba.

   
           
   
17


B♭ Cl.

 
A. Sax.         

                   
   
F Hn.

 
         
Tba.
           

2
           
    
 
22

       
                 
B♭ Cl.

        

A. Sax.

    
       

F Hn.

    
              

Tba.

   
  
26

   
             
B♭ Cl.

  
 
  
A. Sax.

                  
  

F Hn.

 
Tba.          

    
      

30

    
B♭ Cl.

        
3

   

A. Sax.

            
      
 
F Hn.

    
  
   
Tba.

3
        
  

33

   
                  
B♭ Cl.

   

3

A. Sax.

     
   

 3

  
F Hn.

  
Tba.
          

         
  

36

B♭ Cl.

                  
 
3 3

A. Sax.

    
    

3 3
F Hn.

   
          
 
Tba.

    
          

39

               
      
B♭ Cl.

    
A. Sax.   

   
   
    
F Hn.

   
  
       
Tba.

4
 
                                 

42

B♭ Cl.

            



A. Sax.


3 3

      
  
3 3

 
F Hn.


  
       
3 3

 
Tba.

   
 
          
45

  
                     
B♭ Cl.

   
A. Sax. 

      
F Hn.
 
    
    

Tba.