Documente Academic
Documente Profesional
Documente Cultură
net/publication/317042096
CITATIONS READS
0 3,693
2 authors, including:
Satwik Rayjada
Indian Institute of Technology Bombay
4 PUBLICATIONS 0 CITATIONS
SEE PROFILE
Some of the authors of this publication are also working on these related projects:
Application of Ancient Indian Principles of Architecture and Engineering in Modern Practice View project
Seismic Performance Enhancement of RC Columns by FRP Retrofitting: State of Art Review View project
All content following this page was uploaded by Satwik Rayjada on 22 May 2017.
Abstract: - Architects and Engineers from Ancient India India Vastu texts were destroyed so texts written in south
has derived principles of construction and architecture India are considered as basic literature. There texts like
based on experience, observation of natural phenomena Mayamatam said to be written by sage Mayamuni,
and considering social and cultural aspect of India. These Samarangana Sutradhara of Bhojadeva and Aparajita prccha
principles are aimed at developing built environment [8] are the major technical treatises containing elaborate
which is compatible for the inhabitants and extracting descriptions on the aspects of architecture and engineering.
maximum benefits from nature. Various myths are The term Vastu was originally derived from the root word
prevailing regarding some principles which leads to vas, meaning to dwell or a dwelling place. The term Vastu
superstitious behavior among people. These principles can implies a human settlement or a place where more than one
be well explained using the modern scientific logic and household lives.
knowledge. Scientific study of these principles should be
done and they should be applied in contemporary practice.
This study attempts to explore basic principles of Indian
architecture and engineering based on Vastu Shastra (the
ancient Indian building science) texts, such as
Mayamattam, Samarangana Sutradhar, etc. An attempt is
made to give scientific reason of some principles that can
be adopted in modern practice of designing and
construction easily for comfort and happiness of
inhabitant.
I. Introduction
Art of architecture and construction in ancient Indian Fig. 1 Arrangement of Panch Mahabhoot
texts is called Vastu Vidhya. Marvelous monuments in India
With respect to cardinal directions
are exemplary examples of Vastu Vidhya which represent its
.
advance architectural and construction techniques.
Methodology of construction of these monuments represents Entire universe including our body is composed of five
harmony of structure with environment, rituals and lifestyle of basic elements- Air, Earth, Fire, Space and Water called
people of India. “Panch Mahabhoot” [4]. The main principle of Vastu is to
maintain the balance between dwelling/structure and the
There are so many texts written for principles of
elements of universe for happiness and comfort. Vastu is the
construction and architecture broadly, called Vastu Shasrta
science of direction that combines all the five elements of
[8]. The subject of Vastu Sastra had been rigorously dealt
nature and balances them with the man and the material [6].
across various ancient texts covering diverse subjects of
literature. It ranges from Vedic literature to Agamas, Puranas, II. Basic Principles
Sutras, Samhitas, Epics and other Treatises [8]. Due to
influence of Mughal rule and conflict between states of north The fundamental principles of Vastu Shastra are
applied in constructing buildings such as residential buildings,
commercial complexes, industry layouts, towns, temples, etc. aim in orientation principles of Vastu Shastra is setting of
There are five basic principles on which the great edifice of structure and its components of in such a way that they may
the Vastu science of architecture stands. They are: get maximum benefits from solar radiation and wind.
(1) Examination and Selection of Site: - Bhu Pariksha.
Padavinyasa (Vastu Purusha Mandala)
(2) Orientation:-Dik Nirnaya.
(3) Planning of various component:-Padavinyasa (Vastu It constitutes mathematical and diagrammatic basis for
Purusha Mandala) generating design. Purusha refers to energy, power, soul or
(4) Proportion and Measurement of building:-Manna and cosmic man. Mandala is the generic name for any plan or
Ayadi. chart which symbolically represents the cosmos [4].
(5) The aesthetics of the building: - Bhulambamana or Padavinyasa is the process in which the site is divided into
Chanada. various numbers of squares. The number of squares varies
These principles are based on movement of celestial from Single Square (1x1 grid) to 32x32 (1084) squares
elements like planets, Sun, Moon and their effects on depending upon type of construction, where each square is
environment, velocity and direction of wind rainfall volume referred to be as Padas [8]. Most common mandala is shown
and intensity and characteristic of soil. These principles are in figure-3. Pada – deities are assigned to the divided squares
also derived on the basis of special characteristics and and are named after the deity assigned. It defines stable
influences of elements of universe such as the magnetic field, structural grid for construction [7]. Deities can be considered
gravitational effect of Earth and Galaxies in sky, light and heat as component of nature or controller of particular natural
of Sun including the effects of its ultra-violet and infra-red component of phenomena as per ancient Indian thought.
rays, etc. [2]. It reflects Indian philosophy of life and inter- Arrangement of deity is indirectly indicates the aspect of
relationship between human and environment. It also includes particular component. It guides us to formulate activity zoning
the art of interior designing and decoration with reference to in the house. For example location of Agni(God of Fire) is in
the five natural elements. South -East direction indicates arrangement of human activity
Bhu Pariksha
It is unique method of testing the site, before it is selected
for the construction. The soil has to be examined for its shape,
contour, odour, colour, taste and touch.
Dik Nirnaya
According to Indian texts of architecture, the cardinal
directions hold a particular significance. The various
associations are given to the eight cardinal directions. Main