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  • IMSLP25298-PMLP56790-50 Maten Voor Cello PDF

    Încărcat de

    Thomas Lim
    68 vizualizări2 pagini
    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

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    IMSLP25298-PMLP56790-50_maten_voor_cello.pdf

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    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    68 vizualizări2 pagini

    IMSLP25298-PMLP56790-50 Maten Voor Cello PDF

    Încărcat de

    Thomas Lim
    1) The document appears to be a musical score written for cello consisting of musical notation. 2) It contains musical notation including dynamics, tempo markings, and other performance instructions. 3) The score is untitled other than "50 maten voor cello" which may indicate it contains 50 pieces or movements for cello.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    din 2

    Peter Bouma zum 50.

    Geburtstag

    50 maten voor cello hugo bouma


    Grave, rubato
                 
             
     
                              
    p f

        
    mf

            
            

        
    6
     
        
          
      
    pp mp 
                  
    10
             
              
      
                       
     
                         
              
      
    15
           
                   
     
    ff
          
             
    20
            
         

        
           
     
       
         
    22
         
    mp ff
    2

                      
          
    26

              
                   
    
    mf p pp

    
                
                 
    33
       
    più mosso
         
            

                      
                                     
    38

     
    ff p

    
    42
            
              
    . a tempo
    
    ritard. . . . . .
             
    f
            

                           
          
    46
               
       
     
       
    

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