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Instructions:
Assignment 1 is divided into two sections. This first section, 1a, relates to
library resources and is designed to help you research for section 1b.
If mitigating circumstances mean that you are unable to hand in the
assignment by the due date you will need to contact either Allan or Phillippa
in advance. All the usual penalties for lateness and plagiarism apply.
Tutorials:
The Library is offering some optional 1-hour tutorials to help with this
assignment, on level 4 of the General Library. Bring a laptop or device with
you if possible. You can book one of the tutorial spaces here -
https://www.library.auckland.ac.nz/workshops/?p=view_workshop&id=16
12
Tutorial and drop-in times:
Tues 30th July Wed 31st July Thurs 1st Aug Fri 14th Aug
11-12am
3-4pm 3-4pm 3-4pm
Level 4, GL Level 4, GL Level 4, GL
Mon 5th Aug Tues 6th Aug Wed 7th Aug Thurs 8th Aug Thurs 8th Aug
11am Drop-in Drop-in Assignment
3-4pm 3-4pm 11-1pm 11-1pm Due 1pm
Level 4, GL Level 4, GL Level 4, GL Level 4, GL
Submissions:
Submit the completed library assignment online via Canvas.
Please save your work as a PDF or Word document.
Attach a completed assignment cover sheet to your work. Cover sheets are
available on the Canvas course page.
Title: Adrian Willaert and the theory of interval affect : the Musica nova madrigals
and the novel theories of Zarlino and Vicentino
Cont.
1
Publisher: Ashgate Pub. Co.
Who is the composer who wrote the song called Weep, O Mine Eyes?
John Bennet
B Quintet
Search for the madrigal “Thule the period of cosmography” in the Choral Public
Domain Library.
2
How many voices is it composed for?
6 Voices: SSATBB
3
5. Find scores in the library 3 marks
https://www.library.auckland.ac.nz/
Find a physical copy of the Oxford Book of English Madrigals and then locate
the score of the madrigal Quick quick away, dispatch.
Who is the madrigal dedicated to? (big hint: check the footnotes)
Library > Study > Subject Guides > Creative Arts > Music > Databases > Oxford
Music Online
“A poem without rules and without specified form” or “A song in the mother tongue”
Joseph Kerman
c. Who do they suggest were the 3 most famous English madrigal composers?
“Campion now prefaced his First Booke of Ayres (1601) with a sharp attack on music ‘which is
long, intricate, bated with fuge, chaind with sincopation, and where the nature of everie word is
precisely expresst in the Note … such childish observing of words is altogether ridiculous’.”